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Color name
HEX #DBC086

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC086 it is the complementary color #243F79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC086. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC086 shade: #E0C081, #F1D294, #FFE4A7, #FFF6BA and #FFFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC086. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC086 shade: #DBC086, #CAAE73, #B99C60, #A88A4D and #97783A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC086 shade: #DBC085, #DBA885, #DB9185 and #DB8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC086 shade: #DBC085, #DBD785, #C8DB85, #B1DB85 and #9ADB85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC086 shade matches the following richer shades: #DBC085, #E7C478 and #F4C96C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC086 shade: #DBC085, #CEBB92, #C1B69F, #B4B2AC and #A7ADB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC086 shade: #DB9185, #DBA785, #DBBE85, #DBD585 and #CADB85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC086 shade: #C89E46, #D1AF65, #DBC085, #E4D0A5 and #EEE1C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC086 shade: #DBC086, #91DB85 and #9C85DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC086 shade: #DBC086, #85DBBE and #BE85DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC086 shade: #DBC086, #91DB85, #85A2DB and #CF85DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC086 shade: #DBC086, #85DB93, #85A2DB and #DB85CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 39 / 14

HEX #DBC086

RGB 219 192 134

HSL 40.94, 0.54%, 0.69%

LAB 78.74, 1.53, 32.76

 

Complementary color

CMYK 70 / 48 / 0 / 53

HEX #243F79

RGB 36 63 121

HSL 220.94, 0.54%, 0.31%

LAB 27.6, 10.66, -36.19

 

CMYK 0 / 14 / 42 / 12

HEX #E0C081

RGB 224 192 129

HSL 39.79, 0.61%, 0.69%

LAB 79.12, 2.98, 35.93

 

CMYK 0 / 13 / 39 / 5

HEX #F1D294

RGB 241 210 148

HSL 40, 0.77%, 0.76%

LAB 85.47, 2.39, 34.72

 

CMYK 0 / 11 / 35 / 0

HEX #FFE4A7

RGB 255 228 167

HSL 41.59, 1%, 0.83%

LAB 91.48, 0.74, 33.19

 

CMYK 0 / 4 / 27 / 0

HEX #FFF6BA

RGB 255 246 186

HSL 52.17, 1%, 0.86%

LAB 96.29, -6, 30.02

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 12 / 39 / 14

HEX #DBC086

RGB 219 192 134

HSL 40.94, 0.54%, 0.69%

LAB 78.74, 1.53, 32.76

 

CMYK 0 / 14 / 43 / 21

HEX #CAAE73

RGB 202 174 115

HSL 40.69, 0.45%, 0.62%

LAB 72.27, 2.12, 33.99

 

CMYK 0 / 16 / 48 / 27

HEX #B99C60

RGB 185 156 96

HSL 40.45, 0.39%, 0.55%

LAB 65.7, 2.81, 35.28

 

CMYK 0 / 18 / 54 / 34

HEX #A88A4D

RGB 168 138 77

HSL 40.22, 0.37%, 0.48%

LAB 59.01, 3.64, 36.63

 

CMYK 0 / 21 / 62 / 41

HEX #97783A

RGB 151 120 58

HSL 40, 0.44%, 0.41%

LAB 52.19, 4.65, 38

 

CMYK 0 / 12 / 39 / 14

HEX #DBC085

RGB 219 192 133

HSL 41.16, 0.54%, 0.69%

LAB 78.73, 1.42, 33.26

 

CMYK 0 / 23 / 39 / 14

HEX #DBA885

RGB 219 168 133

HSL 24.42, 0.54%, 0.69%

LAB 72.73, 14.18, 25.31

 

CMYK 0 / 34 / 39 / 14

HEX #DB9185

RGB 219 145 133

HSL 8.37, 0.54%, 0.69%

LAB 67.28, 26.57, 17.88

 

CMYK 0 / 39 / 39 / 14

HEX #DB8585

RGB 219 133 133

HSL 0, 0.54%, 0.69%

LAB 64.59, 32.98, 14.14

 

CMYK 0 / 12 / 39 / 14

HEX #DBC085

RGB 219 192 133

HSL 41.16, 0.54%, 0.69%

LAB 78.73, 1.42, 33.26

 

CMYK 0 / 2 / 39 / 14

HEX #DBD785

RGB 219 215 133

HSL 57.21, 0.54%, 0.69%

LAB 84.67, -10.42, 40.92

 

CMYK 9 / 0 / 39 / 14

HEX #C8DB85

RGB 200 219 133

HSL 73.26, 0.54%, 0.69%

LAB 84.3, -19.77, 40.16

 

CMYK 19 / 0 / 39 / 14

HEX #B1DB85

RGB 177 219 133

HSL 89.3, 0.54%, 0.69%

LAB 82.76, -28.34, 37.87

 

CMYK 30 / 0 / 39 / 14

HEX #9ADB85

RGB 154 219 133

HSL 105.35, 0.54%, 0.69%

LAB 81.42, -36.38, 35.88

 

CMYK 0 / 12 / 39 / 14

HEX #DBC085

RGB 219 192 133

HSL 41.16, 0.54%, 0.69%

LAB 78.73, 1.42, 33.26

 

CMYK 0 / 15 / 48 / 9

HEX #E7C478

RGB 231 196 120

HSL 41.08, 0.7%, 0.69%

LAB 80.64, 2.82, 42.58

 

CMYK 0 / 18 / 56 / 4

HEX #F4C96C

RGB 244 201 108

HSL 41.03, 0.86%, 0.69%

LAB 82.96, 4.5, 51.58

 

CMYK 0 / 12 / 39 / 14

HEX #DBC085

RGB 219 192 133

HSL 41.16, 0.54%, 0.69%

LAB 78.73, 1.42, 33.26

 

