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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE410 it is the complementary color #241BEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE410. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE410 shade: #E0E40B, #F1F61E, #FFFF31, #FFFF44 and #FFFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE410. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE410 shade: #DBE410, #CAD200, #B9C000, #A8AE00 and #979C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE410 shade: #DCE510, #E5B510, #E57B10, #E54210 and #E51010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE410 shade: #DCE510, #A2E510, #69E510, #30E510 and #10E52A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE410 shade matches the following richer shades: #DCE510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE410 shade: #DCE510, #CAD124, #B8BD38, #A5A94B and #93965F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE410 shade: #E57A10, #E5B310, #DEE510, #A5E510 and #6CE510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE410 shade: #92980B, #B7BE0D, #DCE510, #E8F02E and #ECF354

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE410 shade: #DBE410, #10E542 and #9710E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE410 shade: #DBE410, #10DEE5 and #E510DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE410 shade: #DBE410, #10E542, #1710E5 and #E510B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE410 shade: #DBE410, #10E581, #1710E5 and #E51073

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 93 / 11

HEX #DBE410

RGB 219 228 16

HSL 62.55, 0.87%, 0.48%

LAB 87.28, -23.41, 84.62

 

Complementary color

CMYK 85 / 89 / 0 / 6

HEX #241BEF

RGB 36 27 239

HSL 242.55, 0.87%, 0.52%

LAB 32.68, 70.21, -98.18

 

CMYK 2 / 0 / 95 / 11

HEX #E0E40B

RGB 224 228 11

HSL 61.11, 0.91%, 0.47%

LAB 87.66, -21.38, 85.56

 

CMYK 2 / 0 / 88 / 4

HEX #F1F61E

RGB 241 246 30

HSL 61.39, 0.92%, 0.54%

LAB 93.76, -22.71, 88.49

 

CMYK 0 / 0 / 81 / 0

HEX #FFFF31

RGB 255 255 49

HSL 60, 1%, 0.6%

LAB 97.23, -20.83, 88.02

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF44

RGB 255 255 68

HSL 60, 1%, 0.63%

LAB 97.31, -20.19, 82.92

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 4 / 0 / 93 / 11

HEX #DBE410

RGB 219 228 16

HSL 62.55, 0.87%, 0.48%

LAB 87.28, -23.41, 84.62

 

CMYK 4 / 0 / 100 / 18

HEX #CAD200

RGB 202 210 0

HSL 62.29, 1%, 0.41%

LAB 81.1, -22.01, 80.87

 

CMYK 4 / 0 / 100 / 25

HEX #B9C000

RGB 185 192 0

HSL 62.19, 1%, 0.38%

LAB 74.83, -20.43, 75.66

 

CMYK 3 / 0 / 100 / 32

HEX #A8AE00

RGB 168 174 0

HSL 62.07, 1%, 0.34%

LAB 68.46, -18.82, 70.36

 

CMYK 3 / 0 / 100 / 39

HEX #979C00

RGB 151 156 0

HSL 61.92, 1%, 0.31%

LAB 61.96, -17.17, 64.96

 

CMYK 4 / 0 / 93 / 10

HEX #DCE510

RGB 220 229 16

HSL 62.54, 0.87%, 0.48%

LAB 87.63, -23.48, 84.92

 

CMYK 0 / 21 / 93 / 10

HEX #E5B510

RGB 229 181 16

HSL 46.48, 0.87%, 0.48%

LAB 75.91, 4.56, 76.44

 

CMYK 0 / 46 / 93 / 10

HEX #E57B10

RGB 229 123 16

HSL 30.14, 0.87%, 0.48%

LAB 62.39, 35.2, 66.7

 

CMYK 0 / 71 / 93 / 10

HEX #E54210

RGB 229 66 16

HSL 14.08, 0.87%, 0.48%

LAB 52.5, 60.91, 60.11

 

CMYK 0 / 93 / 93 / 10

HEX #E51010

RGB 229 16 16

HSL 0, 0.87%, 0.48%

LAB 48.34, 72.63, 57.59

 

CMYK 4 / 0 / 93 / 10

HEX #DCE510

RGB 220 229 16

HSL 62.54, 0.87%, 0.48%

LAB 87.63, -23.48, 84.92

 

CMYK 29 / 0 / 93 / 10

HEX #A2E510

RGB 162 229 16

HSL 78.87, 0.87%, 0.48%

LAB 83.84, -46.47, 80.34

 

CMYK 54 / 0 / 93 / 10

HEX #69E510

RGB 105 229 16

HSL 94.93, 0.87%, 0.48%

LAB 81.34, -64.83, 77.27

 

CMYK 79 / 0 / 93 / 10

HEX #30E510

RGB 48 229 16

HSL 110.99, 0.87%, 0.48%

LAB 80.01, -75.96, 75.64

 

CMYK 93 / 0 / 82 / 10

HEX #10E52A

RGB 16 229 42

HSL 127.32, 0.87%, 0.48%

LAB 79.79, -77.65, 70.48

 

CMYK 4 / 0 / 93 / 10

HEX #DCE510

RGB 220 229 16

HSL 62.54, 0.87%, 0.48%

LAB 87.63, -23.48, 84.92

 

CMYK 4 / 0 / 93 / 10

HEX #DCE510

RGB 220 229 16

HSL 62.54, 0.87%, 0.48%

LAB 87.63, -23.48, 84.92

 

CMYK 3 / 0 / 83 / 18

HEX #CAD124

RGB 202 209 36

HSL 62.43, 0.71%, 0.48%

LAB 80.9, -20.94, 75.59

 

