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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBDFD9 it is the complementary color #242026. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBDFD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBDFD9 shade: #E0DFD4, #F1F1E7, #FFFFFA and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBDFD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBDFD9 shade: #DBDFD9, #CACDC6, #B9BBB3, #A8A9A0 and #97978D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBDFD9 shade: #DADFD8, #DCDFD8, #DEDFD8, #DFDED8 and #DFDCD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBDFD9 shade: #DADFD8, #D8DFD8, #D8DFD9, #D8DFDB and #D8DFDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBDFD9 shade matches the following richer shades: #DADFD8, #D8E4D2, #D6EACD, #D4F0C7 and #D3F6C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBDFD9 shade: #DADFD8, #DCD9DE, #DED3E4, #E0CDE9 and #E2C7EF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBDFD9 shade: #DEDFD8, #DCDFD8, #DADFD8, #D9DFD8 and #D8DFD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBDFD9 shade: #B0B9AB, #C5CCC2, #DADFD8, #EFF1EF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBDFD9 shade: #DBDFD9, #D8DFDE and #DFD8DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBDFD9 shade: #DBDFD9, #D8DADF and #DFD8DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBDFD9 shade: #DBDFD9, #D8DFDE, #DCD8DF and #DFD8D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBDFD9 shade: #DBDFD9, #D8DDDF, #DCD8DF and #DFD9D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 3 / 13

HEX #DBDFD9

RGB 219 223 217

HSL 100, 0.09%, 0.86%

LAB 88.37, -2.42, 2.45

 

Complementary color

CMYK 5 / 16 / 0 / 85

HEX #242026

RGB 36 32 38

HSL 280, 0.09%, 0.14%

LAB 12.91, 3.37, -3.35

 

CMYK 0 / 0 / 5 / 12

HEX #E0DFD4

RGB 224 223 212

HSL 55, 0.16%, 0.85%

LAB 88.63, -1.58, 5.5

 

CMYK 0 / 0 / 4 / 5

HEX #F1F1E7

RGB 241 241 231

HSL 60, 0.26%, 0.93%

LAB 94.9, -1.73, 4.81

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 2 / 0 / 3 / 13

HEX #DBDFD9

RGB 219 223 217

HSL 100, 0.09%, 0.86%

LAB 88.37, -2.42, 2.45

 

CMYK 1 / 0 / 3 / 20

HEX #CACDC6

RGB 202 205 198

HSL 85.71, 0.07%, 0.79%

LAB 82, -2.29, 3.11

 

CMYK 1 / 0 / 4 / 27

HEX #B9BBB3

RGB 185 187 179

HSL 75, 0.06%, 0.72%

LAB 75.52, -2.16, 3.79

 

CMYK 1 / 0 / 5 / 34

HEX #A8A9A0

RGB 168 169 160

HSL 66.67, 0.05%, 0.65%

LAB 68.92, -2.02, 4.51

 

CMYK 0 / 0 / 7 / 41

HEX #97978D

RGB 151 151 141

HSL 60, 0.05%, 0.57%

LAB 62.2, -1.87, 5.26

 

CMYK 2 / 0 / 3 / 13

HEX #DADFD8

RGB 218 223 216

HSL 102.86, 0.1%, 0.86%

LAB 88.28, -2.94, 2.83

 

CMYK 1 / 0 / 3 / 13

HEX #DCDFD8

RGB 220 223 216

HSL 85.71, 0.1%, 0.86%

LAB 88.42, -2.26, 3.06

 

CMYK 0 / 0 / 3 / 13

HEX #DEDFD8

RGB 222 223 216

HSL 68.57, 0.1%, 0.86%

LAB 88.57, -1.58, 3.3

 

CMYK 0 / 0 / 3 / 13

HEX #DFDED8

RGB 223 222 216

HSL 51.43, 0.1%, 0.86%

LAB 88.39, -0.72, 3.05

 

