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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBDEC5 it is the complementary color #24213A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBDEC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBDEC5 shade: #E0DEC0, #F1F0D3, #FFFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBDEC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBDEC5 shade: #DBDEC5, #CACCB2, #B9BA9F, #A8A88C and #979679

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBDEC5 shade: #DBDDC5, #DDDAC5, #DDD3C5, #DDCCC5 and #DDC6C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBDEC5 shade: #DBDDC5, #D4DDC5, #CDDDC5, #C6DDC5 and #C5DDCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBDEC5 shade matches the following richer shades: #DBDDC5, #E0E5BD, #E6ECB6, #EBF4AE and #F1FBA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBDEC5 shade: #DBDDC5, #D5D6CC, #CFCFD4, #CAC7DB and #C4C0E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBDEC5 shade: #DDD3C5, #DDDAC5, #DBDDC5, #D4DDC5 and #CDDDC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBDEC5 shade: #BABF90, #CACEAB, #DBDDC5, #EBEDDF and #FBFCF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBDEC5 shade: #DBDEC5, #C5DDCD and #D6C5DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBDEC5 shade: #DBDEC5, #C5DBDD and #DDC5DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBDEC5 shade: #DBDEC5, #C5DDCD, #C8C5DD and #DDC5D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBDEC5 shade: #DBDEC5, #C5DDD4, #C8C5DD and #DDC5CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 11 / 13

HEX #DBDEC5

RGB 219 222 197

HSL 67.2, 0.27%, 0.82%

LAB 87.65, -5.31, 11.92

 

Complementary color

CMYK 38 / 43 / 0 / 77

HEX #24213A

RGB 36 33 58

HSL 247.2, 0.27%, 0.18%

LAB 14.22, 8.58, -15.67

 

CMYK 0 / 1 / 14 / 12

HEX #E0DEC0

RGB 224 222 192

HSL 56.25, 0.34%, 0.82%

LAB 87.92, -4.32, 14.98

 

CMYK 0 / 0 / 12 / 5

HEX #F1F0D3

RGB 241 240 211

HSL 58, 0.52%, 0.89%

LAB 94.19, -4.48, 14.15

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 1 / 0 / 11 / 13

HEX #DBDEC5

RGB 219 222 197

HSL 67.2, 0.27%, 0.82%

LAB 87.65, -5.31, 11.92

 

CMYK 1 / 0 / 13 / 20

HEX #CACCB2

RGB 202 204 178

HSL 64.62, 0.2%, 0.75%

LAB 81.27, -5.18, 12.73

 

CMYK 1 / 0 / 15 / 27

HEX #B9BA9F

RGB 185 186 159

HSL 62.22, 0.16%, 0.68%

LAB 74.78, -5.04, 13.59

 

CMYK 0 / 0 / 17 / 34

HEX #A8A88C

RGB 168 168 140

HSL 60, 0.14%, 0.6%

LAB 68.19, -4.88, 14.5

 

CMYK 0 / 1 / 20 / 41

HEX #979679

RGB 151 150 121

HSL 58, 0.13%, 0.53%

LAB 61.46, -4.7, 15.47

 

CMYK 1 / 0 / 11 / 13

HEX #DBDDC5

RGB 219 221 197

HSL 65, 0.26%, 0.82%

LAB 87.39, -4.8, 11.55

 

CMYK 0 / 1 / 11 / 13

HEX #DDDAC5

RGB 221 218 197

HSL 52.5, 0.26%, 0.82%

LAB 86.77, -2.55, 10.7

 

CMYK 0 / 5 / 11 / 13

HEX #DDD3C5

RGB 221 211 197

HSL 35, 0.26%, 0.82%

LAB 84.99, 1.08, 8.15

 

CMYK 0 / 8 / 11 / 13

HEX #DDCCC5

RGB 221 204 197

HSL 17.5, 0.26%, 0.82%

LAB 83.23, 4.74, 5.61

 