CMYK 0 / 9 / 29 / 19

HEX #CEBB92

RGB 206 187 146

HSL 41, 0.38%, 0.69%

LAB 76.52, 0.52, 23.25

 

CMYK 0 / 6 / 18 / 24

HEX #C1B69F

RGB 193 182 159

HSL 40.59, 0.22%, 0.69%

LAB 74.38, 0.07, 13.11

 

CMYK 0 / 1 / 4 / 29

HEX #B4B2AC

RGB 180 178 172

HSL 45, 0.05%, 0.69%

LAB 72.58, -0.39, 3.3

 

CMYK 9 / 6 / 0 / 28

HEX #A7ADB8

RGB 167 173 184

HSL 218.82, 0.11%, 0.69%

LAB 70.57, 0.08, -6.36

 

CMYK 0 / 34 / 39 / 14

HEX #DB9185

RGB 219 145 133

HSL 8.37, 0.54%, 0.69%

LAB 67.28, 26.57, 17.88

 

CMYK 0 / 24 / 39 / 14

HEX #DBA785

RGB 219 167 133

HSL 23.72, 0.54%, 0.69%

LAB 72.49, 14.71, 24.98

 

CMYK 0 / 13 / 39 / 14

HEX #DBBE85

RGB 219 190 133

HSL 39.77, 0.54%, 0.69%

LAB 78.22, 2.47, 32.59

 

CMYK 0 / 3 / 39 / 14

HEX #DBD585

RGB 219 213 133

HSL 55.81, 0.54%, 0.69%

LAB 84.14, -9.41, 40.26

 

CMYK 8 / 0 / 39 / 14

HEX #CADB85

RGB 202 219 133

HSL 71.86, 0.54%, 0.69%

LAB 84.44, -19.01, 40.37

 

CMYK 0 / 21 / 65 / 22

HEX #C89E46

RGB 200 158 70

HSL 40.62, 0.54%, 0.53%

LAB 67.41, 6.06, 50.63

 

CMYK 0 / 16 / 52 / 18

HEX #D1AF65

RGB 209 175 101

HSL 41.11, 0.54%, 0.61%

LAB 72.99, 3.12, 42.25

 

CMYK 0 / 12 / 39 / 14

HEX #DBC085

RGB 219 192 133

HSL 41.16, 0.54%, 0.69%

LAB 78.73, 1.42, 33.26

 

CMYK 0 / 9 / 28 / 11

HEX #E4D0A5

RGB 228 208 165

HSL 40.95, 0.54%, 0.77%

LAB 84.13, 0.48, 23.91

HEX #E4D0A5

CMYK 0 / 5 / 17 / 7

HEX #EEE1C5

RGB 238 225 197

HSL 40.98, 0.55%, 0.85%

LAB 89.89, -0.06, 15.3

HEX #EEE1C5

CMYK 0 / 12 / 39 / 14

HEX #DBC086

RGB 219 192 134

HSL 40.94, 0.54%, 0.69%

LAB 78.74, 1.53, 32.76

 

CMYK 34 / 0 / 39 / 14

HEX #91DB85

RGB 145 219 133

HSL 111.63, 0.54%, 0.69%

LAB 80.95, -39.34, 35.18

 

CMYK 29 / 39 / 0 / 14

HEX #9C85DB

RGB 156 133 219

HSL 256.05, 0.54%, 0.69%

LAB 60.74, 27.19, -40.93

 

CMYK 0 / 12 / 39 / 14

HEX #DBC086

RGB 219 192 134

HSL 40.94, 0.54%, 0.69%

LAB 78.74, 1.53, 32.76

 

CMYK 39 / 0 / 13 / 14

HEX #85DBBE

RGB 133 219 190

HSL 159.77, 0.54%, 0.69%

LAB 81.49, -32.57, 6.12

 

CMYK 13 / 39 / 0 / 14

HEX #BE85DB

RGB 190 133 219

HSL 279.77, 0.54%, 0.69%

LAB 64.03, 37.12, -35.55

 

CMYK 0 / 12 / 39 / 14

HEX #DBC086

RGB 219 192 134

HSL 40.94, 0.54%, 0.69%

LAB 78.74, 1.53, 32.76

 

CMYK 34 / 0 / 39 / 14

HEX #91DB85

RGB 145 219 133

HSL 111.63, 0.54%, 0.69%

LAB 80.95, -39.34, 35.18

 

CMYK 39 / 26 / 0 / 14

HEX #85A2DB

RGB 133 162 219

HSL 219.77, 0.54%, 0.69%

LAB 66.48, 4.18, -32.12

 

CMYK 5 / 39 / 0 / 14

HEX #CF85DB

RGB 207 133 219

HSL 291.63, 0.54%, 0.69%

LAB 65.87, 42.24, -32.55

 

CMYK 0 / 12 / 39 / 14

HEX #DBC086

RGB 219 192 134

HSL 40.94, 0.54%, 0.69%

LAB 78.74, 1.53, 32.76

 

CMYK 39 / 0 / 33 / 14

HEX #85DB93

RGB 133 219 147

HSL 129.77, 0.54%, 0.69%

LAB 80.6, -40.85, 27.46

 

CMYK 39 / 26 / 0 / 14

HEX #85A2DB

RGB 133 162 219

HSL 219.77, 0.54%, 0.69%

LAB 66.48, 4.18, -32.12

 

CMYK 0 / 39 / 7 / 14

HEX #DB85CC

RGB 219 133 204

HSL 310.47, 0.54%, 0.69%

LAB 66.67, 43.22, -22.84

 

Description

Color code: HEX #DBC086 | qconv.com Color code: HEX #DBC086 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 192 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 192 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 39 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 39% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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