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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBBFB3 it is the complementary color #24404C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBBFB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBBFB3 shade: #E0BFAE, #F1D1C1, #FFE3D4, #FFF5E7 and #FFFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBBFB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBBFB3 shade: #DBBFB3, #CAADA0, #B99B8D, #A8897A and #977767

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBBFB3 shade: #DBBFB3, #DBB4B3 and #DBB3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBBFB3 shade: #DBBFB3, #DBCAB3, #DBD5B3, #D7DBB3 and #CCDBB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBBFB3 shade matches the following richer shades: #DBBFB3, #E4BBAA, #EDB8A1 and #F6B497

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBBFB3 shade: #DBBFB3, #D2C2BC, #C9C6C5, #C0CACE and #B7CDD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBBFB3 shade: #DBB3BC, #DBB4B3, #DBBFB3, #DBCAB3 and #DBD4B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBBFB3 shade: #C1907B, #CEA797, #DBBFB3, #E8D6CF and #F6EEEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBBFB3 shade: #DBBFB3, #C7DBB3 and #B3B7DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBBFB3 shade: #DBBFB3, #B3DBBF and #BFB3DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBBFB3 shade: #DBBFB3, #C7DBB3, #B3CFDB and #C7B3DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBBFB3 shade: #DBBFB3, #BBDBB3, #B3CFDB and #D3B3DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

Complementary color

CMYK 53 / 16 / 0 / 70

HEX #24404C

RGB 36 64 76

HSL 198, 0.36%, 0.22%

LAB 25.45, -6.73, -10.57

 

CMYK 0 / 15 / 22 / 12

HEX #E0BFAE

RGB 224 191 174

HSL 20.4, 0.45%, 0.78%

LAB 79.71, 9.14, 12.92

 

CMYK 0 / 13 / 20 / 5

HEX #F1D1C1

RGB 241 209 193

HSL 20, 0.63%, 0.85%

LAB 86.08, 8.71, 12.05

 

CMYK 0 / 11 / 17 / 0

HEX #FFE3D4

RGB 255 227 212

HSL 20.93, 1%, 0.92%

LAB 92.11, 7.26, 10.82

 

CMYK 0 / 4 / 9 / 0

HEX #FFF5E7

RGB 255 245 231

HSL 35, 1%, 0.95%

LAB 96.96, 1.02, 7.92

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 0 / 14 / 21 / 21

HEX #CAADA0

RGB 202 173 160

HSL 18.57, 0.28%, 0.71%

LAB 72.88, 8.45, 10.56

 

CMYK 0 / 16 / 24 / 27

HEX #B99B8D

RGB 185 155 141

HSL 19.09, 0.24%, 0.64%

LAB 66.27, 8.92, 11.48

 

CMYK 0 / 18 / 27 / 34

HEX #A8897A

RGB 168 137 122

HSL 19.57, 0.21%, 0.57%

LAB 59.55, 9.45, 12.47

 

CMYK 0 / 21 / 32 / 41

HEX #977767

RGB 151 119 103

HSL 20, 0.19%, 0.5%

LAB 52.68, 10.07, 13.56

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 0 / 18 / 18 / 14

HEX #DBB4B3

RGB 219 180 179

HSL 1.5, 0.36%, 0.78%

LAB 76.65, 13.91, 5.8

 

CMYK 0 / 18 / 18 / 14

HEX #DBB3B3

RGB 219 179 179

HSL 0, 0.36%, 0.78%

LAB 76.41, 14.44, 5.45

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 0 / 8 / 18 / 14

HEX #DBCAB3

RGB 219 202 179

HSL 34.5, 0.36%, 0.78%

LAB 82.14, 2.23, 13.63

 

CMYK 0 / 3 / 18 / 14

HEX #DBD5B3

RGB 219 213 179

HSL 51, 0.36%, 0.78%

LAB 84.95, -3.49, 17.57

 

CMYK 2 / 0 / 18 / 14

HEX #D7DBB3

RGB 215 219 179

HSL 66, 0.36%, 0.78%

LAB 86.19, -8.02, 19.25

 

CMYK 7 / 0 / 18 / 14

HEX #CCDBB3

RGB 204 219 179

HSL 82.5, 0.36%, 0.78%

LAB 85.38, -11.98, 18.01

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 0 / 18 / 25 / 11

HEX #E4BBAA

RGB 228 187 170

HSL 17.59, 0.52%, 0.78%

LAB 79, 12.19, 14.14

 

CMYK 0 / 22 / 32 / 7

HEX #EDB8A1

RGB 237 184 161

HSL 18.16, 0.68%, 0.78%

LAB 78.96, 16, 19.04

 

