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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE56F it is the complementary color #241A90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE56F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE56F shade: #E0E56A, #F1F77D, #FFFF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE56F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE56F shade: #DBE56F, #CAD35C, #B9C149, #A8AF36 and #979D23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE56F shade: #DBE571, #E5CF71, #E5B071, #E59171 and #E57171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE56F shade: #DBE571, #BCE571, #9CE571, #7DE571 and #71E584

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE56F shade matches the following richer shades: #DBE571 and #E6F363

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE56F shade: #DBE571, #D0D77E, #C4CA8C, #B9BC9A and #AEAEA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE56F shade: #E5B171, #E5D071, #DBE571, #BCE571 and #9DE571

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE56F shade: #C9D82B, #D2DF4E, #DBE571, #E4EB94 and #EDF2B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE56F shade: #DBE56F, #71E592 and #C071E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE56F shade: #DBE56F, #71DBE5 and #E571DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE56F shade: #DBE56F, #71E592, #7A71E5 and #E571C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE56F shade: #DBE56F, #71E5B5, #7A71E5 and #E571A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

Complementary color

CMYK 75 / 82 / 0 / 44

HEX #241A90

RGB 36 26 144

HSL 245.08, 0.69%, 0.33%

LAB 20.55, 42.99, -62.12

 

CMYK 2 / 0 / 54 / 10

HEX #E0E56A

RGB 224 229 106

HSL 62.44, 0.7%, 0.66%

LAB 88.41, -17.92, 58.41

 

CMYK 2 / 0 / 49 / 3

HEX #F1F77D

RGB 241 247 125

HSL 62.95, 0.88%, 0.73%

LAB 94.61, -18.39, 57.36

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 4 / 0 / 56 / 17

HEX #CAD35C

RGB 202 211 92

HSL 64.54, 0.57%, 0.59%

LAB 81.79, -19.02, 56.7

 

CMYK 4 / 0 / 62 / 24

HEX #B9C149

RGB 185 193 73

HSL 64, 0.49%, 0.52%

LAB 75.41, -18.45, 57.57

 

CMYK 4 / 0 / 69 / 31

HEX #A8AF36

RGB 168 175 54

HSL 63.47, 0.53%, 0.45%

LAB 68.93, -17.73, 58.13

 

CMYK 4 / 0 / 78 / 38

HEX #979D23

RGB 151 157 35

HSL 62.95, 0.64%, 0.38%

LAB 62.35, -16.84, 58.09

 

CMYK 4 / 0 / 51 / 10

HEX #DBE571

RGB 219 229 113

HSL 65.17, 0.69%, 0.67%

LAB 88.11, -19.32, 54.78

 

CMYK 0 / 10 / 51 / 10

HEX #E5CF71

RGB 229 207 113

HSL 48.62, 0.69%, 0.67%

LAB 83.17, -4.3, 49.09

 

CMYK 0 / 23 / 51 / 10

HEX #E5B071

RGB 229 176 113

HSL 32.59, 0.69%, 0.67%

LAB 75.39, 11.9, 39.53

 

CMYK 0 / 37 / 51 / 10

HEX #E59171

RGB 229 145 113

HSL 16.55, 0.69%, 0.67%

LAB 68.1, 28.43, 30.21

 

CMYK 0 / 51 / 51 / 10

HEX #E57171

RGB 229 113 113

HSL 0, 0.69%, 0.67%

LAB 61.36, 44.95, 21.27

 

CMYK 4 / 0 / 51 / 10

HEX #DBE571

RGB 219 229 113

HSL 65.17, 0.69%, 0.67%

LAB 88.11, -19.32, 54.78

 

CMYK 18 / 0 / 51 / 10

HEX #BCE571

RGB 188 229 113

HSL 81.21, 0.69%, 0.67%

LAB 85.97, -31.26, 51.72

 

CMYK 32 / 0 / 51 / 10

HEX #9CE571

RGB 156 229 113

HSL 97.76, 0.69%, 0.67%

LAB 84.12, -42.7, 49.06

 

CMYK 45 / 0 / 51 / 10

HEX #7DE571

RGB 125 229 113

HSL 113.79, 0.69%, 0.67%

LAB 82.7, -52.42, 47

 

CMYK 51 / 0 / 42 / 10

HEX #71E584

RGB 113 229 132

HSL 129.83, 0.69%, 0.67%

LAB 82.49, -53.02, 37.42

 

CMYK 4 / 0 / 51 / 10

HEX #DBE571

RGB 219 229 113

HSL 65.17, 0.69%, 0.67%

LAB 88.11, -19.32, 54.78

 

CMYK 5 / 0 / 59 / 5

HEX #E6F363

RGB 230 243 99

HSL 65.42, 0.86%, 0.67%

LAB 92.5, -22.82, 66.13

 

CMYK 4 / 0 / 51 / 10

HEX #DBE571

RGB 219 229 113

HSL 65.17, 0.69%, 0.67%

LAB 88.11, -19.32, 54.78

 

