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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC9C5CE it is the complementary color #24363ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC9C5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC9C5CE shade: #E0C9C0CE, #F1DBD3CE, #FFEDE6CE, #FFFFF9CE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC9C5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC9C5CE shade: #DBC9C5CE, #CAB7B2CE, #B9A59FCE, #A8938CCE and #978179CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC9C5CE shade: #DCCAC7 and #DCC7C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC9C5CE shade: #DCCAC7, #DCD0C7, #DCD6C7, #DCDBC7 and #D6DCC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC9C5CE shade matches the following richer shades: #DCCAC7, #E3C6BF, #EBC1B8, #F2BCB0 and #F9B7A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC9C5CE shade: #DCCAC7, #D4CFCE, #CDD4D5, #C5D9DD and #BEDDE4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC9C5CE shade: #DCC7CE, #DCC7C9, #DCCAC7, #DCD0C7 and #DCD5C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC9C5CE shade: #BC9B94, #CCB3AD, #DCCAC7, #ECE2E0 and #FBFAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC9C5CE shade: #DBC9C5, #D4DCC7 and #C7CBDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC9C5CE shade: #DBC9C5, #C7DCCA and #CAC7DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC9C5CE shade: #DBC9C5, #D4DCC7, #C7D8DC and #CEC7DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC9C5CE shade: #DBC9C5, #CEDCC7, #C7D8DC and #D5C7DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 8 / 11

HEX #DBC9C5CE

RGBA 219 201 197 0.81

HSLA 10.91, 0.23%, 0.82%, 0.81

LABA 82.31, 5.61, 4.26, 0.81

 

Complementary color

CMYK 31 / 6 / 0 / 63

HEX #24363ACE

RGBA 36 54 58 0.81

HSLA 190.91, 0.23%, 0.18%, 0.81

LABA 21.28, -6.07, -4.85, 0.81

 

CMYK 0 / 8 / 12 / 10

HEX #E0C9C0CE

RGBA 224 201 192 0.81

HSLA 16.88, 0.34%, 0.82%, 0.81

LABA 82.61, 6.59, 7.42, 0.81

 

CMYK 0 / 7 / 10 / 4

HEX #F1DBD3CE

RGBA 241 219 211 0.81

HSLA 16, 0.52%, 0.89%, 0.81

LABA 88.95, 6.27, 6.67, 0.81

 

CMYK 0 / 6 / 8 / 0

HEX #FFEDE6CE

RGBA 255 237 230 0.81

HSLA 16.8, 1%, 0.95%, 0.81

LABA 94.97, 4.93, 5.57, 0.81

HEX #FFEDE6CE

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9CE

RGBA 255 255 249 0.81

HSLA 60, 1%, 0.99%, 0.81

LABA 99.85, -1.03, 2.85, 0.81

HEX #FFFFF9CE

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

HEX #FFFFFFCE

CMYK 0 / 7 / 8 / 11

HEX #DBC9C5CE

RGBA 219 201 197 0.81

HSLA 10.91, 0.23%, 0.82%, 0.81

LABA 82.31, 5.61, 4.26, 0.81

 

CMYK 0 / 8 / 10 / 17

HEX #CAB7B2CE

RGBA 202 183 178 0.81

HSLA 12.5, 0.18%, 0.75%, 0.81

LABA 75.85, 5.92, 4.99, 0.81

 

CMYK 0 / 9 / 11 / 22

HEX #B9A59FCE

RGBA 185 165 159 0.81

HSLA 13.85, 0.16%, 0.67%, 0.81

LABA 69.28, 6.25, 5.75, 0.81

 

CMYK 0 / 10 / 14 / 28

HEX #A8938CCE

RGBA 168 147 140 0.81

HSLA 15, 0.14%, 0.6%, 0.81

LABA 62.58, 6.63, 6.57, 0.81

 

CMYK 0 / 12 / 16 / 33

HEX #978179CE

RGBA 151 129 121 0.81

HSLA 16, 0.13%, 0.53%, 0.81

LABA 55.75, 7.06, 7.44, 0.81

 