CMYK 0 / 1 / 3 / 13

HEX #DFDCD8

RGB 223 220 216

HSL 34.29, 0.1%, 0.86%

LAB 87.89, 0.32, 2.31

 

CMYK 2 / 0 / 3 / 13

HEX #DADFD8

RGB 218 223 216

HSL 102.86, 0.1%, 0.86%

LAB 88.28, -2.94, 2.83

 

CMYK 3 / 0 / 3 / 13

HEX #D8DFD8

RGB 216 223 216

HSL 120, 0.1%, 0.86%

LAB 88.13, -3.62, 2.6

 

CMYK 3 / 0 / 3 / 13

HEX #D8DFD9

RGB 216 223 217

HSL 128.57, 0.1%, 0.86%

LAB 88.15, -3.44, 2.11

 

CMYK 3 / 0 / 2 / 13

HEX #D8DFDB

RGB 216 223 219

HSL 145.71, 0.1%, 0.86%

LAB 88.2, -3.08, 1.13

 

CMYK 3 / 0 / 1 / 13

HEX #D8DFDD

RGB 216 223 221

HSL 162.86, 0.1%, 0.86%

LAB 88.25, -2.71, 0.15

 

CMYK 2 / 0 / 3 / 13

HEX #DADFD8

RGB 218 223 216

HSL 102.86, 0.1%, 0.86%

LAB 88.28, -2.94, 2.83

 

CMYK 5 / 0 / 8 / 11

HEX #D8E4D2

RGB 216 228 210

HSL 100, 0.25%, 0.86%

LAB 89.27, -7.23, 7.39

 

CMYK 9 / 0 / 12 / 8

HEX #D6EACD

RGB 214 234 205

HSL 101.38, 0.41%, 0.86%

LAB 90.57, -11.8, 11.85

 

CMYK 12 / 0 / 17 / 6

HEX #D4F0C7

RGB 212 240 199

HSL 100.98, 0.58%, 0.86%

LAB 91.88, -16.46, 16.79

 

CMYK 14 / 0 / 22 / 4

HEX #D3F6C1

RGB 211 246 193

HSL 99.62, 0.75%, 0.86%

LAB 93.28, -20.7, 21.82

 

CMYK 2 / 0 / 3 / 13

HEX #DADFD8

RGB 218 223 216

HSL 102.86, 0.1%, 0.86%

LAB 88.28, -2.94, 2.83

 

CMYK 1 / 2 / 0 / 13

HEX #DCD9DE

RGB 220 217 222

HSL 276, 0.07%, 0.86%

LAB 87.05, 1.93, -2.1

 

CMYK 3 / 7 / 0 / 11

HEX #DED3E4

RGB 222 211 228

HSL 278.82, 0.24%, 0.86%

LAB 85.87, 6.84, -7.01

 

CMYK 4 / 12 / 0 / 9

HEX #E0CDE9

RGB 224 205 233

HSL 280.71, 0.39%, 0.86%

LAB 84.69, 11.62, -11.4

 

CMYK 5 / 17 / 0 / 6

HEX #E2C7EF

RGB 226 199 239

HSL 280.5, 0.56%, 0.86%

LAB 83.57, 16.61, -16.24

 

CMYK 0 / 0 / 3 / 13

HEX #DEDFD8

RGB 222 223 216

HSL 68.57, 0.1%, 0.86%

LAB 88.57, -1.58, 3.3

 

CMYK 1 / 0 / 3 / 13

HEX #DCDFD8

RGB 220 223 216

HSL 85.71, 0.1%, 0.86%

LAB 88.42, -2.26, 3.06

 

CMYK 2 / 0 / 3 / 13

HEX #DADFD8

RGB 218 223 216

HSL 102.86, 0.1%, 0.86%

LAB 88.28, -2.94, 2.83

 

CMYK 3 / 0 / 3 / 13

HEX #D9DFD8

RGB 217 223 216

HSL 111.43, 0.1%, 0.86%

LAB 88.2, -3.28, 2.71

 