CMYK 3 / 0 / 41 / 16

HEX #D0D77E

RGB 208 215 126

HSL 64.72, 0.53%, 0.67%

LAB 83.71, -15.48, 43.02

 

CMYK 3 / 0 / 31 / 21

HEX #C4CA8C

RGB 196 202 140

HSL 65.81, 0.37%, 0.67%

LAB 79.54, -11.93, 30.34

 

CMYK 2 / 0 / 18 / 26

HEX #B9BC9A

RGB 185 188 154

HSL 65.29, 0.2%, 0.67%

LAB 75.21, -6.88, 16.89

 

CMYK 0 / 0 / 4 / 32

HEX #AEAEA7

RGB 174 174 167

HSL 60, 0.04%, 0.67%

LAB 70.91, -1.29, 3.58

 

CMYK 0 / 23 / 51 / 10

HEX #E5B171

RGB 229 177 113

HSL 33.1, 0.69%, 0.67%

LAB 75.63, 11.37, 39.84

 

CMYK 0 / 9 / 51 / 10

HEX #E5D071

RGB 229 208 113

HSL 49.14, 0.69%, 0.67%

LAB 83.42, -4.81, 49.4

 

CMYK 4 / 0 / 51 / 10

HEX #DBE571

RGB 219 229 113

HSL 65.17, 0.69%, 0.67%

LAB 88.11, -19.32, 54.78

 

CMYK 18 / 0 / 51 / 10

HEX #BCE571

RGB 188 229 113

HSL 81.21, 0.69%, 0.67%

LAB 85.97, -31.26, 51.72

 

CMYK 31 / 0 / 51 / 10

HEX #9DE571

RGB 157 229 113

HSL 97.24, 0.69%, 0.67%

LAB 84.17, -42.36, 49.13

 

CMYK 7 / 0 / 80 / 15

HEX #C9D82B

RGB 201 216 43

HSL 65.2, 0.69%, 0.51%

LAB 82.76, -24.54, 75.43

 

CMYK 6 / 0 / 65 / 13

HEX #D2DF4E

RGB 210 223 78

HSL 65.38, 0.69%, 0.59%

LAB 85.52, -22.59, 66.75

 

CMYK 4 / 0 / 51 / 10

HEX #DBE571

RGB 219 229 113

HSL 65.17, 0.69%, 0.67%

LAB 88.11, -19.32, 54.78

 

CMYK 3 / 0 / 37 / 8

HEX #E4EB94

RGB 228 235 148

HSL 64.83, 0.69%, 0.75%

LAB 90.8, -15.26, 41.44

 

CMYK 2 / 0 / 24 / 5

HEX #EDF2B7

RGB 237 242 183

HSL 65.08, 0.69%, 0.83%

LAB 93.85, -11, 28

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 51 / 0 / 36 / 10

HEX #71E592

RGB 113 229 146

HSL 137.07, 0.69%, 0.67%

LAB 82.71, -50.74, 30.66

 

CMYK 16 / 51 / 0 / 10

HEX #C071E5

RGB 192 113 229

HSL 280.86, 0.69%, 0.67%

LAB 60.49, 50.48, -46.66

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 51 / 4 / 0 / 10

HEX #71DBE5

RGB 113 219 229

HSL 185.17, 0.69%, 0.67%

LAB 81.75, -27.95, -14.35

 

CMYK 0 / 51 / 4 / 10

HEX #E571DB

RGB 229 113 219

HSL 305.17, 0.69%, 0.67%

LAB 64.63, 58.77, -34.26

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 51 / 0 / 36 / 10

HEX #71E592

RGB 113 229 146

HSL 137.07, 0.69%, 0.67%

LAB 82.71, -50.74, 30.66

 

CMYK 47 / 51 / 0 / 10

HEX #7A71E5

RGB 122 113 229

HSL 244.66, 0.69%, 0.67%

LAB 53.61, 32.96, -58.04

 

CMYK 0 / 51 / 14 / 10

HEX #E571C4

RGB 229 113 196

HSL 317.07, 0.69%, 0.67%

LAB 63.72, 55.07, -22.75

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56F

RGB 219 229 111

HSL 65.08, 0.69%, 0.67%

LAB 88.09, -19.49, 55.67

 

CMYK 51 / 0 / 21 / 10

HEX #71E5B5

RGB 113 229 181

HSL 155.17, 0.69%, 0.67%

LAB 83.38, -44.03, 13.45

 

CMYK 47 / 51 / 0 / 10

HEX #7A71E5

RGB 122 113 229

HSL 244.66, 0.69%, 0.67%

LAB 53.61, 32.96, -58.04

 

CMYK 0 / 51 / 30 / 10

HEX #E571A1

RGB 229 113 161

HSL 335.17, 0.69%, 0.67%

LAB 62.54, 50.14, -4.59

 

Description

Color code: HEX #DBE56F | qconv.com Color code: HEX #DBE56F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 229 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 229 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 52 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 52% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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