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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBBA26 it is the complementary color #2445D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBBA26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBBA26 shade: #E0BA21, #F1CC34, #FFDE47, #FFF05A and #FFFF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBBA26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBBA26 shade: #DBBA26, #CAA813, #B99600, #A88400 and #977200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBBA26 shade: #DBBA24, #DB8824, #DB5724, #DB2524 and #DB2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBBA26 shade: #DBBA24, #CBDB24, #9ADB24, #68DB24 and #37DB24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBBA26 shade matches the following richer shades: #DBBA24 and #F0C70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBBA26 shade: #DBBA24, #C7AD38, #B2A04D, #9D9362 and #898576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBBA26 shade: #DB5824, #DB8924, #DBBA24, #CCDB24 and #9BDB24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBBA26 shade: #947E18, #B89C1E, #DBBA24, #E1C547 and #E7D06B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBBA26 shade: #DBBA26, #24DB27 and #7024DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBBA26 shade: #DBBA26, #24DBBA and #BA24DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBBA26 shade: #DBBA26, #24DB27, #2445DB and #DB24D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBBA26 shade: #DBBA26, #24DB5E, #2445DB and #DB24A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 83 / 14

HEX #DBBA26

RGB 219 186 38

HSL 49.06, 0.72%, 0.5%

LAB 76.26, -1.96, 71.75

 

Complementary color

CMYK 83 / 68 / 0 / 15

HEX #2445D9

RGB 36 69 217

HSL 229.06, 0.72%, 0.5%

LAB 37.19, 43.2, -78.15

 

CMYK 0 / 17 / 85 / 12

HEX #E0BA21

RGB 224 186 33

HSL 48.06, 0.75%, 0.5%

LAB 76.72, 0.08, 73.6

 

CMYK 0 / 15 / 78 / 5

HEX #F1CC34

RGB 241 204 52

HSL 48.25, 0.87%, 0.57%

LAB 82.98, -1.37, 74.35

 

CMYK 0 / 13 / 72 / 0

HEX #FFDE47

RGB 255 222 71

HSL 49.24, 1%, 0.64%

LAB 88.9, -3.88, 73.97

 

CMYK 0 / 6 / 65 / 0

HEX #FFF05A

RGB 255 240 90

HSL 54.55, 1%, 0.68%

LAB 93.59, -11.88, 71.52

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 15 / 83 / 14

HEX #DBBA26

RGB 219 186 38

HSL 49.06, 0.72%, 0.5%

LAB 76.26, -1.96, 71.75

 

CMYK 0 / 17 / 91 / 21

HEX #CAA813

RGB 202 168 19

HSL 48.85, 0.83%, 0.43%

LAB 69.9, -0.38, 70.24

 

CMYK 0 / 19 / 100 / 27

HEX #B99600

RGB 185 150 0

HSL 48.65, 1%, 0.36%

LAB 63.45, 1.41, 67.46

 

CMYK 0 / 21 / 100 / 34

HEX #A88400

RGB 168 132 0

HSL 47.14, 1%, 0.33%

LAB 56.91, 3.52, 62.07

 

CMYK 0 / 25 / 100 / 41

HEX #977200

RGB 151 114 0

HSL 45.3, 1%, 0.3%

LAB 50.23, 5.74, 56.58

 

CMYK 0 / 15 / 84 / 14

HEX #DBBA24

RGB 219 186 36

HSL 49.18, 0.72%, 0.5%

LAB 76.26, -2.01, 72.27

 

CMYK 0 / 38 / 84 / 14

HEX #DB8824

RGB 219 136 36

HSL 32.79, 0.72%, 0.5%

LAB 64, 24.62, 61.91

 

CMYK 0 / 60 / 84 / 14

HEX #DB5724

RGB 219 87 36

HSL 16.72, 0.72%, 0.5%

LAB 54.03, 49.35, 53.27

 

CMYK 0 / 83 / 84 / 14

HEX #DB2524

RGB 219 37 36

HSL 0.33, 0.72%, 0.5%

LAB 47.64, 66.86, 47.59

 

CMYK 0 / 84 / 84 / 14

HEX #DB2424

RGB 219 36 36

HSL 0, 0.72%, 0.5%

LAB 47.56, 67.09, 47.52

 

CMYK 0 / 15 / 84 / 14

HEX #DBBA24

RGB 219 186 36

HSL 49.18, 0.72%, 0.5%

LAB 76.26, -2.01, 72.27

 

CMYK 7 / 0 / 84 / 14

HEX #CBDB24

RGB 203 219 36

HSL 65.25, 0.72%, 0.5%

LAB 83.7, -25.36, 77.98

 

CMYK 30 / 0 / 84 / 14

HEX #9ADB24

RGB 154 219 36

HSL 81.31, 0.72%, 0.5%

LAB 80.55, -44.69, 74.04

 

CMYK 53 / 0 / 84 / 14

HEX #68DB24

RGB 104 219 36

HSL 97.7, 0.72%, 0.5%

LAB 78.31, -60.99, 71.21

 

CMYK 75 / 0 / 84 / 14

HEX #37DB24

RGB 55 219 36

HSL 113.77, 0.72%, 0.5%

LAB 77.04, -71.45, 69.6

 

CMYK 0 / 15 / 84 / 14

HEX #DBBA24

RGB 219 186 36

HSL 49.18, 0.72%, 0.5%

LAB 76.26, -2.01, 72.27

 

CMYK 0 / 17 / 94 / 6

HEX #F0C70F

RGB 240 199 15

HSL 49.07, 0.88%, 0.5%

LAB 81.51, -0.05, 81.19

 

CMYK 0 / 15 / 84 / 14

HEX #DBBA24

RGB 219 186 36

HSL 49.18, 0.72%, 0.5%

LAB 76.26, -2.01, 72.27

 

