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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBCFD23F it is the complementary color #24302D3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBCFD23F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBCFD23F shade: #E0CFCD3F, #F1E1E03F, #FFF3F33F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBCFD23F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBCFD23F shade: #DBCFD23F, #CABDBF3F, #B9ABAC3F, #A899993F and #9787863F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBCFD23F shade: #DCD0D3 and #DCD0D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBCFD23F shade: #DCD0D3, #DCD0D6, #DCD0DA, #DBD0DC and #D8D0DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBCFD23F shade matches the following richer shades: #DCD0D3, #E3CAD0, #E9C3CD, #F0BDC9 and #F6B6C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBCFD23F shade: #DCD0D3, #D5D7D7, #CFDEDA, #C8E4DD and #C2EBE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBCFD23F shade: #DCD0D9, #DCD0D6, #DCD0D3, #DCD1D0 and #DCD4D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBCFD23F shade: #B8A1A7, #CAB9BD, #DCD0D3, #EEE8E9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBCFD23F shade: #DBCFD2, #DCDBD0 and #D0D8DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBCFD23F shade: #DBCFD2, #D3DCD0 and #D0D3DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBCFD23F shade: #DBCFD2, #DCDBD0, #D0DCD9 and #D0D1DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBCFD23F shade: #DBCFD2, #D9DCD0, #D0DCD9 and #D3D0DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 1 / 4

HEX #DBCFD23F

RGBA 219 207 210 0.25

HSLA 345, 0.14%, 0.84%, 0.25

LABA 84.14, 4.67, -0.01, 0.25

 

Complementary color

CMYK 6 / 0 / 2 / 20

HEX #24302D3F

RGBA 36 48 45 0.25

HSLA 165, 0.14%, 0.16%, 0.25

LABA 18.71, -5.86, 0.25, 0.25

 

CMYK 0 / 2 / 2 / 3

HEX #E0CFCD3F

RGBA 224 207 205 0.25

HSLA 6.32, 0.23%, 0.84%, 0.25

LABA 84.42, 5.56, 3.11, 0.25

 

CMYK 0 / 2 / 2 / 1

HEX #F1E1E03F

RGBA 241 225 224 0.25

HSLA 3.53, 0.38%, 0.91%, 0.25

LABA 90.75, 5.29, 2.44, 0.25

 

CMYK 0 / 1 / 1 / 0

HEX #FFF3F33F

RGBA 255 243 243 0.25

HSLA 0, 1%, 0.98%, 0.25

LABA 96.75, 4.02, 1.43, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 0 / 1 / 1 / 4

HEX #DBCFD23F

RGBA 219 207 210 0.25

HSLA 345, 0.14%, 0.84%, 0.25

LABA 84.14, 4.67, -0.01, 0.25

 

CMYK 0 / 2 / 1 / 5

HEX #CABDBF3F

RGBA 202 189 191 0.25

HSLA 350.77, 0.11%, 0.77%, 0.25

LABA 77.71, 4.93, 0.63, 0.25

 

CMYK 0 / 2 / 2 / 7

HEX #B9ABAC3F

RGBA 185 171 172 0.25

HSLA 355.71, 0.09%, 0.7%, 0.25

LABA 71.16, 5.21, 1.3, 0.25

 

CMYK 0 / 2 / 2 / 9

HEX #A899993F

RGBA 168 153 153 0.25

HSLA 0, 0.08%, 0.63%, 0.25

LABA 64.49, 5.51, 1.99, 0.25

 

CMYK 0 / 3 / 3 / 10

HEX #9787863F

RGBA 151 135 134 0.25

HSLA 3.53, 0.08%, 0.56%, 0.25

LABA 57.68, 5.85, 2.73, 0.25

 

CMYK 0 / 5 / 4 / 14

HEX #DCD0D3

RGB 220 208 211

HSL 345, 0.15%, 0.84%

LAB 84.5, 4.67, -0.01

 

