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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBF0DF it is the complementary color #240F20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBF0DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBF0DF shade: #E0F0DA, #F1FFED and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBF0DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBF0DF shade: #DBF0DF, #CADECC, #B9CCB9, #A8BAA6 and #97A893

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBF0DF shade: #DBF0DF, #DDF0DB, #E2F0DB, #E8F0DB and #EEF0DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBF0DF shade: #DBF0DF, #DBF0E5, #DBF0EA, #DBF0F0 and #DBEAF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBF0DF shade matches the following richer shades: #DBF0DF, #D7F4DC, #D3F8DA and #CFFCD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBF0DF shade: #DBF0DF, #DFECE2, #E3E8E4, #E7E4E7 and #ECDFE9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBF0DF shade: #E2F0DB, #DDF0DB, #DBF0DF, #DBF0E4 and #DBF0EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBF0DF shade: #A1D8AB, #BEE4C5, #DBF0DF, #F8FCF9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBF0DF shade: #DBF0DF, #DBE8F0 and #F0DBE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBF0DF shade: #DBF0DF, #DFDBF0 and #F0DFDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBF0DF shade: #DBF0DF, #DBE8F0, #F0DBEC and #F0E3DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBF0DF shade: #DBF0DF, #DBE2F0, #F0DBEC and #F0E9DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

Complementary color

CMYK 0 / 58 / 11 / 86

HEX #240F20

RGB 36 15 32

HSL 311.43, 0.41%, 0.1%

LAB 7.42, 14.16, -7.18

 

CMYK 7 / 0 / 9 / 6

HEX #E0F0DA

RGB 224 240 218

HSL 103.64, 0.42%, 0.9%

LAB 93.11, -9.2, 8.82

 

CMYK 5 / 0 / 7 / 0

HEX #F1FFED

RGB 241 255 237

HSL 106.67, 1%, 0.96%

LAB 98.57, -7.75, 7.01

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 9 / 0 / 8 / 13

HEX #CADECC

RGB 202 222 204

HSL 126, 0.23%, 0.83%

LAB 86.58, -9.99, 6.55

 

CMYK 9 / 0 / 9 / 20

HEX #B9CCB9

RGB 185 204 185

HSL 120, 0.16%, 0.76%

LAB 80.18, -9.99, 7.28

 

CMYK 10 / 0 / 11 / 27

HEX #A8BAA6

RGB 168 186 166

HSL 114, 0.13%, 0.69%

LAB 73.67, -9.99, 8.04

 

CMYK 10 / 0 / 13 / 34

HEX #97A893

RGB 151 168 147

HSL 108.57, 0.11%, 0.62%

LAB 67.04, -10, 8.84

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 8 / 0 / 9 / 6

HEX #DDF0DB

RGB 221 240 219

HSL 114.29, 0.41%, 0.9%

LAB 92.93, -10.04, 8.01

 

CMYK 6 / 0 / 9 / 6

HEX #E2F0DB

RGB 226 240 219

HSL 100, 0.41%, 0.9%

LAB 93.28, -8.35, 8.55

 

CMYK 3 / 0 / 9 / 6

HEX #E8F0DB

RGB 232 240 219

HSL 82.86, 0.41%, 0.9%

LAB 93.71, -6.31, 9.22

 

CMYK 1 / 0 / 9 / 6

HEX #EEF0DB

RGB 238 240 219

HSL 65.71, 0.41%, 0.9%

LAB 94.15, -4.25, 9.91

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 9 / 0 / 5 / 6

HEX #DBF0E5

RGB 219 240 229

HSL 148.57, 0.41%, 0.9%

LAB 93.03, -8.92, 2.95

 

CMYK 9 / 0 / 3 / 6

HEX #DBF0EA

RGB 219 240 234

HSL 162.86, 0.41%, 0.9%

LAB 93.15, -8, 0.53

 

CMYK 9 / 0 / 0 / 6

HEX #DBF0F0

RGB 219 240 240

HSL 180, 0.41%, 0.9%

LAB 93.31, -6.86, -2.37

 

CMYK 9 / 3 / 0 / 6

HEX #DBEAF0

RGB 219 234 240

HSL 197.14, 0.41%, 0.9%

LAB 91.77, -3.81, -4.62

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 12 / 0 / 10 / 4

HEX #D7F4DC

RGB 215 244 220

HSL 130.34, 0.57%, 0.9%

LAB 93.59, -13.85, 8.38

 

CMYK 15 / 0 / 12 / 3

HEX #D3F8DA

RGB 211 248 218

HSL 131.35, 0.73%, 0.9%

LAB 94.33, -17.49, 10.45

 

