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Color name
HEX #DBC138

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC138 it is the complementary color #243EC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC138 shade: #E0C133, #F1D346, #FFE559, #FFF76C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC138 shade: #DBC138, #CAAF25, #B99D12, #A88B00 and #977900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC138 shade: #DBC139, #DB9539, #DB6A39, #DB3E39 and #DB3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC138 shade: #DBC139, #C9DB39, #9DDB39, #71DB39 and #46DB39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC138 shade matches the following richer shades: #DBC139 and #EECE26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC138 shade: #DBC139, #C8B44C, #B5A75F, #A29A72 and #8F8D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC138 shade: #DB6939, #DB9439, #DBC039, #CADB39 and #9FDB39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC138 shade: #A38E1E, #C6AC24, #DBC139, #E1CC5C and #E7D77E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC138 shade: #DBC138, #39DB3E and #7F39DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC138 shade: #DBC138, #39DBC0 and #C039DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC138 shade: #DBC138, #39DB3E, #3954DB and #DB39D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC138 shade: #DBC138, #39DB6F, #3954DB and #DB39A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 74 / 14

HEX #DBC138

RGB 219 193 56

HSL 50.43, 0.69%, 0.54%

LAB 78.16, -4.95, 67.86

 

Complementary color

CMYK 82 / 69 / 0 / 22

HEX #243EC7

RGB 36 62 199

HSL 230.43, 0.69%, 0.46%

LAB 33.87, 41.08, -73.2

 

CMYK 0 / 14 / 77 / 12

HEX #E0C133

RGB 224 193 51

HSL 49.25, 0.74%, 0.54%

LAB 78.59, -3.01, 70.11

 

CMYK 0 / 12 / 71 / 5

HEX #F1D346

RGB 241 211 70

HSL 49.47, 0.86%, 0.61%

LAB 84.86, -4.22, 69.95

 

CMYK 0 / 10 / 65 / 0

HEX #FFE559

RGB 255 229 89

HSL 50.6, 1%, 0.67%

LAB 90.79, -6.49, 69

 

CMYK 0 / 3 / 58 / 0

HEX #FFF76C

RGB 255 247 108

HSL 56.73, 1%, 0.71%

LAB 95.52, -14.18, 66.21

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 12 / 74 / 14

HEX #DBC138

RGB 219 193 56

HSL 50.43, 0.69%, 0.54%

LAB 78.16, -4.95, 67.86

 

CMYK 0 / 13 / 82 / 21

HEX #CAAF25

RGB 202 175 37

HSL 50.18, 0.69%, 0.47%

LAB 71.79, -3.65, 67.57

 

CMYK 0 / 15 / 90 / 27

HEX #B99D12

RGB 185 157 18

HSL 49.94, 0.82%, 0.4%

LAB 65.34, -2.12, 66.17

 

CMYK 0 / 17 / 100 / 34

HEX #A88B00

RGB 168 139 0

HSL 49.64, 1%, 0.33%

LAB 58.78, -0.35, 63.38

 

CMYK 0 / 20 / 100 / 41

HEX #977900

RGB 151 121 0

HSL 48.08, 1%, 0.3%

LAB 52.12, 1.76, 57.89

 

CMYK 0 / 12 / 74 / 14

HEX #DBC139

RGB 219 193 57

HSL 50.37, 0.69%, 0.54%

LAB 78.17, -4.91, 67.51

 

CMYK 0 / 32 / 74 / 14

HEX #DB9539

RGB 219 149 57

HSL 34.07, 0.69%, 0.54%

LAB 67.16, 18.4, 56.79

 

CMYK 0 / 52 / 74 / 14

HEX #DB6A39

RGB 219 106 57

HSL 18.15, 0.69%, 0.54%

LAB 57.72, 41, 47.08

 

CMYK 0 / 72 / 74 / 14

HEX #DB3E39

RGB 219 62 57

HSL 1.85, 0.69%, 0.54%

LAB 50.45, 60.22, 39.19

 

CMYK 0 / 74 / 74 / 14

HEX #DB3939

RGB 219 57 57

HSL 0, 0.69%, 0.54%

LAB 49.84, 61.93, 38.5

 

CMYK 0 / 12 / 74 / 14

HEX #DBC139

RGB 219 193 57

HSL 50.37, 0.69%, 0.54%

LAB 78.17, -4.91, 67.51

 

CMYK 8 / 0 / 74 / 14

HEX #C9DB39

RGB 201 219 57

HSL 66.67, 0.69%, 0.54%

LAB 83.64, -25.43, 72.16

 

CMYK 28 / 0 / 74 / 14

HEX #9DDB39

RGB 157 219 57

HSL 82.96, 0.69%, 0.54%

LAB 80.81, -42.67, 68.47

 

CMYK 48 / 0 / 74 / 14

HEX #71DB39

RGB 113 219 57

HSL 99.26, 0.69%, 0.54%

LAB 78.73, -57.34, 65.74

 

CMYK 68 / 0 / 74 / 14

HEX #46DB39

RGB 70 219 57

HSL 115.19, 0.69%, 0.54%

LAB 77.44, -67.71, 64.02

 

CMYK 0 / 12 / 74 / 14

HEX #DBC139

RGB 219 193 57

HSL 50.37, 0.69%, 0.54%

LAB 78.17, -4.91, 67.51

 

CMYK 0 / 13 / 84 / 7

HEX #EECE26

RGB 238 206 38

HSL 50.4, 0.85%, 0.54%

LAB 83.16, -4.08, 78.24

 

CMYK 0 / 12 / 74 / 14

HEX #DBC139

RGB 219 193 57

HSL 50.37, 0.69%, 0.54%

LAB 78.17, -4.91, 67.51

 