CMYK 0 / 13 / 72 / 22

HEX #C7AD38

RGB 199 173 56

HSL 49.09, 0.56%, 0.5%

LAB 71.09, -3.16, 60.39

 

CMYK 0 / 10 / 57 / 30

HEX #B2A04D

RGB 178 160 77

HSL 49.31, 0.4%, 0.5%

LAB 65.86, -4.03, 44.97

 

CMYK 0 / 6 / 38 / 38

HEX #9D9362

RGB 157 147 98

HSL 49.83, 0.23%, 0.5%

LAB 60.71, -3.82, 27.3

 

CMYK 0 / 3 / 14 / 46

HEX #898576

RGB 137 133 118

HSL 47.37, 0.07%, 0.5%

LAB 55.48, -1.24, 8.62

 

CMYK 0 / 60 / 84 / 14

HEX #DB5824

RGB 219 88 36

HSL 17.05, 0.72%, 0.5%

LAB 54.2, 48.9, 53.43

 

CMYK 0 / 37 / 84 / 14

HEX #DB8924

RGB 219 137 36

HSL 33.11, 0.72%, 0.5%

LAB 64.22, 24.08, 62.1

 

CMYK 0 / 15 / 84 / 14

HEX #DBBA24

RGB 219 186 36

HSL 49.18, 0.72%, 0.5%

LAB 76.26, -2.01, 72.27

 

CMYK 7 / 0 / 84 / 14

HEX #CCDB24

RGB 204 219 36

HSL 64.92, 0.72%, 0.5%

LAB 83.77, -24.94, 78.07

 

CMYK 29 / 0 / 84 / 14

HEX #9BDB24

RGB 155 219 36

HSL 80.98, 0.72%, 0.5%

LAB 80.6, -44.32, 74.11

 

CMYK 0 / 15 / 84 / 42

HEX #947E18

RGB 148 126 24

HSL 49.35, 0.72%, 0.34%

LAB 53.26, -1.94, 53.33

 

CMYK 0 / 15 / 84 / 28

HEX #B89C1E

RGB 184 156 30

HSL 49.09, 0.72%, 0.42%

LAB 65.01, -1.75, 63.05

 

CMYK 0 / 15 / 84 / 14

HEX #DBBA24

RGB 219 186 36

HSL 49.18, 0.72%, 0.5%

LAB 76.26, -2.01, 72.27

 

CMYK 0 / 12 / 68 / 12

HEX #E1C547

RGB 225 197 71

HSL 49.09, 0.72%, 0.58%

LAB 79.84, -3.75, 64.06

 

CMYK 0 / 10 / 54 / 9

HEX #E7D06B

RGB 231 208 107

HSL 48.87, 0.72%, 0.66%

LAB 83.53, -4.5, 52.43

 

CMYK 0 / 15 / 83 / 14

HEX #DBBA26

RGB 219 186 38

HSL 49.06, 0.72%, 0.5%

LAB 76.26, -1.96, 71.75

 

CMYK 84 / 0 / 82 / 14

HEX #24DB27

RGB 36 219 39

HSL 120.98, 0.72%, 0.5%

LAB 76.79, -73.62, 68.54

 

CMYK 49 / 84 / 0 / 14

HEX #7024DB

RGB 112 36 219

HSL 264.92, 0.72%, 0.5%

LAB 37.52, 67.2, -78.56

 

CMYK 0 / 15 / 83 / 14

HEX #DBBA26

RGB 219 186 38

HSL 49.06, 0.72%, 0.5%

LAB 76.26, -1.96, 71.75

 

CMYK 84 / 0 / 15 / 14

HEX #24DBBA

RGB 36 219 186

HSL 169.18, 0.72%, 0.5%

LAB 78.8, -50.51, 4.02

 

CMYK 15 / 84 / 0 / 14

HEX #BA24DB

RGB 186 36 219

HSL 289.18, 0.72%, 0.5%

LAB 48.03, 77.8, -60.97

 

CMYK 0 / 15 / 83 / 14

HEX #DBBA26

RGB 219 186 38

HSL 49.06, 0.72%, 0.5%

LAB 76.26, -1.96, 71.75

 

CMYK 84 / 0 / 82 / 14

HEX #24DB27

RGB 36 219 39

HSL 120.98, 0.72%, 0.5%

LAB 76.79, -73.62, 68.54

 

CMYK 84 / 68 / 0 / 14

HEX #2445DB

RGB 36 69 219

HSL 229.18, 0.72%, 0.5%

LAB 37.38, 43.91, -78.98

 

CMYK 0 / 84 / 1 / 14

HEX #DB24D8

RGB 219 36 216

HSL 300.98, 0.72%, 0.5%

LAB 53.25, 83.05, -50.58

 

CMYK 0 / 15 / 83 / 14

HEX #DBBA26

RGB 219 186 38

HSL 49.06, 0.72%, 0.5%

LAB 76.26, -1.96, 71.75

 

CMYK 84 / 0 / 57 / 14

HEX #24DB5E

RGB 36 219 94

HSL 139.02, 0.72%, 0.5%

LAB 77.19, -68.67, 48.68

 

CMYK 84 / 68 / 0 / 14

HEX #2445DB

RGB 36 69 219

HSL 229.18, 0.72%, 0.5%

LAB 37.38, 43.91, -78.98

 

CMYK 0 / 84 / 26 / 14

HEX #DB24A1

RGB 219 36 161

HSL 319.02, 0.72%, 0.5%

LAB 50.56, 75.78, -22.83

 

Description

Color code: HEX #DBBA26 | qconv.com Color code: HEX #DBBA26 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 186 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 186 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 83 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 83% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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