CMYK 0 / 27 / 39 / 4

HEX #F6B497

RGB 246 180 151

HSL 18.32, 0.84%, 0.78%

LAB 78.73, 20.37, 24.23

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 0 / 8 / 10 / 18

HEX #D2C2BC

RGB 210 194 188

HSL 16.36, 0.2%, 0.78%

LAB 79.57, 4.6, 5.03

 

CMYK 0 / 1 / 2 / 21

HEX #C9C6C5

RGB 201 198 197

HSL 15, 0.04%, 0.78%

LAB 80.09, 0.86, 0.86

 

CMYK 7 / 2 / 0 / 19

HEX #C0CACE

RGB 192 202 206

HSL 197.14, 0.13%, 0.78%

LAB 80.69, -2.63, -3.18

 

CMYK 15 / 5 / 0 / 16

HEX #B7CDD7

RGB 183 205 215

HSL 198.75, 0.29%, 0.78%

LAB 81.09, -5.34, -7.47

 

CMYK 0 / 18 / 14 / 14

HEX #DBB3BC

RGB 219 179 188

HSL 346.5, 0.36%, 0.78%

LAB 76.64, 15.86, 0.88

 

CMYK 0 / 18 / 18 / 14

HEX #DBB4B3

RGB 219 180 179

HSL 1.5, 0.36%, 0.78%

LAB 76.65, 13.91, 5.8

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 0 / 8 / 18 / 14

HEX #DBCAB3

RGB 219 202 179

HSL 34.5, 0.36%, 0.78%

LAB 82.14, 2.23, 13.63

 

CMYK 0 / 3 / 18 / 14

HEX #DBD4B3

RGB 219 212 179

HSL 49.5, 0.36%, 0.78%

LAB 84.69, -2.97, 17.21

 

CMYK 0 / 25 / 36 / 24

HEX #C1907B

RGB 193 144 123

HSL 18, 0.36%, 0.62%

LAB 63.93, 15.7, 18.39

 

CMYK 0 / 19 / 27 / 19

HEX #CEA797

RGB 206 167 151

HSL 17.45, 0.36%, 0.7%

LAB 71.55, 11.91, 13.67

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 0 / 8 / 11 / 9

HEX #E8D6CF

RGB 232 214 207

HSL 16.8, 0.35%, 0.86%

LAB 86.88, 5.05, 5.68

 

CMYK 0 / 3 / 4 / 4

HEX #F6EEEB

RGB 246 238 235

HSL 16.36, 0.38%, 0.94%

LAB 94.63, 2.17, 2.39

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 9 / 0 / 18 / 14

HEX #C7DBB3

RGB 199 219 179

HSL 90, 0.36%, 0.78%

LAB 85.03, -13.76, 17.46

 

CMYK 18 / 16 / 0 / 14

HEX #B3B7DB

RGB 179 183 219

HSL 234, 0.36%, 0.78%

LAB 75.18, 6.01, -18.51

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 18 / 0 / 13 / 14

HEX #B3DBBF

RGB 179 219 191

HSL 138, 0.36%, 0.78%

LAB 83.97, -18.52, 9.46

 

CMYK 13 / 18 / 0 / 14

HEX #BFB3DB

RGB 191 179 219

HSL 258, 0.36%, 0.78%

LAB 75.1, 12.02, -18.55

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 9 / 0 / 18 / 14

HEX #C7DBB3

RGB 199 219 179

HSL 90, 0.36%, 0.78%

LAB 85.03, -13.76, 17.46

 

CMYK 18 / 5 / 0 / 14

HEX #B3CFDB

RGB 179 207 219

HSL 198, 0.36%, 0.78%

LAB 81.47, -6.81, -9.08

 

CMYK 9 / 18 / 0 / 14

HEX #C7B3DB

RGB 199 179 219

HSL 270, 0.36%, 0.78%

LAB 75.76, 14.63, -17.48

 

CMYK 0 / 13 / 18 / 14

HEX #DBBFB3

RGB 219 191 179

HSL 18, 0.36%, 0.78%

LAB 79.37, 8.03, 9.7

 

CMYK 15 / 0 / 18 / 14

HEX #BBDBB3

RGB 187 219 179

HSL 108, 0.36%, 0.78%

LAB 84.22, -17.95, 16.21

 

CMYK 18 / 5 / 0 / 14

HEX #B3CFDB

RGB 179 207 219

HSL 198, 0.36%, 0.78%

LAB 81.47, -6.81, -9.08

 

CMYK 4 / 18 / 0 / 14

HEX #D3B3DB

RGB 211 179 219

HSL 288, 0.36%, 0.78%

LAB 76.8, 18.58, -15.81

 

Description

Color code: HEX #DBBFB3 | qconv.com Color code: HEX #DBBFB3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 191 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 191 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 18 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 18% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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