CMYK 3 / 0 / 3 / 13

HEX #D8DFD9

RGB 216 223 217

HSL 128.57, 0.1%, 0.86%

LAB 88.15, -3.44, 2.11

 

CMYK 5 / 0 / 8 / 27

HEX #B0B9AB

RGB 176 185 171

HSL 98.57, 0.09%, 0.7%

LAB 74.11, -5.73, 6.02

 

CMYK 3 / 0 / 5 / 20

HEX #C5CCC2

RGB 197 204 194

HSL 102, 0.09%, 0.78%

LAB 81.26, -4.22, 4.14

 

CMYK 2 / 0 / 3 / 13

HEX #DADFD8

RGB 218 223 216

HSL 102.86, 0.1%, 0.86%

LAB 88.28, -2.94, 2.83

 

CMYK 1 / 0 / 1 / 5

HEX #EFF1EF

RGB 239 241 239

HSL 120, 0.07%, 0.94%

LAB 94.95, -1.01, 0.72

 

CMYK 2 / 0 / 3 / 13

HEX #DBDFD9

RGB 219 223 217

HSL 100, 0.09%, 0.86%

LAB 88.37, -2.42, 2.45

 

CMYK 3 / 0 / 0 / 13

HEX #D8DFDE

RGB 216 223 222

HSL 171.43, 0.1%, 0.86%

LAB 88.28, -2.53, -0.34

 

CMYK 0 / 3 / 1 / 13

HEX #DFD8DD

RGB 223 216 221

HSL 317.14, 0.1%, 0.86%

LAB 87.01, 3.28, -1.61

 

CMYK 2 / 0 / 3 / 13

HEX #DBDFD9

RGB 219 223 217

HSL 100, 0.09%, 0.86%

LAB 88.37, -2.42, 2.45

 

CMYK 3 / 2 / 0 / 13

HEX #D8DADF

RGB 216 218 223

HSL 222.86, 0.1%, 0.86%

LAB 87.03, 0.25, -2.7

 

CMYK 0 / 3 / 2 / 13

HEX #DFD8DA

RGB 223 216 218

HSL 342.86, 0.1%, 0.86%

LAB 86.93, 2.75, -0.14

 

CMYK 2 / 0 / 3 / 13

HEX #DBDFD9

RGB 219 223 217

HSL 100, 0.09%, 0.86%

LAB 88.37, -2.42, 2.45

 

CMYK 3 / 0 / 0 / 13

HEX #D8DFDE

RGB 216 223 222

HSL 171.43, 0.1%, 0.86%

LAB 88.28, -2.53, -0.34

 

CMYK 1 / 3 / 0 / 13

HEX #DCD8DF

RGB 220 216 223

HSL 274.29, 0.1%, 0.86%

LAB 86.83, 2.63, -2.96

 

CMYK 0 / 3 / 3 / 13

HEX #DFD8D9

RGB 223 216 217

HSL 351.43, 0.1%, 0.86%

LAB 86.9, 2.57, 0.35

 

CMYK 2 / 0 / 3 / 13

HEX #DBDFD9

RGB 219 223 217

HSL 100, 0.09%, 0.86%

LAB 88.37, -2.42, 2.45

 

CMYK 3 / 1 / 0 / 13

HEX #D8DDDF

RGB 216 221 223

HSL 197.14, 0.1%, 0.86%

LAB 87.79, -1.31, -1.58

 

CMYK 1 / 3 / 0 / 13

HEX #DCD8DF

RGB 220 216 223

HSL 274.29, 0.1%, 0.86%

LAB 86.83, 2.63, -2.96

 

CMYK 0 / 3 / 3 / 13

HEX #DFD9D8

RGB 223 217 216

HSL 8.57, 0.1%, 0.86%

LAB 87.13, 1.87, 1.21

 

Description

Color code: HEX #DBDFD9 | qconv.com Color code: HEX #DBDFD9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 223 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 223 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 3 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 3% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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