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Color name
HEX #DBC315

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC315 it is the complementary color #243CEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC315. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC315 shade: #E0C310, #F1D523, #FFE736, #FFF949 and #FFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC315. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC315 shade: #DBC315, #CAB102, #B99F00, #A88D00 and #977B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC315 shade: #DBC314, #DB8E14, #DB5814, #DB2214 and #DB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC315 shade: #DBC314, #BEDB14, #88DB14, #52DB14 and #1DDB14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC315 shade matches the following richer shades: #DBC314 and #EFD201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC315 shade: #DBC314, #C8B528, #B5A63B, #A1974F and #8E8862

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC315 shade: #DB5714, #DB8C14, #DBC114, #C1DB14 and #8CDB14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC315 shade: #90800D, #B6A211, #DBC314, #ECD42D and #EFDC53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC315 shade: #DBC315, #14DB22 and #7114DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC315 shade: #DBC315, #14DBC1 and #C114DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC315 shade: #DBC315, #14DB22, #142FDB and #DB14CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC315 shade: #DBC315, #14DB5D, #142FDB and #DB1492

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 90 / 14

HEX #DBC315

RGB 219 195 21

HSL 52.73, 0.83%, 0.47%

LAB 78.55, -6.98, 77.25

 

Complementary color

CMYK 85 / 74 / 0 / 8

HEX #243CEA

RGB 36 60 234

HSL 232.73, 0.83%, 0.53%

LAB 37.02, 54.26, -88.14

 

CMYK 0 / 13 / 93 / 12

HEX #E0C310

RGB 224 195 16

HSL 51.63, 0.87%, 0.47%

LAB 78.99, -4.88, 78.52

 

CMYK 0 / 12 / 85 / 5

HEX #F1D523

RGB 241 213 35

HSL 51.84, 0.88%, 0.54%

LAB 85.21, -6.42, 80.71

 

CMYK 0 / 9 / 79 / 0

HEX #FFE736

RGB 255 231 54

HSL 52.84, 1%, 0.61%

LAB 91.09, -9.02, 81.43

 

CMYK 0 / 2 / 71 / 0

HEX #FFF949

RGB 255 249 73

HSL 58.02, 1%, 0.64%

LAB 95.79, -17.11, 79.89

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 11 / 90 / 14

HEX #DBC315

RGB 219 195 21

HSL 52.73, 0.83%, 0.47%

LAB 78.55, -6.98, 77.25

 

CMYK 0 / 12 / 99 / 21

HEX #CAB102

RGB 202 177 2

HSL 52.5, 0.98%, 0.4%

LAB 72.23, -5.33, 74.21

 

CMYK 0 / 14 / 100 / 27

HEX #B99F00

RGB 185 159 0

HSL 51.57, 1%, 0.36%

LAB 65.83, -3.44, 69.15

 

CMYK 0 / 16 / 100 / 34

HEX #A88D00

RGB 168 141 0

HSL 50.36, 1%, 0.33%

LAB 59.32, -1.44, 63.76

 

CMYK 0 / 19 / 100 / 41

HEX #977B00

RGB 151 123 0

HSL 48.87, 1%, 0.3%

LAB 52.67, 0.64, 58.27

 

CMYK 0 / 11 / 91 / 14

HEX #DBC314

RGB 219 195 20

HSL 52.76, 0.83%, 0.47%

LAB 78.54, -6.99, 77.41

 

CMYK 0 / 35 / 91 / 14

HEX #DB8E14

RGB 219 142 20

HSL 36.78, 0.83%, 0.47%

LAB 65.32, 21.05, 67.39

 

CMYK 0 / 60 / 91 / 14

HEX #DB5814

RGB 219 88 20

HSL 20.5, 0.83%, 0.47%

LAB 54.12, 48.56, 59.21

 

CMYK 0 / 84 / 91 / 14

HEX #DB2214

RGB 219 34 20

HSL 4.22, 0.83%, 0.47%

LAB 47.31, 67.22, 54.49

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 11 / 91 / 14

HEX #DBC314

RGB 219 195 20

HSL 52.76, 0.83%, 0.47%

LAB 78.54, -6.99, 77.41

 

CMYK 13 / 0 / 91 / 14

HEX #BEDB14

RGB 190 219 20

HSL 68.74, 0.83%, 0.47%

LAB 82.73, -31.05, 79.69

 

CMYK 38 / 0 / 91 / 14

HEX #88DB14

RGB 136 219 20

HSL 85.03, 0.83%, 0.47%

LAB 79.58, -51.54, 75.83

 

CMYK 63 / 0 / 91 / 14

HEX #52DB14

RGB 82 219 20

HSL 101.31, 0.83%, 0.47%

LAB 77.58, -67.01, 73.36

 

CMYK 87 / 0 / 91 / 14

HEX #1DDB14

RGB 29 219 20

HSL 117.29, 0.83%, 0.47%

LAB 76.66, -74.99, 72.22

 

CMYK 0 / 11 / 91 / 14

HEX #DBC314

RGB 219 195 20

HSL 52.76, 0.83%, 0.47%

LAB 78.54, -6.99, 77.41

 

CMYK 0 / 12 / 100 / 6

HEX #EFD201

RGB 239 210 1

HSL 52.69, 0.99%, 0.47%

LAB 84.2, -6.21, 84.43

 

CMYK 0 / 11 / 91 / 14

HEX #DBC314

RGB 219 195 20

HSL 52.76, 0.83%, 0.47%

LAB 78.54, -6.99, 77.41

 

