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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBF73C it is the complementary color #2408C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBF73C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBF73C shade: #E0F737, #F1FF4A, #FFFF5D, #FFFF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBF73C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBF73C shade: #DBF73C, #CAE529, #B9D316, #A8C103 and #97AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBF73C shade: #DAF63B, #F6E03B, #F6AD3B, #F67B3B and #F6483B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBF73C shade: #DAF63B, #A8F63B, #75F63B, #42F63B and #3BF666

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBF73C shade matches the following richer shades: #DAF63B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBF73C shade: #DAF63B, #CFE64B, #C3D55C, #B8C56C and #ACB47D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBF73C shade: #F6AB3B, #F6DD3B, #DDF63B, #ABF63B and #79F63B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBF73C shade: #B7D608, #D3F513, #DAF63B, #E2F862 and #E9FA8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBF73C shade: #DBF73C, #3BF679 and #C43BF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBF73C shade: #DBF73C, #3BDDF6 and #F63BDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBF73C shade: #DBF73C, #3BF679, #543BF6 and #F63BB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBF73C shade: #DBF73C, #3BF6B2, #543BF6 and #F63B7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 76 / 3

HEX #DBF73C

RGB 219 247 60

HSL 68.98, 0.92%, 0.6%

LAB 92.53, -31.2, 79.97

 

Complementary color

CMYK 82 / 96 / 0 / 24

HEX #2408C3

RGB 36 8 195

HSL 248.98, 0.92%, 0.4%

LAB 25.23, 63.46, -85.19

 

CMYK 9 / 0 / 78 / 3

HEX #E0F737

RGB 224 247 55

HSL 67.19, 0.92%, 0.59%

LAB 92.86, -29.4, 81.8

 

CMYK 5 / 0 / 71 / 0

HEX #F1FF4A

RGB 241 255 74

HSL 64.64, 1%, 0.65%

LAB 96.29, -25.56, 79.68

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5D

RGB 255 255 93

HSL 60, 1%, 0.68%

LAB 97.46, -18.98, 74.38

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 11 / 0 / 76 / 3

HEX #DBF73C

RGB 219 247 60

HSL 68.98, 0.92%, 0.6%

LAB 92.53, -31.2, 79.97

 

CMYK 12 / 0 / 82 / 10

HEX #CAE529

RGB 202 229 41

HSL 68.62, 0.78%, 0.53%

LAB 86.38, -30.34, 79.09

 

CMYK 12 / 0 / 90 / 17

HEX #B9D316

RGB 185 211 22

HSL 68.25, 0.81%, 0.46%

LAB 80.16, -29.31, 77.2

 

CMYK 13 / 0 / 98 / 24

HEX #A8C103

RGB 168 193 3

HSL 67.89, 0.97%, 0.38%

LAB 73.85, -28.1, 74.04

 

CMYK 14 / 0 / 100 / 31

HEX #97AF00

RGB 151 175 0

HSL 68.23, 1%, 0.34%

LAB 67.46, -26.67, 69.04

 

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

CMYK 0 / 9 / 76 / 4

HEX #F6E03B

RGB 246 224 59

HSL 52.94, 0.91%, 0.6%

LAB 88.55, -9.12, 77.38

 

CMYK 0 / 30 / 76 / 4

HEX #F6AD3B

RGB 246 173 59

HSL 36.58, 0.91%, 0.6%

LAB 75.94, 17.14, 65.61

 

CMYK 0 / 50 / 76 / 4

HEX #F67B3B

RGB 246 123 59

HSL 20.53, 0.91%, 0.6%

LAB 65.02, 42.99, 54.9

 

CMYK 0 / 71 / 76 / 4

HEX #F6483B

RGB 246 72 59

HSL 4.17, 0.91%, 0.6%

LAB 56.63, 65.09, 46.23

 

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

CMYK 32 / 0 / 76 / 4

HEX #A8F63B

RGB 168 246 59

HSL 85.03, 0.91%, 0.6%

LAB 89.18, -50.03, 76.03

 

CMYK 52 / 0 / 76 / 4

HEX #75F63B

RGB 117 246 59

HSL 101.39, 0.91%, 0.6%

LAB 87, -65.93, 73.19

 

CMYK 73 / 0 / 76 / 4

HEX #42F63B

RGB 66 246 59

HSL 117.75, 0.91%, 0.6%

LAB 85.7, -76.62, 71.48

 

CMYK 76 / 0 / 59 / 4

HEX #3BF666

RGB 59 246 102

HSL 133.8, 0.91%, 0.6%

LAB 85.91, -73.65, 55.4

 

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

CMYK 10 / 0 / 67 / 10

HEX #CFE64B

RGB 207 230 75

HSL 68.9, 0.76%, 0.6%

LAB 87.18, -27.32, 69.52

 

CMYK 8 / 0 / 57 / 16

HEX #C3D55C

RGB 195 213 92

HSL 68.93, 0.59%, 0.6%

LAB 81.82, -22.82, 56.58

 

