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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBBA6B it is the complementary color #244594. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBBA6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBBA6B shade: #E0BA66, #F1CC79, #FFDE8C, #FFF09F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBBA6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBBA6B shade: #DBBA6B, #CAA858, #B99645, #A88432 and #97721F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBBA6B shade: #DBBA6B, #DB9C6B, #DB7E6B and #DB6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBBA6B shade: #DBBA6B, #DBD86B, #C0DB6B, #A2DB6B and #83DB6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBBA6B shade matches the following richer shades: #DBBA6B, #EAC05C and #F9C64D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBBA6B shade: #DBBA6B, #CCB47A, #BDAE89, #AFA898 and #A0A2A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBBA6B shade: #DB7E6B, #DB9C6B, #DBBA6B, #DBD76B and #C1DB6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBBA6B shade: #C49830, #D3AB4A, #DBBA6B, #E3CA8C and #EBD9AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBBA6B shade: #DBBA6B, #76DB6B and #8D6BDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBBA6B shade: #DBBA6B, #6BDBBA and #BA6BDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBBA6B shade: #DBBA6B, #76DB6B, #6B8DDB and #D06BDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBBA6B shade: #DBBA6B, #6BDB82, #6B8DDB and #DB6BC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

Complementary color

CMYK 76 / 53 / 0 / 42

HEX #244594

RGB 36 69 148

HSL 222.32, 0.61%, 0.36%

LAB 31.28, 17.17, -47.01

 

CMYK 0 / 17 / 54 / 12

HEX #E0BA66

RGB 224 186 102

HSL 41.31, 0.66%, 0.64%

LAB 77.24, 3.62, 47.21

 

CMYK 0 / 15 / 50 / 5

HEX #F1CC79

RGB 241 204 121

HSL 41.5, 0.81%, 0.71%

LAB 83.58, 2.8, 45.94

 

CMYK 0 / 13 / 45 / 0

HEX #FFDE8C

RGB 255 222 140

HSL 42.78, 1%, 0.77%

LAB 89.58, 0.92, 44.3

 

CMYK 0 / 6 / 38 / 0

HEX #FFF09F

RGB 255 240 159

HSL 50.63, 1%, 0.81%

LAB 94.35, -6.21, 40.98

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 0 / 17 / 56 / 21

HEX #CAA858

RGB 202 168 88

HSL 42.11, 0.52%, 0.57%

LAB 70.36, 2.82, 45.42

 

CMYK 0 / 19 / 63 / 27

HEX #B99645

RGB 185 150 69

HSL 41.9, 0.46%, 0.5%

LAB 63.8, 3.83, 46.67

 

CMYK 0 / 21 / 70 / 34

HEX #A88432

RGB 168 132 50

HSL 41.69, 0.54%, 0.43%

LAB 57.13, 5.03, 47.77

 

CMYK 0 / 25 / 79 / 41

HEX #97721F

RGB 151 114 31

HSL 41.5, 0.66%, 0.36%

LAB 50.35, 6.5, 48.44

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 0 / 29 / 51 / 14

HEX #DB9C6B

RGB 219 156 107

HSL 26.25, 0.61%, 0.64%

LAB 69.4, 17.98, 34.88

 

CMYK 0 / 42 / 51 / 14

HEX #DB7E6B

RGB 219 126 107

HSL 10.18, 0.61%, 0.64%

LAB 62.54, 34.03, 26

 

CMYK 0 / 51 / 51 / 14

HEX #DB6B6B

RGB 219 107 107

HSL 0, 0.61%, 0.64%

LAB 58.64, 43.78, 20.79

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 0 / 1 / 51 / 14

HEX #DBD86B

RGB 219 216 107

HSL 58.39, 0.61%, 0.64%

LAB 84.6, -13.42, 53.44

 

CMYK 12 / 0 / 51 / 14

HEX #C0DB6B

RGB 192 219 107

HSL 74.46, 0.61%, 0.64%

LAB 83.41, -25.59, 51.53

 

CMYK 26 / 0 / 51 / 14

HEX #A2DB6B

RGB 162 219 107

HSL 90.54, 0.61%, 0.64%

LAB 81.51, -36.82, 48.82

 

CMYK 40 / 0 / 51 / 14

HEX #83DB6B

RGB 131 219 107

HSL 107.14, 0.61%, 0.64%

LAB 79.93, -47.26, 46.53

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 0 / 18 / 61 / 8

HEX #EAC05C

RGB 234 192 92

HSL 42.25, 0.77%, 0.64%

LAB 79.59, 3.89, 54.96

 

