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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBDCEFCE it is the complementary color #242310CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBDCEFCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBDCEFCE shade: #E0DCEACE, #F1EEFDCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBDCEFCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBDCEFCE shade: #DBDCEFCE, #CACADCCE, #B9B8C9CE, #A8A6B6CE and #9794A3CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBDCEFCE shade: #DCDDEF, #E0DCEF, #E5DCEF, #EBDCEF and #EFDCEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBDCEFCE shade: #DCDDEF and #DCDCEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBDCEFCE shade matches the following richer shades: #DCDDEF, #D8D9F3, #D4D5F7 and #CFD2FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBDCEFCE shade: #DCDDEF, #E0E0EB, #E4E4E7, #E8E8E3 and #ECECDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBDCEFCE shade: #DCE7EF, #DCE2EF, #DCDDEF, #E0DCEF and #E5DCEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBDCEFCE shade: #A3A5D6, #BFC1E2, #DCDDEF, #F8F8FC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBDCEFCE shade: #DBDCEF, #EFDCEC and #E5EFDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBDCEFCE shade: #DBDCEF, #EFDCDD and #DDEFDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBDCEFCE shade: #DBDCEF, #EFDCEC, #EFEEDC and #DCEFDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBDCEFCE shade: #DBDCEF, #EFDCE6, #EFEEDC and #DCEFE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 6 / 0 / 5

HEX #DBDCEFCE

RGBA 219 220 239 0.81

HSLA 237, 0.38%, 0.9%, 0.81

LABA 88.2, 3.23, -9.38, 0.81

 

Complementary color

CMYK 0 / 2 / 45 / 70

HEX #242310CE

RGBA 36 35 16 0.81

HSLA 57, 0.38%, 0.1%, 0.81

LABA 13.32, -3.17, 12.57, 0.81

 

CMYK 3 / 5 / 0 / 7

HEX #E0DCEACE

RGBA 224 220 234 0.81

HSLA 257.14, 0.25%, 0.89%, 0.81

LABA 88.44, 3.91, -6.36, 0.81

 

CMYK 4 / 5 / 0 / 1

HEX #F1EEFDCE

RGBA 241 238 253 0.81

HSLA 252, 0.79%, 0.96%, 0.81

LABA 94.71, 3.71, -6.87, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 7 / 6 / 0 / 5

HEX #DBDCEFCE

RGBA 219 220 239 0.81

HSLA 237, 0.38%, 0.9%, 0.81

LABA 88.2, 3.23, -9.38, 0.81

 

CMYK 7 / 7 / 0 / 11

HEX #CACADCCE

RGBA 202 202 220 0.81

HSLA 240, 0.2%, 0.83%, 0.81

LABA 81.82, 3.43, -8.92, 0.81

 

CMYK 6 / 7 / 0 / 17

HEX #B9B8C9CE

RGBA 185 184 201 0.81

HSLA 243.53, 0.14%, 0.75%, 0.81

LABA 75.33, 3.63, -8.45, 0.81

 

CMYK 6 / 7 / 0 / 23

HEX #A8A6B6CE

RGBA 168 166 182 0.81

HSLA 247.5, 0.1%, 0.68%, 0.81

LABA 68.73, 3.85, -7.97, 0.81

 

CMYK 6 / 7 / 0 / 29

HEX #9794A3CE

RGBA 151 148 163 0.81

HSLA 252, 0.08%, 0.61%, 0.81

LABA 62, 4.08, -7.48, 0.81

 

CMYK 8 / 8 / 0 / 6

HEX #DCDDEF

RGB 220 221 239

HSL 236.84, 0.37%, 0.9%

LAB 88.52, 3.03, -8.89

 

CMYK 6 / 8 / 0 / 6

HEX #E0DCEF

RGB 224 220 239

HSL 252.63, 0.37%, 0.9%

LAB 88.57, 4.86, -8.79

 

CMYK 4 / 8 / 0 / 6

HEX #E5DCEF

RGB 229 220 239

HSL 268.42, 0.37%, 0.9%

LAB 88.96, 6.5, -8.17

 

CMYK 2 / 8 / 0 / 6

HEX #EBDCEF

RGB 235 220 239

HSL 287.37, 0.37%, 0.9%

LAB 89.43, 8.48, -7.42

 

CMYK 0 / 8 / 0 / 6

HEX #EFDCEF

RGB 239 220 239

HSL 300, 0.37%, 0.9%

LAB 89.75, 9.82, -6.91

 

CMYK 8 / 8 / 0 / 6

HEX #DCDDEF

RGB 220 221 239

HSL 236.84, 0.37%, 0.9%

LAB 88.52, 3.03, -8.89

 

CMYK 8 / 8 / 0 / 6

HEX #DCDCEF

RGB 220 220 239

HSL 240, 0.37%, 0.9%

LAB 88.27, 3.56, -9.27

 

CMYK 8 / 8 / 0 / 6

HEX #DCDDEF

RGB 220 221 239

HSL 236.84, 0.37%, 0.9%

LAB 88.52, 3.03, -8.89

 

CMYK 11 / 11 / 0 / 5

HEX #D8D9F3

RGB 216 217 243

HSL 237.78, 0.53%, 0.9%

LAB 87.34, 4.63, -12.8

 

CMYK 14 / 14 / 0 / 3

HEX #D4D5F7

RGB 212 213 247

HSL 238.29, 0.69%, 0.9%

LAB 86.16, 6.28, -16.71

 

CMYK 18 / 17 / 0 / 1

HEX #CFD2FC

RGB 207 210 252

HSL 236, 0.88%, 0.9%

LAB 85.19, 7.37, -20.85

 

