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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC09B5 it is the complementary color #23F64A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC09B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC09B5 shade: #E109B0, #F21BC3, #FF2DD6, #FF3FE9 and #FF51FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC09B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC09B5 shade: #DC09B5, #CB00A2, #BA008F, #A9007C and #980069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC09B5 shade: #DC09B5, #DC097C, #DC0943, #DC090A and #DC0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC09B5 shade: #DC09B5, #CA09DC, #9109DC, #5809DC and #1F09DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC09B5 shade matches the following richer shades: #DC09B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC09B5 shade: #DC09B5, #C91BA9, #B72E9D, #A44092 and #925386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC09B5 shade: #9209DC, #CA09DC, #DC09B5, #DC097D and #DC0945

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC09B5 shade: #8D0574, #B40794, #DC09B5, #F519CC and #F740D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC09B5 shade: #DC09B5, #DC5A09 and #09DCAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC09B5 shade: #DC09B5, #B5DC09 and #09B5DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC09B5 shade: #DC09B5, #DC5A09, #09DC2F and #098BDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC09B5 shade: #DC09B5, #DC9909, #09DC2F and #094CDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

Complementary color

CMYK 86 / 0 / 70 / 4

HEX #23F64A

RGB 35 246 74

HSL 131.09, 0.92%, 0.55%

LAB 85.38, -79.01, 66.01

 

CMYK 0 / 96 / 22 / 12

HEX #E109B0

RGB 225 9 176

HSL 313.61, 0.92%, 0.46%

LAB 51.08, 82.36, -30.8

 

CMYK 0 / 89 / 19 / 5

HEX #F21BC3

RGB 242 27 195

HSL 313.12, 0.89%, 0.53%

LAB 55.69, 86, -34.43

 

CMYK 0 / 82 / 16 / 0

HEX #FF2DD6

RGB 255 45 214

HSL 311.71, 1%, 0.59%

LAB 59.88, 87.85, -38.57

 

CMYK 0 / 75 / 9 / 0

HEX #FF3FE9

RGB 255 63 233

HSL 306.88, 1%, 0.62%

LAB 62.25, 86.13, -45.53

 

CMYK 0 / 68 / 1 / 0

HEX #FF51FC

RGB 255 81 252

HSL 301.03, 1%, 0.66%

LAB 65.1, 83.49, -51.58

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 0 / 100 / 20 / 20

HEX #CB00A2

RGB 203 0 162

HSL 312.12, 1%, 0.4%

LAB 46.05, 77.27, -30.66

 

CMYK 0 / 100 / 23 / 27

HEX #BA008F

RGB 186 0 143

HSL 313.87, 1%, 0.36%

LAB 41.88, 71.76, -25.94

 

CMYK 0 / 100 / 27 / 34

HEX #A9007C

RGB 169 0 124

HSL 315.98, 1%, 0.33%

LAB 37.64, 66.17, -21.05

 

CMYK 0 / 100 / 31 / 40

HEX #980069

RGB 152 0 105

HSL 318.55, 1%, 0.3%

LAB 33.34, 60.49, -15.96

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 0 / 96 / 44 / 14

HEX #DC097C

RGB 220 9 124

HSL 327.3, 0.92%, 0.45%

LAB 48.09, 76.06, -4.26

 

CMYK 0 / 96 / 70 / 14

HEX #DC0943

RGB 220 9 67

HSL 343.51, 0.92%, 0.45%

LAB 46.73, 72.39, 29.01

 

CMYK 0 / 96 / 95 / 14

HEX #DC090A

RGB 220 9 10

HSL 359.72, 0.92%, 0.45%

LAB 46.22, 70.97, 57.27

 

CMYK 0 / 96 / 96 / 14

HEX #DC0909

RGB 220 9 9

HSL 0, 0.92%, 0.45%

LAB 46.22, 70.97, 57.55

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 8 / 96 / 0 / 14

HEX #CA09DC

RGB 202 9 220

HSL 294.88, 0.92%, 0.45%

LAB 49.4, 84.42, -59.2

 

CMYK 34 / 96 / 0 / 14

HEX #9109DC

RGB 145 9 220

HSL 278.67, 0.92%, 0.45%

LAB 40.22, 76.73, -74.53

 

CMYK 60 / 96 / 0 / 14

HEX #5809DC

RGB 88 9 220

HSL 262.46, 0.92%, 0.45%

LAB 32.78, 71.67, -87.05

 

