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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBBE2D it is the complementary color #2441D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBBE2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBBE2D shade: #E0BE28, #F1D03B, #FFE24E, #FFF461 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBBE2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBBE2D shade: #DBBE2D, #CAAC1A, #B99A07, #A88800 and #977600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBBE2D shade: #DBBE2D, #DB8F2D, #DB602D, #DB312D and #DB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBBE2D shade: #DBBE2D, #C9DB2D, #9ADB2D, #6BDB2D and #3CDB2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBBE2D shade matches the following richer shades: #DBBE2D and #EFCB19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBBE2D shade: #DBBE2D, #C7B141, #B3A455, #A09669 and #8C897C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBBE2D shade: #DB612D, #DB902D, #DBBE2D, #CADB2D and #9BDB2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBBE2D shade: #9C861A, #BFA420, #DBBE2D, #E1C950 and #E7D474

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBBE2D shade: #DBBE2D, #2DDB33 and #792DDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBBE2D shade: #DBBE2D, #2DDBBE and #BE2DDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBBE2D shade: #DBBE2D, #2DDB33, #2D4ADB and #DB2DD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBBE2D shade: #DBBE2D, #2DDB67, #2D4ADB and #DB2DA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

Complementary color

CMYK 83 / 69 / 0 / 18

HEX #2441D2

RGB 36 65 210

HSL 230, 0.71%, 0.48%

LAB 35.61, 43.15, -76.71

 

CMYK 0 / 15 / 82 / 12

HEX #E0BE28

RGB 224 190 40

HSL 48.91, 0.75%, 0.52%

LAB 77.77, -1.82, 72.68

 

CMYK 0 / 14 / 76 / 5

HEX #F1D03B

RGB 241 208 59

HSL 49.12, 0.87%, 0.59%

LAB 84.03, -3.16, 73.05

 

CMYK 0 / 11 / 69 / 0

HEX #FFE24E

RGB 255 226 78

HSL 50.17, 1%, 0.65%

LAB 89.95, -5.57, 72.43

 

CMYK 0 / 4 / 62 / 0

HEX #FFF461

RGB 255 244 97

HSL 55.82, 1%, 0.69%

LAB 94.66, -13.43, 69.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 0 / 15 / 87 / 21

HEX #CAAC1A

RGB 202 172 26

HSL 49.77, 0.77%, 0.45%

LAB 70.96, -2.36, 69.67

 

CMYK 0 / 17 / 96 / 27

HEX #B99A07

RGB 185 154 7

HSL 49.55, 0.93%, 0.38%

LAB 64.52, -0.67, 67.25

 

CMYK 0 / 19 / 100 / 34

HEX #A88800

RGB 168 136 0

HSL 48.57, 1%, 0.33%

LAB 57.97, 1.31, 62.82

 

CMYK 0 / 22 / 100 / 41

HEX #977600

RGB 151 118 0

HSL 46.89, 1%, 0.3%

LAB 51.31, 3.46, 57.32

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 0 / 35 / 79 / 14

HEX #DB8F2D

RGB 219 143 45

HSL 33.79, 0.71%, 0.52%

LAB 65.67, 21.15, 60.17

 

CMYK 0 / 56 / 79 / 14

HEX #DB602D

RGB 219 96 45

HSL 17.59, 0.71%, 0.52%

LAB 55.7, 45.43, 50.8

 

CMYK 0 / 78 / 79 / 14

HEX #DB312D

RGB 219 49 45

HSL 1.38, 0.71%, 0.52%

LAB 48.82, 63.99, 44.03

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 8 / 0 / 79 / 14

HEX #C9DB2D

RGB 201 219 45

HSL 66.21, 0.71%, 0.52%

LAB 83.58, -25.9, 75.63

 

CMYK 30 / 0 / 79 / 14

HEX #9ADB2D

RGB 154 219 45

HSL 82.41, 0.71%, 0.52%

LAB 80.58, -44.35, 71.82

 

CMYK 51 / 0 / 79 / 14

HEX #6BDB2D

RGB 107 219 45

HSL 98.62, 0.71%, 0.52%

LAB 78.45, -59.75, 69.07

 

