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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBCA8C it is the complementary color #243573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBCA8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBCA8C shade: #E0CA87, #F1DC9A, #FFEEAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBCA8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBCA8C shade: #DBCA8C, #CAB879, #B9A666, #A89453 and #978240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBCA8C shade: #DAC98B, #DAB48B, #DA9E8B and #DA8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBCA8C shade: #DAC98B, #D6DA8B, #C0DA8B, #ABDA8B and #96DA8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBCA8C shade matches the following richer shades: #DAC98B, #E7D07E and #F3D772

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBCA8C shade: #DAC98B, #CEC297, #C2BBA3, #B5B4B0 and #A9ADBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBCA8C shade: #DA9F8B, #DAB48B, #DAC98B, #D6DA8B and #C1DA8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBCA8C shade: #C6AC4C, #D0BB6B, #DAC98B, #E4D8AA and #EEE6C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBCA8C shade: #DBCA8C, #8CDA8B and #A98BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBCA8C shade: #DBCA8C, #8BDAC9 and #C98BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBCA8C shade: #DBCA8C, #8CDA8B, #8B9CDA and #D98BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBCA8C shade: #DBCA8C, #8BDAA1, #8B9CDA and #DA8BC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 36 / 14

HEX #DBCA8C

RGB 219 202 140

HSL 47.09, 0.52%, 0.7%

LAB 81.4, -2.99, 33.13

 

Complementary color

CMYK 69 / 54 / 0 / 55

HEX #243573

RGB 36 53 115

HSL 227.09, 0.52%, 0.3%

LAB 24.19, 15.29, -37.88

 

CMYK 0 / 10 / 40 / 12

HEX #E0CA87

RGB 224 202 135

HSL 45.17, 0.59%, 0.7%

LAB 81.75, -1.59, 36.25

 

CMYK 0 / 9 / 36 / 5

HEX #F1DC9A

RGB 241 220 154

HSL 45.52, 0.76%, 0.77%

LAB 88.07, -2.06, 35.08

 

CMYK 0 / 7 / 32 / 0

HEX #FFEEAD

RGB 255 238 173

HSL 47.56, 1%, 0.84%

LAB 94.07, -3.61, 33.6

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 8 / 36 / 14

HEX #DBCA8C

RGB 219 202 140

HSL 47.09, 0.52%, 0.7%

LAB 81.4, -2.99, 33.13

 

CMYK 0 / 9 / 40 / 21

HEX #CAB879

RGB 202 184 121

HSL 46.67, 0.43%, 0.63%

LAB 74.96, -2.53, 34.32

 

CMYK 0 / 10 / 45 / 27

HEX #B9A666

RGB 185 166 102

HSL 46.27, 0.37%, 0.56%

LAB 68.42, -1.98, 35.56

 

CMYK 0 / 12 / 51 / 34

HEX #A89453

RGB 168 148 83

HSL 45.88, 0.34%, 0.49%

LAB 61.77, -1.32, 36.86

 

CMYK 0 / 14 / 58 / 41

HEX #978240

RGB 151 130 64

HSL 45.52, 0.4%, 0.42%

LAB 54.98, -0.51, 38.16

 

CMYK 0 / 8 / 36 / 15

HEX #DAC98B

RGB 218 201 139

HSL 47.09, 0.52%, 0.7%

LAB 81.04, -2.99, 33.16

 

CMYK 0 / 17 / 36 / 15

HEX #DAB48B

RGB 218 180 139

HSL 31.14, 0.52%, 0.7%

LAB 75.71, 8.06, 26.07

 

CMYK 0 / 28 / 36 / 15

HEX #DA9E8B

RGB 218 158 139

HSL 14.43, 0.52%, 0.7%

LAB 70.33, 19.87, 18.75

 

CMYK 0 / 36 / 36 / 15

HEX #DA8B8B

RGB 218 139 139

HSL 0, 0.52%, 0.7%

LAB 65.93, 30.11, 12.62

 

CMYK 0 / 8 / 36 / 15

HEX #DAC98B

RGB 218 201 139

HSL 47.09, 0.52%, 0.7%

LAB 81.04, -2.99, 33.16

 

CMYK 2 / 0 / 36 / 15

HEX #D6DA8B

RGB 214 218 139

HSL 63.04, 0.52%, 0.7%

LAB 85.15, -13.21, 38.45

 

CMYK 12 / 0 / 36 / 15

HEX #C0DA8B

RGB 192 218 139

HSL 79.75, 0.52%, 0.7%

LAB 83.55, -21.57, 36.07

 

CMYK 22 / 0 / 36 / 15

HEX #ABDA8B

RGB 171 218 139

HSL 95.7, 0.52%, 0.7%

LAB 82.2, -29.21, 34.04

 

CMYK 31 / 0 / 36 / 15

HEX #96DA8B

RGB 150 218 139

HSL 111.65, 0.52%, 0.7%

LAB 81.01, -36.38, 32.26

 

CMYK 0 / 8 / 36 / 15

HEX #DAC98B

RGB 218 201 139

HSL 47.09, 0.52%, 0.7%

LAB 81.04, -2.99, 33.16

 

CMYK 0 / 10 / 45 / 9

HEX #E7D07E

RGB 231 208 126

HSL 46.86, 0.69%, 0.7%

LAB 83.76, -2.82, 43.48

 

CMYK 0 / 12 / 53 / 5

HEX #F3D772

RGB 243 215 114

HSL 46.98, 0.84%, 0.7%

LAB 86.44, -2.62, 52.82

 

CMYK 0 / 8 / 36 / 15

HEX #DAC98B

RGB 218 201 139

HSL 47.09, 0.52%, 0.7%

LAB 81.04, -2.99, 33.16

 

