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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBFC7C it is the complementary color #240383. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBFC7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBFC7C shade: #E0FC77, #F1FF8A, #FFFF9D, #FFFFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBFC7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBFC7C shade: #DBFC7C, #CAEA69, #B9D856, #A8C643 and #97B430

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBFC7C shade: #DBFC7D, #FCFA7D, #FCD87D, #FCB67D and #FC937D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBFC7C shade: #DBFC7D, #B9FC7D, #96FC7D, #7DFC85 and #7DFCA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBFC7C shade matches the following richer shades: #DBFC7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBFC7C shade: #DBFC7D, #D6F187, #D1E692, #CBDC9D and #C6D1A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBFC7C shade: #FCD87D, #FCFA7D, #DCFC7D, #BAFC7D and #98FC7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBFC7C shade: #C5FA2C, #D0FB54, #DBFC7D, #E6FDA5 and #F1FDCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBFC7C shade: #DBFC7C, #7DFCB6 and #E97DFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBFC7C shade: #DBFC7C, #7DDCFC and #FC7DDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBFC7C shade: #DBFC7C, #7DFCB6, #9C7DFC and #FC7DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBFC7C shade: #DBFC7C, #7DFCDC, #9C7DFC and #FC7D9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 51 / 1

HEX #DBFC7C

RGB 219 252 124

HSL 75.47, 0.96%, 0.74%

LAB 94.37, -29.29, 57.14

 

Complementary color

CMYK 73 / 98 / 0 / 49

HEX #240383

RGB 36 3 131

HSL 255.47, 0.96%, 0.26%

LAB 15.9, 48.06, -61.68

 

CMYK 11 / 0 / 53 / 1

HEX #E0FC77

RGB 224 252 119

HSL 72.63, 0.96%, 0.73%

LAB 94.65, -27.84, 59.81

 

CMYK 5 / 0 / 46 / 0

HEX #F1FF8A

RGB 241 255 138

HSL 67.18, 1%, 0.77%

LAB 96.84, -21.05, 54.02

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 13 / 0 / 51 / 1

HEX #DBFC7C

RGB 219 252 124

HSL 75.47, 0.96%, 0.74%

LAB 94.37, -29.29, 57.14

 

CMYK 14 / 0 / 55 / 8

HEX #CAEA69

RGB 202 234 105

HSL 74.88, 0.75%, 0.66%

LAB 88.17, -29.03, 58.17

 

CMYK 14 / 0 / 60 / 15

HEX #B9D856

RGB 185 216 86

HSL 74.31, 0.63%, 0.59%

LAB 81.89, -28.69, 59.08

 

CMYK 15 / 0 / 66 / 22

HEX #A8C643

RGB 168 198 67

HSL 73.74, 0.53%, 0.52%

LAB 75.52, -28.25, 59.77

 

CMYK 16 / 0 / 73 / 29

HEX #97B430

RGB 151 180 48

HSL 73.18, 0.58%, 0.45%

LAB 69.07, -27.68, 60.04

 

CMYK 13 / 0 / 50 / 1

HEX #DBFC7D

RGB 219 252 125

HSL 75.59, 0.95%, 0.74%

LAB 94.38, -29.19, 56.7

 

CMYK 0 / 1 / 50 / 1

HEX #FCFA7D

RGB 252 250 125

HSL 59.06, 0.95%, 0.74%

LAB 96.22, -15.54, 59.46

 

CMYK 0 / 14 / 50 / 1

HEX #FCD87D

RGB 252 216 125

HSL 42.99, 0.95%, 0.74%

LAB 87.62, 1.41, 49.17

 

CMYK 0 / 28 / 50 / 1

HEX #FCB67D

RGB 252 182 125

HSL 26.93, 0.95%, 0.74%

LAB 79.4, 19.06, 38.92

 

CMYK 0 / 42 / 50 / 1

HEX #FC937D

RGB 252 147 125

HSL 10.39, 0.95%, 0.74%

LAB 71.58, 37.31, 28.79

 

CMYK 13 / 0 / 50 / 1

HEX #DBFC7D

RGB 219 252 125

HSL 75.59, 0.95%, 0.74%

LAB 94.38, -29.19, 56.7

 

CMYK 27 / 0 / 50 / 1

HEX #B9FC7D

RGB 185 252 125

HSL 91.65, 0.95%, 0.74%

LAB 92.32, -41.52, 53.74

 

CMYK 40 / 0 / 50 / 1

HEX #96FC7D

RGB 150 252 125

HSL 108.19, 0.95%, 0.74%

LAB 90.59, -52.9, 51.24

 

CMYK 50 / 0 / 47 / 1

HEX #7DFC85

RGB 125 252 133

HSL 123.78, 0.95%, 0.74%

LAB 89.71, -58.85, 46.18

 

CMYK 50 / 0 / 34 / 1

HEX #7DFCA7

RGB 125 252 167

HSL 139.84, 0.95%, 0.74%

LAB 90.22, -53.55, 30.15

 

CMYK 13 / 0 / 50 / 1

HEX #DBFC7D

RGB 219 252 125

HSL 75.59, 0.95%, 0.74%

LAB 94.38, -29.19, 56.7

 

CMYK 13 / 0 / 50 / 1

HEX #DBFC7D

RGB 219 252 125

HSL 75.59, 0.95%, 0.74%

LAB 94.38, -29.19, 56.7

 

CMYK 11 / 0 / 44 / 5

HEX #D6F187

RGB 214 241 135

HSL 75.28, 0.79%, 0.74%

LAB 91.21, -24.89, 48.09

 