CMYK 73 / 0 / 79 / 14

HEX #3CDB2D

RGB 60 219 45

HSL 114.83, 0.71%, 0.52%

LAB 77.17, -70.22, 67.42

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 0 / 15 / 90 / 6

HEX #EFCB19

RGB 239 203 25

HSL 49.91, 0.87%, 0.52%

LAB 82.45, -2.39, 80.39

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 0 / 11 / 67 / 22

HEX #C7B141

RGB 199 177 65

HSL 50.15, 0.54%, 0.52%

LAB 72.21, -4.79, 57.91

 

CMYK 0 / 8 / 53 / 30

HEX #B3A455

RGB 179 164 85

HSL 50.43, 0.38%, 0.52%

LAB 67.12, -5.07, 42.53

 

CMYK 0 / 6 / 34 / 37

HEX #A09669

RGB 160 150 105

HSL 49.09, 0.22%, 0.52%

LAB 61.92, -3.34, 25.1

 

CMYK 0 / 2 / 11 / 45

HEX #8C897C

RGB 140 137 124

HSL 48.75, 0.07%, 0.52%

LAB 57, -1.28, 7.36

 

CMYK 0 / 56 / 79 / 14

HEX #DB612D

RGB 219 97 45

HSL 17.93, 0.71%, 0.52%

LAB 55.89, 44.95, 50.98

 

CMYK 0 / 34 / 79 / 14

HEX #DB902D

RGB 219 144 45

HSL 34.14, 0.71%, 0.52%

LAB 65.9, 20.61, 60.39

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 8 / 0 / 79 / 14

HEX #CADB2D

RGB 202 219 45

HSL 65.86, 0.71%, 0.52%

LAB 83.66, -25.49, 75.73

 

CMYK 29 / 0 / 79 / 14

HEX #9BDB2D

RGB 155 219 45

HSL 82.07, 0.71%, 0.52%

LAB 80.64, -43.98, 71.89

 

CMYK 0 / 14 / 83 / 39

HEX #9C861A

RGB 156 134 26

HSL 49.85, 0.71%, 0.36%

LAB 56.28, -2.61, 55.65

 

CMYK 0 / 14 / 83 / 25

HEX #BFA420

RGB 191 164 32

HSL 49.81, 0.71%, 0.44%

LAB 67.82, -2.85, 65.16

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 0 / 8 / 50 / 9

HEX #E7D474

RGB 231 212 116

HSL 50.09, 0.71%, 0.68%

LAB 84.66, -5.78, 49.48

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 79 / 0 / 77 / 14

HEX #2DDB33

RGB 45 219 51

HSL 122.07, 0.71%, 0.52%

LAB 76.96, -71.95, 65.35

 

CMYK 45 / 79 / 0 / 14

HEX #792DDB

RGB 121 45 219

HSL 266.21, 0.71%, 0.52%

LAB 39.67, 65.19, -74.97

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 79 / 0 / 13 / 14

HEX #2DDBBE

RGB 45 219 190

HSL 170, 0.71%, 0.52%

LAB 79.01, -48.73, 2.2

 

CMYK 13 / 79 / 0 / 14

HEX #BE2DDB

RGB 190 45 219

HSL 290, 0.71%, 0.52%

LAB 49.42, 76.26, -58.69

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 79 / 0 / 77 / 14

HEX #2DDB33

RGB 45 219 51

HSL 122.07, 0.71%, 0.52%

LAB 76.96, -71.95, 65.35

 

CMYK 79 / 66 / 0 / 14

HEX #2D4ADB

RGB 45 74 219

HSL 230, 0.71%, 0.52%

LAB 38.85, 41.48, -76.56

 

CMYK 0 / 79 / 3 / 14

HEX #DB2DD5

RGB 219 45 213

HSL 302.07, 0.71%, 0.52%

LAB 53.75, 80.68, -48.08

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 79 / 0 / 53 / 14

HEX #2DDB67

RGB 45 219 103

HSL 140, 0.71%, 0.52%

LAB 77.4, -66.52, 44.78

 

CMYK 79 / 66 / 0 / 14

HEX #2D4ADB

RGB 45 74 219

HSL 230, 0.71%, 0.52%

LAB 38.85, 41.48, -76.56

 

CMYK 0 / 79 / 26 / 14

HEX #DB2DA1

RGB 219 45 161

HSL 320, 0.71%, 0.52%

LAB 51.28, 73.72, -21.73

 

Description

Color code: HEX #DBBE2D | qconv.com Color code: HEX #DBBE2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 190 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 190 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 79 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 79% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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