CMYK 18 / 0 / 15 / 1

HEX #CFFCD7

RGB 207 252 215

HSL 130.67, 0.88%, 0.9%

LAB 95.07, -21.27, 13.01

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 6 / 0 / 4 / 7

HEX #DFECE2

RGB 223 236 226

HSL 133.85, 0.25%, 0.9%

LAB 92.21, -6.12, 3.35

 

CMYK 2 / 0 / 2 / 9

HEX #E3E8E4

RGB 227 232 228

HSL 132, 0.1%, 0.9%

LAB 91.53, -2.38, 1.35

 

CMYK 0 / 1 / 0 / 9

HEX #E7E4E7

RGB 231 228 231

HSL 300, 0.06%, 0.9%

LAB 90.89, 1.55, -1.11

 

CMYK 0 / 6 / 1 / 7

HEX #ECDFE9

RGB 236 223 233

HSL 313.85, 0.25%, 0.9%

LAB 90.09, 6.17, -3.29

 

CMYK 6 / 0 / 9 / 6

HEX #E2F0DB

RGB 226 240 219

HSL 100, 0.41%, 0.9%

LAB 93.28, -8.35, 8.55

 

CMYK 8 / 0 / 9 / 6

HEX #DDF0DB

RGB 221 240 219

HSL 114.29, 0.41%, 0.9%

LAB 92.93, -10.04, 8.01

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 9 / 0 / 5 / 6

HEX #DBF0E4

RGB 219 240 228

HSL 145.71, 0.41%, 0.9%

LAB 93.01, -9.1, 3.43

 

CMYK 9 / 0 / 3 / 6

HEX #DBF0EA

RGB 219 240 234

HSL 162.86, 0.41%, 0.9%

LAB 93.15, -8, 0.53

 

CMYK 25 / 0 / 21 / 15

HEX #A1D8AB

RGB 161 216 171

HSL 130.91, 0.41%, 0.74%

LAB 81.64, -26.57, 16.57

 

CMYK 17 / 0 / 14 / 11

HEX #BEE4C5

RGB 190 228 197

HSL 131.05, 0.41%, 0.82%

LAB 87.22, -18.27, 11.04

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 2 / 0 / 1 / 1

HEX #F8FCF9

RGB 248 252 249

HSL 135, 0.4%, 0.98%

LAB 98.6, -1.84, 0.96

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 9 / 3 / 0 / 6

HEX #DBE8F0

RGB 219 232 240

HSL 202.86, 0.41%, 0.9%

LAB 91.26, -2.79, -5.37

 

CMYK 0 / 9 / 7 / 6

HEX #F0DBE0

RGB 240 219 224

HSL 345.71, 0.41%, 0.9%

LAB 89.19, 8.05, 0.16

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 7 / 9 / 0 / 6

HEX #DFDBF0

RGB 223 219 240

HSL 251.43, 0.41%, 0.9%

LAB 88.28, 5.25, -9.76

 

CMYK 0 / 7 / 9 / 6

HEX #F0DFDB

RGB 240 223 219

HSL 11.43, 0.41%, 0.9%

LAB 90.05, 5.14, 4.04

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 9 / 3 / 0 / 6

HEX #DBE8F0

RGB 219 232 240

HSL 202.86, 0.41%, 0.9%

LAB 91.26, -2.79, -5.37

 

CMYK 0 / 9 / 2 / 6

HEX #F0DBEC

RGB 240 219 236

HSL 311.43, 0.41%, 0.9%

LAB 89.51, 10.14, -5.69

 

CMYK 0 / 5 / 9 / 6

HEX #F0E3DB

RGB 240 227 219

HSL 22.86, 0.41%, 0.9%

LAB 91.04, 3.08, 5.47

 

CMYK 9 / 0 / 7 / 6

HEX #DBF0DF

RGB 219 240 223

HSL 131.43, 0.41%, 0.9%

LAB 92.89, -10, 5.85

 

CMYK 9 / 6 / 0 / 6

HEX #DBE2F0

RGB 219 226 240

HSL 220, 0.41%, 0.9%

LAB 89.74, 0.31, -7.62

 

CMYK 0 / 9 / 2 / 6

HEX #F0DBEC

RGB 240 219 236

HSL 311.43, 0.41%, 0.9%

LAB 89.51, 10.14, -5.69

 

CMYK 0 / 3 / 9 / 6

HEX #F0E9DB

RGB 240 233 219

HSL 40, 0.41%, 0.9%

LAB 92.54, 0, 7.63

 

Description

Color code: HEX #DBF0DF | qconv.com Color code: HEX #DBF0DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 240 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 240 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 7 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 7% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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