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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBC0803F it is the complementary color #243F7F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBC0803F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBC0803F shade: #E0C07B3F, #F1D28E3F, #FFE4A13F, #FFF6B43F and #FFFFC73F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBC0803F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBC0803F shade: #DBC0803F, #CAAE6D3F, #B99C5A3F, #A88A473F and #9778343F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBC0803F shade: #DBC080, #DBA780, #DB8F80 and #DB8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBC0803F shade: #DBC080, #DBD980, #C5DB80, #ACDB80 and #94DB80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBC0803F shade matches the following richer shades: #DBC080, #E8C573 and #F6CB65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBC0803F shade: #DBC080, #CEBB8D, #C1B59A, #B3B0A7 and #A6ABB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBC0803F shade: #DB8F80, #DBA780, #DBC080, #DBD880 and #C6DB80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBC0803F shade: #C9A03F, #D2B060, #DBC080, #E4D0A0 and #EDE0C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBC0803F shade: #DBC080, #89DB80 and #9B80DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBC0803F shade: #DBC080, #80DBC0 and #C080DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBC0803F shade: #DBC080, #89DB80, #809BDB and #D280DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBC0803F shade: #DBC080, #80DB92, #809BDB and #DB80C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 10 / 4

HEX #DBC0803F

RGBA 219 192 128 0.25

HSLA 42.2, 0.56%, 0.68%, 0.25

LABA 78.65, 0.87, 35.75, 0.25

 

Complementary color

CMYK 18 / 13 / 0 / 13

HEX #243F7F3F

RGBA 36 63 127 0.25

HSLA 222.2, 0.56%, 0.32%, 0.25

LABA 28.01, 13.02, -39.3, 0.25

 

CMYK 0 / 4 / 11 / 3

HEX #E0C07B3F

RGBA 224 192 123 0.25

HSLA 40.99, 0.62%, 0.68%, 0.25

LABA 79.03, 2.37, 38.9, 0.25

 

CMYK 0 / 3 / 10 / 1

HEX #F1D28E3F

RGBA 241 210 142 0.25

HSLA 41.21, 0.78%, 0.75%, 0.25

LABA 85.38, 1.75, 37.66, 0.25

 

CMYK 0 / 3 / 9 / 0

HEX #FFE4A13F

RGBA 255 228 161 0.25

HSLA 42.77, 1%, 0.82%, 0.25

LABA 91.38, 0.05, 36.1, 0.25

 

CMYK 0 / 1 / 7 / 0

HEX #FFF6B43F

RGBA 255 246 180 0.25

HSLA 52.8, 1%, 0.85%, 0.25

LABA 96.19, -6.75, 32.91, 0.25

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFC73F

RGBA 255 255 199 0.25

HSLA 60, 1%, 0.89%, 0.25

LABA 98.79, -8.74, 26.85, 0.25

 

CMYK 0 / 3 / 10 / 4

HEX #DBC0803F

RGBA 219 192 128 0.25

HSLA 42.2, 0.56%, 0.68%, 0.25

LABA 78.65, 0.87, 35.75, 0.25

 

CMYK 0 / 3 / 12 / 5

HEX #CAAE6D3F

RGBA 202 174 109 0.25

HSLA 41.94, 0.47%, 0.61%, 0.25

LABA 72.18, 1.5, 37, 0.25

 

CMYK 0 / 4 / 13 / 7

HEX #B99C5A3F

RGBA 185 156 90 0.25

HSLA 41.68, 0.4%, 0.54%, 0.25

LABA 65.62, 2.24, 38.31, 0.25

 

CMYK 0 / 4 / 14 / 9

HEX #A88A473F

RGBA 168 138 71 0.25

HSLA 41.44, 0.41%, 0.47%, 0.25

LABA 58.93, 3.13, 39.65, 0.25

 

CMYK 0 / 5 / 16 / 10

HEX #9778343F

RGBA 151 120 52 0.25

HSLA 41.21, 0.49%, 0.4%, 0.25

LABA 52.13, 4.22, 40.94, 0.25

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 0 / 24 / 42 / 14

HEX #DBA780

RGB 219 167 128

HSL 25.71, 0.56%, 0.68%

LAB 72.4, 14.16, 27.56

 

CMYK 0 / 35 / 42 / 14

HEX #DB8F80

RGB 219 143 128

HSL 9.89, 0.56%, 0.68%

LAB 66.72, 27.08, 19.89

 

CMYK 0 / 42 / 42 / 14

HEX #DB8080

RGB 219 128 128

HSL 0, 0.56%, 0.68%

LAB 63.39, 35.07, 15.3

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 0 / 1 / 42 / 14

HEX #DBD980

RGB 219 217 128

HSL 58.68, 0.56%, 0.68%

LAB 85.12, -11.96, 43.98

 

CMYK 10 / 0 / 42 / 14

HEX #C5DB80

RGB 197 219 128

HSL 74.51, 0.56%, 0.68%

LAB 84.01, -21.49, 42.24

 

