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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE299 it is the complementary color #241D66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE299 shade: #E0E294, #F1F4A7, #FFFFBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE299 shade: #DBE299, #CAD086, #B9BE73, #A8AC60 and #979A4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE299 shade: #DBE298, #E2D598, #E2C198, #E2AD98 and #E29998

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE299 shade: #DBE298, #C7E298, #B3E298, #9FE298 and #98E2A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE299 shade matches the following richer shades: #DBE298, #E3ED8D and #ECF782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE299 shade: #DBE298, #D2D7A2, #C9CCAD, #C1C2B8 and #B8B7C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE299 shade: #E2C098, #E2D498, #DCE298, #C8E298 and #B4E298

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE299 shade: #C4D057, #CFD977, #DBE298, #E6EBB8 and #F1F4D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE299 shade: #DBE299, #98E2AD and #CA98E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE299 shade: #DBE299, #98DCE2 and #E298DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE299 shade: #DBE299, #98E2AD, #9E98E2 and #E298CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE299 shade: #DBE299, #98E2C3, #9E98E2 and #E298B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 32 / 11

HEX #DBE299

RGB 219 226 153

HSL 65.75, 0.56%, 0.74%

LAB 87.85, -13.62, 34.97

 

Complementary color

CMYK 65 / 72 / 0 / 60

HEX #241D66

RGB 36 29 102

HSL 245.75, 0.56%, 0.26%

LAB 16.57, 26.99, -41.85

 

CMYK 1 / 0 / 35 / 11

HEX #E0E294

RGB 224 226 148

HSL 61.54, 0.57%, 0.73%

LAB 88.15, -12.32, 37.96

 

CMYK 1 / 0 / 32 / 4

HEX #F1F4A7

RGB 241 244 167

HSL 62.34, 0.78%, 0.81%

LAB 94.39, -12.57, 36.85

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 3 / 0 / 32 / 11

HEX #DBE299

RGB 219 226 153

HSL 65.75, 0.56%, 0.74%

LAB 87.85, -13.62, 34.97

 

CMYK 3 / 0 / 36 / 18

HEX #CAD086

RGB 202 208 134

HSL 64.86, 0.44%, 0.67%

LAB 81.51, -13.41, 36.09

 

CMYK 3 / 0 / 39 / 25

HEX #B9BE73

RGB 185 190 115

HSL 64, 0.37%, 0.6%

LAB 75.06, -13.15, 37.26

 

CMYK 2 / 0 / 44 / 33

HEX #A8AC60

RGB 168 172 96

HSL 63.16, 0.31%, 0.53%

LAB 68.51, -12.82, 38.46

 

CMYK 2 / 0 / 50 / 40

HEX #979A4D

RGB 151 154 77

HSL 62.34, 0.33%, 0.45%

LAB 61.85, -12.41, 39.68

 

CMYK 3 / 0 / 33 / 11

HEX #DBE298

RGB 219 226 152

HSL 65.68, 0.56%, 0.74%

LAB 87.83, -13.75, 35.45

 

CMYK 0 / 6 / 33 / 11

HEX #E2D598

RGB 226 213 152

HSL 49.46, 0.56%, 0.74%

LAB 85.01, -4.51, 31.82

 

CMYK 0 / 15 / 33 / 11

HEX #E2C198

RGB 226 193 152

HSL 33.24, 0.56%, 0.74%

LAB 79.94, 5.88, 25.01

 

CMYK 0 / 23 / 33 / 11

HEX #E2AD98

RGB 226 173 152

HSL 17.03, 0.56%, 0.74%

LAB 75.03, 16.51, 18.27

 

CMYK 0 / 32 / 33 / 11

HEX #E29998

RGB 226 153 152

HSL 0.81, 0.56%, 0.74%

LAB 70.33, 27.23, 11.7

 

CMYK 3 / 0 / 33 / 11

HEX #DBE298

RGB 219 226 152

HSL 65.68, 0.56%, 0.74%

LAB 87.83, -13.75, 35.45

 

CMYK 12 / 0 / 33 / 11

HEX #C7E298

RGB 199 226 152

HSL 81.89, 0.56%, 0.74%

LAB 86.41, -21.2, 33.31

 

CMYK 21 / 0 / 33 / 11

HEX #B3E298

RGB 179 226 152

HSL 98.11, 0.56%, 0.74%

LAB 85.12, -28.36, 31.37

 

CMYK 30 / 0 / 33 / 11

HEX #9FE298

RGB 159 226 152

HSL 114.32, 0.56%, 0.74%

LAB 83.98, -35.11, 29.65

 

CMYK 33 / 0 / 27 / 11

HEX #98E2A5

RGB 152 226 165

HSL 130.54, 0.56%, 0.74%

LAB 83.85, -35.19, 22.71

 

CMYK 3 / 0 / 33 / 11

HEX #DBE298

RGB 219 226 152

HSL 65.68, 0.56%, 0.74%

LAB 87.83, -13.75, 35.45

 

CMYK 4 / 0 / 41 / 7

HEX #E3ED8D

RGB 227 237 141

HSL 66.25, 0.73%, 0.74%

LAB 91.15, -17.39, 45.32

 

CMYK 4 / 0 / 47 / 3

HEX #ECF782

RGB 236 247 130

HSL 65.64, 0.88%, 0.74%

LAB 94.3, -19.88, 54.58

 

CMYK 3 / 0 / 33 / 11

HEX #DBE298

RGB 219 226 152

HSL 65.68, 0.56%, 0.74%

LAB 87.83, -13.75, 35.45

 