CMYK 0 / 10 / 80 / 22

HEX #C8B528

RGB 200 181 40

HSL 52.88, 0.67%, 0.47%

LAB 73.21, -7.56, 67.86

 

CMYK 0 / 8 / 67 / 29

HEX #B5A63B

RGB 181 166 59

HSL 52.62, 0.51%, 0.47%

LAB 67.58, -7.16, 55.11

 

CMYK 0 / 6 / 51 / 37

HEX #A1974F

RGB 161 151 79

HSL 52.68, 0.34%, 0.47%

LAB 61.89, -6.34, 38.92

 

CMYK 0 / 4 / 31 / 44

HEX #8E8862

RGB 142 136 98

HSL 51.82, 0.18%, 0.47%

LAB 56.33, -4, 21.26

 

CMYK 0 / 60 / 91 / 14

HEX #DB5714

RGB 219 87 20

HSL 20.2, 0.83%, 0.47%

LAB 53.95, 49.02, 59.09

 

CMYK 0 / 36 / 91 / 14

HEX #DB8C14

RGB 219 140 20

HSL 36.18, 0.83%, 0.47%

LAB 64.86, 22.13, 67.04

 

CMYK 0 / 12 / 91 / 14

HEX #DBC114

RGB 219 193 20

HSL 52.16, 0.83%, 0.47%

LAB 78.02, -5.97, 77.01

 

CMYK 12 / 0 / 91 / 14

HEX #C1DB14

RGB 193 219 20

HSL 67.84, 0.83%, 0.47%

LAB 82.94, -29.82, 79.94

 

CMYK 36 / 0 / 91 / 14

HEX #8CDB14

RGB 140 219 20

HSL 83.82, 0.83%, 0.47%

LAB 79.78, -50.16, 76.07

 

CMYK 0 / 11 / 91 / 44

HEX #90800D

RGB 144 128 13

HSL 52.67, 0.83%, 0.31%

LAB 53.38, -5.2, 56.07

 

CMYK 0 / 11 / 91 / 29

HEX #B6A211

RGB 182 162 17

HSL 52.73, 0.83%, 0.39%

LAB 66.39, -6.15, 67.04

 

CMYK 0 / 11 / 91 / 14

HEX #DBC314

RGB 219 195 20

HSL 52.76, 0.83%, 0.47%

LAB 78.54, -6.99, 77.41

 

CMYK 0 / 10 / 81 / 7

HEX #ECD42D

RGB 236 212 45

HSL 52.46, 0.83%, 0.55%

LAB 84.54, -7.78, 77.56

 

CMYK 0 / 8 / 65 / 6

HEX #EFDC53

RGB 239 220 83

HSL 52.69, 0.83%, 0.63%

LAB 87.08, -8.92, 67.11

 

CMYK 0 / 11 / 90 / 14

HEX #DBC315

RGB 219 195 21

HSL 52.73, 0.83%, 0.47%

LAB 78.55, -6.98, 77.25

 

CMYK 91 / 0 / 84 / 14

HEX #14DB22

RGB 20 219 34

HSL 124.22, 0.83%, 0.47%

LAB 76.63, -75.09, 69.55

 

CMYK 48 / 91 / 0 / 14

HEX #7114DB

RGB 113 20 219

HSL 268.04, 0.83%, 0.47%

LAB 36.22, 71.52, -80.69

 

CMYK 0 / 11 / 90 / 14

HEX #DBC315

RGB 219 195 21

HSL 52.73, 0.83%, 0.47%

LAB 78.55, -6.98, 77.25

 

CMYK 91 / 0 / 12 / 14

HEX #14DBC1

RGB 20 219 193

HSL 172.16, 0.83%, 0.47%

LAB 78.85, -49.6, 0.34

 

CMYK 12 / 91 / 0 / 14

HEX #C114DB

RGB 193 20 219

HSL 292.16, 0.83%, 0.47%

LAB 48.2, 81.76, -60.64

 

CMYK 0 / 11 / 90 / 14

HEX #DBC315

RGB 219 195 21

HSL 52.73, 0.83%, 0.47%

LAB 78.55, -6.98, 77.25

 

CMYK 91 / 0 / 84 / 14

HEX #14DB22

RGB 20 219 34

HSL 124.22, 0.83%, 0.47%

LAB 76.63, -75.09, 69.55

 

CMYK 91 / 79 / 0 / 14

HEX #142FDB

RGB 20 47 219

HSL 231.86, 0.83%, 0.47%

LAB 32.47, 55.7, -87.12

 

CMYK 0 / 91 / 6 / 14

HEX #DB14CE

RGB 219 20 206

HSL 303.92, 0.83%, 0.47%

LAB 51.86, 84.09, -47.08

 

CMYK 0 / 11 / 90 / 14

HEX #DBC315

RGB 219 195 21

HSL 52.73, 0.83%, 0.47%

LAB 78.55, -6.98, 77.25

 

CMYK 91 / 0 / 58 / 14

HEX #14DB5D

RGB 20 219 93

HSL 142.01, 0.83%, 0.47%

LAB 77.04, -69.96, 48.93

 

CMYK 91 / 79 / 0 / 14

HEX #142FDB

RGB 20 47 219

HSL 231.86, 0.83%, 0.47%

LAB 32.47, 55.7, -87.12

 

CMYK 0 / 91 / 33 / 14

HEX #DB1492

RGB 219 20 146

HSL 322.01, 0.83%, 0.47%

LAB 49.05, 76.8, -16.18

 

Description

Color code: HEX #DBC315 | qconv.com Color code: HEX #DBC315 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 195 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 195 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 90% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - products
Link: http://www.cytoskeleton.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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