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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBED2F it is the complementary color #2412D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBED2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBED2F shade: #E0ED2A, #F1FF3D, #FFFF50, #FFFF63 and #FFFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBED2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBED2F shade: #DBED2F, #CADB1C, #B9C909, #A8B700 and #97A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBED2F shade: #DBED31, #EDCC31, #ED9931, #ED6631 and #ED3431

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBED2F shade: #DBED31, #A8ED31, #76ED31, #43ED31 and #31ED51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBED2F shade matches the following richer shades: #DBED31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBED2F shade: #DBED31, #CCDB43, #BEC955, #AFB767 and #A0A479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBED2F shade: #ED9831, #EDCA31, #DDED31, #ABED31 and #79ED31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBED2F shade: #ABBB10, #CDE114, #DBED31, #E2F057 and #E8F47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBED2F shade: #DBED2F, #31ED66 and #B131ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBED2F shade: #DBED2F, #31DDED and #ED31DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBED2F shade: #DBED2F, #31ED66, #4031ED and #ED31B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBED2F shade: #DBED2F, #31ED9F, #4031ED and #ED317F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 80 / 7

HEX #DBED2F

RGB 219 237 47

HSL 65.68, 0.84%, 0.56%

LAB 89.78, -27.01, 81.05

 

Complementary color

CMYK 83 / 91 / 0 / 18

HEX #2412D0

RGB 36 18 208

HSL 245.68, 0.84%, 0.44%

LAB 27.74, 64.56, -88.61

 

CMYK 5 / 0 / 82 / 7

HEX #E0ED2A

RGB 224 237 42

HSL 64, 0.84%, 0.55%

LAB 90.13, -25.13, 82.68

 

CMYK 5 / 0 / 76 / 0

HEX #F1FF3D

RGB 241 255 61

HSL 64.33, 1%, 0.62%

LAB 96.23, -26.1, 83.62

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 8 / 0 / 80 / 7

HEX #DBED2F

RGB 219 237 47

HSL 65.68, 0.84%, 0.56%

LAB 89.78, -27.01, 81.05

 

CMYK 8 / 0 / 87 / 14

HEX #CADB1C

RGB 202 219 28

HSL 65.34, 0.77%, 0.48%

LAB 83.6, -25.96, 79.47

 

CMYK 8 / 0 / 96 / 21

HEX #B9C909

RGB 185 201 9

HSL 65, 0.91%, 0.41%

LAB 77.34, -24.73, 76.62

 

CMYK 8 / 0 / 100 / 28

HEX #A8B700

RGB 168 183 0

HSL 64.92, 1%, 0.36%

LAB 71, -23.3, 72.24

 

CMYK 8 / 0 / 100 / 35

HEX #97A500

RGB 151 165 0

HSL 65.09, 1%, 0.32%

LAB 64.56, -21.74, 66.88

 

CMYK 8 / 0 / 79 / 7

HEX #DBED31

RGB 219 237 49

HSL 65.74, 0.84%, 0.56%

LAB 89.79, -26.95, 80.54

 

CMYK 0 / 14 / 79 / 7

HEX #EDCC31

RGB 237 204 49

HSL 49.47, 0.84%, 0.56%

LAB 82.6, -3.17, 74.78

 

CMYK 0 / 35 / 79 / 7

HEX #ED9931

RGB 237 153 49

HSL 33.19, 0.84%, 0.56%

LAB 70.18, 23.55, 63.62

 

CMYK 0 / 57 / 79 / 7

HEX #ED6631

RGB 237 102 49

HSL 16.91, 0.84%, 0.56%

LAB 59.64, 49.37, 53.73

 

CMYK 0 / 78 / 79 / 7

HEX #ED3431

RGB 237 52 49

HSL 0.96, 0.84%, 0.56%

LAB 52.6, 68.43, 46.83

 

CMYK 8 / 0 / 79 / 7

HEX #DBED31

RGB 219 237 49

HSL 65.74, 0.84%, 0.56%

LAB 89.79, -26.95, 80.54

 

CMYK 29 / 0 / 79 / 7

HEX #A8ED31

RGB 168 237 49

HSL 82.02, 0.84%, 0.56%

LAB 86.56, -46.72, 76.44

 

CMYK 50 / 0 / 79 / 7

HEX #76ED31

RGB 118 237 49

HSL 97.98, 0.84%, 0.56%

LAB 84.3, -62.98, 73.54

 

CMYK 72 / 0 / 79 / 7

HEX #43ED31

RGB 67 237 49

HSL 114.26, 0.84%, 0.56%

LAB 82.9, -74.35, 71.73

 

CMYK 79 / 0 / 66 / 7

HEX #31ED51

RGB 49 237 81

HSL 130.21, 0.84%, 0.56%

LAB 82.82, -74.38, 60.66

 

CMYK 8 / 0 / 79 / 7

HEX #DBED31

RGB 219 237 49

HSL 65.74, 0.84%, 0.56%

LAB 89.79, -26.95, 80.54

 

CMYK 8 / 0 / 79 / 7

HEX #DBED31

RGB 219 237 49

HSL 65.74, 0.84%, 0.56%

LAB 89.79, -26.95, 80.54

 

CMYK 7 / 0 / 69 / 14

HEX #CCDB43

RGB 204 219 67

HSL 65.92, 0.68%, 0.56%

LAB 83.92, -23.72, 69.1

 