CMYK 0 / 5 / 5 / 14

HEX #DCD0D0

RGB 220 208 208

HSL 0, 0.15%, 0.84%

LAB 84.42, 4.14, 1.48

 

CMYK 0 / 5 / 4 / 14

HEX #DCD0D3

RGB 220 208 211

HSL 345, 0.15%, 0.84%

LAB 84.5, 4.67, -0.01

 

CMYK 0 / 5 / 3 / 14

HEX #DCD0D6

RGB 220 208 214

HSL 330, 0.15%, 0.84%

LAB 84.58, 5.2, -1.49

 

CMYK 0 / 5 / 1 / 14

HEX #DCD0DA

RGB 220 208 218

HSL 310, 0.15%, 0.84%

LAB 84.68, 5.91, -3.46

 

CMYK 0 / 5 / 0 / 14

HEX #DBD0DC

RGB 219 208 220

HSL 295, 0.15%, 0.84%

LAB 84.66, 5.94, -4.57

 

CMYK 2 / 5 / 0 / 14

HEX #D8D0DC

RGB 216 208 220

HSL 280, 0.15%, 0.84%

LAB 84.42, 4.92, -4.95

 

CMYK 0 / 5 / 4 / 14

HEX #DCD0D3

RGB 220 208 211

HSL 345, 0.15%, 0.84%

LAB 84.5, 4.67, -0.01

 

CMYK 0 / 11 / 8 / 11

HEX #E3CAD0

RGB 227 202 208

HSL 345.6, 0.31%, 0.84%

LAB 83.51, 9.75, 0.21

 

CMYK 0 / 16 / 12 / 9

HEX #E9C3CD

RGB 233 195 205

HSL 344.21, 0.46%, 0.84%

LAB 82.25, 15.07, 0.05

 

CMYK 0 / 21 / 16 / 6

HEX #F0BDC9

RGB 240 189 201

HSL 345.88, 0.63%, 0.84%

LAB 81.37, 20.1, 0.98

 

CMYK 0 / 26 / 20 / 4

HEX #F6B6C6

RGB 246 182 198

HSL 345, 0.78%, 0.84%

LAB 80.25, 25.48, 1.05

 

CMYK 0 / 5 / 4 / 14

HEX #DCD0D3

RGB 220 208 211

HSL 345, 0.15%, 0.84%

LAB 84.5, 4.67, -0.01

 

CMYK 1 / 0 / 0 / 16

HEX #D5D7D7

RGB 213 215 215

HSL 180, 0.02%, 0.84%

LAB 85.83, -0.67, -0.25

 

CMYK 7 / 0 / 2 / 13

HEX #CFDEDA

RGB 207 222 218

HSL 164, 0.19%, 0.84%

LAB 87.28, -5.75, 0.22

 

CMYK 12 / 0 / 3 / 11

HEX #C8E4DD

RGB 200 228 221

HSL 165, 0.34%, 0.84%

LAB 88.44, -10.54, 0.29

 

CMYK 17 / 0 / 4 / 8

HEX #C2EBE1

RGB 194 235 225

HSL 165.37, 0.51%, 0.84%

LAB 90.01, -15.19, 0.43

 

CMYK 0 / 5 / 1 / 14

HEX #DCD0D9

RGB 220 208 217

HSL 315, 0.15%, 0.84%

LAB 84.66, 5.73, -2.97

 

CMYK 0 / 5 / 3 / 14

HEX #DCD0D6

RGB 220 208 214

HSL 330, 0.15%, 0.84%

LAB 84.58, 5.2, -1.49

 

CMYK 0 / 5 / 4 / 14

HEX #DCD0D3

RGB 220 208 211

HSL 345, 0.15%, 0.84%

LAB 84.5, 4.67, -0.01

 

CMYK 0 / 5 / 5 / 14

HEX #DCD1D0

RGB 220 209 208

HSL 5, 0.15%, 0.84%

LAB 84.67, 3.62, 1.84

 