CMYK 0 / 20 / 69 / 2

HEX #F9C64D

RGB 249 198 77

HSL 42.21, 0.93%, 0.64%

LAB 82.41, 6.15, 64.99

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 0 / 12 / 40 / 20

HEX #CCB47A

RGB 204 180 122

HSL 42.44, 0.45%, 0.64%

LAB 74.12, 0.5, 32.73

 

CMYK 0 / 8 / 28 / 26

HEX #BDAE89

RGB 189 174 137

HSL 42.69, 0.28%, 0.64%

LAB 71.49, -0.42, 20.98

 

CMYK 0 / 4 / 13 / 31

HEX #AFA898

RGB 175 168 152

HSL 41.74, 0.13%, 0.64%

LAB 69.03, -0.28, 9.16

 

CMYK 4 / 3 / 0 / 35

HEX #A0A2A7

RGB 160 162 167

HSL 222.86, 0.04%, 0.64%

LAB 66.6, 0.26, -2.85

 

CMYK 0 / 42 / 51 / 14

HEX #DB7E6B

RGB 219 126 107

HSL 10.18, 0.61%, 0.64%

LAB 62.54, 34.03, 26

 

CMYK 0 / 29 / 51 / 14

HEX #DB9C6B

RGB 219 156 107

HSL 26.25, 0.61%, 0.64%

LAB 69.4, 17.98, 34.88

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 0 / 2 / 51 / 14

HEX #DBD76B

RGB 219 215 107

HSL 57.86, 0.61%, 0.64%

LAB 84.34, -12.92, 53.13

 

CMYK 12 / 0 / 51 / 14

HEX #C1DB6B

RGB 193 219 107

HSL 73.93, 0.61%, 0.64%

LAB 83.48, -25.2, 51.63

 

CMYK 0 / 22 / 76 / 23

HEX #C49830

RGB 196 152 48

HSL 42.16, 0.61%, 0.48%

LAB 65.28, 6.4, 57.73

 

CMYK 0 / 19 / 65 / 17

HEX #D3AB4A

RGB 211 171 74

HSL 42.48, 0.61%, 0.56%

LAB 71.87, 4.07, 53.99

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 0 / 11 / 38 / 11

HEX #E3CA8C

RGB 227 202 140

HSL 42.76, 0.61%, 0.72%

LAB 82.09, 0.15, 34.17

 

CMYK 0 / 8 / 26 / 8

HEX #EBD9AE

RGB 235 217 174

HSL 42.3, 0.6%, 0.8%

LAB 87.17, -0.32, 23.46

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 46 / 0 / 51 / 14

HEX #76DB6B

RGB 118 219 107

HSL 114.11, 0.61%, 0.64%

LAB 79.37, -51.15, 45.72

 

CMYK 36 / 51 / 0 / 14

HEX #8D6BDB

RGB 141 107 219

HSL 258.21, 0.61%, 0.64%

LAB 53.27, 38.15, -52.85

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 51 / 0 / 15 / 14

HEX #6BDBBA

RGB 107 219 186

HSL 162.32, 0.61%, 0.64%

LAB 80.37, -39.88, 6.48

 

CMYK 15 / 51 / 0 / 14

HEX #BA6BDB

RGB 186 107 219

HSL 282.32, 0.61%, 0.64%

LAB 58.1, 49.88, -44.88

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 46 / 0 / 51 / 14

HEX #76DB6B

RGB 118 219 107

HSL 114.11, 0.61%, 0.64%

LAB 79.37, -51.15, 45.72

 

CMYK 51 / 36 / 0 / 14

HEX #6B8DDB

RGB 107 141 219

HSL 221.79, 0.61%, 0.64%

LAB 59.24, 9.85, -43.53

 

CMYK 5 / 51 / 0 / 14

HEX #D06BDB

RGB 208 107 219

HSL 294.11, 0.61%, 0.64%

LAB 60.82, 55.85, -40.42

 

CMYK 0 / 15 / 51 / 14

HEX #DBBA6B

RGB 219 186 107

HSL 42.32, 0.61%, 0.64%

LAB 76.82, 1.97, 44.13

 

CMYK 51 / 0 / 41 / 14

HEX #6BDB82

RGB 107 219 130

HSL 132.32, 0.61%, 0.64%

LAB 79.27, -50.83, 34.2

 

CMYK 51 / 36 / 0 / 14

HEX #6B8DDB

RGB 107 141 219

HSL 221.79, 0.61%, 0.64%

LAB 59.24, 9.85, -43.53

 

CMYK 0 / 51 / 10 / 14

HEX #DB6BC5

RGB 219 107 197

HSL 311.79, 0.61%, 0.64%

LAB 61.31, 55.14, -27.12

 

Description

Color code: HEX #DBBA6B | qconv.com Color code: HEX #DBBA6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 186 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 186 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 51 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 51% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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