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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC2B6 it is the complementary color #243D49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC2B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC2B6 shade: #E0C2B1, #F1D4C4, #FFE6D7, #FFF8EA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC2B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC2B6 shade: #DBC2B6, #CAB0A3, #B99E90, #A88C7D and #977A6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC2B6 shade: #DCC3B7, #DCB9B7 and #DCB7B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC2B6 shade: #DCC3B7, #DCCDB7, #DCD7B7, #D7DCB7 and #CDDCB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC2B6 shade matches the following richer shades: #DCC3B7, #E4C0AF, #EDBDA6, #F6BA9D and #FEB795

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC2B6 shade: #DCC3B7, #D3C6C0, #CAC9C9, #C2CCD1 and #B9CFDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC2B6 shade: #DCB7BF, #DCB9B7, #DCC3B7, #DCCCB7 and #DCD6B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC2B6 shade: #C09580, #CEAC9C, #DCC3B7, #E9DAD3 and #F7F1EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC2B6 shade: #DBC2B6, #C9DCB7 and #B7BADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC2B6 shade: #DBC2B6, #B7DCC3 and #C3B7DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC2B6 shade: #DBC2B6, #C9DCB7, #B7D0DC and #CAB7DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC2B6 shade: #DBC2B6, #BEDCB7, #B7D0DC and #D5B7DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 17 / 14

HEX #DBC2B6

RGB 219 194 182

HSL 19.46, 0.34%, 0.79%

LAB 80.19, 6.9, 9.26

 

Complementary color

CMYK 51 / 16 / 0 / 71

HEX #243D49

RGB 36 61 73

HSL 199.46, 0.34%, 0.21%

LAB 24.3, -5.81, -10.34

 

CMYK 0 / 13 / 21 / 12

HEX #E0C2B1

RGB 224 194 177

HSL 21.7, 0.43%, 0.79%

LAB 80.52, 7.99, 12.46

 

CMYK 0 / 12 / 19 / 5

HEX #F1D4C4

RGB 241 212 196

HSL 21.33, 0.62%, 0.86%

LAB 86.89, 7.59, 11.61

 

CMYK 0 / 10 / 16 / 0

HEX #FFE6D7

RGB 255 230 215

HSL 22.5, 1%, 0.92%

LAB 92.91, 6.17, 10.4

 

CMYK 0 / 3 / 8 / 0

HEX #FFF8EA

RGB 255 248 234

HSL 40, 1%, 0.96%

LAB 97.77, -0.01, 7.54

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 11 / 17 / 14

HEX #DBC2B6

RGB 219 194 182

HSL 19.46, 0.34%, 0.79%

LAB 80.19, 6.9, 9.26

 

CMYK 0 / 13 / 19 / 21

HEX #CAB0A3

RGB 202 176 163

HSL 20, 0.27%, 0.72%

LAB 73.71, 7.29, 10.1

 

CMYK 0 / 15 / 22 / 27

HEX #B99E90

RGB 185 158 144

HSL 20.49, 0.23%, 0.65%

LAB 67.11, 7.72, 10.99

 

CMYK 0 / 17 / 26 / 34

HEX #A88C7D

RGB 168 140 125

HSL 20.93, 0.2%, 0.57%

LAB 60.39, 8.21, 11.96

 

CMYK 0 / 19 / 30 / 41

HEX #977A6A

RGB 151 122 106

HSL 21.33, 0.18%, 0.5%

LAB 53.53, 8.78, 13.01

 

CMYK 0 / 11 / 17 / 14

HEX #DCC3B7

RGB 220 195 183

HSL 19.46, 0.35%, 0.79%

LAB 80.55, 6.89, 9.25

 

CMYK 0 / 16 / 17 / 14

HEX #DCB9B7

RGB 220 185 183

HSL 3.24, 0.35%, 0.79%

LAB 78.07, 12.21, 5.69

 

CMYK 0 / 17 / 17 / 14

HEX #DCB7B7

RGB 220 183 183

HSL 0, 0.35%, 0.79%

LAB 77.58, 13.29, 4.98

 

