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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB97C it is the complementary color #244683. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB97C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB97C shade: #E0B977, #F1CB8A, #FFDD9D, #FFEFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB97C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB97C shade: #DBB97C, #CAA769, #B99556, #A88343 and #977130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB97C shade: #DBB87B, #DB9F7B, #DB857B and #DB7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB97C shade: #DBB87B, #DBD27B, #C9DB7B, #B0DB7B and #96DB7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB97C shade matches the following richer shades: #DBB87B, #E8BC6D and #F6C060

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB97C shade: #DBB87B, #CDB588, #C0B196, #B2ADA4 and #A4A9B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB97C shade: #DB847B, #DB9E7B, #DBB87B, #DBD17B and #CBDB7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB97C shade: #C9963A, #D2A75A, #DBB87B, #E4CA9B and #EDDBBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB97C shade: #DBB97C, #8BDB7B and #917BDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB97C shade: #DBB97C, #7BDBB8 and #B87BDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB97C shade: #DBB97C, #8BDB7B, #7B9EDB and #CB7BDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB97C shade: #DBB97C, #7BDB88, #7B9EDB and #DB7BCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 43 / 14

HEX #DBB97C

RGB 219 185 124

HSL 38.53, 0.57%, 0.67%

LAB 76.81, 4.13, 35.45

 

Complementary color

CMYK 73 / 47 / 0 / 49

HEX #244683

RGB 36 70 131

HSL 218.53, 0.57%, 0.33%

LAB 30.39, 9.79, -37.98

 

CMYK 0 / 17 / 47 / 12

HEX #E0B977

RGB 224 185 119

HSL 37.71, 0.63%, 0.67%

LAB 77.21, 5.65, 38.63

 

CMYK 0 / 16 / 43 / 5

HEX #F1CB8A

RGB 241 203 138

HSL 37.86, 0.79%, 0.74%

LAB 83.57, 4.95, 37.37

 

CMYK 0 / 13 / 38 / 0

HEX #FFDD9D

RGB 255 221 157

HSL 39.18, 1%, 0.81%

LAB 89.58, 3.17, 35.77

 

CMYK 0 / 6 / 31 / 0

HEX #FFEFB0

RGB 255 239 176

HSL 47.85, 1%, 0.85%

LAB 94.37, -3.75, 32.48

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 16 / 43 / 14

HEX #DBB97C

RGB 219 185 124

HSL 38.53, 0.57%, 0.67%

LAB 76.81, 4.13, 35.45

 

CMYK 0 / 17 / 48 / 21

HEX #CAA769

RGB 202 167 105

HSL 38.35, 0.48%, 0.6%

LAB 70.33, 4.85, 36.74

 

CMYK 0 / 19 / 54 / 27

HEX #B99556

RGB 185 149 86

HSL 38.18, 0.41%, 0.53%

LAB 63.74, 5.7, 38.09

 

CMYK 0 / 22 / 60 / 34

HEX #A88343

RGB 168 131 67

HSL 38.02, 0.43%, 0.46%

LAB 57.04, 6.72, 39.47

 

CMYK 0 / 25 / 68 / 41

HEX #977130

RGB 151 113 48

HSL 37.86, 0.52%, 0.39%

LAB 50.22, 7.95, 40.8

 

CMYK 0 / 16 / 44 / 14

HEX #DBB87B

RGB 219 184 123

HSL 38.13, 0.57%, 0.67%

LAB 76.54, 4.56, 35.62

 

CMYK 0 / 27 / 44 / 14

HEX #DB9F7B

RGB 219 159 123

HSL 22.5, 0.57%, 0.67%

LAB 70.38, 17.93, 27.57

 

CMYK 0 / 39 / 44 / 14

HEX #DB857B

RGB 219 133 123

HSL 6.25, 0.57%, 0.67%

LAB 64.38, 31.89, 19.48

 

CMYK 0 / 44 / 44 / 14

HEX #DB7B7B

RGB 219 123 123

HSL 0, 0.57%, 0.67%

LAB 62.22, 37.15, 16.52

 

CMYK 0 / 16 / 44 / 14

HEX #DBB87B

RGB 219 184 123

HSL 38.13, 0.57%, 0.67%

LAB 76.54, 4.56, 35.62

 

CMYK 0 / 4 / 44 / 14

HEX #DBD27B

RGB 219 210 123

HSL 54.38, 0.57%, 0.67%

LAB 83.22, -8.93, 44.08

 

CMYK 8 / 0 / 44 / 14

HEX #C9DB7B

RGB 201 219 123

HSL 71.25, 0.57%, 0.67%

LAB 84.23, -20.5, 45.03

 

CMYK 20 / 0 / 44 / 14

HEX #B0DB7B

RGB 176 219 123

HSL 86.88, 0.57%, 0.67%

LAB 82.55, -29.94, 42.57

 

CMYK 32 / 0 / 44 / 14

HEX #96DB7B

RGB 150 219 123

HSL 103.13, 0.57%, 0.67%

LAB 81.06, -39.08, 40.37

 

CMYK 0 / 16 / 44 / 14

HEX #DBB87B

RGB 219 184 123

HSL 38.13, 0.57%, 0.67%

LAB 76.54, 4.56, 35.62

 

