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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBDD41 it is the complementary color #2422BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBDD41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBDD41 shade: #E0DD3C, #F1EF4F, #FFFF62, #FFFF75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBDD41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBDD41 shade: #DBDD41, #CACB2E, #B9B91B, #A8A708 and #979500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBDD41 shade: #DBDD40, #DDB540, #DD8B40, #DD6040 and #DD4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBDD41 shade: #DBDD40, #B1DD40, #87DD40, #5CDD40 and #40DD4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBDD41 shade matches the following richer shades: #DBDD40 and #EDEF2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBDD41 shade: #DBDD40, #CACB52, #B8B965, #A6A777 and #959589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBDD41 shade: #DD8A40, #DDB340, #DDDD40, #B3DD40 and #8ADD40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBDD41 shade: #ABAD1E, #CDD025, #DBDD40, #E2E463 and #E8EA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBDD41 shade: #DBDD41, #40DD60 and #9F40DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBDD41 shade: #DBDD41, #40DDDD and #DD40DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBDD41 shade: #DBDD41, #40DD60, #4040DD and #DD40BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBDD41 shade: #DBDD41, #40DD8F, #4040DD and #DD408F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 71 / 13

HEX #DBDD41

RGB 219 221 65

HSL 60.77, 0.7%, 0.56%

LAB 85.58, -18.63, 71.82

 

Complementary color

CMYK 81 / 82 / 0 / 25

HEX #2422BE

RGB 36 34 190

HSL 240.77, 0.7%, 0.44%

LAB 27.4, 53.56, -78.61

 

CMYK 0 / 1 / 73 / 12

HEX #E0DD3C

RGB 224 221 60

HSL 58.9, 0.73%, 0.56%

LAB 85.95, -16.78, 73.99

 

CMYK 0 / 1 / 67 / 5

HEX #F1EF4F

RGB 241 239 79

HSL 59.26, 0.85%, 0.63%

LAB 92.13, -17.68, 73.86

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 1 / 0 / 71 / 13

HEX #DBDD41

RGB 219 221 65

HSL 60.77, 0.7%, 0.56%

LAB 85.58, -18.63, 71.82

 

CMYK 0 / 0 / 77 / 20

HEX #CACB2E

RGB 202 203 46

HSL 60.38, 0.63%, 0.49%

LAB 79.31, -17.66, 71.59

 

CMYK 0 / 0 / 85 / 27

HEX #B9B91B

RGB 185 185 27

HSL 60, 0.75%, 0.42%

LAB 72.95, -16.52, 70.44

 

CMYK 0 / 1 / 95 / 34

HEX #A8A708

RGB 168 167 8

HSL 59.63, 0.91%, 0.35%

LAB 66.5, -15.15, 67.9

 

CMYK 0 / 1 / 100 / 41

HEX #979500

RGB 151 149 0

HSL 59.21, 1%, 0.3%

LAB 59.96, -13.53, 63.49

 

CMYK 1 / 0 / 71 / 13

HEX #DBDD40

RGB 219 221 64

HSL 60.76, 0.7%, 0.56%

LAB 85.58, -18.67, 72.16

 

CMYK 0 / 18 / 71 / 13

HEX #DDB540

RGB 221 181 64

HSL 44.71, 0.7%, 0.56%

LAB 75.32, 2.52, 62.16

 

CMYK 0 / 37 / 71 / 13

HEX #DD8B40

RGB 221 139 64

HSL 28.66, 0.7%, 0.56%

LAB 65.13, 24.94, 51.65

 

CMYK 0 / 57 / 71 / 13

HEX #DD6040

RGB 221 96 64

HSL 12.23, 0.7%, 0.56%

LAB 56.2, 46.94, 41.9

 

CMYK 0 / 71 / 71 / 13

HEX #DD4040

RGB 221 64 64

HSL 0, 0.7%, 0.56%

LAB 51.16, 60.42, 36.14

 

CMYK 1 / 0 / 71 / 13

HEX #DBDD40

RGB 219 221 64

HSL 60.76, 0.7%, 0.56%

LAB 85.58, -18.67, 72.16

 

CMYK 20 / 0 / 71 / 13

HEX #B1DD40

RGB 177 221 64

HSL 76.82, 0.7%, 0.56%

LAB 82.61, -35.59, 68.26

 

CMYK 39 / 0 / 71 / 13

HEX #87DD40

RGB 135 221 64

HSL 92.87, 0.7%, 0.56%

LAB 80.31, -50.8, 65.21

 

CMYK 58 / 0 / 71 / 13

HEX #5CDD40

RGB 92 221 64

HSL 109.3, 0.7%, 0.56%

LAB 78.67, -63.17, 63.01

 

CMYK 71 / 0 / 64 / 13

HEX #40DD4F

RGB 64 221 79

HSL 125.73, 0.7%, 0.56%

LAB 78.09, -67.49, 56.36

 

CMYK 1 / 0 / 71 / 13

HEX #DBDD40

RGB 219 221 64

HSL 60.76, 0.7%, 0.56%

LAB 85.58, -18.67, 72.16

 

CMYK 1 / 0 / 81 / 6

HEX #EDEF2E

RGB 237 239 46

HSL 60.62, 0.86%, 0.56%

LAB 91.66, -20.63, 83.43

 

CMYK 1 / 0 / 71 / 13

HEX #DBDD40

RGB 219 221 64

HSL 60.76, 0.7%, 0.56%

LAB 85.58, -18.67, 72.16

 