CMYK 0 / 11 / 17 / 14

HEX #DCC3B7

RGB 220 195 183

HSL 19.46, 0.35%, 0.79%

LAB 80.55, 6.89, 9.25

 

CMYK 0 / 7 / 17 / 14

HEX #DCCDB7

RGB 220 205 183

HSL 35.68, 0.35%, 0.79%

LAB 83.07, 1.63, 12.83

 

CMYK 0 / 2 / 17 / 14

HEX #DCD7B7

RGB 220 215 183

HSL 51.89, 0.35%, 0.79%

LAB 85.62, -3.55, 16.42

 

CMYK 2 / 0 / 17 / 14

HEX #D7DCB7

RGB 215 220 183

HSL 68.11, 0.35%, 0.79%

LAB 86.53, -7.92, 17.64

 

CMYK 7 / 0 / 17 / 14

HEX #CDDCB7

RGB 205 220 183

HSL 84.32, 0.35%, 0.79%

LAB 85.8, -11.5, 16.51

 

CMYK 0 / 11 / 17 / 14

HEX #DCC3B7

RGB 220 195 183

HSL 19.46, 0.35%, 0.79%

LAB 80.55, 6.89, 9.25

 

CMYK 0 / 16 / 23 / 11

HEX #E4C0AF

RGB 228 192 175

HSL 19.25, 0.5%, 0.79%

LAB 80.34, 10.25, 13.34

 

CMYK 0 / 20 / 30 / 7

HEX #EDBDA6

RGB 237 189 166

HSL 19.44, 0.66%, 0.79%

LAB 80.27, 13.99, 18.17

 

CMYK 0 / 24 / 36 / 4

HEX #F6BA9D

RGB 246 186 157

HSL 19.55, 0.83%, 0.79%

LAB 80.26, 17.9, 23.11

 

CMYK 0 / 28 / 41 / 0

HEX #FEB795

RGB 254 183 149

HSL 19.43, 0.98%, 0.79%

LAB 80.24, 21.66, 27.48

 

CMYK 0 / 11 / 17 / 14

HEX #DCC3B7

RGB 220 195 183

HSL 19.46, 0.35%, 0.79%

LAB 80.55, 6.89, 9.25

 

CMYK 0 / 6 / 9 / 17

HEX #D3C6C0

RGB 211 198 192

HSL 18.95, 0.18%, 0.79%

LAB 80.76, 3.51, 4.62

 

CMYK 0 / 0 / 0 / 21

HEX #CAC9C9

RGB 202 201 201

HSL 0, 0.01%, 0.79%

LAB 81.04, 0.35, 0.11

 

CMYK 7 / 2 / 0 / 18

HEX #C2CCD1

RGB 194 204 209

HSL 200, 0.14%, 0.79%

LAB 81.43, -2.43, -3.67

 

CMYK 15 / 5 / 0 / 15

HEX #B9CFDA

RGB 185 207 218

HSL 200, 0.31%, 0.79%

LAB 81.84, -5.13, -7.95

 

CMYK 0 / 17 / 13 / 14

HEX #DCB7BF

RGB 220 183 191

HSL 347.03, 0.35%, 0.79%

LAB 77.78, 14.56, 0.93

 

CMYK 0 / 16 / 17 / 14

HEX #DCB9B7

RGB 220 185 183

HSL 3.24, 0.35%, 0.79%

LAB 78.07, 12.21, 5.69

 

CMYK 0 / 11 / 17 / 14

HEX #DCC3B7

RGB 220 195 183

HSL 19.46, 0.35%, 0.79%

LAB 80.55, 6.89, 9.25

 

CMYK 0 / 7 / 17 / 14

HEX #DCCCB7

RGB 220 204 183

HSL 34.05, 0.35%, 0.79%

LAB 82.82, 2.16, 12.47

 

CMYK 0 / 3 / 17 / 14

HEX #DCD6B7

RGB 220 214 183

HSL 50.27, 0.35%, 0.79%

LAB 85.37, -3.04, 16.06

 