CMYK 0 / 4 / 5 / 14

HEX #DCD4D0

RGB 220 212 208

HSL 20, 0.15%, 0.84%

LAB 85.43, 2.05, 2.94

 

CMYK 0 / 13 / 9 / 28

HEX #B8A1A7

RGB 184 161 167

HSL 344.35, 0.14%, 0.68%

LAB 68.37, 9.44, -0.02

 

CMYK 0 / 8 / 6 / 21

HEX #CAB9BD

RGB 202 185 189

HSL 345.88, 0.14%, 0.76%

LAB 76.64, 6.72, 0.15

 

CMYK 0 / 5 / 4 / 14

HEX #DCD0D3

RGB 220 208 211

HSL 345, 0.15%, 0.84%

LAB 84.5, 4.67, -0.01

 

CMYK 0 / 3 / 2 / 7

HEX #EEE8E9

RGB 238 232 233

HSL 350, 0.15%, 0.92%

LAB 92.47, 2.2, 0.22

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 5 / 4 / 14

HEX #DBCFD2

RGB 219 207 210

HSL 345, 0.14%, 0.84%

LAB 84.14, 4.67, -0.01

 

CMYK 0 / 0 / 5 / 14

HEX #DCDBD0

RGB 220 219 208

HSL 55, 0.15%, 0.84%

LAB 87.21, -1.58, 5.51

 

CMYK 5 / 2 / 0 / 14

HEX #D0D8DC

RGB 208 216 220

HSL 200, 0.15%, 0.84%

LAB 85.85, -1.94, -2.91

 

CMYK 0 / 5 / 4 / 14

HEX #DBCFD2

RGB 219 207 210

HSL 345, 0.14%, 0.84%

LAB 84.14, 4.67, -0.01

 

CMYK 4 / 0 / 5 / 14

HEX #D3DCD0

RGB 211 220 208

HSL 105, 0.15%, 0.84%

LAB 86.8, -5.2, 4.83

 

CMYK 5 / 4 / 0 / 14

HEX #D0D3DC

RGB 208 211 220

HSL 225, 0.15%, 0.84%

LAB 84.57, 0.67, -4.8

 

CMYK 0 / 5 / 4 / 14

HEX #DBCFD2

RGB 219 207 210

HSL 345, 0.14%, 0.84%

LAB 84.14, 4.67, -0.01

 

CMYK 0 / 0 / 5 / 14

HEX #DCDBD0

RGB 220 219 208

HSL 55, 0.15%, 0.84%

LAB 87.21, -1.58, 5.51

 

CMYK 5 / 0 / 1 / 14

HEX #D0DCD9

RGB 208 220 217

HSL 165, 0.15%, 0.84%

LAB 86.8, -4.58, 0.07

 

CMYK 5 / 5 / 0 / 14

HEX #D0D1DC

RGB 208 209 220

HSL 235, 0.15%, 0.84%

LAB 84.06, 1.72, -5.55

 

CMYK 0 / 5 / 4 / 14

HEX #DBCFD2

RGB 219 207 210

HSL 345, 0.14%, 0.84%

LAB 84.14, 4.67, -0.01

 

CMYK 1 / 0 / 5 / 14

HEX #D9DCD0

RGB 217 220 208

HSL 75, 0.15%, 0.84%

LAB 87.24, -3.14, 5.53

 

CMYK 5 / 0 / 1 / 14

HEX #D0DCD9

RGB 208 220 217

HSL 165, 0.15%, 0.84%

LAB 86.8, -4.58, 0.07

 

CMYK 4 / 5 / 0 / 14

HEX #D3D0DC

RGB 211 208 220

HSL 255, 0.15%, 0.84%

LAB 84.03, 3.24, -5.56

 

Description

Color code: HEX #DBCFD23F | qconv.com Color code: HEX #DBCFD23F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 207 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 207 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 1 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 1% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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