CMYK 0 / 8 / 10 / 14

HEX #DCCAC7

RGB 220 202 199

HSL 8.57, 0.23%, 0.82%

LAB 82.69, 5.77, 3.76

 

CMYK 0 / 10 / 10 / 14

HEX #DCC7C7

RGB 220 199 199

HSL 0, 0.23%, 0.82%

LAB 81.94, 7.36, 2.67

 

CMYK 0 / 8 / 10 / 14

HEX #DCCAC7

RGB 220 202 199

HSL 8.57, 0.23%, 0.82%

LAB 82.69, 5.77, 3.76

 

CMYK 0 / 5 / 10 / 14

HEX #DCD0C7

RGB 220 208 199

HSL 25.71, 0.23%, 0.82%

LAB 84.2, 2.62, 5.94

 

CMYK 0 / 3 / 10 / 14

HEX #DCD6C7

RGB 220 214 199

HSL 42.86, 0.23%, 0.82%

LAB 85.72, -0.51, 8.13

 

CMYK 0 / 0 / 10 / 14

HEX #DCDBC7

RGB 220 219 199

HSL 57.14, 0.23%, 0.82%

LAB 87, -3.09, 9.95

 

CMYK 3 / 0 / 10 / 14

HEX #D6DCC7

RGB 214 220 199

HSL 77.14, 0.23%, 0.82%

LAB 86.8, -5.71, 9.61

 

CMYK 0 / 8 / 10 / 14

HEX #DCCAC7

RGB 220 202 199

HSL 8.57, 0.23%, 0.82%

LAB 82.69, 5.77, 3.76

 

CMYK 0 / 13 / 16 / 11

HEX #E3C6BF

RGB 227 198 191

HSL 11.67, 0.39%, 0.82%

LAB 82.1, 9.1, 7.26

 

CMYK 0 / 18 / 22 / 8

HEX #EBC1B8

RGB 235 193 184

HSL 10.59, 0.56%, 0.82%

LAB 81.44, 13.61, 10.15

 

CMYK 0 / 22 / 27 / 5

HEX #F2BCB0

RGB 242 188 176

HSL 10.91, 0.72%, 0.82%

LAB 80.73, 17.72, 13.53

 

CMYK 0 / 27 / 32 / 2

HEX #F9B7A9

RGB 249 183 169

HSL 10.5, 0.87%, 0.82%

LAB 80.11, 22.07, 16.52

 

CMYK 0 / 8 / 10 / 14

HEX #DCCAC7

RGB 220 202 199

HSL 8.57, 0.23%, 0.82%

LAB 82.69, 5.77, 3.76

 

CMYK 0 / 2 / 3 / 17

HEX #D4CFCE

RGB 212 207 206

HSL 10, 0.07%, 0.82%

LAB 83.48, 1.54, 1.1

 

CMYK 4 / 0 / 0 / 16

HEX #CDD4D5

RGB 205 212 213

HSL 187.5, 0.09%, 0.82%

LAB 84.42, -2.18, -1.33

 

CMYK 11 / 2 / 0 / 13

HEX #C5D9DD

RGB 197 217 221

HSL 190, 0.26%, 0.82%

LAB 85.36, -5.87, -4.25

 

CMYK 17 / 3 / 0 / 11

HEX #BEDDE4

RGB 190 221 228

HSL 191.05, 0.41%, 0.82%

LAB 86.14, -8.73, -6.86

 

CMYK 0 / 10 / 6 / 14

HEX #DCC7CE

RGB 220 199 206

HSL 340, 0.23%, 0.82%

LAB 82.12, 8.55, -0.82

 

CMYK 0 / 10 / 9 / 14

HEX #DCC7C9

RGB 220 199 201

HSL 354.29, 0.23%, 0.82%

LAB 81.99, 7.69, 1.67

 

CMYK 0 / 8 / 10 / 14

HEX #DCCAC7

RGB 220 202 199

HSL 8.57, 0.23%, 0.82%

LAB 82.69, 5.77, 3.76

 

CMYK 0 / 5 / 10 / 14

HEX #DCD0C7

RGB 220 208 199

HSL 25.71, 0.23%, 0.82%

LAB 84.2, 2.62, 5.94

 