CMYK 7 / 0 / 45 / 23

HEX #B8C56C

RGB 184 197 108

HSL 68.76, 0.43%, 0.6%

LAB 76.8, -17.85, 42.94

 

CMYK 4 / 0 / 31 / 29

HEX #ACB47D

RGB 172 180 125

HSL 68.73, 0.27%, 0.6%

LAB 71.48, -11.88, 27.18

 

CMYK 0 / 30 / 76 / 4

HEX #F6AB3B

RGB 246 171 59

HSL 35.94, 0.91%, 0.6%

LAB 75.47, 18.19, 65.16

 

CMYK 0 / 10 / 76 / 4

HEX #F6DD3B

RGB 246 221 59

HSL 51.98, 0.91%, 0.6%

LAB 87.79, -7.63, 76.68

 

CMYK 10 / 0 / 76 / 4

HEX #DDF63B

RGB 221 246 59

HSL 68.02, 0.91%, 0.6%

LAB 92.4, -29.98, 80.18

 

CMYK 30 / 0 / 76 / 4

HEX #ABF63B

RGB 171 246 59

HSL 84.06, 0.91%, 0.6%

LAB 89.34, -48.97, 76.24

 

CMYK 51 / 0 / 76 / 4

HEX #79F63B

RGB 121 246 59

HSL 100.11, 0.91%, 0.6%

LAB 87.14, -64.85, 73.37

 

CMYK 14 / 0 / 96 / 16

HEX #B7D608

RGB 183 214 8

HSL 69.03, 0.93%, 0.44%

LAB 80.84, -31.73, 79.33

 

CMYK 14 / 0 / 92 / 4

HEX #D3F513

RGB 211 245 19

HSL 69.03, 0.92%, 0.52%

LAB 91.33, -34.56, 87.17

 

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

CMYK 9 / 0 / 60 / 3

HEX #E2F862

RGB 226 248 98

HSL 68.8, 0.91%, 0.68%

LAB 93.53, -26.83, 67.59

 

CMYK 7 / 0 / 45 / 2

HEX #E9FA8A

RGB 233 250 138

HSL 69.11, 0.92%, 0.76%

LAB 94.96, -21.7, 51.59

 

CMYK 11 / 0 / 76 / 3

HEX #DBF73C

RGB 219 247 60

HSL 68.98, 0.92%, 0.6%

LAB 92.53, -31.2, 79.97

 

CMYK 76 / 0 / 51 / 4

HEX #3BF679

RGB 59 246 121

HSL 139.89, 0.91%, 0.6%

LAB 86.12, -71.14, 47.03

 

CMYK 20 / 76 / 0 / 4

HEX #C43BF6

RGB 196 59 246

HSL 283.96, 0.91%, 0.6%

LAB 53.51, 78.06, -67.28

 

CMYK 11 / 0 / 76 / 3

HEX #DBF73C

RGB 219 247 60

HSL 68.98, 0.92%, 0.6%

LAB 92.53, -31.2, 79.97

 

CMYK 76 / 10 / 0 / 4

HEX #3BDDF6

RGB 59 221 246

HSL 188.02, 0.91%, 0.6%

LAB 81.45, -32.41, -23.95

 

CMYK 0 / 76 / 10 / 4

HEX #F63BDD

RGB 246 59 221

HSL 308.02, 0.91%, 0.6%

LAB 59.84, 83.68, -42.7

 

CMYK 11 / 0 / 76 / 3

HEX #DBF73C

RGB 219 247 60

HSL 68.98, 0.92%, 0.6%

LAB 92.53, -31.2, 79.97

 

CMYK 76 / 0 / 51 / 4

HEX #3BF679

RGB 59 246 121

HSL 139.89, 0.91%, 0.6%

LAB 86.12, -71.14, 47.03

 

CMYK 66 / 76 / 0 / 4

HEX #543BF6

RGB 84 59 246

HSL 248.02, 0.91%, 0.6%

LAB 40.68, 62, -88.77

 

CMYK 0 / 76 / 25 / 4

HEX #F63BB8

RGB 246 59 184

HSL 319.89, 0.91%, 0.6%

LAB 58.21, 78.92, -24.12

 

CMYK 11 / 0 / 76 / 3

HEX #DBF73C

RGB 219 247 60

HSL 68.98, 0.92%, 0.6%

LAB 92.53, -31.2, 79.97

 

CMYK 76 / 0 / 28 / 4

HEX #3BF6B2

RGB 59 246 178

HSL 158.18, 0.91%, 0.6%

LAB 87.02, -60.84, 19.92

 

CMYK 66 / 76 / 0 / 4

HEX #543BF6

RGB 84 59 246

HSL 248.02, 0.91%, 0.6%

LAB 40.68, 62, -88.77

 

CMYK 0 / 76 / 48 / 4

HEX #F63B7F

RGB 246 59 127

HSL 338.18, 0.91%, 0.6%

LAB 56.34, 73.21, 6.53

 

Description

Color code: HEX #DBF73C | qconv.com Color code: HEX #DBF73C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 247 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 247 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 76 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 76% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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