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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE915 it is the complementary color #2416EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE915 shade: #E0E910, #F1FB23, #FFFF36, #FFFF49 and #FFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE915 shade: #DBE915, #CAD702, #B9C500, #A8B300 and #97A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE915 shade: #DBE916, #E9BE16, #E98516, #E94C16 and #E91616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE915 shade: #DBE916, #A2E916, #69E916, #30E916 and #16E934

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE915 shade matches the following richer shades: #DBE916 and #EDFE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE915 shade: #DBE916, #C9D52A, #B8C03F, #A6AB54 and #949768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE915 shade: #E98316, #E9BB16, #DFE916, #A6E916 and #6EE916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE915 shade: #949E0F, #B8C412, #DBE916, #E1ED3B and #E7F061

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE915 shade: #DBE915, #16E94B and #9F16E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE915 shade: #DBE915, #16DFE9 and #E916DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE915 shade: #DBE915, #16E94B, #2016E9 and #E916B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE915 shade: #DBE915, #16E98A, #2016E9 and #E91675

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

Complementary color

CMYK 85 / 91 / 0 / 8

HEX #2416EA

RGB 36 22 234

HSL 243.96, 0.83%, 0.5%

LAB 31.55, 70.33, -97.22

 

CMYK 4 / 0 / 93 / 9

HEX #E0E910

RGB 224 233 16

HSL 62.49, 0.87%, 0.49%

LAB 89, -23.73, 86.1

 

CMYK 4 / 0 / 86 / 2

HEX #F1FB23

RGB 241 251 35

HSL 62.78, 0.96%, 0.56%

LAB 95.08, -24.97, 88.7

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF36

RGB 255 255 54

HSL 60, 1%, 0.61%

LAB 97.25, -20.68, 86.81

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF49

RGB 255 255 73

HSL 60, 1%, 0.64%

LAB 97.33, -19.98, 81.37

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 6 / 0 / 99 / 16

HEX #CAD702

RGB 202 215 2

HSL 63.66, 0.98%, 0.43%

LAB 82.47, -24.41, 81.7

 

CMYK 6 / 0 / 100 / 23

HEX #B9C500

RGB 185 197 0

HSL 63.65, 1%, 0.39%

LAB 76.22, -22.89, 76.68

 

CMYK 6 / 0 / 100 / 30

HEX #A8B300

RGB 168 179 0

HSL 63.69, 1%, 0.35%

LAB 69.87, -21.32, 71.4

 

CMYK 6 / 0 / 100 / 37

HEX #97A100

RGB 151 161 0

HSL 63.73, 1%, 0.32%

LAB 63.4, -19.73, 66.02

 

CMYK 6 / 0 / 91 / 9

HEX #DBE916

RGB 219 233 22

HSL 63.98, 0.83%, 0.5%

LAB 88.64, -25.71, 84.94

 

CMYK 0 / 18 / 91 / 9

HEX #E9BE16

RGB 233 190 22

HSL 47.77, 0.83%, 0.5%

LAB 78.58, 1.68, 77.69

 

CMYK 0 / 43 / 91 / 9

HEX #E98516

RGB 233 133 22

HSL 31.56, 0.83%, 0.5%

LAB 65.09, 31.74, 67.56

 

CMYK 0 / 67 / 91 / 9

HEX #E94C16

RGB 233 76 22

HSL 15.36, 0.83%, 0.5%

LAB 54.61, 58.54, 60.04

 

CMYK 0 / 91 / 91 / 9

HEX #E91616

RGB 233 22 22

HSL 0, 0.83%, 0.5%

LAB 49.44, 72.98, 56.51

 

CMYK 6 / 0 / 91 / 9

HEX #DBE916

RGB 219 233 22

HSL 63.98, 0.83%, 0.5%

LAB 88.64, -25.71, 84.94

 

CMYK 30 / 0 / 91 / 9

HEX #A2E916

RGB 162 233 22

HSL 80.19, 0.83%, 0.5%

LAB 85.01, -48.04, 80.51

 

CMYK 55 / 0 / 91 / 9

HEX #69E916

RGB 105 233 22

HSL 96.4, 0.83%, 0.5%

LAB 82.56, -66.07, 77.5

 

CMYK 79 / 0 / 91 / 9

HEX #30E916

RGB 48 233 22

HSL 112.61, 0.83%, 0.5%

LAB 81.27, -76.95, 75.9

 

CMYK 91 / 0 / 78 / 9

HEX #16E934

RGB 22 233 52

HSL 128.53, 0.83%, 0.5%

LAB 81.12, -77.87, 68.99

 

CMYK 6 / 0 / 91 / 9

HEX #DBE916

RGB 219 233 22

HSL 63.98, 0.83%, 0.5%

LAB 88.64, -25.71, 84.94

 

CMYK 7 / 0 / 100 / 0

HEX #EDFE01

RGB 237 254 1

HSL 64.03, 0.99%, 0.5%

LAB 95.53, -28.42, 92.63

 

CMYK 6 / 0 / 91 / 9

HEX #DBE916

RGB 219 233 22

HSL 63.98, 0.83%, 0.5%

LAB 88.64, -25.71, 84.94

 