CMYK 0 / 10 / 11 / 13

HEX #DDC6C5

RGB 221 198 197

HSL 2.5, 0.26%, 0.82%

LAB 81.72, 7.91, 3.44

 

CMYK 1 / 0 / 11 / 13

HEX #DBDDC5

RGB 219 221 197

HSL 65, 0.26%, 0.82%

LAB 87.39, -4.8, 11.55

 

CMYK 4 / 0 / 11 / 13

HEX #D4DDC5

RGB 212 221 197

HSL 82.5, 0.26%, 0.82%

LAB 86.87, -7.26, 10.74

 

CMYK 7 / 0 / 11 / 13

HEX #CDDDC5

RGB 205 221 197

HSL 100, 0.26%, 0.82%

LAB 86.37, -9.69, 9.95

 

CMYK 10 / 0 / 11 / 13

HEX #C6DDC5

RGB 198 221 197

HSL 117.5, 0.26%, 0.82%

LAB 85.88, -12.08, 9.2

 

CMYK 11 / 0 / 9 / 13

HEX #C5DDCA

RGB 197 221 202

HSL 132.5, 0.26%, 0.82%

LAB 85.93, -11.53, 6.62

 

CMYK 1 / 0 / 11 / 13

HEX #DBDDC5

RGB 219 221 197

HSL 65, 0.26%, 0.82%

LAB 87.39, -4.8, 11.55

 

CMYK 2 / 0 / 17 / 10

HEX #E0E5BD

RGB 224 229 189

HSL 67.5, 0.43%, 0.82%

LAB 89.65, -8.34, 18.97

 

CMYK 3 / 0 / 23 / 7

HEX #E6ECB6

RGB 230 236 182

HSL 66.67, 0.59%, 0.82%

LAB 91.77, -10.7, 25.58

 

CMYK 4 / 0 / 29 / 4

HEX #EBF4AE

RGB 235 244 174

HSL 67.71, 0.76%, 0.82%

LAB 94.06, -13.92, 32.82

 

CMYK 4 / 0 / 33 / 2

HEX #F1FBA7

RGB 241 251 167

HSL 67.14, 0.91%, 0.82%

LAB 96.2, -16, 39.22

 

CMYK 1 / 0 / 11 / 13

HEX #DBDDC5

RGB 219 221 197

HSL 65, 0.26%, 0.82%

LAB 87.39, -4.8, 11.55

 

CMYK 0 / 0 / 5 / 16

HEX #D5D6CC

RGB 213 214 204

HSL 66, 0.11%, 0.82%

LAB 85.3, -2.11, 4.8

 

CMYK 2 / 2 / 0 / 17

HEX #CFCFD4

RGB 207 207 212

HSL 240, 0.05%, 0.82%

LAB 83.25, 0.92, -2.48

 

CMYK 8 / 9 / 0 / 14

HEX #CAC7DB

RGB 202 199 219

HSL 249, 0.22%, 0.82%

LAB 81.03, 4.82, -9.56

 

CMYK 13 / 15 / 0 / 11

HEX #C4C0E2

RGB 196 192 226

HSL 247.06, 0.37%, 0.82%

LAB 79, 8.04, -16.41

 

CMYK 0 / 5 / 11 / 13

HEX #DDD3C5

RGB 221 211 197

HSL 35, 0.26%, 0.82%

LAB 84.99, 1.08, 8.15

 

CMYK 0 / 1 / 11 / 13

HEX #DDDAC5

RGB 221 218 197

HSL 52.5, 0.26%, 0.82%

LAB 86.77, -2.55, 10.7

 

CMYK 1 / 0 / 11 / 13

HEX #DBDDC5

RGB 219 221 197

HSL 65, 0.26%, 0.82%

LAB 87.39, -4.8, 11.55

 

CMYK 4 / 0 / 11 / 13

HEX #D4DDC5

RGB 212 221 197

HSL 82.5, 0.26%, 0.82%

LAB 86.87, -7.26, 10.74

 

CMYK 7 / 0 / 11 / 13

HEX #CDDDC5

RGB 205 221 197

HSL 100, 0.26%, 0.82%

LAB 86.37, -9.69, 9.95

 