CMYK 5 / 0 / 58 / 21

HEX #BEC955

RGB 190 201 85

HSL 65.69, 0.52%, 0.56%

LAB 78.1, -19.5, 55.41

 

CMYK 4 / 0 / 44 / 28

HEX #AFB767

RGB 175 183 103

HSL 66, 0.36%, 0.56%

LAB 72.2, -14.9, 39.6

 

CMYK 2 / 0 / 26 / 36

HEX #A0A479

RGB 160 164 121

HSL 65.58, 0.19%, 0.56%

LAB 66.06, -8.72, 21.9

 

CMYK 0 / 36 / 79 / 7

HEX #ED9831

RGB 237 152 49

HSL 32.87, 0.84%, 0.56%

LAB 69.95, 24.08, 63.41

 

CMYK 0 / 15 / 79 / 7

HEX #EDCA31

RGB 237 202 49

HSL 48.83, 0.84%, 0.56%

LAB 82.09, -2.15, 74.33

 

CMYK 7 / 0 / 79 / 7

HEX #DDED31

RGB 221 237 49

HSL 65.11, 0.84%, 0.56%

LAB 89.93, -26.14, 80.73

 

CMYK 28 / 0 / 79 / 7

HEX #ABED31

RGB 171 237 49

HSL 81.06, 0.84%, 0.56%

LAB 86.73, -45.63, 76.65

 

CMYK 49 / 0 / 79 / 7

HEX #79ED31

RGB 121 237 49

HSL 97.02, 0.84%, 0.56%

LAB 84.41, -62.13, 73.68

 

CMYK 9 / 0 / 91 / 27

HEX #ABBB10

RGB 171 187 16

HSL 65.61, 0.84%, 0.4%

LAB 72.39, -23.76, 71.51

 

CMYK 9 / 0 / 91 / 12

HEX #CDE114

RGB 205 225 20

HSL 65.85, 0.84%, 0.48%

LAB 85.44, -27.72, 82.27

 

CMYK 8 / 0 / 79 / 7

HEX #DBED31

RGB 219 237 49

HSL 65.74, 0.84%, 0.56%

LAB 89.79, -26.95, 80.54

 

CMYK 6 / 0 / 64 / 6

HEX #E2F057

RGB 226 240 87

HSL 65.49, 0.84%, 0.64%

LAB 91.31, -23.76, 69.63

 

CMYK 5 / 0 / 49 / 4

HEX #E8F47C

RGB 232 244 124

HSL 66, 0.85%, 0.72%

LAB 93.15, -20.53, 55.92

 

CMYK 8 / 0 / 80 / 7

HEX #DBED2F

RGB 219 237 47

HSL 65.68, 0.84%, 0.56%

LAB 89.78, -27.01, 81.05

 

CMYK 79 / 0 / 57 / 7

HEX #31ED66

RGB 49 237 102

HSL 136.91, 0.84%, 0.56%

LAB 83.01, -72.01, 51.97

 

CMYK 25 / 79 / 0 / 7

HEX #B131ED

RGB 177 49 237

HSL 280.85, 0.84%, 0.56%

LAB 49.08, 76.21, -69.54

 

CMYK 8 / 0 / 80 / 7

HEX #DBED2F

RGB 219 237 47

HSL 65.68, 0.84%, 0.56%

LAB 89.78, -27.01, 81.05

 

CMYK 79 / 7 / 0 / 7

HEX #31DDED

RGB 49 221 237

HSL 185.11, 0.84%, 0.56%

LAB 81.01, -36.05, -19.87

 

CMYK 0 / 79 / 7 / 7

HEX #ED31DD

RGB 237 49 221

HSL 305.11, 0.84%, 0.56%

LAB 57.48, 84.38, -46.51

 

CMYK 8 / 0 / 80 / 7

HEX #DBED2F

RGB 219 237 47

HSL 65.68, 0.84%, 0.56%

LAB 89.78, -27.01, 81.05

 

CMYK 79 / 0 / 57 / 7

HEX #31ED66

RGB 49 237 102

HSL 136.91, 0.84%, 0.56%

LAB 83.01, -72.01, 51.97

 

CMYK 73 / 79 / 0 / 7

HEX #4031ED

RGB 64 49 237

HSL 244.79, 0.84%, 0.56%

LAB 36.75, 62.41, -90.25

 

CMYK 0 / 79 / 22 / 7

HEX #ED31B8

RGB 237 49 184

HSL 316.91, 0.84%, 0.56%

LAB 55.75, 79.5, -28.05

 

CMYK 8 / 0 / 80 / 7

HEX #DBED2F

RGB 219 237 47

HSL 65.68, 0.84%, 0.56%

LAB 89.78, -27.01, 81.05

 

CMYK 79 / 0 / 33 / 7

HEX #31ED9F

RGB 49 237 159

HSL 155.11, 0.84%, 0.56%

LAB 83.82, -62.54, 25.25

 

CMYK 73 / 79 / 0 / 7

HEX #4031ED

RGB 64 49 237

HSL 244.79, 0.84%, 0.56%

LAB 36.75, 62.41, -90.25

 

CMYK 0 / 79 / 46 / 7

HEX #ED317F

RGB 237 49 127

HSL 335.11, 0.84%, 0.56%

LAB 53.74, 73.62, 2.58

 

Description

Color code: HEX #DBED2F | qconv.com Color code: HEX #DBED2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 237 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 237 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 80 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 80% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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