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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBF089 it is the complementary color #240F76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBF089. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBF089 shade: #E0F084, #F1FF97, #FFFFAA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBF089. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBF089 shade: #DBF089, #CADE76, #B9CC63, #A8BA50 and #97A83D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBF089 shade: #DBF08A, #F0E98A, #F0CD8A, #F0B28A and #F0968A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBF089 shade: #DBF08A, #BFF08A, #A4F08A, #8AF08B and #8AF0A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBF089 shade matches the following richer shades: #DBF08A and #E1FA7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBF089 shade: #DBF08A, #D5E594, #CEDA9F, #C8D0AA and #C2C5B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBF089 shade: #F0CE8A, #F0E98A, #DBF08A, #C0F08A and #A5F08A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBF089 shade: #C4E641, #D0EB65, #DBF08A, #E6F4AE and #F1F9D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBF089 shade: #DBF089, #8AF0B2 and #DB8AF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBF089 shade: #DBF089, #8ADBF0 and #F08ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBF089 shade: #DBF089, #8AF0B2, #9E8AF0 and #F08AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBF089 shade: #DBF089, #8AF0D1, #9E8AF0 and #F08AA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 43 / 6

HEX #DBF089

RGB 219 240 137

HSL 72.23, 0.77%, 0.74%

LAB 91.32, -22.32, 47.34

 

Complementary color

CMYK 69 / 87 / 0 / 54

HEX #240F76

RGB 36 15 118

HSL 252.23, 0.77%, 0.26%

LAB 15.62, 40.05, -53.84

 

CMYK 7 / 0 / 45 / 6

HEX #E0F084

RGB 224 240 132

HSL 68.89, 0.78%, 0.73%

LAB 91.61, -20.93, 50.17

 

CMYK 5 / 0 / 41 / 0

HEX #F1FF97

RGB 241 255 151

HSL 68.08, 1%, 0.8%

LAB 97.01, -19.74, 48.07

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 9 / 0 / 43 / 6

HEX #DBF089

RGB 219 240 137

HSL 72.23, 0.77%, 0.74%

LAB 91.32, -22.32, 47.34

 

CMYK 9 / 0 / 47 / 13

HEX #CADE76

RGB 202 222 118

HSL 71.54, 0.61%, 0.67%

LAB 85.05, -22.09, 48.47

 

CMYK 9 / 0 / 51 / 20

HEX #B9CC63

RGB 185 204 99

HSL 70.86, 0.51%, 0.59%

LAB 78.69, -21.81, 49.59

 

CMYK 10 / 0 / 57 / 27

HEX #A8BA50

RGB 168 186 80

HSL 70.19, 0.43%, 0.52%

LAB 72.24, -21.45, 50.64

 

CMYK 10 / 0 / 64 / 34

HEX #97A83D

RGB 151 168 61

HSL 69.53, 0.47%, 0.45%

LAB 65.69, -20.97, 51.52

 

CMYK 9 / 0 / 43 / 6

HEX #DBF08A

RGB 219 240 138

HSL 72.35, 0.77%, 0.74%

LAB 91.33, -22.21, 46.87

 

CMYK 0 / 3 / 43 / 6

HEX #F0E98A

RGB 240 233 138

HSL 55.88, 0.77%, 0.74%

LAB 91.07, -10.71, 46.88

 

CMYK 0 / 15 / 43 / 6

HEX #F0CD8A

RGB 240 205 138

HSL 39.41, 0.77%, 0.74%

LAB 83.98, 3.52, 37.88

 

CMYK 0 / 26 / 43 / 6

HEX #F0B28A

RGB 240 178 138

HSL 23.53, 0.77%, 0.74%

LAB 77.4, 17.68, 29.26

 

CMYK 0 / 38 / 43 / 6

HEX #F0968A

RGB 240 150 138

HSL 7.06, 0.77%, 0.74%

LAB 70.99, 32.48, 20.61

 

CMYK 9 / 0 / 43 / 6

HEX #DBF08A

RGB 219 240 138

HSL 72.35, 0.77%, 0.74%

LAB 91.33, -22.21, 46.87

 

CMYK 20 / 0 / 43 / 6

HEX #BFF08A

RGB 191 240 138

HSL 88.82, 0.77%, 0.74%

LAB 89.5, -32.53, 44.18

 

CMYK 32 / 0 / 43 / 6

HEX #A4F08A

RGB 164 240 138

HSL 104.71, 0.77%, 0.74%

LAB 87.99, -41.79, 41.95

 

CMYK 43 / 0 / 42 / 6

HEX #8AF08B

RGB 138 240 139

HSL 120.59, 0.77%, 0.74%

LAB 86.79, -49.66, 39.68

 

CMYK 43 / 0 / 31 / 6

HEX #8AF0A6

RGB 138 240 166

HSL 136.47, 0.77%, 0.74%

LAB 87.23, -45.34, 26.7

 

CMYK 9 / 0 / 43 / 6

HEX #DBF08A

RGB 219 240 138

HSL 72.35, 0.77%, 0.74%

LAB 91.33, -22.21, 46.87

 

CMYK 10 / 0 / 49 / 2

HEX #E1FA7F

RGB 225 250 127

HSL 72.2, 0.92%, 0.74%

LAB 94.27, -25.8, 55.76

 

CMYK 9 / 0 / 43 / 6

HEX #DBF08A

RGB 219 240 138

HSL 72.35, 0.77%, 0.74%

LAB 91.33, -22.21, 46.87

 