CMYK 0 / 10 / 62 / 22

HEX #C8B44C

RGB 200 180 76

HSL 50.32, 0.53%, 0.54%

LAB 73.18, -5.26, 54.22

 

CMYK 0 / 8 / 48 / 29

HEX #B5A75F

RGB 181 167 95

HSL 50.23, 0.37%, 0.54%

LAB 68.23, -4.89, 38.87

 

CMYK 0 / 5 / 30 / 36

HEX #A29A72

RGB 162 154 114

HSL 50, 0.21%, 0.54%

LAB 63.35, -3.52, 22.1

 

CMYK 0 / 1 / 7 / 44

HEX #8F8D85

RGB 143 141 133

HSL 48, 0.04%, 0.54%

LAB 58.59, -0.77, 4.52

 

CMYK 0 / 52 / 74 / 14

HEX #DB6939

RGB 219 105 57

HSL 17.78, 0.69%, 0.54%

LAB 57.52, 41.5, 46.87

 

CMYK 0 / 32 / 74 / 14

HEX #DB9439

RGB 219 148 57

HSL 33.7, 0.69%, 0.54%

LAB 66.93, 18.94, 56.55

 

CMYK 0 / 12 / 74 / 14

HEX #DBC039

RGB 219 192 57

HSL 50, 0.69%, 0.54%

LAB 77.91, -4.4, 67.26

 

CMYK 8 / 0 / 74 / 14

HEX #CADB39

RGB 202 219 57

HSL 66.3, 0.69%, 0.54%

LAB 83.71, -25.02, 72.26

 

CMYK 27 / 0 / 74 / 14

HEX #9FDB39

RGB 159 219 57

HSL 82.22, 0.69%, 0.54%

LAB 80.92, -41.93, 68.62

 

CMYK 0 / 13 / 82 / 36

HEX #A38E1E

RGB 163 142 30

HSL 50.53, 0.69%, 0.38%

LAB 59.18, -3.66, 57.23

 

CMYK 0 / 13 / 82 / 22

HEX #C6AC24

RGB 198 172 36

HSL 50.37, 0.69%, 0.46%

LAB 70.62, -3.86, 66.7

 

CMYK 0 / 12 / 74 / 14

HEX #DBC139

RGB 219 193 57

HSL 50.37, 0.69%, 0.54%

LAB 78.17, -4.91, 67.51

 

CMYK 0 / 9 / 59 / 12

HEX #E1CC5C

RGB 225 204 92

HSL 50.53, 0.69%, 0.62%

LAB 81.82, -6.05, 57.24

 

CMYK 0 / 7 / 45 / 9

HEX #E7D77E

RGB 231 215 126

HSL 50.86, 0.69%, 0.7%

LAB 85.55, -6.39, 45.71

 

CMYK 0 / 12 / 74 / 14

HEX #DBC138

RGB 219 193 56

HSL 50.43, 0.69%, 0.54%

LAB 78.16, -4.95, 67.86

 

CMYK 74 / 0 / 72 / 14

HEX #39DB3E

RGB 57 219 62

HSL 121.85, 0.69%, 0.54%

LAB 77.21, -69.51, 61.97

 

CMYK 42 / 74 / 0 / 14

HEX #7F39DB

RGB 127 57 219

HSL 265.93, 0.69%, 0.54%

LAB 42.08, 61.23, -71

 

CMYK 0 / 12 / 74 / 14

HEX #DBC138

RGB 219 193 56

HSL 50.43, 0.69%, 0.54%

LAB 78.16, -4.95, 67.86

 

CMYK 74 / 0 / 12 / 14

HEX #39DBC0

RGB 57 219 192

HSL 170, 0.69%, 0.54%

LAB 79.24, -46.96, 1.49

 

CMYK 12 / 74 / 0 / 14

HEX #C039DB

RGB 192 57 219

HSL 290, 0.69%, 0.54%

LAB 50.98, 73.04, -56.18

 

CMYK 0 / 12 / 74 / 14

HEX #DBC138

RGB 219 193 56

HSL 50.43, 0.69%, 0.54%

LAB 78.16, -4.95, 67.86

 

CMYK 74 / 0 / 72 / 14

HEX #39DB3E

RGB 57 219 62

HSL 121.85, 0.69%, 0.54%

LAB 77.21, -69.51, 61.97

 

CMYK 74 / 62 / 0 / 14

HEX #3954DB

RGB 57 84 219

HSL 230, 0.69%, 0.54%

LAB 41.73, 36.4, -71.81

 

CMYK 0 / 74 / 3 / 14

HEX #DB39D5

RGB 219 57 213

HSL 302.22, 0.69%, 0.54%

LAB 54.86, 77.49, -46.32

 

CMYK 0 / 12 / 74 / 14

HEX #DBC138

RGB 219 193 56

HSL 50.43, 0.69%, 0.54%

LAB 78.16, -4.95, 67.86

 

CMYK 74 / 0 / 49 / 14

HEX #39DB6F

RGB 57 219 111

HSL 140, 0.69%, 0.54%

LAB 77.69, -63.81, 41.34

 

CMYK 74 / 62 / 0 / 14

HEX #3954DB

RGB 57 84 219

HSL 230, 0.69%, 0.54%

LAB 41.73, 36.4, -71.81

 

CMYK 0 / 74 / 25 / 14

HEX #DB39A5

RGB 219 57 165

HSL 320, 0.69%, 0.54%

LAB 52.62, 70.83, -22.02

 

Description

Color code: HEX #DBC138 | qconv.com Color code: HEX #DBC138 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 193 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 193 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 74 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 74% 14% C M Y K

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Provide designers and agencies with accurate color values.

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