CMYK 0 / 0 / 60 / 20

HEX #CACB52

RGB 202 203 82

HSL 60.5, 0.54%, 0.56%

LAB 79.54, -15.78, 58.58

 

CMYK 1 / 0 / 45 / 27

HEX #B8B965

RGB 184 185 101

HSL 60.71, 0.38%, 0.56%

LAB 73.43, -12.47, 42.28

 

CMYK 1 / 0 / 29 / 35

HEX #A6A777

RGB 166 167 119

HSL 61.25, 0.21%, 0.56%

LAB 67.33, -8.22, 24.78

 

CMYK 0 / 0 / 8 / 42

HEX #959589

RGB 149 149 137

HSL 60, 0.05%, 0.56%

LAB 61.39, -2.23, 6.33

 

CMYK 0 / 38 / 71 / 13

HEX #DD8A40

RGB 221 138 64

HSL 28.28, 0.7%, 0.56%

LAB 64.9, 25.47, 51.41

 

CMYK 0 / 19 / 71 / 13

HEX #DDB340

RGB 221 179 64

HSL 43.95, 0.7%, 0.56%

LAB 74.81, 3.57, 61.65

 

CMYK 0 / 0 / 71 / 13

HEX #DDDD40

RGB 221 221 64

HSL 60, 0.7%, 0.56%

LAB 85.73, -17.85, 72.37

 

CMYK 19 / 0 / 71 / 13

HEX #B3DD40

RGB 179 221 64

HSL 76.05, 0.7%, 0.56%

LAB 82.74, -34.82, 68.43

 

CMYK 38 / 0 / 71 / 13

HEX #8ADD40

RGB 138 221 64

HSL 91.72, 0.7%, 0.56%

LAB 80.45, -49.8, 65.39

 

CMYK 1 / 0 / 83 / 32

HEX #ABAD1E

RGB 171 173 30

HSL 60.84, 0.7%, 0.4%

LAB 68.49, -16.44, 65.55

 

CMYK 1 / 0 / 82 / 18

HEX #CDD025

RGB 205 208 37

HSL 61.05, 0.7%, 0.48%

LAB 80.86, -19.16, 75.42

 

CMYK 1 / 0 / 71 / 13

HEX #DBDD40

RGB 219 221 64

HSL 60.76, 0.7%, 0.56%

LAB 85.58, -18.67, 72.16

 

CMYK 1 / 0 / 57 / 11

HEX #E2E463

RGB 226 228 99

HSL 60.93, 0.7%, 0.64%

LAB 88.24, -17.16, 61.34

 

CMYK 1 / 0 / 43 / 8

HEX #E8EA86

RGB 232 234 134

HSL 61.2, 0.7%, 0.72%

LAB 90.65, -14.71, 48.17

 

CMYK 1 / 0 / 71 / 13

HEX #DBDD41

RGB 219 221 65

HSL 60.77, 0.7%, 0.56%

LAB 85.58, -18.63, 71.82

 

CMYK 71 / 0 / 57 / 13

HEX #40DD60

RGB 64 221 96

HSL 132.23, 0.7%, 0.56%

LAB 78.26, -65.53, 49.13

 

CMYK 28 / 71 / 0 / 13

HEX #9F40DD

RGB 159 64 221

HSL 276.31, 0.7%, 0.56%

LAB 47.31, 64.42, -63.46

 

CMYK 1 / 0 / 71 / 13

HEX #DBDD41

RGB 219 221 65

HSL 60.77, 0.7%, 0.56%

LAB 85.58, -18.63, 71.82

 

CMYK 71 / 0 / 0 / 13

HEX #40DDDD

RGB 64 221 221

HSL 180, 0.7%, 0.56%

LAB 80.75, -39.17, -11.71

 

CMYK 0 / 71 / 0 / 13

HEX #DD40DD

RGB 221 64 221

HSL 300, 0.7%, 0.56%

LAB 56.35, 77, -48.48

 

CMYK 1 / 0 / 71 / 13

HEX #DBDD41

RGB 219 221 65

HSL 60.77, 0.7%, 0.56%

LAB 85.58, -18.63, 71.82

 

CMYK 71 / 0 / 57 / 13

HEX #40DD60

RGB 64 221 96

HSL 132.23, 0.7%, 0.56%

LAB 78.26, -65.53, 49.13

 

CMYK 71 / 71 / 0 / 13

HEX #4040DD

RGB 64 64 221

HSL 240, 0.7%, 0.56%

LAB 37.8, 49.8, -79.39

 

CMYK 0 / 71 / 14 / 13

HEX #DD40BE

RGB 221 64 190

HSL 311.85, 0.7%, 0.56%

LAB 54.82, 72.36, -33.17

 

CMYK 1 / 0 / 71 / 13

HEX #DBDD41

RGB 219 221 65

HSL 60.77, 0.7%, 0.56%

LAB 85.58, -18.63, 71.82

 

CMYK 71 / 0 / 35 / 13

HEX #40DD8F

RGB 64 221 143

HSL 150.19, 0.7%, 0.56%

LAB 78.92, -57.96, 26.88

 

CMYK 71 / 71 / 0 / 13

HEX #4040DD

RGB 64 64 221

HSL 240, 0.7%, 0.56%

LAB 37.8, 49.8, -79.39

 

CMYK 0 / 71 / 35 / 13

HEX #DD408F

RGB 221 64 143

HSL 329.81, 0.7%, 0.56%

LAB 52.97, 66.5, -8.44

 

Description

Color code: HEX #DBDD41 | qconv.com Color code: HEX #DBDD41 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 221 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 221 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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