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Color name
HEX #DBC383

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC383 it is the complementary color #243C7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC383. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC383 shade: #E0C37E, #F1D591, #FFE7A4, #FFF9B7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC383. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC383 shade: #DBC383, #CAB170, #B99F5D, #A88D4A and #977B37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC383 shade: #DBC484, #DBAC84, #DB9584 and #DB8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC383 shade: #DBC484, #DBDB84, #C4DB84, #ADDB84 and #95DB84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC383 shade matches the following richer shades: #DBC484, #E8CA78 and #F5CF6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC383 shade: #DBC484, #CFBE91, #C2B89E, #B5B2AB and #A8ACB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC383 shade: #DB9484, #DBAC84, #DBC384, #DBDA84 and #C6DB84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC383 shade: #C9A545, #D2B464, #DBC484, #E5D3A4 and #EEE3C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC383 shade: #DBC383, #8CDB84 and #A084DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC383 shade: #DBC383, #84DBC3 and #C384DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC383 shade: #DBC383, #8CDB84, #849DDB and #D484DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC383 shade: #DBC383, #84DB97, #849DDB and #DB84C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 40 / 14

HEX #DBC383

RGB 219 195 131

HSL 43.64, 0.55%, 0.69%

LAB 79.46, -0.37, 35.25

 

Complementary color

CMYK 71 / 52 / 0 / 51

HEX #243C7C

RGB 36 60 124

HSL 223.64, 0.55%, 0.31%

LAB 26.91, 13.92, -39.19

 

CMYK 0 / 13 / 44 / 12

HEX #E0C37E

RGB 224 195 126

HSL 42.24, 0.61%, 0.69%

LAB 79.83, 1.1, 38.39

 

CMYK 0 / 12 / 40 / 5

HEX #F1D591

RGB 241 213 145

HSL 42.5, 0.77%, 0.76%

LAB 86.17, 0.52, 37.17

 

CMYK 0 / 9 / 36 / 0

HEX #FFE7A4

RGB 255 231 164

HSL 44.18, 1%, 0.82%

LAB 92.17, -1.13, 35.63

 

CMYK 0 / 2 / 28 / 0

HEX #FFF9B7

RGB 255 249 183

HSL 55, 1%, 0.86%

LAB 97, -7.87, 32.48

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 11 / 40 / 14

HEX #DBC383

RGB 219 195 131

HSL 43.64, 0.55%, 0.69%

LAB 79.46, -0.37, 35.25

 

CMYK 0 / 12 / 45 / 21

HEX #CAB170

RGB 202 177 112

HSL 43.33, 0.46%, 0.62%

LAB 73, 0.21, 36.49

 

CMYK 0 / 14 / 50 / 27

HEX #B99F5D

RGB 185 159 93

HSL 43.04, 0.4%, 0.55%

LAB 66.44, 0.9, 37.78

 

CMYK 0 / 16 / 56 / 34

HEX #A88D4A

RGB 168 141 74

HSL 42.77, 0.39%, 0.47%

LAB 59.77, 1.72, 39.1

 

CMYK 0 / 19 / 64 / 41

HEX #977B37

RGB 151 123 55

HSL 42.5, 0.47%, 0.4%

LAB 52.97, 2.73, 40.4

 

CMYK 0 / 11 / 40 / 14

HEX #DBC484

RGB 219 196 132

HSL 44.14, 0.55%, 0.69%

LAB 79.73, -0.78, 35.09

 

CMYK 0 / 21 / 40 / 14

HEX #DBAC84

RGB 219 172 132

HSL 27.59, 0.55%, 0.69%

LAB 73.7, 11.92, 27.14

 

CMYK 0 / 32 / 40 / 14

HEX #DB9584

RGB 219 149 132

HSL 11.72, 0.55%, 0.69%

LAB 68.18, 24.3, 19.68

 

CMYK 0 / 40 / 40 / 14

HEX #DB8484

RGB 219 132 132

HSL 0, 0.55%, 0.69%

LAB 64.35, 33.4, 14.37

 

CMYK 0 / 11 / 40 / 14

HEX #DBC484

RGB 219 196 132

HSL 44.14, 0.55%, 0.69%

LAB 79.73, -0.78, 35.09

 

CMYK 0 / 0 / 40 / 14

HEX #DBDB84

RGB 219 219 132

HSL 60, 0.55%, 0.69%

LAB 85.7, -12.54, 42.73

 

CMYK 11 / 0 / 40 / 14

HEX #C4DB84

RGB 196 219 132

HSL 75.86, 0.55%, 0.69%

LAB 84, -21.41, 40.22

 

CMYK 21 / 0 / 40 / 14

HEX #ADDB84

RGB 173 219 132

HSL 91.72, 0.55%, 0.69%

LAB 82.49, -29.91, 37.99

 

CMYK 32 / 0 / 40 / 14

HEX #95DB84

RGB 149 219 132

HSL 108.28, 0.55%, 0.69%

LAB 81.14, -38.18, 35.97

 

CMYK 0 / 11 / 40 / 14

HEX #DBC484

RGB 219 196 132

HSL 44.14, 0.55%, 0.69%

LAB 79.73, -0.78, 35.09

 

CMYK 0 / 13 / 48 / 9

HEX #E8CA78

RGB 232 202 120

HSL 43.93, 0.71%, 0.69%

LAB 82.25, 0.11, 44.6

 

CMYK 0 / 16 / 56 / 4

HEX #F5CF6B

RGB 245 207 107

HSL 43.48, 0.87%, 0.69%

LAB 84.54, 1.74, 53.92

 

CMYK 0 / 11 / 40 / 14

HEX #DBC484

RGB 219 196 132

HSL 44.14, 0.55%, 0.69%

LAB 79.73, -0.78, 35.09

 