CMYK 7 / 0 / 35 / 10

HEX #D5E594

RGB 213 229 148

HSL 71.85, 0.61%, 0.74%

LAB 88.12, -17.98, 37.77

 

CMYK 6 / 0 / 27 / 15

HEX #CEDA9F

RGB 206 218 159

HSL 72.2, 0.44%, 0.74%

LAB 84.88, -13.71, 27.76

 

CMYK 4 / 0 / 18 / 18

HEX #C8D0AA

RGB 200 208 170

HSL 72.63, 0.29%, 0.74%

LAB 82, -9.23, 17.98

 

CMYK 2 / 0 / 8 / 23

HEX #C2C5B5

RGB 194 197 181

HSL 71.25, 0.12%, 0.74%

LAB 78.89, -3.89, 7.66

 

CMYK 0 / 14 / 43 / 6

HEX #F0CE8A

RGB 240 206 138

HSL 40, 0.77%, 0.74%

LAB 84.23, 3, 38.2

 

CMYK 0 / 3 / 43 / 6

HEX #F0E98A

RGB 240 233 138

HSL 55.88, 0.77%, 0.74%

LAB 91.07, -10.71, 46.88

 

CMYK 9 / 0 / 43 / 6

HEX #DBF08A

RGB 219 240 138

HSL 72.35, 0.77%, 0.74%

LAB 91.33, -22.21, 46.87

 

CMYK 20 / 0 / 43 / 6

HEX #C0F08A

RGB 192 240 138

HSL 88.24, 0.77%, 0.74%

LAB 89.56, -32.17, 44.27

 

CMYK 31 / 0 / 43 / 6

HEX #A5F08A

RGB 165 240 138

HSL 104.12, 0.77%, 0.74%

LAB 88.04, -41.46, 42.03

 

CMYK 15 / 0 / 72 / 10

HEX #C4E641

RGB 196 230 65

HSL 72.36, 0.77%, 0.58%

LAB 86.36, -32.23, 72.01

 

CMYK 11 / 0 / 57 / 8

HEX #D0EB65

RGB 208 235 101

HSL 72.09, 0.77%, 0.66%

LAB 88.81, -27.51, 60.76

 

CMYK 9 / 0 / 43 / 6

HEX #DBF08A

RGB 219 240 138

HSL 72.35, 0.77%, 0.74%

LAB 91.33, -22.21, 46.87

 

CMYK 6 / 0 / 29 / 4

HEX #E6F4AE

RGB 230 244 174

HSL 72, 0.76%, 0.82%

LAB 93.7, -15.75, 32.27

 

CMYK 3 / 0 / 15 / 2

HEX #F1F9D3

RGB 241 249 211

HSL 72.63, 0.76%, 0.9%

LAB 96.47, -8.99, 17.36

 

CMYK 9 / 0 / 43 / 6

HEX #DBF089

RGB 219 240 137

HSL 72.23, 0.77%, 0.74%

LAB 91.32, -22.32, 47.34

 

CMYK 43 / 0 / 26 / 6

HEX #8AF0B2

RGB 138 240 178

HSL 143.53, 0.77%, 0.74%

LAB 87.45, -43.17, 20.85

 

CMYK 9 / 43 / 0 / 6

HEX #DB8AF0

RGB 219 138 240

HSL 287.65, 0.77%, 0.74%

LAB 69.13, 47.24, -38.96

 

CMYK 9 / 0 / 43 / 6

HEX #DBF089

RGB 219 240 137

HSL 72.23, 0.77%, 0.74%

LAB 91.32, -22.32, 47.34

 

CMYK 43 / 9 / 0 / 6

HEX #8ADBF0

RGB 138 219 240

HSL 192.35, 0.77%, 0.74%

LAB 83.1, -19.44, -18.04

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADB

RGB 240 138 219

HSL 312.35, 0.77%, 0.74%

LAB 70.74, 49.74, -24.72

 

CMYK 9 / 0 / 43 / 6

HEX #DBF089

RGB 219 240 137

HSL 72.23, 0.77%, 0.74%

LAB 91.32, -22.32, 47.34

 

CMYK 43 / 0 / 26 / 6

HEX #8AF0B2

RGB 138 240 178

HSL 143.53, 0.77%, 0.74%

LAB 87.45, -43.17, 20.85

 

CMYK 34 / 43 / 0 / 6

HEX #9E8AF0

RGB 158 138 240

HSL 251.76, 0.77%, 0.74%

LAB 63.13, 30.23, -48.82

 

CMYK 0 / 43 / 17 / 6

HEX #F08AC7

RGB 240 138 199

HSL 324.12, 0.77%, 0.74%

LAB 70.05, 46.57, -14.68

 

CMYK 9 / 0 / 43 / 6

HEX #DBF089

RGB 219 240 137

HSL 72.23, 0.77%, 0.74%

LAB 91.32, -22.32, 47.34

 

CMYK 43 / 0 / 13 / 6

HEX #8AF0D1

RGB 138 240 209

HSL 161.76, 0.77%, 0.74%

LAB 88.13, -36.89, 5.7

 

CMYK 34 / 43 / 0 / 6

HEX #9E8AF0

RGB 158 138 240

HSL 251.76, 0.77%, 0.74%

LAB 63.13, 30.23, -48.82

 

CMYK 0 / 43 / 30 / 6

HEX #F08AA8

RGB 240 138 168

HSL 342.35, 0.77%, 0.74%

LAB 69.13, 42.23, 1.27

 

Description

Color code: HEX #DBF089 | qconv.com Color code: HEX #DBF089 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 240 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 240 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 43 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 43% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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