CMYK 86 / 96 / 0 / 14

HEX #1F09DC

RGB 31 9 220

HSL 246.26, 0.92%, 0.45%

LAB 28.52, 69.49, -94.26

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 0 / 87 / 16 / 21

HEX #C91BA9

RGB 201 27 169

HSL 311.03, 0.76%, 0.45%

LAB 47.06, 74.71, -33.27

 

CMYK 0 / 75 / 14 / 28

HEX #B72E9D

RGB 183 46 157

HSL 311.39, 0.6%, 0.45%

LAB 44.88, 64.61, -29.77

 

CMYK 0 / 61 / 11 / 36

HEX #A44092

RGB 164 64 146

HSL 310.8, 0.44%, 0.45%

LAB 43.7, 51.18, -25.22

 

CMYK 0 / 43 / 8 / 43

HEX #925386

RGB 146 83 134

HSL 311.43, 0.28%, 0.45%

LAB 44.26, 33.89, -17.33

 

CMYK 34 / 96 / 0 / 14

HEX #9209DC

RGB 146 9 220

HSL 278.96, 0.92%, 0.45%

LAB 40.37, 76.84, -74.28

 

CMYK 8 / 96 / 0 / 14

HEX #CA09DC

RGB 202 9 220

HSL 294.88, 0.92%, 0.45%

LAB 49.4, 84.42, -59.2

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 0 / 96 / 43 / 14

HEX #DC097D

RGB 220 9 125

HSL 327.01, 0.92%, 0.45%

LAB 48.12, 76.14, -4.82

 

CMYK 0 / 96 / 69 / 14

HEX #DC0945

RGB 220 9 69

HSL 342.94, 0.92%, 0.45%

LAB 46.76, 72.47, 27.83

 

CMYK 0 / 96 / 18 / 45

HEX #8D0574

RGB 141 5 116

HSL 311.03, 0.93%, 0.29%

LAB 31.88, 58.87, -25.42

 

CMYK 0 / 96 / 18 / 29

HEX #B40794

RGB 180 7 148

HSL 311.1, 0.93%, 0.37%

LAB 41.21, 70.52, -30.13

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 0 / 90 / 17 / 4

HEX #F519CC

RGB 245 25 204

HSL 311.18, 0.92%, 0.53%

LAB 56.55, 87.93, -38.21

 

CMYK 0 / 74 / 14 / 3

HEX #F740D5

RGB 247 64 213

HSL 311.15, 0.92%, 0.61%

LAB 60.11, 81.41, -37.74

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 0 / 59 / 96 / 14

HEX #DC5A09

RGB 220 90 9

HSL 23.03, 0.92%, 0.45%

LAB 54.6, 47.88, 62.28

 

CMYK 96 / 0 / 21 / 14

HEX #09DCAE

RGB 9 220 174

HSL 166.92, 0.92%, 0.45%

LAB 78.64, -55.27, 10.14

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 18 / 0 / 96 / 14

HEX #B5DC09

RGB 181 220 9

HSL 71.09, 0.92%, 0.45%

LAB 82.39, -35.29, 80.38

 

CMYK 96 / 18 / 0 / 14

HEX #09B5DC

RGB 9 181 220

HSL 191.09, 0.92%, 0.45%

LAB 68.22, -24.28, -30.27

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 0 / 59 / 96 / 14

HEX #DC5A09

RGB 220 90 9

HSL 23.03, 0.92%, 0.45%

LAB 54.6, 47.88, 62.28

 

CMYK 96 / 0 / 79 / 14

HEX #09DC2F

RGB 9 220 47

HSL 130.81, 0.92%, 0.45%

LAB 76.95, -75.17, 66.44

 

CMYK 96 / 37 / 0 / 14

HEX #098BDC

RGB 9 139 220

HSL 203.03, 0.92%, 0.45%

LAB 55.78, -1.17, -49.77

 

CMYK 0 / 96 / 18 / 14

HEX #DC09B5

RGB 220 9 181

HSL 311.09, 0.92%, 0.45%

LAB 50.39, 82.03, -34.88

 

CMYK 0 / 30 / 96 / 14

HEX #DC9909

RGB 220 153 9

HSL 40.95, 0.92%, 0.45%

LAB 68.03, 15.44, 71.23

 

CMYK 96 / 0 / 79 / 14

HEX #09DC2F

RGB 9 220 47

HSL 130.81, 0.92%, 0.45%

LAB 76.95, -75.17, 66.44

 

CMYK 96 / 65 / 0 / 14

HEX #094CDC

RGB 9 76 220

HSL 220.95, 0.92%, 0.45%

LAB 38.54, 38.76, -77.66

 

Description

Color code: HEX #DC09B5 | qconv.com Color code: HEX #DC09B5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 9 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 9 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 18 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 18% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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