CMYK 2 / 0 / 25 / 16

HEX #D2D7A2

RGB 210 215 162

HSL 65.66, 0.4%, 0.74%

LAB 84.44, -10.29, 25.66

 

CMYK 1 / 0 / 15 / 20

HEX #C9CCAD

RGB 201 204 173

HSL 65.81, 0.23%, 0.74%

LAB 81.08, -6.34, 15.12

 

CMYK 1 / 0 / 5 / 24

HEX #C1C2B8

RGB 193 194 184

HSL 66, 0.08%, 0.74%

LAB 78.1, -2.15, 4.9

 

CMYK 5 / 6 / 0 / 24

HEX #B8B7C2

RGB 184 183 194

HSL 245.45, 0.08%, 0.74%

LAB 74.79, 2.45, -5.44

 

CMYK 0 / 15 / 33 / 11

HEX #E2C098

RGB 226 192 152

HSL 32.43, 0.56%, 0.74%

LAB 79.69, 6.41, 24.67

 

CMYK 0 / 6 / 33 / 11

HEX #E2D498

RGB 226 212 152

HSL 48.65, 0.56%, 0.74%

LAB 84.75, -3.99, 31.48

 

CMYK 3 / 0 / 33 / 11

HEX #DCE298

RGB 220 226 152

HSL 64.86, 0.56%, 0.74%

LAB 87.91, -13.37, 35.57

 

CMYK 12 / 0 / 33 / 11

HEX #C8E298

RGB 200 226 152

HSL 81.08, 0.56%, 0.74%

LAB 86.47, -20.83, 33.41

 

CMYK 20 / 0 / 33 / 11

HEX #B4E298

RGB 180 226 152

HSL 97.3, 0.56%, 0.74%

LAB 85.18, -28.01, 31.46

 

CMYK 6 / 0 / 58 / 18

HEX #C4D057

RGB 196 208 87

HSL 65.95, 0.56%, 0.58%

LAB 80.48, -20.36, 57.31

 

CMYK 5 / 0 / 45 / 15

HEX #CFD977

RGB 207 217 119

HSL 66.12, 0.56%, 0.66%

LAB 84.08, -17.59, 46.89

 

CMYK 3 / 0 / 33 / 11

HEX #DBE298

RGB 219 226 152

HSL 65.68, 0.56%, 0.74%

LAB 87.83, -13.75, 35.45

 

CMYK 2 / 0 / 22 / 8

HEX #E6EBB8

RGB 230 235 184

HSL 65.88, 0.56%, 0.82%

LAB 91.55, -9.92, 24.25

 

CMYK 1 / 0 / 11 / 4

HEX #F1F4D8

RGB 241 244 216

HSL 66.43, 0.56%, 0.9%

LAB 95.31, -5.71, 13.15

 

CMYK 3 / 0 / 32 / 11

HEX #DBE299

RGB 219 226 153

HSL 65.75, 0.56%, 0.74%

LAB 87.85, -13.62, 34.97

 

CMYK 33 / 0 / 23 / 11

HEX #98E2AD

RGB 152 226 173

HSL 137.03, 0.56%, 0.74%

LAB 84.01, -33.77, 18.76

 

CMYK 11 / 33 / 0 / 11

HEX #CA98E2

RGB 202 152 226

HSL 280.54, 0.56%, 0.74%

LAB 69.83, 31.83, -30.34

 

CMYK 3 / 0 / 32 / 11

HEX #DBE299

RGB 219 226 153

HSL 65.75, 0.56%, 0.74%

LAB 87.85, -13.62, 34.97

 

CMYK 33 / 3 / 0 / 11

HEX #98DCE2

RGB 152 220 226

HSL 184.86, 0.56%, 0.74%

LAB 83.63, -19.79, -9.76

 

CMYK 0 / 33 / 3 / 11

HEX #E298DC

RGB 226 152 220

HSL 304.86, 0.56%, 0.74%

LAB 72.09, 38.25, -23.36

 

CMYK 3 / 0 / 32 / 11

HEX #DBE299

RGB 219 226 153

HSL 65.75, 0.56%, 0.74%

LAB 87.85, -13.62, 34.97

 

CMYK 33 / 0 / 23 / 11

HEX #98E2AD

RGB 152 226 173

HSL 137.03, 0.56%, 0.74%

LAB 84.01, -33.77, 18.76

 

CMYK 30 / 33 / 0 / 11

HEX #9E98E2

RGB 158 152 226

HSL 244.86, 0.56%, 0.74%

LAB 65.92, 18.63, -36.71

 

CMYK 0 / 33 / 9 / 11

HEX #E298CD

RGB 226 152 205

HSL 317.03, 0.56%, 0.74%

LAB 71.58, 35.63, -15.87

 

CMYK 3 / 0 / 32 / 11

HEX #DBE299

RGB 219 226 153

HSL 65.75, 0.56%, 0.74%

LAB 87.85, -13.62, 34.97

 

CMYK 33 / 0 / 14 / 11

HEX #98E2C3

RGB 152 226 195

HSL 154.86, 0.56%, 0.74%

LAB 84.49, -29.52, 7.89

 

CMYK 30 / 33 / 0 / 11

HEX #9E98E2

RGB 158 152 226

HSL 244.86, 0.56%, 0.74%

LAB 65.92, 18.63, -36.71

 

CMYK 0 / 33 / 19 / 11

HEX #E298B7

RGB 226 152 183

HSL 334.86, 0.56%, 0.74%

LAB 70.9, 32.1, -4.7

 

Description

Color code: HEX #DBE299 | qconv.com Color code: HEX #DBE299 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 226 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 226 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 32 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 32% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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