CMYK 0 / 22 / 33 / 25

HEX #C09580

RGB 192 149 128

HSL 19.69, 0.34%, 0.63%

LAB 65.17, 13.17, 17.29

 

CMYK 0 / 17 / 24 / 19

HEX #CEAC9C

RGB 206 172 156

HSL 19.2, 0.34%, 0.71%

LAB 72.91, 9.92, 12.84

 

CMYK 0 / 11 / 17 / 14

HEX #DCC3B7

RGB 220 195 183

HSL 19.46, 0.35%, 0.79%

LAB 80.55, 6.89, 9.25

 

CMYK 0 / 6 / 9 / 9

HEX #E9DAD3

RGB 233 218 211

HSL 19.09, 0.33%, 0.87%

LAB 88.05, 3.97, 5.28

 

CMYK 0 / 2 / 3 / 3

HEX #F7F1EF

RGB 247 241 239

HSL 15, 0.33%, 0.95%

LAB 95.55, 1.66, 1.66

 

CMYK 0 / 11 / 17 / 14

HEX #DBC2B6

RGB 219 194 182

HSL 19.46, 0.34%, 0.79%

LAB 80.19, 6.9, 9.26

 

CMYK 9 / 0 / 17 / 14

HEX #C9DCB7

RGB 201 220 183

HSL 90.81, 0.35%, 0.79%

LAB 85.52, -12.91, 16.07

 

CMYK 17 / 15 / 0 / 14

HEX #B7BADC

RGB 183 186 220

HSL 235.14, 0.35%, 0.79%

LAB 76.29, 5.86, -17.36

 

CMYK 0 / 11 / 17 / 14

HEX #DBC2B6

RGB 219 194 182

HSL 19.46, 0.34%, 0.79%

LAB 80.19, 6.9, 9.26

 

CMYK 17 / 0 / 11 / 14

HEX #B7DCC3

RGB 183 220 195

HSL 139.46, 0.35%, 0.79%

LAB 84.58, -16.96, 8.26

 

CMYK 11 / 17 / 0 / 14

HEX #C3B7DC

RGB 195 183 220

HSL 259.46, 0.35%, 0.79%

LAB 76.46, 11.35, -17

 

CMYK 0 / 11 / 17 / 14

HEX #DBC2B6

RGB 219 194 182

HSL 19.46, 0.34%, 0.79%

LAB 80.19, 6.9, 9.26

 

CMYK 9 / 0 / 17 / 14

HEX #C9DCB7

RGB 201 220 183

HSL 90.81, 0.35%, 0.79%

LAB 85.52, -12.91, 16.07

 

CMYK 17 / 5 / 0 / 14

HEX #B7D0DC

RGB 183 208 220

HSL 199.46, 0.35%, 0.79%

LAB 82.03, -5.86, -8.76

 

CMYK 8 / 17 / 0 / 14

HEX #CAB7DC

RGB 202 183 220

HSL 270.81, 0.35%, 0.79%

LAB 77.04, 13.63, -16.08

 

CMYK 0 / 11 / 17 / 14

HEX #DBC2B6

RGB 219 194 182

HSL 19.46, 0.34%, 0.79%

LAB 80.19, 6.9, 9.26

 

CMYK 14 / 0 / 17 / 14

HEX #BEDCB7

RGB 190 220 183

HSL 108.65, 0.35%, 0.79%

LAB 84.77, -16.74, 14.91

 

CMYK 17 / 5 / 0 / 14

HEX #B7D0DC

RGB 183 208 220

HSL 199.46, 0.35%, 0.79%

LAB 82.03, -5.86, -8.76

 

CMYK 3 / 17 / 0 / 14

HEX #D5B7DC

RGB 213 183 220

HSL 288.65, 0.35%, 0.79%

LAB 77.98, 17.27, -14.56

 

Description

Color code: HEX #DBC2B6 | qconv.com Color code: HEX #DBC2B6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 194 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 194 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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