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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE474 it is the complementary color #241B8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE474. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE474 shade: #E0E46F, #F1F682, #FFFF95, #FFFFA8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE474. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE474 shade: #DBE474, #CAD261, #B9C04E, #A8AE3B and #979C28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE474 shade: #DAE372, #E3CE72, #E3AF72, #E39172 and #E37372

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE474 shade: #DAE372, #BCE372, #9DE372, #7FE372 and #72E384

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE474 shade matches the following richer shades: #DAE372, #E6F165 and #F1FE57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE474 shade: #DAE372, #CFD680, #C3C88E, #B8BA9B and #ACADA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE474 shade: #E3AF72, #E3CD72, #DCE372, #BEE372 and #A0E372

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE474 shade: #C8D62E, #D1DC50, #DAE372, #E3EA95 and #ECF1B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE474 shade: #DBE474, #72E391 and #BE72E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE474 shade: #DBE474, #72DCE3 and #E372DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE474 shade: #DBE474, #72E391, #7A72E3 and #E372C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE474 shade: #DBE474, #72E3B2, #7A72E3 and #E372A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 49 / 11

HEX #DBE474

RGB 219 228 116

HSL 64.82, 0.67%, 0.67%

LAB 87.88, -18.56, 53.11

 

Complementary color

CMYK 74 / 81 / 0 / 45

HEX #241B8B

RGB 36 27 139

HSL 244.82, 0.67%, 0.33%

LAB 20.14, 40.86, -59.68

 

CMYK 2 / 0 / 51 / 11

HEX #E0E46F

RGB 224 228 111

HSL 62.05, 0.68%, 0.66%

LAB 88.2, -17.02, 55.9

 

CMYK 2 / 0 / 47 / 4

HEX #F1F682

RGB 241 246 130

HSL 62.59, 0.87%, 0.74%

LAB 94.41, -17.46, 54.8

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 4 / 0 / 49 / 11

HEX #DBE474

RGB 219 228 116

HSL 64.82, 0.67%, 0.67%

LAB 87.88, -18.56, 53.11

 

CMYK 4 / 0 / 54 / 18

HEX #CAD261

RGB 202 210 97

HSL 64.25, 0.56%, 0.6%

LAB 81.57, -18.13, 54.19

 

CMYK 4 / 0 / 59 / 25

HEX #B9C04E

RGB 185 192 78

HSL 63.68, 0.48%, 0.53%

LAB 75.18, -17.59, 55.16

 

CMYK 3 / 0 / 66 / 32

HEX #A8AE3B

RGB 168 174 59

HSL 63.13, 0.49%, 0.46%

LAB 68.69, -16.93, 55.9

 

CMYK 3 / 0 / 74 / 39

HEX #979C28

RGB 151 156 40

HSL 62.59, 0.59%, 0.38%

LAB 62.09, -16.1, 56.17

 

CMYK 4 / 0 / 50 / 11

HEX #DAE372

RGB 218 227 114

HSL 64.78, 0.67%, 0.67%

LAB 87.51, -18.65, 53.6

 

CMYK 0 / 9 / 50 / 11

HEX #E3CE72

RGB 227 206 114

HSL 48.85, 0.67%, 0.67%

LAB 82.75, -4.51, 48.06

 

CMYK 0 / 23 / 50 / 11

HEX #E3AF72

RGB 227 175 114

HSL 32.39, 0.67%, 0.67%

LAB 74.95, 11.71, 38.43

 

CMYK 0 / 36 / 50 / 11

HEX #E39172

RGB 227 145 114

HSL 16.46, 0.67%, 0.67%

LAB 67.87, 27.73, 29.32

 

CMYK 0 / 49 / 50 / 11

HEX #E37372

RGB 227 115 114

HSL 0.53, 0.67%, 0.67%

LAB 61.49, 43.32, 20.83

 

CMYK 4 / 0 / 50 / 11

HEX #DAE372

RGB 218 227 114

HSL 64.78, 0.67%, 0.67%

LAB 87.51, -18.65, 53.6

 

CMYK 17 / 0 / 50 / 11

HEX #BCE372

RGB 188 227 114

HSL 80.71, 0.67%, 0.67%

LAB 85.43, -30.23, 50.6

 

CMYK 31 / 0 / 50 / 11

HEX #9DE372

RGB 157 227 114

HSL 97.17, 0.67%, 0.67%

LAB 83.61, -41.37, 47.98

 

CMYK 44 / 0 / 50 / 11

HEX #7FE372

RGB 127 227 114

HSL 113.1, 0.67%, 0.67%

LAB 82.2, -50.9, 45.93

 

CMYK 50 / 0 / 42 / 11

HEX #72E384

RGB 114 227 132

HSL 129.56, 0.67%, 0.67%

LAB 81.94, -51.96, 36.7

 

CMYK 4 / 0 / 50 / 11

HEX #DAE372

RGB 218 227 114

HSL 64.78, 0.67%, 0.67%

LAB 87.51, -18.65, 53.6

 

CMYK 5 / 0 / 58 / 5

HEX #E6F165

RGB 230 241 101

HSL 64.71, 0.83%, 0.67%

LAB 91.99, -21.72, 64.73

 

CMYK 5 / 0 / 66 / 0

HEX #F1FE57

RGB 241 254 87

HSL 64.67, 0.99%, 0.67%

LAB 96.11, -24.42, 74.93

 

CMYK 4 / 0 / 50 / 11

HEX #DAE372

RGB 218 227 114

HSL 64.78, 0.67%, 0.67%

LAB 87.51, -18.65, 53.6

 

