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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD270 it is the complementary color #242D8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD270. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD270 shade: #E0D26B, #F1E47E, #FFF691, #FFFFA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD270. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD270 shade: #DBD270, #CAC05D, #B9AE4A, #A89C37 and #978A24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD270 shade: #DBD270, #DBB570, #DB9970, #DB7C70 and #DB7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD270 shade: #DBD270, #C7DB70, #ABDB70, #8EDB70 and #71DB70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD270 shade matches the following richer shades: #DBD270, #EADE62 and #F8EA53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD270 shade: #DBD270, #CDC67F, #BEBA8D, #B0AE9C and #A2A2AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD270 shade: #DB9770, #DBB470, #DBD170, #C9DB70 and #ADDB70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD270 shade: #C7BB32, #D3C84F, #DBD270, #E4DD91 and #ECE7B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD270 shade: #DBD270, #70DB7B and #A670DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD270 shade: #DBD270, #70DBD1 and #D170DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD270 shade: #DBD270, #70DB7B, #707BDB and #DB70D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD270 shade: #DBD270, #70DB9B, #707BDB and #DB70B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

Complementary color

CMYK 75 / 69 / 0 / 44

HEX #242D8F

RGB 36 45 143

HSL 234.95, 0.6%, 0.35%

LAB 24.43, 31.48, -55.09

 

CMYK 0 / 6 / 52 / 12

HEX #E0D26B

RGB 224 210 107

HSL 52.82, 0.65%, 0.65%

LAB 83.44, -8.37, 52.18

 

CMYK 0 / 5 / 48 / 5

HEX #F1E47E

RGB 241 228 126

HSL 53.22, 0.8%, 0.72%

LAB 89.72, -8.96, 51.02

 

CMYK 0 / 4 / 43 / 0

HEX #FFF691

RGB 255 246 145

HSL 55.09, 1%, 0.78%

LAB 95.67, -10.62, 49.5

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

CMYK 0 / 5 / 54 / 21

HEX #CAC05D

RGB 202 192 93

HSL 54.5, 0.51%, 0.58%

LAB 76.71, -9.37, 50.43

 

CMYK 0 / 6 / 60 / 27

HEX #B9AE4A

RGB 185 174 74

HSL 54.05, 0.44%, 0.51%

LAB 70.23, -8.66, 51.5

 

CMYK 0 / 7 / 67 / 34

HEX #A89C37

RGB 168 156 55

HSL 53.63, 0.51%, 0.44%

LAB 63.65, -7.79, 52.36

 

CMYK 0 / 9 / 76 / 41

HEX #978A24

RGB 151 138 36

HSL 53.22, 0.61%, 0.37%

LAB 56.96, -6.71, 52.76

 

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

CMYK 0 / 17 / 49 / 14

HEX #DBB570

RGB 219 181 112

HSL 38.69, 0.6%, 0.65%

LAB 75.62, 5.06, 40.12

 

CMYK 0 / 30 / 49 / 14

HEX #DB9970

RGB 219 153 112

HSL 22.99, 0.6%, 0.65%

LAB 68.76, 20.06, 31.39

 

CMYK 0 / 43 / 49 / 14

HEX #DB7C70

RGB 219 124 112

HSL 6.73, 0.6%, 0.65%

LAB 62.21, 35.54, 22.74

 

CMYK 0 / 49 / 49 / 14

HEX #DB7070

RGB 219 112 112

HSL 0, 0.6%, 0.65%

LAB 59.72, 41.73, 19.39

 

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

CMYK 9 / 0 / 49 / 14

HEX #C7DB70

RGB 199 219 112

HSL 71.21, 0.6%, 0.65%

LAB 83.95, -22.39, 49.95

 

CMYK 22 / 0 / 49 / 14

HEX #ABDB70

RGB 171 219 112

HSL 86.92, 0.6%, 0.65%

LAB 82.1, -33.02, 47.28

 

CMYK 35 / 0 / 49 / 14

HEX #8EDB70

RGB 142 219 112

HSL 103.18, 0.6%, 0.65%

LAB 80.51, -43.13, 44.97

 

CMYK 48 / 0 / 49 / 14

HEX #71DB70

RGB 113 219 112

HSL 119.44, 0.6%, 0.65%

LAB 79.24, -51.9, 43.12

 

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

CMYK 0 / 5 / 58 / 8

HEX #EADE62

RGB 234 222 98

HSL 54.71, 0.76%, 0.65%

LAB 87.3, -11.02, 60.91

 

CMYK 0 / 6 / 67 / 3

HEX #F8EA53

RGB 248 234 83

HSL 54.91, 0.92%, 0.65%

LAB 91.43, -12.17, 71.83

 

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

CMYK 0 / 3 / 38 / 20

HEX #CDC67F

RGB 205 198 127

HSL 54.62, 0.44%, 0.65%

LAB 78.98, -7.94, 36.46

 