CMYK 9 / 0 / 37 / 10

HEX #D1E692

RGB 209 230 146

HSL 75, 0.63%, 0.74%

LAB 88.08, -20.21, 38.65

 

CMYK 8 / 0 / 29 / 14

HEX #CBDC9D

RGB 203 220 157

HSL 76.19, 0.47%, 0.74%

LAB 85.16, -16.09, 29.13

 

CMYK 5 / 0 / 20 / 18

HEX #C6D1A7

RGB 198 209 167

HSL 75.71, 0.31%, 0.74%

LAB 82.05, -10.93, 19.62

 

CMYK 0 / 14 / 50 / 1

HEX #FCD87D

RGB 252 216 125

HSL 42.99, 0.95%, 0.74%

LAB 87.62, 1.41, 49.17

 

CMYK 0 / 1 / 50 / 1

HEX #FCFA7D

RGB 252 250 125

HSL 59.06, 0.95%, 0.74%

LAB 96.22, -15.54, 59.46

 

CMYK 13 / 0 / 50 / 1

HEX #DCFC7D

RGB 220 252 125

HSL 75.12, 0.95%, 0.74%

LAB 94.45, -28.82, 56.8

 

CMYK 26 / 0 / 50 / 1

HEX #BAFC7D

RGB 186 252 125

HSL 91.18, 0.95%, 0.74%

LAB 92.37, -41.17, 53.82

 

CMYK 40 / 0 / 50 / 1

HEX #98FC7D

RGB 152 252 125

HSL 107.24, 0.95%, 0.74%

LAB 90.68, -52.3, 51.37

 

CMYK 21 / 0 / 82 / 2

HEX #C5FA2C

RGB 197 250 44

HSL 75.44, 0.95%, 0.58%

LAB 91.87, -41.69, 83

 

CMYK 17 / 0 / 67 / 2

HEX #D0FB54

RGB 208 251 84

HSL 75.45, 0.95%, 0.66%

LAB 93.03, -36.09, 72.17

 

CMYK 13 / 0 / 50 / 1

HEX #DBFC7D

RGB 219 252 125

HSL 75.59, 0.95%, 0.74%

LAB 94.38, -29.19, 56.7

 

CMYK 9 / 0 / 35 / 1

HEX #E6FDA5

RGB 230 253 165

HSL 75.68, 0.96%, 0.82%

LAB 95.91, -21.26, 39.68

 

CMYK 5 / 0 / 19 / 1

HEX #F1FDCD

RGB 241 253 205

HSL 75, 0.92%, 0.9%

LAB 97.37, -11.88, 21.69

 

CMYK 13 / 0 / 51 / 1

HEX #DBFC7C

RGB 219 252 124

HSL 75.47, 0.96%, 0.74%

LAB 94.37, -29.29, 57.14

 

CMYK 50 / 0 / 28 / 1

HEX #7DFCB6

RGB 125 252 182

HSL 146.93, 0.95%, 0.74%

LAB 90.49, -50.81, 22.92

 

CMYK 8 / 50 / 0 / 1

HEX #E97DFC

RGB 233 125 252

HSL 291.02, 0.95%, 0.74%

LAB 68.77, 59.97, -45.99

 

CMYK 13 / 0 / 51 / 1

HEX #DBFC7C

RGB 219 252 124

HSL 75.47, 0.96%, 0.74%

LAB 94.37, -29.29, 57.14

 

CMYK 50 / 13 / 0 / 1

HEX #7DDCFC

RGB 125 220 252

HSL 195.12, 0.95%, 0.74%

LAB 83.22, -19.72, -24.28

 

CMYK 0 / 50 / 13 / 1

HEX #FC7DDC

RGB 252 125 220

HSL 315.12, 0.95%, 0.74%

LAB 69.85, 59.84, -26.52

 

CMYK 13 / 0 / 51 / 1

HEX #DBFC7C

RGB 219 252 124

HSL 75.47, 0.96%, 0.74%

LAB 94.37, -29.29, 57.14

 

CMYK 50 / 0 / 28 / 1

HEX #7DFCB6

RGB 125 252 182

HSL 146.93, 0.95%, 0.74%

LAB 90.49, -50.81, 22.92

 

CMYK 38 / 50 / 0 / 1

HEX #9C7DFC

RGB 156 125 252

HSL 254.65, 0.95%, 0.74%

LAB 60.57, 40.26, -59.5

 

CMYK 0 / 50 / 23 / 1

HEX #FC7DC3

RGB 252 125 195

HSL 326.93, 0.95%, 0.74%

LAB 68.97, 56.21, -13.93

 

CMYK 13 / 0 / 51 / 1

HEX #DBFC7C

RGB 219 252 124

HSL 75.47, 0.96%, 0.74%

LAB 94.37, -29.29, 57.14

 

CMYK 50 / 0 / 13 / 1

HEX #7DFCDC

RGB 125 252 220

HSL 164.88, 0.95%, 0.74%

LAB 91.3, -42.88, 4.51

 

CMYK 38 / 50 / 0 / 1

HEX #9C7DFC

RGB 156 125 252

HSL 254.65, 0.95%, 0.74%

LAB 60.57, 40.26, -59.5

 

CMYK 0 / 50 / 38 / 1

HEX #FC7D9C

RGB 252 125 156

HSL 345.35, 0.95%, 0.74%

LAB 67.85, 51.38, 6.36

 

Description

Color code: HEX #DBFC7C | qconv.com Color code: HEX #DBFC7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 252 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 252 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 51 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 51% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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