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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD096 it is the complementary color #242F69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD096. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD096 shade: #E0D091, #F1E2A4, #FFF4B7, #FFFFCA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD096. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD096 shade: #DBD096, #CABE83, #B9AC70, #A89A5D and #97884A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD096 shade: #DBCF95, #DBBD95, #DBAA95, #DB9795 and #DB9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD096 shade: #DBCF95, #D3DB95, #C0DB95, #ADDB95 and #9ADB95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD096 shade matches the following richer shades: #DBCF95, #E6D789, #F2DF7E and #FDE772

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD096 shade: #DBCF95, #CFC8A0, #C3C0AC, #B8B8B7 and #ACB0C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD096 shade: #DBAA95, #DBBC95, #DBCF95, #D4DB95 and #C1DB95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD096 shade: #C6B457, #D0C276, #DBCF95, #E5DDB3 and #F0EBD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD096 shade: #DBD096, #95DB97 and #B395DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD096 shade: #DBD096, #95DBCF and #CF95DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD096 shade: #DBD096, #95DB97, #95A0DB and #DB95D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD096 shade: #DBD096, #95DBAC, #95A0DB and #DB95C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 32 / 14

HEX #DBD096

RGB 219 208 150

HSL 50.43, 0.49%, 0.72%

LAB 83.11, -4.88, 30.23

 

Complementary color

CMYK 66 / 55 / 0 / 59

HEX #242F69

RGB 36 47 105

HSL 230.43, 0.49%, 0.28%

LAB 21.68, 15.65, -35.49

 

CMYK 0 / 7 / 35 / 12

HEX #E0D091

RGB 224 208 145

HSL 47.85, 0.56%, 0.72%

LAB 83.44, -3.55, 33.33

 

CMYK 0 / 6 / 32 / 5

HEX #F1E2A4

RGB 241 226 164

HSL 48.31, 0.73%, 0.79%

LAB 89.75, -3.93, 32.21

 

CMYK 0 / 4 / 28 / 0

HEX #FFF4B7

RGB 255 244 183

HSL 50.83, 1%, 0.86%

LAB 95.74, -5.38, 30.79

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 5 / 32 / 14

HEX #DBD096

RGB 219 208 150

HSL 50.43, 0.49%, 0.72%

LAB 83.11, -4.88, 30.23

 

CMYK 0 / 6 / 35 / 21

HEX #CABE83

RGB 202 190 131

HSL 49.86, 0.4%, 0.65%

LAB 76.69, -4.52, 31.36

 

CMYK 0 / 7 / 39 / 27

HEX #B9AC70

RGB 185 172 112

HSL 49.32, 0.34%, 0.58%

LAB 70.17, -4.09, 32.55

 

CMYK 0 / 8 / 45 / 34

HEX #A89A5D

RGB 168 154 93

HSL 48.8, 0.3%, 0.51%

LAB 63.53, -3.58, 33.8

 

CMYK 0 / 10 / 51 / 41

HEX #97884A

RGB 151 136 74

HSL 48.31, 0.34%, 0.44%

LAB 56.76, -2.95, 35.1

 

CMYK 0 / 5 / 32 / 14

HEX #DBCF95

RGB 219 207 149

HSL 49.71, 0.49%, 0.72%

LAB 82.84, -4.49, 30.38

 

CMYK 0 / 14 / 32 / 14

HEX #DBBD95

RGB 219 189 149

HSL 34.29, 0.49%, 0.72%

LAB 78.24, 4.9, 24.19

 

CMYK 0 / 22 / 32 / 14

HEX #DBAA95

RGB 219 170 149

HSL 18, 0.49%, 0.72%

LAB 73.53, 15.04, 17.72

 

CMYK 0 / 31 / 32 / 14

HEX #DB9795

RGB 219 151 149

HSL 1.71, 0.49%, 0.72%

LAB 69.01, 25.28, 11.39

 

