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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBDF2E it is the complementary color #2420D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBDF2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBDF2E shade: #E0DF29, #F1F13C, #FFFF4F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBDF2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBDF2E shade: #DBDF2E, #CACD1B, #B9BB08, #A8A900 and #979700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBDF2E shade: #DADE2F, #DEB32F, #DE842F, #DE552F and #DE2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBDF2E shade: #DADE2F, #ABDE2F, #7CDE2F, #4DDE2F and #2FDE41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBDF2E shade matches the following richer shades: #DADE2F and #EDF21C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBDF2E shade: #DADE2F, #C8CB43, #B5B756, #A3A469 and #90917D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBDF2E shade: #DE842F, #DEB22F, #DBDE2F, #ADDE2F and #7EDE2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBDF2E shade: #9FA219, #C2C61E, #DADE2F, #E0E453 and #E7E977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBDF2E shade: #DBDF2E, #2FDE55 and #9B2FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBDF2E shade: #DBDF2E, #2FDBDE and #DE2FDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBDF2E shade: #DBDF2E, #2FDE55, #322FDE and #DE2FB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBDF2E shade: #DBDF2E, #2FDE8A, #322FDE and #DE2F84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 79 / 13

HEX #DBDF2E

RGB 219 223 46

HSL 61.36, 0.73%, 0.53%

LAB 86.02, -20.35, 78.03

 

Complementary color

CMYK 83 / 85 / 0 / 18

HEX #2420D1

RGB 36 32 209

HSL 241.36, 0.73%, 0.47%

LAB 29.44, 60.1, -86.36

 

CMYK 0 / 0 / 82 / 12

HEX #E0DF29

RGB 224 223 41

HSL 59.67, 0.75%, 0.52%

LAB 86.4, -18.42, 79.75

 

CMYK 0 / 0 / 75 / 5

HEX #F1F13C

RGB 241 241 60

HSL 60, 0.87%, 0.59%

LAB 92.55, -19.49, 80.57

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 2 / 0 / 79 / 13

HEX #DBDF2E

RGB 219 223 46

HSL 61.36, 0.73%, 0.53%

LAB 86.02, -20.35, 78.03

 

CMYK 1 / 0 / 87 / 20

HEX #CACD1B

RGB 202 205 27

HSL 61.01, 0.77%, 0.45%

LAB 79.78, -19.2, 76.57

 

CMYK 1 / 0 / 96 / 27

HEX #B9BB08

RGB 185 187 8

HSL 60.67, 0.92%, 0.38%

LAB 73.46, -17.85, 73.78

 

CMYK 1 / 0 / 100 / 34

HEX #A8A900

RGB 168 169 0

HSL 60.36, 1%, 0.33%

LAB 67.05, -16.28, 69.33

 

CMYK 0 / 0 / 100 / 41

HEX #979700

RGB 151 151 0

HSL 60, 1%, 0.3%

LAB 60.53, -14.58, 63.91

 

CMYK 2 / 0 / 79 / 13

HEX #DADE2F

RGB 218 222 47

HSL 61.37, 0.73%, 0.53%

LAB 85.68, -20.25, 77.44

 

CMYK 0 / 19 / 79 / 13

HEX #DEB32F

RGB 222 179 47

HSL 45.26, 0.73%, 0.53%

LAB 74.81, 3.29, 67.91

 

CMYK 0 / 41 / 79 / 13

HEX #DE842F

RGB 222 132 47

HSL 29.14, 0.73%, 0.53%

LAB 63.54, 28.35, 57.54

 

CMYK 0 / 62 / 79 / 13

HEX #DE552F

RGB 222 85 47

HSL 13.03, 0.73%, 0.53%

LAB 54.27, 51.64, 48.62

 

CMYK 0 / 79 / 79 / 13

HEX #DE2F2F

RGB 222 47 47

HSL 0, 0.73%, 0.53%

LAB 49.21, 65.48, 43.54

 

CMYK 2 / 0 / 79 / 13

HEX #DADE2F

RGB 218 222 47

HSL 61.37, 0.73%, 0.53%

LAB 85.68, -20.25, 77.44

 

CMYK 23 / 0 / 79 / 13

HEX #ABDE2F

RGB 171 222 47

HSL 77.49, 0.73%, 0.53%

LAB 82.44, -39.18, 73.31

 

CMYK 44 / 0 / 79 / 13

HEX #7CDE2F

RGB 124 222 47

HSL 93.6, 0.73%, 0.53%

LAB 80.03, -55.72, 70.22

 

CMYK 65 / 0 / 79 / 13

HEX #4DDE2F

RGB 77 222 47

HSL 109.71, 0.73%, 0.53%

LAB 78.48, -67.95, 68.21

 

CMYK 79 / 0 / 71 / 13

HEX #2FDE41

RGB 47 222 65

HSL 126.17, 0.73%, 0.53%

LAB 78.01, -71.54, 61.66

 

CMYK 2 / 0 / 79 / 13

HEX #DADE2F

RGB 218 222 47

HSL 61.37, 0.73%, 0.53%

LAB 85.68, -20.25, 77.44

 

CMYK 2 / 0 / 88 / 5

HEX #EDF21C

RGB 237 242 28

HSL 61.4, 0.89%, 0.53%

LAB 92.39, -22.48, 87.6

 

CMYK 2 / 0 / 79 / 13

HEX #DADE2F

RGB 218 222 47

HSL 61.37, 0.73%, 0.53%

LAB 85.68, -20.25, 77.44

 