CMYK 3 / 0 / 70 / 26

HEX #B8BD38

RGB 184 189 56

HSL 62.26, 0.54%, 0.48%

LAB 74.11, -17.87, 62.92

 

CMYK 2 / 0 / 56 / 34

HEX #A5A94B

RGB 165 169 75

HSL 62.55, 0.39%, 0.48%

LAB 67.19, -14.49, 47.16

 

CMYK 2 / 0 / 37 / 41

HEX #93965F

RGB 147 150 95

HSL 63.27, 0.22%, 0.48%

LAB 60.64, -9.97, 28.67

 

CMYK 0 / 47 / 93 / 10

HEX #E57A10

RGB 229 122 16

HSL 29.86, 0.87%, 0.48%

LAB 62.18, 35.72, 66.56

 

CMYK 0 / 22 / 93 / 10

HEX #E5B310

RGB 229 179 16

HSL 45.92, 0.87%, 0.48%

LAB 75.41, 5.61, 76.07

 

CMYK 3 / 0 / 93 / 10

HEX #DEE510

RGB 222 229 16

HSL 61.97, 0.87%, 0.48%

LAB 87.78, -22.65, 85.1

 

CMYK 28 / 0 / 93 / 10

HEX #A5E510

RGB 165 229 16

HSL 78.03, 0.87%, 0.48%

LAB 84, -45.35, 80.54

 

CMYK 53 / 0 / 93 / 10

HEX #6CE510

RGB 108 229 16

HSL 94.08, 0.87%, 0.48%

LAB 81.44, -64.02, 77.39

 

CMYK 4 / 0 / 93 / 40

HEX #92980B

RGB 146 152 11

HSL 62.55, 0.87%, 0.32%

LAB 60.42, -17.17, 62.02

 

CMYK 4 / 0 / 93 / 25

HEX #B7BE0D

RGB 183 190 13

HSL 62.37, 0.87%, 0.4%

LAB 74.14, -20.15, 73.67

 

CMYK 4 / 0 / 93 / 10

HEX #DCE510

RGB 220 229 16

HSL 62.54, 0.87%, 0.48%

LAB 87.63, -23.48, 84.92

 

CMYK 3 / 0 / 81 / 6

HEX #E8F02E

RGB 232 240 46

HSL 62.47, 0.87%, 0.56%

LAB 91.54, -23.16, 83.18

 

CMYK 3 / 0 / 65 / 5

HEX #ECF354

RGB 236 243 84

HSL 62.64, 0.87%, 0.64%

LAB 92.83, -21.36, 72.58

 

CMYK 4 / 0 / 93 / 11

HEX #DBE410

RGB 219 228 16

HSL 62.55, 0.87%, 0.48%

LAB 87.28, -23.41, 84.62

 

CMYK 93 / 0 / 71 / 10

HEX #10E542

RGB 16 229 66

HSL 134.08, 0.87%, 0.48%

LAB 79.92, -76.01, 63.18

 

CMYK 34 / 93 / 0 / 10

HEX #9710E5

RGB 151 16 229

HSL 278.03, 0.87%, 0.48%

LAB 42.17, 78.34, -76.45

 

CMYK 4 / 0 / 93 / 11

HEX #DBE410

RGB 219 228 16

HSL 62.55, 0.87%, 0.48%

LAB 87.28, -23.41, 84.62

 

CMYK 93 / 3 / 0 / 10

HEX #10DEE5

RGB 16 222 229

HSL 181.97, 0.87%, 0.48%

LAB 80.74, -40.82, -16.04

 

CMYK 0 / 93 / 3 / 10

HEX #E510DE

RGB 229 16 222

HSL 301.97, 0.87%, 0.48%

LAB 54.35, 88.44, -52.15

 

CMYK 4 / 0 / 93 / 11

HEX #DBE410

RGB 219 228 16

HSL 62.55, 0.87%, 0.48%

LAB 87.28, -23.41, 84.62

 

CMYK 93 / 0 / 71 / 10

HEX #10E542

RGB 16 229 66

HSL 134.08, 0.87%, 0.48%

LAB 79.92, -76.01, 63.18

 

CMYK 90 / 93 / 0 / 10

HEX #1710E5

RGB 23 16 229

HSL 241.97, 0.87%, 0.48%

LAB 29.94, 70.28, -97.08

 

CMYK 0 / 93 / 22 / 10

HEX #E510B3

RGB 229 16 179

HSL 314.08, 0.87%, 0.48%

LAB 52.16, 82.89, -30.82

 

CMYK 4 / 0 / 93 / 11

HEX #DBE410

RGB 219 228 16

HSL 62.55, 0.87%, 0.48%

LAB 87.28, -23.41, 84.62

 

CMYK 93 / 0 / 44 / 10

HEX #10E581

RGB 16 229 129

HSL 151.83, 0.87%, 0.48%

LAB 80.59, -67.8, 36.08

 

CMYK 90 / 93 / 0 / 10

HEX #1710E5

RGB 23 16 229

HSL 241.97, 0.87%, 0.48%

LAB 29.94, 70.28, -97.08

 

CMYK 0 / 93 / 50 / 10

HEX #E51073

RGB 229 16 115

HSL 332.11, 0.87%, 0.48%

LAB 49.82, 76.7, 3.98

 

Description

Color code: HEX #DBE410 | qconv.com Color code: HEX #DBE410 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 228 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 228 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 93 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 93% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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