CMYK 21 / 0 / 42 / 14

HEX #ACDB80

RGB 172 219 128

HSL 90.99, 0.56%, 0.68%

LAB 82.37, -30.78, 39.82

 

CMYK 32 / 0 / 42 / 14

HEX #94DB80

RGB 148 219 128

HSL 106.81, 0.56%, 0.68%

LAB 81.03, -39.07, 37.82

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 0 / 15 / 50 / 9

HEX #E8C573

RGB 232 197 115

HSL 42.05, 0.72%, 0.68%

LAB 80.92, 2.25, 45.44

 

CMYK 0 / 17 / 59 / 4

HEX #F6CB65

RGB 246 203 101

HSL 42.21, 0.89%, 0.68%

LAB 83.57, 3.77, 55.63

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 0 / 9 / 32 / 19

HEX #CEBB8D

RGB 206 187 141

HSL 42.46, 0.4%, 0.68%

LAB 76.43, -0.13, 25.79

 

CMYK 0 / 6 / 20 / 24

HEX #C1B59A

RGB 193 181 154

HSL 41.54, 0.24%, 0.68%

LAB 74.01, -0.16, 15.31

 

CMYK 0 / 2 / 7 / 30

HEX #B3B0A7

RGB 179 176 167

HSL 45, 0.07%, 0.68%

LAB 71.84, -0.56, 4.97

 

CMYK 8 / 6 / 0 / 29

HEX #A6ABB5

RGB 166 171 181

HSL 220, 0.09%, 0.68%

LAB 69.87, 0.22, -5.74

 

CMYK 0 / 35 / 42 / 14

HEX #DB8F80

RGB 219 143 128

HSL 9.89, 0.56%, 0.68%

LAB 66.72, 27.08, 19.89

 

CMYK 0 / 24 / 42 / 14

HEX #DBA780

RGB 219 167 128

HSL 25.71, 0.56%, 0.68%

LAB 72.4, 14.16, 27.56

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 0 / 1 / 42 / 14

HEX #DBD880

RGB 219 216 128

HSL 58.02, 0.56%, 0.68%

LAB 84.86, -11.45, 43.65

 

CMYK 10 / 0 / 42 / 14

HEX #C6DB80

RGB 198 219 128

HSL 73.85, 0.56%, 0.68%

LAB 84.08, -21.11, 42.34

 

CMYK 0 / 20 / 69 / 21

HEX #C9A03F

RGB 201 160 63

HSL 42.17, 0.56%, 0.52%

LAB 67.96, 5, 54.4

 

CMYK 0 / 16 / 54 / 18

HEX #D2B060

RGB 210 176 96

HSL 42.11, 0.56%, 0.6%

LAB 73.28, 2.58, 45.12

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 0 / 9 / 30 / 11

HEX #E4D0A0

RGB 228 208 160

HSL 42.35, 0.56%, 0.76%

LAB 84.04, -0.17, 26.4

 

CMYK 0 / 5 / 19 / 7

HEX #EDE0C0

RGB 237 224 192

HSL 42.67, 0.56%, 0.84%

LAB 89.45, -0.65, 17.28

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 37 / 0 / 42 / 14

HEX #89DB80

RGB 137 219 128

HSL 114.07, 0.56%, 0.68%

LAB 80.48, -42.61, 37.02

 

CMYK 29 / 42 / 0 / 14

HEX #9B80DB

RGB 155 128 219

HSL 257.8, 0.56%, 0.68%

LAB 59.45, 29.78, -42.96

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 42 / 0 / 12 / 14

HEX #80DBC0

RGB 128 219 192

HSL 162.2, 0.56%, 0.68%

LAB 81.32, -33.45, 4.78

 

CMYK 12 / 42 / 0 / 14

HEX #C080DB

RGB 192 128 219

HSL 282.2, 0.56%, 0.68%

LAB 63.14, 40.44, -36.91

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 37 / 0 / 42 / 14

HEX #89DB80

RGB 137 219 128

HSL 114.07, 0.56%, 0.68%

LAB 80.48, -42.61, 37.02

 

CMYK 42 / 29 / 0 / 14

HEX #809BDB

RGB 128 155 219

HSL 222.2, 0.56%, 0.68%

LAB 64.28, 6.84, -35.55

 

CMYK 4 / 42 / 0 / 14

HEX #D280DB

RGB 210 128 219

HSL 294.07, 0.56%, 0.68%

LAB 65.16, 45.78, -33.61

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 42 / 0 / 33 / 14

HEX #80DB92

RGB 128 219 146

HSL 131.87, 0.56%, 0.68%

LAB 80.36, -42.48, 27.62

 

CMYK 42 / 29 / 0 / 14

HEX #809BDB

RGB 128 155 219

HSL 222.2, 0.56%, 0.68%

LAB 64.28, 6.84, -35.55

 

CMYK 0 / 42 / 8 / 14

HEX #DB80C9

RGB 219 128 201

HSL 311.87, 0.56%, 0.68%

LAB 65.53, 45.31, -22.91

 

Description

Color code: HEX #DBC0803F | qconv.com Color code: HEX #DBC0803F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 192 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 192 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 10 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 10% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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