CMYK 0 / 6 / 27 / 19

HEX #CEC297

RGB 206 194 151

HSL 46.91, 0.36%, 0.7%

LAB 78.43, -2.49, 23.19

 

CMYK 0 / 4 / 16 / 24

HEX #C2BBA3

RGB 194 187 163

HSL 46.45, 0.2%, 0.7%

LAB 75.86, -1.59, 13.04

 

CMYK 0 / 1 / 3 / 29

HEX #B5B4B0

RGB 181 180 176

HSL 48, 0.03%, 0.7%

LAB 73.29, -0.38, 2.15

 

CMYK 10 / 8 / 0 / 26

HEX #A9ADBC

RGB 169 173 188

HSL 227.37, 0.12%, 0.7%

LAB 70.84, 1.58, -8.14

 

CMYK 0 / 27 / 36 / 15

HEX #DA9F8B

RGB 218 159 139

HSL 15.19, 0.52%, 0.7%

LAB 70.57, 19.33, 19.08

 

CMYK 0 / 17 / 36 / 15

HEX #DAB48B

RGB 218 180 139

HSL 31.14, 0.52%, 0.7%

LAB 75.71, 8.06, 26.07

 

CMYK 0 / 8 / 36 / 15

HEX #DAC98B

RGB 218 201 139

HSL 47.09, 0.52%, 0.7%

LAB 81.04, -2.99, 33.16

 

CMYK 2 / 0 / 36 / 15

HEX #D6DA8B

RGB 214 218 139

HSL 63.04, 0.52%, 0.7%

LAB 85.15, -13.21, 38.45

 

CMYK 11 / 0 / 36 / 15

HEX #C1DA8B

RGB 193 218 139

HSL 78.99, 0.52%, 0.7%

LAB 83.62, -21.2, 36.18

 

CMYK 0 / 13 / 62 / 22

HEX #C6AC4C

RGB 198 172 76

HSL 47.21, 0.52%, 0.54%

LAB 70.89, -1.9, 51.65

 

CMYK 0 / 10 / 49 / 18

HEX #D0BB6B

RGB 208 187 107

HSL 47.52, 0.52%, 0.62%

LAB 76.08, -3.08, 42.99

 

CMYK 0 / 8 / 36 / 15

HEX #DAC98B

RGB 218 201 139

HSL 47.09, 0.52%, 0.7%

LAB 81.04, -2.99, 33.16

 

CMYK 0 / 5 / 25 / 11

HEX #E4D8AA

RGB 228 216 170

HSL 47.59, 0.52%, 0.78%

LAB 86.26, -2.97, 24.21

 

CMYK 0 / 3 / 16 / 7

HEX #EEE6C9

RGB 238 230 201

HSL 47.03, 0.52%, 0.86%

LAB 91.23, -2.01, 15.11

 

CMYK 0 / 8 / 36 / 14

HEX #DBCA8C

RGB 219 202 140

HSL 47.09, 0.52%, 0.7%

LAB 81.4, -2.99, 33.13

 

CMYK 36 / 0 / 36 / 15

HEX #8CDA8B

RGB 140 218 139

HSL 119.24, 0.52%, 0.7%

LAB 80.51, -39.58, 31.5

 

CMYK 22 / 36 / 0 / 15

HEX #A98BDA

RGB 169 139 218

HSL 262.78, 0.52%, 0.7%

LAB 63.31, 27.29, -36.27

 

CMYK 0 / 8 / 36 / 14

HEX #DBCA8C

RGB 219 202 140

HSL 47.09, 0.52%, 0.7%

LAB 81.4, -2.99, 33.13

 

CMYK 36 / 0 / 8 / 15

HEX #8BDAC9

RGB 139 218 201

HSL 167.09, 0.52%, 0.7%

LAB 81.76, -28.06, 0.69

 

CMYK 8 / 36 / 0 / 15

HEX #C98BDA

RGB 201 139 218

HSL 287.09, 0.52%, 0.7%

LAB 66.48, 36.98, -31.1

 

CMYK 0 / 8 / 36 / 14

HEX #DBCA8C

RGB 219 202 140

HSL 47.09, 0.52%, 0.7%

LAB 81.4, -2.99, 33.13

 

CMYK 36 / 0 / 36 / 15

HEX #8CDA8B

RGB 140 218 139

HSL 119.24, 0.52%, 0.7%

LAB 80.51, -39.58, 31.5

 

CMYK 36 / 28 / 0 / 15

HEX #8B9CDA

RGB 139 156 218

HSL 227.09, 0.52%, 0.7%

LAB 65.22, 8.94, -33.48

 

CMYK 0 / 36 / 0 / 15

HEX #D98BDA

RGB 217 139 218

HSL 299.24, 0.52%, 0.7%

LAB 68.23, 41.93, -28.26

 

CMYK 0 / 8 / 36 / 14

HEX #DBCA8C

RGB 219 202 140

HSL 47.09, 0.52%, 0.7%

LAB 81.4, -2.99, 33.13

 

CMYK 36 / 0 / 26 / 15

HEX #8BDAA1

RGB 139 218 161

HSL 136.71, 0.52%, 0.7%

LAB 80.85, -36.17, 20.56

 

CMYK 36 / 28 / 0 / 15

HEX #8B9CDA

RGB 139 156 218

HSL 227.09, 0.52%, 0.7%

LAB 65.22, 8.94, -33.48

 

CMYK 0 / 36 / 10 / 15

HEX #DA8BC4

RGB 218 139 196

HSL 316.71, 0.52%, 0.7%

LAB 67.54, 38.37, -17.05

 

Description

Color code: HEX #DBCA8C | qconv.com Color code: HEX #DBCA8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 202 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 202 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 36 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 36% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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