CMYK 0 / 8 / 30 / 19

HEX #CFBE91

RGB 207 190 145

HSL 43.55, 0.39%, 0.69%

LAB 77.36, -0.81, 24.94

 

CMYK 0 / 5 / 19 / 24

HEX #C2B89E

RGB 194 184 158

HSL 43.33, 0.23%, 0.69%

LAB 74.96, -0.77, 14.49

 

CMYK 0 / 2 / 6 / 29

HEX #B5B2AB

RGB 181 178 171

HSL 42, 0.06%, 0.69%

LAB 72.63, -0.21, 3.94

 

CMYK 9 / 7 / 0 / 28

HEX #A8ACB8

RGB 168 172 184

HSL 225, 0.1%, 0.69%

LAB 70.38, 0.97, -6.63

 

CMYK 0 / 32 / 40 / 14

HEX #DB9484

RGB 219 148 132

HSL 11.03, 0.55%, 0.69%

LAB 67.95, 24.84, 19.36

 

CMYK 0 / 21 / 40 / 14

HEX #DBAC84

RGB 219 172 132

HSL 27.59, 0.55%, 0.69%

LAB 73.7, 11.92, 27.14

 

CMYK 0 / 11 / 40 / 14

HEX #DBC384

RGB 219 195 132

HSL 43.45, 0.55%, 0.69%

LAB 79.47, -0.26, 34.75

 

CMYK 0 / 0 / 40 / 14

HEX #DBDA84

RGB 219 218 132

HSL 59.31, 0.55%, 0.69%

LAB 85.44, -12.04, 42.4

 

CMYK 10 / 0 / 40 / 14

HEX #C6DB84

RGB 198 219 132

HSL 74.48, 0.55%, 0.69%

LAB 84.14, -20.65, 40.43

 

CMYK 0 / 18 / 66 / 21

HEX #C9A545

RGB 201 165 69

HSL 43.64, 0.55%, 0.53%

LAB 69.3, 2.67, 53.16

 

CMYK 0 / 14 / 52 / 18

HEX #D2B464

RGB 210 180 100

HSL 43.64, 0.55%, 0.61%

LAB 74.36, 0.8, 44.43

 

CMYK 0 / 11 / 40 / 14

HEX #DBC484

RGB 219 196 132

HSL 44.14, 0.55%, 0.69%

LAB 79.73, -0.78, 35.09

 

CMYK 0 / 8 / 28 / 10

HEX #E5D3A4

RGB 229 211 164

HSL 43.38, 0.56%, 0.77%

LAB 84.96, -0.82, 25.58

 

CMYK 0 / 5 / 18 / 7

HEX #EEE3C4

RGB 238 227 196

HSL 44.29, 0.55%, 0.85%

LAB 90.37, -1.23, 16.49

 

CMYK 0 / 11 / 40 / 14

HEX #DBC383

RGB 219 195 131

HSL 43.64, 0.55%, 0.69%

LAB 79.46, -0.37, 35.25

 

CMYK 36 / 0 / 40 / 14

HEX #8CDB84

RGB 140 219 132

HSL 114.48, 0.55%, 0.69%

LAB 80.69, -41.08, 35.29

 

CMYK 27 / 40 / 0 / 14

HEX #A084DB

RGB 160 132 219

HSL 259.31, 0.55%, 0.69%

LAB 60.86, 28.9, -40.72

 

CMYK 0 / 11 / 40 / 14

HEX #DBC383

RGB 219 195 131

HSL 43.64, 0.55%, 0.69%

LAB 79.46, -0.37, 35.25

 

CMYK 40 / 0 / 11 / 14

HEX #84DBC3

RGB 132 219 195

HSL 163.45, 0.55%, 0.69%

LAB 81.57, -31.74, 3.57

 

CMYK 11 / 40 / 0 / 14

HEX #C384DB

RGB 195 132 219

HSL 283.45, 0.55%, 0.69%

LAB 64.34, 39.16, -35.03

 

CMYK 0 / 11 / 40 / 14

HEX #DBC383

RGB 219 195 131

HSL 43.64, 0.55%, 0.69%

LAB 79.46, -0.37, 35.25

 

CMYK 36 / 0 / 40 / 14

HEX #8CDB84

RGB 140 219 132

HSL 114.48, 0.55%, 0.69%

LAB 80.69, -41.08, 35.29

 

CMYK 40 / 28 / 0 / 14

HEX #849DDB

RGB 132 157 219

HSL 222.76, 0.55%, 0.69%

LAB 65.07, 6.75, -34.3

 

CMYK 3 / 40 / 0 / 14

HEX #D484DB

RGB 212 132 219

HSL 295.17, 0.55%, 0.69%

LAB 66.22, 44.28, -31.95

 

CMYK 0 / 11 / 40 / 14

HEX #DBC383

RGB 219 195 131

HSL 43.64, 0.55%, 0.69%

LAB 79.46, -0.37, 35.25

 

CMYK 40 / 0 / 31 / 14

HEX #84DB97

RGB 132 219 151

HSL 133.1, 0.55%, 0.69%

LAB 80.63, -40.46, 25.42

 

CMYK 40 / 28 / 0 / 14

HEX #849DDB

RGB 132 157 219

HSL 222.76, 0.55%, 0.69%

LAB 65.07, 6.75, -34.3

 

CMYK 0 / 40 / 8 / 14

HEX #DB84C9

RGB 219 132 201

HSL 312.41, 0.55%, 0.69%

LAB 66.35, 43.23, -21.65

 

Description

Color code: HEX #DBC383 | qconv.com Color code: HEX #DBC383 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 195 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 195 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 40 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 40% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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