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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD182 it is the complementary color #242E7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD182 shade: #E0D17D, #F1E390, #FFF5A3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD182 shade: #DBD182, #CABF6F, #B9AD5C, #A89B49 and #978936

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD182 shade: #DAD081, #DAB881, #DAA081, #DA8881 and #DA8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD182 shade: #DAD081, #CCDA81, #B4DA81, #9CDA81 and #84DA81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD182 shade matches the following richer shades: #DAD081, #E7DA73 and #F5E566

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD182 shade: #DAD081, #CDC68E, #C0BC9B, #B3B1A8 and #A5A7B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD182 shade: #DAA081, #DAB881, #DAD081, #CDDA81 and #B5DA81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD182 shade: #C8B941, #D1C461, #DAD081, #E4DCA0 and #EDE8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD182 shade: #DBD182, #81DA88 and #AC81DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD182 shade: #DBD182, #81DAD0 and #D081DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD182 shade: #DBD182, #81DA88, #818BDA and #DA81D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD182 shade: #DBD182, #81DAA3, #818BDA and #DA81B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 41 / 14

HEX #DBD182

RGB 219 209 130

HSL 53.26, 0.55%, 0.68%

LAB 83.06, -7.7, 40.38

 

Complementary color

CMYK 71 / 63 / 0 / 51

HEX #242E7D

RGB 36 46 125

HSL 233.26, 0.55%, 0.32%

LAB 23.03, 24.05, -46.11

 

CMYK 0 / 7 / 44 / 12

HEX #E0D17D

RGB 224 209 125

HSL 50.91, 0.61%, 0.68%

LAB 83.4, -6.23, 43.41

 

CMYK 0 / 6 / 40 / 5

HEX #F1E390

RGB 241 227 144

HSL 51.34, 0.78%, 0.75%

LAB 89.7, -6.7, 42.22

 

CMYK 0 / 4 / 36 / 0

HEX #FFF5A3

RGB 255 245 163

HSL 53.48, 1%, 0.82%

LAB 95.67, -8.25, 40.71

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 5 / 41 / 14

HEX #DBD182

RGB 219 209 130

HSL 53.26, 0.55%, 0.68%

LAB 83.06, -7.7, 40.38

 

CMYK 0 / 5 / 45 / 21

HEX #CABF6F

RGB 202 191 111

HSL 52.75, 0.46%, 0.61%

LAB 76.66, -7.23, 41.59

 

CMYK 0 / 6 / 50 / 27

HEX #B9AD5C

RGB 185 173 92

HSL 52.26, 0.4%, 0.54%

LAB 70.16, -6.67, 42.81

 

CMYK 0 / 8 / 57 / 34

HEX #A89B49

RGB 168 155 73

HSL 51.79, 0.39%, 0.47%

LAB 63.55, -5.99, 44.02

 

CMYK 0 / 9 / 64 / 41

HEX #978936

RGB 151 137 54

HSL 51.34, 0.47%, 0.4%

LAB 56.82, -5.15, 45.1

 

CMYK 0 / 5 / 41 / 15

HEX #DAD081

RGB 218 208 129

HSL 53.26, 0.55%, 0.68%

LAB 82.7, -7.69, 40.41

 

CMYK 0 / 16 / 41 / 15

HEX #DAB881

RGB 218 184 129

HSL 37.08, 0.55%, 0.68%

LAB 76.54, 4.79, 32.47

 

CMYK 0 / 27 / 41 / 15

HEX #DAA081

RGB 218 160 129

HSL 20.9, 0.55%, 0.68%

LAB 70.62, 17.64, 24.61

 

CMYK 0 / 38 / 41 / 15

HEX #DA8881

RGB 218 136 129

HSL 4.72, 0.55%, 0.68%

LAB 65.04, 30.55, 17.01

 

CMYK 0 / 41 / 41 / 15

HEX #DA8181

RGB 218 129 129

HSL 0, 0.55%, 0.68%

LAB 63.5, 34.27, 14.87

 

CMYK 0 / 5 / 41 / 15

HEX #DAD081

RGB 218 208 129

HSL 53.26, 0.55%, 0.68%

LAB 82.7, -7.69, 40.41

 

CMYK 6 / 0 / 41 / 15

HEX #CCDA81

RGB 204 218 129

HSL 69.44, 0.55%, 0.68%

LAB 84.26, -18.2, 42.16

 

CMYK 17 / 0 / 41 / 15

HEX #B4DA81

RGB 180 218 129

HSL 85.62, 0.55%, 0.68%

LAB 82.61, -27.27, 39.73

 

CMYK 28 / 0 / 41 / 15

HEX #9CDA81

RGB 156 218 129

HSL 101.8, 0.55%, 0.68%

LAB 81.18, -35.8, 37.6

 

CMYK 39 / 0 / 41 / 15

HEX #84DA81

RGB 132 218 129

HSL 117.98, 0.55%, 0.68%

LAB 79.97, -43.57, 35.81

 

CMYK 0 / 5 / 41 / 15

HEX #DAD081

RGB 218 208 129

HSL 53.26, 0.55%, 0.68%

LAB 82.7, -7.69, 40.41

 

CMYK 0 / 6 / 50 / 9

HEX #E7DA73

RGB 231 218 115

HSL 53.28, 0.71%, 0.68%

LAB 86.19, -8.91, 51.8

 

CMYK 0 / 7 / 58 / 4

HEX #F5E566

RGB 245 229 102

HSL 53.29, 0.88%, 0.68%

LAB 90.05, -9.76, 62.48

 

CMYK 0 / 5 / 41 / 15

HEX #DAD081

RGB 218 208 129

HSL 53.26, 0.55%, 0.68%

LAB 82.7, -7.69, 40.41

 