CMYK 6 / 0 / 80 / 16

HEX #C9D52A

RGB 201 213 42

HSL 64.21, 0.67%, 0.5%

LAB 81.93, -23.12, 74.97

 

CMYK 4 / 0 / 67 / 25

HEX #B8C03F

RGB 184 192 63

HSL 63.72, 0.51%, 0.5%

LAB 74.98, -18.99, 61.15

 

CMYK 3 / 0 / 51 / 33

HEX #A6AB54

RGB 166 171 84

HSL 63.45, 0.34%, 0.5%

LAB 67.93, -14.32, 43.72

 

CMYK 2 / 0 / 31 / 41

HEX #949768

RGB 148 151 104

HSL 63.83, 0.18%, 0.5%

LAB 61.16, -8.93, 24.46

 

CMYK 0 / 44 / 91 / 9

HEX #E98316

RGB 233 131 22

HSL 31, 0.83%, 0.5%

LAB 64.66, 32.78, 67.25

 

CMYK 0 / 20 / 91 / 9

HEX #E9BB16

RGB 233 187 22

HSL 46.92, 0.83%, 0.5%

LAB 77.83, 3.24, 77.11

 

CMYK 4 / 0 / 91 / 9

HEX #DFE916

RGB 223 233 22

HSL 62.84, 0.83%, 0.5%

LAB 88.93, -24.06, 85.3

 

CMYK 29 / 0 / 91 / 9

HEX #A6E916

RGB 166 233 22

HSL 79.05, 0.83%, 0.5%

LAB 85.22, -46.58, 80.78

 

CMYK 53 / 0 / 91 / 9

HEX #6EE916

RGB 110 233 22

HSL 94.98, 0.83%, 0.5%

LAB 82.73, -64.75, 77.71

 

CMYK 6 / 0 / 91 / 38

HEX #949E0F

RGB 148 158 15

HSL 64.2, 0.83%, 0.34%

LAB 62.32, -19.29, 62.94

 

CMYK 6 / 0 / 91 / 23

HEX #B8C412

RGB 184 196 18

HSL 64.04, 0.83%, 0.42%

LAB 75.89, -22.6, 74.39

 

CMYK 6 / 0 / 91 / 9

HEX #DBE916

RGB 219 233 22

HSL 63.98, 0.83%, 0.5%

LAB 88.64, -25.71, 84.94

 

CMYK 5 / 0 / 75 / 7

HEX #E1ED3B

RGB 225 237 59

HSL 64.04, 0.83%, 0.58%

LAB 90.27, -24.14, 78.34

 

CMYK 4 / 0 / 60 / 6

HEX #E7F061

RGB 231 240 97

HSL 63.78, 0.83%, 0.66%

LAB 91.76, -21.12, 66.19

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 91 / 0 / 68 / 9

HEX #16E94B

RGB 22 233 75

HSL 135.07, 0.83%, 0.5%

LAB 81.27, -76.05, 61.26

 

CMYK 32 / 91 / 0 / 9

HEX #9F16E9

RGB 159 22 233

HSL 278.96, 0.83%, 0.5%

LAB 43.99, 79.18, -75.7

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 91 / 4 / 0 / 9

HEX #16DFE9

RGB 22 223 233

HSL 182.84, 0.83%, 0.5%

LAB 81.2, -39.86, -17.48

 

CMYK 0 / 91 / 4 / 9

HEX #E916DF

RGB 233 22 223

HSL 302.84, 0.83%, 0.5%

LAB 55.3, 88.63, -51.15

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 91 / 0 / 68 / 9

HEX #16E94B

RGB 22 233 75

HSL 135.07, 0.83%, 0.5%

LAB 81.27, -76.05, 61.26

 

CMYK 86 / 91 / 0 / 9

HEX #2016E9

RGB 32 22 233

HSL 242.84, 0.83%, 0.5%

LAB 31.26, 69.98, -97.14

 

CMYK 0 / 91 / 23 / 9

HEX #E916B4

RGB 233 22 180

HSL 315.07, 0.83%, 0.5%

LAB 53.16, 83.13, -29.79

 

CMYK 6 / 0 / 91 / 9

HEX #DBE915

RGB 219 233 21

HSL 63.96, 0.83%, 0.5%

LAB 88.63, -25.73, 85.07

 

CMYK 91 / 0 / 41 / 9

HEX #16E98A

RGB 22 233 138

HSL 152.99, 0.83%, 0.5%

LAB 81.99, -67.24, 33.42

 

CMYK 86 / 91 / 0 / 9

HEX #2016E9

RGB 32 22 233

HSL 242.84, 0.83%, 0.5%

LAB 31.26, 69.98, -97.14

 

CMYK 0 / 91 / 50 / 9

HEX #E91675

RGB 233 22 117

HSL 332.99, 0.83%, 0.5%

LAB 50.9, 77.06, 4.42

 

Description

Color code: HEX #DBE915 | qconv.com Color code: HEX #DBE915 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 233 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 233 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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