CMYK 3 / 0 / 25 / 25

HEX #BABF90

RGB 186 191 144

HSL 66.38, 0.27%, 0.66%

LAB 75.89, -9.55, 23.2

 

CMYK 2 / 0 / 17 / 19

HEX #CACEAB

RGB 202 206 171

HSL 66.86, 0.26%, 0.74%

LAB 81.64, -7.32, 16.98

 

CMYK 1 / 0 / 11 / 13

HEX #DBDDC5

RGB 219 221 197

HSL 65, 0.26%, 0.82%

LAB 87.39, -4.8, 11.55

 

CMYK 1 / 0 / 6 / 7

HEX #EBEDDF

RGB 235 237 223

HSL 68.57, 0.28%, 0.9%

LAB 93.26, -3.09, 6.54

 

CMYK 0 / 0 / 1 / 1

HEX #FBFCF9

RGB 251 252 249

HSL 80, 0.33%, 0.98%

LAB 98.82, -0.85, 1.31

 

CMYK 1 / 0 / 11 / 13

HEX #DBDEC5

RGB 219 222 197

HSL 67.2, 0.27%, 0.82%

LAB 87.65, -5.31, 11.92

 

CMYK 11 / 0 / 7 / 13

HEX #C5DDCD

RGB 197 221 205

HSL 140, 0.26%, 0.82%

LAB 86, -10.98, 5.14

 

CMYK 3 / 11 / 0 / 13

HEX #D6C5DD

RGB 214 197 221

HSL 282.5, 0.26%, 0.82%

LAB 81.54, 10.27, -9.77

 

CMYK 1 / 0 / 11 / 13

HEX #DBDEC5

RGB 219 222 197

HSL 67.2, 0.27%, 0.82%

LAB 87.65, -5.31, 11.92

 

CMYK 11 / 1 / 0 / 13

HEX #C5DBDD

RGB 197 219 221

HSL 185, 0.26%, 0.82%

LAB 85.88, -6.9, -3.48

 

CMYK 0 / 11 / 1 / 13

HEX #DDC5DB

RGB 221 197 219

HSL 305, 0.26%, 0.82%

LAB 82.07, 12.26, -7.85

 

CMYK 1 / 0 / 11 / 13

HEX #DBDEC5

RGB 219 222 197

HSL 67.2, 0.27%, 0.82%

LAB 87.65, -5.31, 11.92

 

CMYK 11 / 0 / 7 / 13

HEX #C5DDCD

RGB 197 221 205

HSL 140, 0.26%, 0.82%

LAB 86, -10.98, 5.14

 

CMYK 10 / 11 / 0 / 13

HEX #C8C5DD

RGB 200 197 221

HSL 247.5, 0.26%, 0.82%

LAB 80.42, 5.63, -11.55

 

CMYK 0 / 11 / 3 / 13

HEX #DDC5D6

RGB 221 197 214

HSL 317.5, 0.26%, 0.82%

LAB 81.92, 11.36, -5.38

 

CMYK 1 / 0 / 11 / 13

HEX #DBDEC5

RGB 219 222 197

HSL 67.2, 0.27%, 0.82%

LAB 87.65, -5.31, 11.92

 

CMYK 11 / 0 / 4 / 13

HEX #C5DDD4

RGB 197 221 212

HSL 157.5, 0.26%, 0.82%

LAB 86.17, -9.67, 1.7

 

CMYK 10 / 11 / 0 / 13

HEX #C8C5DD

RGB 200 197 221

HSL 247.5, 0.26%, 0.82%

LAB 80.42, 5.63, -11.55

 

CMYK 0 / 11 / 7 / 13

HEX #DDC5CE

RGB 221 197 206

HSL 337.5, 0.26%, 0.82%

LAB 81.71, 9.96, -1.41

 

Description

Color code: HEX #DBDEC5 | qconv.com Color code: HEX #DBDEC5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 222 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 222 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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