CMYK 0 / 3 / 31 / 20

HEX #CDC68E

RGB 205 198 142

HSL 53.33, 0.39%, 0.68%

LAB 79.23, -6.15, 29

 

CMYK 0 / 2 / 19 / 25

HEX #C0BC9B

RGB 192 188 155

HSL 53.51, 0.23%, 0.68%

LAB 75.79, -4.1, 17.23

 

CMYK 0 / 1 / 6 / 30

HEX #B3B1A8

RGB 179 177 168

HSL 49.09, 0.07%, 0.68%

LAB 72.13, -0.92, 4.84

 

CMYK 9 / 8 / 0 / 29

HEX #A5A7B5

RGB 165 167 181

HSL 232.5, 0.1%, 0.68%

LAB 68.73, 2.07, -7.44

 

CMYK 0 / 27 / 41 / 15

HEX #DAA081

RGB 218 160 129

HSL 20.9, 0.55%, 0.68%

LAB 70.62, 17.64, 24.61

 

CMYK 0 / 16 / 41 / 15

HEX #DAB881

RGB 218 184 129

HSL 37.08, 0.55%, 0.68%

LAB 76.54, 4.79, 32.47

 

CMYK 0 / 5 / 41 / 15

HEX #DAD081

RGB 218 208 129

HSL 53.26, 0.55%, 0.68%

LAB 82.7, -7.69, 40.41

 

CMYK 6 / 0 / 41 / 15

HEX #CDDA81

RGB 205 218 129

HSL 68.76, 0.55%, 0.68%

LAB 84.33, -17.81, 42.27

 

CMYK 17 / 0 / 41 / 15

HEX #B5DA81

RGB 181 218 129

HSL 84.94, 0.55%, 0.68%

LAB 82.67, -26.9, 39.82

 

CMYK 0 / 8 / 68 / 22

HEX #C8B941

RGB 200 185 65

HSL 53.33, 0.55%, 0.52%

LAB 74.42, -8.53, 60.21

 

CMYK 0 / 6 / 54 / 18

HEX #D1C461

RGB 209 196 97

HSL 53.04, 0.55%, 0.6%

LAB 78.4, -8.2, 50.66

 

CMYK 0 / 5 / 41 / 15

HEX #DAD081

RGB 218 208 129

HSL 53.26, 0.55%, 0.68%

LAB 82.7, -7.69, 40.41

 

CMYK 0 / 4 / 30 / 11

HEX #E4DCA0

RGB 228 220 160

HSL 52.94, 0.56%, 0.76%

LAB 87.1, -6.32, 30.53

 

CMYK 0 / 2 / 19 / 7

HEX #EDE8C0

RGB 237 232 192

HSL 53.33, 0.56%, 0.84%

LAB 91.47, -4.72, 20.1

 

CMYK 0 / 5 / 41 / 14

HEX #DBD182

RGB 219 209 130

HSL 53.26, 0.55%, 0.68%

LAB 83.06, -7.7, 40.38

 

CMYK 41 / 0 / 38 / 15

HEX #81DA88

RGB 129 218 136

HSL 124.72, 0.55%, 0.68%

LAB 79.95, -43.39, 32.2

 

CMYK 21 / 41 / 0 / 15

HEX #AC81DA

RGB 172 129 218

HSL 268.99, 0.55%, 0.68%

LAB 61.25, 33.81, -39.47

 

CMYK 0 / 5 / 41 / 14

HEX #DBD182

RGB 219 209 130

HSL 53.26, 0.55%, 0.68%

LAB 83.06, -7.7, 40.38

 

CMYK 41 / 0 / 5 / 15

HEX #81DAD0

RGB 129 218 208

HSL 173.26, 0.55%, 0.68%

LAB 81.49, -29.06, -3.48

 

CMYK 5 / 41 / 0 / 15

HEX #D081DA

RGB 208 129 218

HSL 293.26, 0.55%, 0.68%

LAB 65.1, 44.46, -33.18

 

CMYK 0 / 5 / 41 / 14

HEX #DBD182

RGB 219 209 130

HSL 53.26, 0.55%, 0.68%

LAB 83.06, -7.7, 40.38

 

CMYK 41 / 0 / 38 / 15

HEX #81DA88

RGB 129 218 136

HSL 124.72, 0.55%, 0.68%

LAB 79.95, -43.39, 32.2

 

CMYK 41 / 36 / 0 / 15

HEX #818BDA

RGB 129 139 218

HSL 233.26, 0.55%, 0.68%

LAB 60.06, 16.09, -41.59

 

CMYK 0 / 41 / 3 / 15

HEX #DA81D3

RGB 218 129 211

HSL 304.72, 0.55%, 0.68%

LAB 65.99, 46.21, -27.8

 

CMYK 0 / 5 / 41 / 14

HEX #DBD182

RGB 219 209 130

HSL 53.26, 0.55%, 0.68%

LAB 83.06, -7.7, 40.38

 

CMYK 41 / 0 / 25 / 15

HEX #81DAA3

RGB 129 218 163

HSL 142.92, 0.55%, 0.68%

LAB 80.43, -38.69, 18.86

 

CMYK 41 / 36 / 0 / 15

HEX #818BDA

RGB 129 139 218

HSL 233.26, 0.55%, 0.68%

LAB 60.06, 16.09, -41.59

 

CMYK 0 / 41 / 16 / 15

HEX #DA81B8

RGB 218 129 184

HSL 322.92, 0.55%, 0.68%

LAB 65.02, 41.69, -14.13

 

Description

Color code: HEX #DBD182 | qconv.com Color code: HEX #DBD182 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 209 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 209 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 41 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 41% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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