CMYK 3 / 0 / 40 / 16

HEX #CFD680

RGB 207 214 128

HSL 64.88, 0.51%, 0.67%

LAB 83.4, -15.16, 41.62

 

CMYK 3 / 0 / 29 / 22

HEX #C3C88E

RGB 195 200 142

HSL 65.17, 0.35%, 0.67%

LAB 78.96, -11.03, 28.51

 

CMYK 1 / 0 / 17 / 27

HEX #B8BA9B

RGB 184 186 155

HSL 63.87, 0.18%, 0.67%

LAB 74.62, -6.04, 15.51

 

CMYK 1 / 0 / 2 / 32

HEX #ACADA9

RGB 172 173 169

HSL 75, 0.02%, 0.67%

LAB 70.54, -1.1, 1.92

 

CMYK 0 / 23 / 50 / 11

HEX #E3AF72

RGB 227 175 114

HSL 32.39, 0.67%, 0.67%

LAB 74.95, 11.71, 38.43

 

CMYK 0 / 10 / 50 / 11

HEX #E3CD72

RGB 227 205 114

HSL 48.32, 0.67%, 0.67%

LAB 82.49, -4, 47.75

 

CMYK 3 / 0 / 50 / 11

HEX #DCE372

RGB 220 227 114

HSL 63.72, 0.67%, 0.67%

LAB 87.66, -17.86, 53.81

 

CMYK 16 / 0 / 50 / 11

HEX #BEE372

RGB 190 227 114

HSL 79.65, 0.67%, 0.67%

LAB 85.55, -29.47, 50.79

 

CMYK 30 / 0 / 50 / 11

HEX #A0E372

RGB 160 227 114

HSL 95.58, 0.67%, 0.67%

LAB 83.77, -40.34, 48.21

 

CMYK 7 / 0 / 79 / 16

HEX #C8D62E

RGB 200 214 46

HSL 65, 0.67%, 0.51%

LAB 82.15, -23.88, 74.06

 

CMYK 5 / 0 / 64 / 14

HEX #D1DC50

RGB 209 220 80

HSL 64.71, 0.67%, 0.59%

LAB 84.65, -21.42, 65.03

 

CMYK 4 / 0 / 50 / 11

HEX #DAE372

RGB 218 227 114

HSL 64.78, 0.67%, 0.67%

LAB 87.51, -18.65, 53.6

 

CMYK 3 / 0 / 36 / 8

HEX #E3EA95

RGB 227 234 149

HSL 64.94, 0.67%, 0.75%

LAB 90.48, -15.03, 40.52

 

CMYK 2 / 0 / 24 / 5

HEX #ECF1B7

RGB 236 241 183

HSL 65.17, 0.67%, 0.83%

LAB 93.52, -10.87, 27.53

 

CMYK 4 / 0 / 49 / 11

HEX #DBE474

RGB 219 228 116

HSL 64.82, 0.67%, 0.67%

LAB 87.88, -18.56, 53.11

 

CMYK 50 / 0 / 36 / 11

HEX #72E391

RGB 114 227 145

HSL 136.46, 0.67%, 0.67%

LAB 82.14, -49.84, 30.41

 

CMYK 16 / 50 / 0 / 11

HEX #BE72E3

RGB 190 114 227

HSL 280.35, 0.67%, 0.67%

LAB 60.36, 49, -45.76

 

CMYK 4 / 0 / 49 / 11

HEX #DBE474

RGB 219 228 116

HSL 64.82, 0.67%, 0.67%

LAB 87.88, -18.56, 53.11

 

CMYK 50 / 3 / 0 / 11

HEX #72DCE3

RGB 114 220 227

HSL 183.72, 0.67%, 0.67%

LAB 82.01, -28.75, -12.89

 

CMYK 0 / 50 / 3 / 11

HEX #E372DC

RGB 227 114 220

HSL 303.72, 0.67%, 0.67%

LAB 64.59, 57.9, -34.9

 

CMYK 4 / 0 / 49 / 11

HEX #DBE474

RGB 219 228 116

HSL 64.82, 0.67%, 0.67%

LAB 87.88, -18.56, 53.11

 

CMYK 50 / 0 / 36 / 11

HEX #72E391

RGB 114 227 145

HSL 136.46, 0.67%, 0.67%

LAB 82.14, -49.84, 30.41

 

CMYK 46 / 50 / 0 / 11

HEX #7A72E3

RGB 122 114 227

HSL 244.25, 0.67%, 0.67%

LAB 53.73, 31.78, -56.72

 

CMYK 0 / 50 / 13 / 11

HEX #E372C5

RGB 227 114 197

HSL 315.93, 0.67%, 0.67%

LAB 63.67, 54.14, -23.41

 

CMYK 4 / 0 / 49 / 11

HEX #DBE474

RGB 219 228 116

HSL 64.82, 0.67%, 0.67%

LAB 87.88, -18.56, 53.11

 

CMYK 50 / 0 / 22 / 11

HEX #72E3B2

RGB 114 227 178

HSL 153.98, 0.67%, 0.67%

LAB 82.77, -43.55, 14.16

 

CMYK 46 / 50 / 0 / 11

HEX #7A72E3

RGB 122 114 227

HSL 244.25, 0.67%, 0.67%

LAB 53.73, 31.78, -56.72

 

CMYK 0 / 50 / 28 / 11

HEX #E372A3

RGB 227 114 163

HSL 333.98, 0.67%, 0.67%

LAB 62.52, 49.26, -5.81

 

Description

Color code: HEX #DBE474 | qconv.com Color code: HEX #DBE474 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 228 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 228 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 49 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 49% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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