CMYK 0 / 32 / 32 / 14

HEX #DB9595

RGB 219 149 149

HSL 0, 0.49%, 0.72%

LAB 68.55, 26.36, 10.74

 

CMYK 0 / 5 / 32 / 14

HEX #DBCF95

RGB 219 207 149

HSL 49.71, 0.49%, 0.72%

LAB 82.84, -4.49, 30.38

 

CMYK 4 / 0 / 32 / 14

HEX #D3DB95

RGB 211 219 149

HSL 66.86, 0.49%, 0.72%

LAB 85.34, -13.65, 33.59

 

CMYK 12 / 0 / 32 / 14

HEX #C0DB95

RGB 192 219 149

HSL 83.14, 0.49%, 0.72%

LAB 83.99, -20.74, 31.54

 

CMYK 21 / 0 / 32 / 14

HEX #ADDB95

RGB 173 219 149

HSL 99.43, 0.49%, 0.72%

LAB 82.76, -27.56, 29.7

 

CMYK 30 / 0 / 32 / 14

HEX #9ADB95

RGB 154 219 149

HSL 115.71, 0.49%, 0.72%

LAB 81.68, -33.99, 28.05

 

CMYK 0 / 5 / 32 / 14

HEX #DBCF95

RGB 219 207 149

HSL 49.71, 0.49%, 0.72%

LAB 82.84, -4.49, 30.38

 

CMYK 0 / 7 / 40 / 10

HEX #E6D789

RGB 230 215 137

HSL 50.32, 0.65%, 0.72%

LAB 85.62, -5.67, 40.32

 

CMYK 0 / 8 / 48 / 5

HEX #F2DF7E

RGB 242 223 126

HSL 50.17, 0.82%, 0.72%

LAB 88.52, -6.05, 49.58

 

CMYK 0 / 9 / 55 / 1

HEX #FDE772

RGB 253 231 114

HSL 50.5, 0.97%, 0.72%

LAB 91.35, -6.65, 58.79

 

CMYK 0 / 5 / 32 / 14

HEX #DBCF95

RGB 219 207 149

HSL 49.71, 0.49%, 0.72%

LAB 82.84, -4.49, 30.38

 

CMYK 0 / 3 / 23 / 19

HEX #CFC8A0

RGB 207 200 160

HSL 51.06, 0.33%, 0.72%

LAB 80.24, -3.99, 20.92

 

CMYK 0 / 2 / 12 / 24

HEX #C3C0AC

RGB 195 192 172

HSL 52.17, 0.16%, 0.72%

LAB 77.45, -2.42, 10.45

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B7

RGB 184 184 183

HSL 60, 0.01%, 0.72%

LAB 74.76, -0.18, 0.5

 

CMYK 12 / 10 / 0 / 24

HEX #ACB0C3

RGB 172 176 195

HSL 229.57, 0.16%, 0.72%

LAB 72.07, 2.4, -10.14

 

CMYK 0 / 22 / 32 / 14

HEX #DBAA95

RGB 219 170 149

HSL 18, 0.49%, 0.72%

LAB 73.53, 15.04, 17.72

 

CMYK 0 / 14 / 32 / 14

HEX #DBBC95

RGB 219 188 149

HSL 33.43, 0.49%, 0.72%

LAB 77.99, 5.43, 23.85

 

CMYK 0 / 5 / 32 / 14

HEX #DBCF95

RGB 219 207 149

HSL 49.71, 0.49%, 0.72%

LAB 82.84, -4.49, 30.38

 

CMYK 3 / 0 / 32 / 14

HEX #D4DB95

RGB 212 219 149

HSL 66, 0.49%, 0.72%

LAB 85.42, -13.27, 33.7

 

CMYK 12 / 0 / 32 / 14

HEX #C1DB95

RGB 193 219 149

HSL 82.29, 0.49%, 0.72%

LAB 84.05, -20.38, 31.65

 