CMYK 8 / 8 / 0 / 6

HEX #DCDDEF

RGB 220 221 239

HSL 236.84, 0.37%, 0.9%

LAB 88.52, 3.03, -8.89

 

CMYK 5 / 5 / 0 / 8

HEX #E0E0EB

RGB 224 224 235

HSL 240, 0.22%, 0.9%

LAB 89.47, 2.02, -5.36

 

CMYK 1 / 1 / 0 / 9

HEX #E4E4E7

RGB 228 228 231

HSL 240, 0.06%, 0.9%

LAB 90.67, 0.54, -1.47

 

CMYK 0 / 0 / 2 / 9

HEX #E8E8E3

RGB 232 232 227

HSL 60, 0.1%, 0.9%

LAB 91.87, -0.88, 2.42

 

CMYK 0 / 0 / 6 / 7

HEX #ECECDF

RGB 236 236 223

HSL 60, 0.25%, 0.9%

LAB 93.08, -2.24, 6.29

 

CMYK 8 / 3 / 0 / 6

HEX #DCE7EF

RGB 220 231 239

HSL 205.26, 0.37%, 0.9%

LAB 91.05, -2.14, -5.15

 

CMYK 8 / 5 / 0 / 6

HEX #DCE2EF

RGB 220 226 239

HSL 221.05, 0.37%, 0.9%

LAB 89.79, 0.44, -7.02

 

CMYK 8 / 8 / 0 / 6

HEX #DCDDEF

RGB 220 221 239

HSL 236.84, 0.37%, 0.9%

LAB 88.52, 3.03, -8.89

 

CMYK 6 / 8 / 0 / 6

HEX #E0DCEF

RGB 224 220 239

HSL 252.63, 0.37%, 0.9%

LAB 88.57, 4.86, -8.79

 

CMYK 4 / 8 / 0 / 6

HEX #E5DCEF

RGB 229 220 239

HSL 268.42, 0.37%, 0.9%

LAB 88.96, 6.5, -8.17

 

CMYK 24 / 23 / 0 / 16

HEX #A3A5D6

RGB 163 165 214

HSL 237.65, 0.38%, 0.74%

LAB 69.15, 9.84, -25.07

 

CMYK 15 / 15 / 0 / 11

HEX #BFC1E2

RGB 191 193 226

HSL 236.57, 0.38%, 0.82%

LAB 78.87, 5.91, -16.63

 

CMYK 8 / 8 / 0 / 6

HEX #DCDDEF

RGB 220 221 239

HSL 236.84, 0.37%, 0.9%

LAB 88.52, 3.03, -8.89

 

CMYK 2 / 2 / 0 / 1

HEX #F8F8FC

RGB 248 248 252

HSL 240, 0.4%, 0.98%

LAB 97.68, 0.71, -1.92

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 8 / 8 / 0 / 6

HEX #DBDCEF

RGB 219 220 239

HSL 237, 0.38%, 0.9%

LAB 88.2, 3.23, -9.38

 

CMYK 0 / 8 / 1 / 6

HEX #EFDCEC

RGB 239 220 236

HSL 309.47, 0.37%, 0.9%

LAB 89.67, 9.28, -5.45

 

CMYK 4 / 0 / 8 / 6

HEX #E5EFDC

RGB 229 239 220

HSL 91.58, 0.37%, 0.9%

LAB 93.26, -6.66, 8.04

 

CMYK 8 / 8 / 0 / 6

HEX #DBDCEF

RGB 219 220 239

HSL 237, 0.38%, 0.9%

LAB 88.2, 3.23, -9.38

 

CMYK 0 / 8 / 8 / 6

HEX #EFDCDD

RGB 239 220 221

HSL 356.84, 0.37%, 0.9%

LAB 89.28, 6.68, 1.86

 

CMYK 8 / 0 / 8 / 6

HEX #DDEFDC

RGB 221 239 220

HSL 116.84, 0.37%, 0.9%

LAB 92.69, -9.36, 7.15

 

CMYK 8 / 8 / 0 / 6

HEX #DBDCEF

RGB 219 220 239

HSL 237, 0.38%, 0.9%

LAB 88.2, 3.23, -9.38

 

CMYK 0 / 8 / 1 / 6

HEX #EFDCEC

RGB 239 220 236

HSL 309.47, 0.37%, 0.9%

LAB 89.67, 9.28, -5.45

 

CMYK 0 / 0 / 8 / 6

HEX #EFEEDC

RGB 239 238 220

HSL 56.84, 0.37%, 0.9%

LAB 93.74, -2.73, 8.82

 

CMYK 8 / 0 / 7 / 6

HEX #DCEFDF

RGB 220 239 223

HSL 129.47, 0.37%, 0.9%

LAB 92.7, -9.17, 5.59

 

CMYK 8 / 8 / 0 / 6

HEX #DBDCEF

RGB 219 220 239

HSL 237, 0.38%, 0.9%

LAB 88.2, 3.23, -9.38

 

CMYK 0 / 8 / 4 / 6

HEX #EFDCE6

RGB 239 220 230

HSL 328.42, 0.37%, 0.9%

LAB 89.51, 8.22, -2.54

 

CMYK 0 / 0 / 8 / 6

HEX #EFEEDC

RGB 239 238 220

HSL 56.84, 0.37%, 0.9%

LAB 93.74, -2.73, 8.82

 

CMYK 8 / 0 / 4 / 6

HEX #DCEFE5

RGB 220 239 229

HSL 148.42, 0.37%, 0.9%

LAB 92.84, -8.09, 2.68

 

Description

Color code: HEX #DBDCEFCE | qconv.com Color code: HEX #DBDCEFCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 220 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 220 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 6 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 6% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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