CMYK 0 / 2 / 26 / 25

HEX #BEBA8D

RGB 190 186 141

HSL 55.1, 0.27%, 0.65%

LAB 74.82, -5.83, 23.38

 

CMYK 0 / 1 / 11 / 31

HEX #B0AE9C

RGB 176 174 156

HSL 54, 0.11%, 0.65%

LAB 70.8, -2.48, 9.49

 

CMYK 5 / 5 / 0 / 33

HEX #A2A2AA

RGB 162 162 170

HSL 240, 0.04%, 0.65%

LAB 66.84, 1.56, -4.14

 

CMYK 0 / 31 / 49 / 14

HEX #DB9770

RGB 219 151 112

HSL 21.87, 0.6%, 0.65%

LAB 68.29, 21.14, 30.77

 

CMYK 0 / 18 / 49 / 14

HEX #DBB470

RGB 219 180 112

HSL 38.13, 0.6%, 0.65%

LAB 75.37, 5.59, 39.81

 

CMYK 0 / 5 / 49 / 14

HEX #DBD170

RGB 219 209 112

HSL 54.39, 0.6%, 0.65%

LAB 82.82, -9.46, 48.96

 

CMYK 8 / 0 / 49 / 14

HEX #C9DB70

RGB 201 219 112

HSL 70.09, 0.6%, 0.65%

LAB 84.1, -21.61, 50.16

 

CMYK 21 / 0 / 49 / 14

HEX #ADDB70

RGB 173 219 112

HSL 85.79, 0.6%, 0.65%

LAB 82.23, -32.28, 47.46

 

CMYK 0 / 6 / 75 / 22

HEX #C7BB32

RGB 199 187 50

HSL 55.17, 0.6%, 0.49%

LAB 74.77, -10.72, 66.09

 

CMYK 0 / 5 / 63 / 17

HEX #D3C84F

RGB 211 200 79

HSL 55, 0.6%, 0.57%

LAB 79.46, -10.72, 59.98

 

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

CMYK 0 / 3 / 36 / 11

HEX #E4DD91

RGB 228 221 145

HSL 54.94, 0.61%, 0.73%

LAB 87.12, -8.62, 38.19

 

CMYK 0 / 2 / 25 / 7

HEX #ECE7B2

RGB 236 231 178

HSL 54.83, 0.6%, 0.81%

LAB 90.87, -6.54, 26.48

 

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

CMYK 49 / 0 / 44 / 14

HEX #70DB7B

RGB 112 219 123

HSL 126.17, 0.6%, 0.65%

LAB 79.35, -50.61, 37.85

 

CMYK 24 / 49 / 0 / 14

HEX #A670DB

RGB 166 112 219

HSL 270.28, 0.6%, 0.65%

LAB 56.89, 41.82, -46.94

 

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

CMYK 49 / 0 / 5 / 14

HEX #70DBD1

RGB 112 219 209

HSL 174.39, 0.6%, 0.65%

LAB 81.13, -33.29, -4.62

 

CMYK 5 / 49 / 0 / 14

HEX #D170DB

RGB 209 112 219

HSL 294.39, 0.6%, 0.65%

LAB 61.88, 53.66, -38.75

 

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

CMYK 49 / 0 / 44 / 14

HEX #70DB7B

RGB 112 219 123

HSL 126.17, 0.6%, 0.65%

LAB 79.35, -50.61, 37.85

 

CMYK 49 / 44 / 0 / 14

HEX #707BDB

RGB 112 123 219

HSL 233.83, 0.6%, 0.65%

LAB 54.79, 21.73, -50.57

 

CMYK 0 / 49 / 5 / 14

HEX #DB70D1

RGB 219 112 209

HSL 305.61, 0.6%, 0.65%

LAB 62.72, 54.72, -31.73

 

CMYK 0 / 4 / 49 / 14

HEX #DBD270

RGB 219 210 112

HSL 54.95, 0.6%, 0.65%

LAB 83.08, -9.97, 49.27

 

CMYK 49 / 0 / 29 / 14

HEX #70DB9B

RGB 112 219 155

HSL 144.11, 0.6%, 0.65%

LAB 79.88, -45.17, 22.18

 

CMYK 49 / 44 / 0 / 14

HEX #707BDB

RGB 112 123 219

HSL 233.83, 0.6%, 0.65%

LAB 54.79, 21.73, -50.57

 

CMYK 0 / 49 / 20 / 14

HEX #DB70B0

RGB 219 112 176

HSL 324.11, 0.6%, 0.65%

LAB 61.47, 49.46, -14.93

 

Description

Color code: HEX #DBD270 | qconv.com Color code: HEX #DBD270 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 210 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 210 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 49 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 49% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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