CMYK 0 / 9 / 56 / 22

HEX #C6B457

RGB 198 180 87

HSL 50.27, 0.49%, 0.56%

LAB 73.11, -5.3, 49.01

 

CMYK 0 / 7 / 43 / 18

HEX #D0C276

RGB 208 194 118

HSL 50.67, 0.49%, 0.64%

LAB 78.05, -5.65, 39.91

 

CMYK 0 / 5 / 32 / 14

HEX #DBCF95

RGB 219 207 149

HSL 49.71, 0.49%, 0.72%

LAB 82.84, -4.49, 30.38

 

CMYK 0 / 3 / 22 / 10

HEX #E5DDB3

RGB 229 221 179

HSL 50.4, 0.49%, 0.8%

LAB 87.79, -3.92, 21.64

 

CMYK 0 / 2 / 13 / 6

HEX #F0EBD2

RGB 240 235 210

HSL 50, 0.5%, 0.88%

LAB 92.84, -2.46, 12.73

 

CMYK 0 / 5 / 32 / 14

HEX #DBD096

RGB 219 208 150

HSL 50.43, 0.49%, 0.72%

LAB 83.11, -4.88, 30.23

 

CMYK 32 / 0 / 31 / 14

HEX #95DB97

RGB 149 219 151

HSL 121.71, 0.49%, 0.72%

LAB 81.45, -35.28, 26.66

 

CMYK 18 / 32 / 0 / 14

HEX #B395DB

RGB 179 149 219

HSL 265.71, 0.49%, 0.72%

LAB 66.67, 24.89, -31.54

 

CMYK 0 / 5 / 32 / 14

HEX #DBD096

RGB 219 208 150

HSL 50.43, 0.49%, 0.72%

LAB 83.11, -4.88, 30.23

 

CMYK 32 / 0 / 5 / 14

HEX #95DBCF

RGB 149 219 207

HSL 169.71, 0.49%, 0.72%

LAB 82.68, -24.45, -1.1

 

CMYK 5 / 32 / 0 / 14

HEX #CF95DB

RGB 207 149 219

HSL 289.71, 0.49%, 0.72%

LAB 69.38, 33.62, -27.13

 

CMYK 0 / 5 / 32 / 14

HEX #DBD096

RGB 219 208 150

HSL 50.43, 0.49%, 0.72%

LAB 83.11, -4.88, 30.23

 

CMYK 32 / 0 / 31 / 14

HEX #95DB97

RGB 149 219 151

HSL 121.71, 0.49%, 0.72%

LAB 81.45, -35.28, 26.66

 

CMYK 32 / 27 / 0 / 14

HEX #95A0DB

RGB 149 160 219

HSL 230.57, 0.49%, 0.72%

LAB 67.01, 9.73, -31.2

 

CMYK 0 / 32 / 1 / 14

HEX #DB95D8

RGB 219 149 216

HSL 302.57, 0.49%, 0.72%

LAB 70.53, 36.88, -23.6

 

CMYK 0 / 5 / 32 / 14

HEX #DBD096

RGB 219 208 150

HSL 50.43, 0.49%, 0.72%

LAB 83.11, -4.88, 30.23

 

CMYK 32 / 0 / 21 / 14

HEX #95DBAC

RGB 149 219 172

HSL 139.71, 0.49%, 0.72%

LAB 81.86, -31.59, 16.25

 

CMYK 32 / 27 / 0 / 14

HEX #95A0DB

RGB 149 160 219

HSL 230.57, 0.49%, 0.72%

LAB 67.01, 9.73, -31.2

 

CMYK 0 / 32 / 11 / 14

HEX #DB95C3

RGB 219 149 195

HSL 320.57, 0.49%, 0.72%

LAB 69.82, 33.2, -13.05

 

Description

Color code: HEX #DBD096 | qconv.com Color code: HEX #DBD096 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 208 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 208 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 32 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 32% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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