CMYK 0 / 3 / 10 / 14

HEX #DCD5C7

RGB 220 213 199

HSL 40, 0.23%, 0.82%

LAB 85.47, 0.01, 7.76

 

CMYK 0 / 18 / 21 / 26

HEX #BC9B94

RGB 188 155 148

HSL 10.5, 0.23%, 0.66%

LAB 66.73, 11.13, 8.26

 

CMYK 0 / 12 / 15 / 20

HEX #CCB3AD

RGB 204 179 173

HSL 11.61, 0.23%, 0.74%

LAB 74.88, 7.98, 6.35

 

CMYK 0 / 8 / 10 / 14

HEX #DCCAC7

RGB 220 202 199

HSL 8.57, 0.23%, 0.82%

LAB 82.69, 5.77, 3.76

 

CMYK 0 / 4 / 5 / 7

HEX #ECE2E0

RGB 236 226 224

HSL 10, 0.24%, 0.9%

LAB 90.6, 3.05, 2.18

 

CMYK 0 / 0 / 1 / 2

HEX #FBFAF9

RGB 251 250 249

HSL 30, 0.2%, 0.98%

LAB 98.32, 0.16, 0.58

 

CMYK 0 / 8 / 10 / 14

HEX #DBC9C5

RGB 219 201 197

HSL 10.91, 0.23%, 0.82%

LAB 82.31, 5.61, 4.26

 

CMYK 4 / 0 / 10 / 14

HEX #D4DCC7

RGB 212 220 199

HSL 82.86, 0.23%, 0.82%

LAB 86.66, -6.41, 9.38

 

CMYK 10 / 8 / 0 / 14

HEX #C7CBDC

RGB 199 203 220

HSL 228.57, 0.23%, 0.82%

LAB 81.85, 1.91, -8.9

 

CMYK 0 / 8 / 10 / 14

HEX #DBC9C5

RGB 219 201 197

HSL 10.91, 0.23%, 0.82%

LAB 82.31, 5.61, 4.26

 

CMYK 10 / 0 / 8 / 14

HEX #C7DCCA

RGB 199 220 202

HSL 128.57, 0.23%, 0.82%

LAB 85.8, -10.35, 6.46

 

CMYK 8 / 10 / 0 / 14

HEX #CAC7DC

RGB 202 199 220

HSL 248.57, 0.23%, 0.82%

LAB 81.06, 5.02, -10.06

 

CMYK 0 / 8 / 10 / 14

HEX #DBC9C5

RGB 219 201 197

HSL 10.91, 0.23%, 0.82%

LAB 82.31, 5.61, 4.26

 

CMYK 4 / 0 / 10 / 14

HEX #D4DCC7

RGB 212 220 199

HSL 82.86, 0.23%, 0.82%

LAB 86.66, -6.41, 9.38

 

CMYK 10 / 2 / 0 / 14

HEX #C7D8DC

RGB 199 216 220

HSL 191.43, 0.23%, 0.82%

LAB 85.21, -4.9, -3.93

 

CMYK 6 / 10 / 0 / 14

HEX #CEC7DC

RGB 206 199 220

HSL 260, 0.23%, 0.82%

LAB 81.37, 6.35, -9.56

 

CMYK 0 / 8 / 10 / 14

HEX #DBC9C5

RGB 219 201 197

HSL 10.91, 0.23%, 0.82%

LAB 82.31, 5.61, 4.26

 

CMYK 6 / 0 / 10 / 14

HEX #CEDCC7

RGB 206 220 199

HSL 100, 0.23%, 0.82%

LAB 86.22, -8.49, 8.7

 

CMYK 10 / 2 / 0 / 14

HEX #C7D8DC

RGB 199 216 220

HSL 191.43, 0.23%, 0.82%

LAB 85.21, -4.9, -3.93

 

CMYK 3 / 10 / 0 / 14

HEX #D5C7DC

RGB 213 199 220

HSL 280, 0.23%, 0.82%

LAB 81.93, 8.68, -8.67

 

Description

Color code: HEX #DBC9C5CE | qconv.com Color code: HEX #DBC9C5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 201 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 201 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 8 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 8% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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