CMYK 1 / 0 / 67 / 20

HEX #C8CB43

RGB 200 203 67

HSL 61.32, 0.57%, 0.53%

LAB 79.27, -17.54, 64.36

 

CMYK 1 / 0 / 53 / 28

HEX #B5B756

RGB 181 183 86

HSL 61.24, 0.4%, 0.53%

LAB 72.47, -14.07, 48.37

 

CMYK 1 / 0 / 36 / 36

HEX #A3A469

RGB 163 164 105

HSL 61.02, 0.24%, 0.53%

LAB 66.03, -9.65, 30.53

 

CMYK 1 / 0 / 14 / 43

HEX #90917D

RGB 144 145 125

HSL 63, 0.08%, 0.53%

LAB 59.58, -4.02, 10.5

 

CMYK 0 / 41 / 79 / 13

HEX #DE842F

RGB 222 132 47

HSL 29.14, 0.73%, 0.53%

LAB 63.54, 28.35, 57.54

 

CMYK 0 / 20 / 79 / 13

HEX #DEB22F

RGB 222 178 47

HSL 44.91, 0.73%, 0.53%

LAB 74.56, 3.81, 67.68

 

CMYK 1 / 0 / 79 / 13

HEX #DBDE2F

RGB 219 222 47

HSL 61.03, 0.73%, 0.53%

LAB 85.76, -19.83, 77.53

 

CMYK 22 / 0 / 79 / 13

HEX #ADDE2F

RGB 173 222 47

HSL 76.8, 0.73%, 0.53%

LAB 82.56, -38.41, 73.47

 

CMYK 43 / 0 / 79 / 13

HEX #7EDE2F

RGB 126 222 47

HSL 92.91, 0.73%, 0.53%

LAB 80.11, -55.09, 70.33

 

CMYK 2 / 0 / 85 / 36

HEX #9FA219

RGB 159 162 25

HSL 61.31, 0.73%, 0.37%

LAB 64.39, -16.23, 62.92

 

CMYK 2 / 0 / 85 / 22

HEX #C2C61E

RGB 194 198 30

HSL 61.43, 0.74%, 0.45%

LAB 77.25, -19.07, 73.64

 

CMYK 2 / 0 / 79 / 13

HEX #DADE2F

RGB 218 222 47

HSL 61.37, 0.73%, 0.53%

LAB 85.68, -20.25, 77.44

 

CMYK 2 / 0 / 64 / 11

HEX #E0E453

RGB 224 228 83

HSL 61.66, 0.73%, 0.61%

LAB 87.95, -19.03, 67.64

 

CMYK 1 / 0 / 49 / 9

HEX #E7E977

RGB 231 233 119

HSL 61.05, 0.72%, 0.69%

LAB 90.14, -16.01, 54.63

 

CMYK 2 / 0 / 79 / 13

HEX #DBDF2E

RGB 219 223 46

HSL 61.36, 0.73%, 0.53%

LAB 86.02, -20.35, 78.03

 

CMYK 79 / 0 / 62 / 13

HEX #2FDE55

RGB 47 222 85

HSL 133.03, 0.73%, 0.53%

LAB 78.17, -69.56, 53.84

 

CMYK 30 / 79 / 0 / 13

HEX #9B2FDE

RGB 155 47 222

HSL 277.03, 0.73%, 0.53%

LAB 44.63, 70.26, -68.42

 

CMYK 2 / 0 / 79 / 13

HEX #DBDF2E

RGB 219 223 46

HSL 61.36, 0.73%, 0.53%

LAB 86.02, -20.35, 78.03

 

CMYK 79 / 1 / 0 / 13

HEX #2FDBDE

RGB 47 219 222

HSL 181.03, 0.73%, 0.53%

LAB 79.92, -39.73, -13.52

 

CMYK 0 / 79 / 1 / 13

HEX #DE2FDB

RGB 222 47 219

HSL 301.03, 0.73%, 0.53%

LAB 54.74, 81.67, -49.89

 

CMYK 2 / 0 / 79 / 13

HEX #DBDF2E

RGB 219 223 46

HSL 61.36, 0.73%, 0.53%

LAB 86.02, -20.35, 78.03

 

CMYK 79 / 0 / 62 / 13

HEX #2FDE55

RGB 47 222 85

HSL 133.03, 0.73%, 0.53%

LAB 78.17, -69.56, 53.84

 

CMYK 77 / 79 / 0 / 13

HEX #322FDE

RGB 50 47 222

HSL 241.03, 0.73%, 0.53%

LAB 33.95, 57.96, -86.35

 

CMYK 0 / 79 / 17 / 13

HEX #DE2FB8

RGB 222 47 184

HSL 313.03, 0.73%, 0.53%

LAB 52.98, 76.74, -32.56

 

CMYK 2 / 0 / 79 / 13

HEX #DBDF2E

RGB 219 223 46

HSL 61.36, 0.73%, 0.53%

LAB 86.02, -20.35, 78.03

 

CMYK 79 / 0 / 38 / 13

HEX #2FDE8A

RGB 47 222 138

HSL 151.2, 0.73%, 0.53%

LAB 78.86, -61.47, 29.31

 

CMYK 77 / 79 / 0 / 13

HEX #322FDE

RGB 50 47 222

HSL 241.03, 0.73%, 0.53%

LAB 33.95, 57.96, -86.35

 

CMYK 0 / 79 / 41 / 13

HEX #DE2F84

RGB 222 47 132

HSL 330.86, 0.73%, 0.53%

LAB 50.95, 70.83, -4.84

 

Description

Color code: HEX #DBDF2E | qconv.com Color code: HEX #DBDF2E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 223 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 223 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 79 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 79% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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