CMYK 0 / 19 / 53 / 9

HEX #E8BC6D

RGB 232 188 109

HSL 38.54, 0.73%, 0.67%

LAB 78.59, 6.44, 45.58

 

CMYK 0 / 22 / 61 / 4

HEX #F6C060

RGB 246 192 96

HSL 38.4, 0.89%, 0.67%

LAB 80.81, 9.14, 54.81

 

CMYK 0 / 16 / 44 / 14

HEX #DBB87B

RGB 219 184 123

HSL 38.13, 0.57%, 0.67%

LAB 76.54, 4.56, 35.62

 

CMYK 0 / 12 / 34 / 20

HEX #CDB588

RGB 205 181 136

HSL 39.13, 0.41%, 0.67%

LAB 74.7, 2.02, 26.11

 

CMYK 0 / 8 / 22 / 25

HEX #C0B196

RGB 192 177 150

HSL 38.57, 0.25%, 0.67%

LAB 72.79, 1, 15.77

 

CMYK 0 / 3 / 8 / 30

HEX #B2ADA4

RGB 178 173 164

HSL 38.57, 0.08%, 0.67%

LAB 70.89, 0.17, 5.24

HEX #B2ADA4

CMYK 7 / 5 / 0 / 31

HEX #A4A9B1

RGB 164 169 177

HSL 216.92, 0.08%, 0.67%

LAB 69.07, -0.18, -4.73

HEX #A4A9B1

CMYK 0 / 40 / 44 / 14

HEX #DB847B

RGB 219 132 123

HSL 5.63, 0.57%, 0.67%

LAB 64.15, 32.42, 19.18

 

CMYK 0 / 28 / 44 / 14

HEX #DB9E7B

RGB 219 158 123

HSL 21.88, 0.57%, 0.67%

LAB 70.14, 18.46, 27.25

 

CMYK 0 / 16 / 44 / 14

HEX #DBB87B

RGB 219 184 123

HSL 38.13, 0.57%, 0.67%

LAB 76.54, 4.56, 35.62

 

CMYK 0 / 5 / 44 / 14

HEX #DBD17B

RGB 219 209 123

HSL 53.75, 0.57%, 0.67%

LAB 82.96, -8.42, 43.75

 

CMYK 7 / 0 / 44 / 14

HEX #CBDB7B

RGB 203 219 123

HSL 70, 0.57%, 0.67%

LAB 84.38, -19.73, 45.24

 

CMYK 0 / 25 / 71 / 21

HEX #C9963A

RGB 201 150 58

HSL 38.6, 0.57%, 0.51%

LAB 65.39, 10.15, 53.9

 

CMYK 0 / 20 / 57 / 18

HEX #D2A75A

RGB 210 167 90

HSL 38.5, 0.57%, 0.59%

LAB 70.92, 6.9, 45.29

 

CMYK 0 / 16 / 44 / 14

HEX #DBB87B

RGB 219 184 123

HSL 38.13, 0.57%, 0.67%

LAB 76.54, 4.56, 35.62

 

CMYK 0 / 11 / 32 / 11

HEX #E4CA9B

RGB 228 202 155

HSL 38.63, 0.57%, 0.75%

LAB 82.43, 2.32, 26.84

 

CMYK 0 / 8 / 21 / 7

HEX #EDDBBC

RGB 237 219 188

HSL 37.96, 0.58%, 0.83%

LAB 88.11, 1.34, 17.49

 

CMYK 0 / 16 / 43 / 14

HEX #DBB97C

RGB 219 185 124

HSL 38.53, 0.57%, 0.67%

LAB 76.81, 4.13, 35.45

 

CMYK 37 / 0 / 44 / 14

HEX #8BDB7B

RGB 139 219 123

HSL 110, 0.57%, 0.67%

LAB 80.51, -42.68, 39.56

 

CMYK 34 / 44 / 0 / 14

HEX #917BDB

RGB 145 123 219

HSL 253.75, 0.57%, 0.67%

LAB 57.37, 29.95, -46.32

 

CMYK 0 / 16 / 43 / 14

HEX #DBB97C

RGB 219 185 124

HSL 38.53, 0.57%, 0.67%

LAB 76.81, 4.13, 35.45

 

CMYK 44 / 0 / 16 / 14

HEX #7BDBB8

RGB 123 219 184

HSL 158.13, 0.57%, 0.67%

LAB 80.92, -36.48, 8.43

 

CMYK 16 / 44 / 0 / 14

HEX #B87BDB

RGB 184 123 219

HSL 278.13, 0.57%, 0.67%

LAB 61.19, 40.82, -40.03

 

CMYK 0 / 16 / 43 / 14

HEX #DBB97C

RGB 219 185 124

HSL 38.53, 0.57%, 0.67%

LAB 76.81, 4.13, 35.45

 

CMYK 37 / 0 / 44 / 14

HEX #8BDB7B

RGB 139 219 123

HSL 110, 0.57%, 0.67%

LAB 80.51, -42.68, 39.56

 

CMYK 44 / 28 / 0 / 14

HEX #7B9EDB

RGB 123 158 219

HSL 218.13, 0.57%, 0.67%

LAB 64.79, 3.85, -34.78

 

CMYK 7 / 44 / 0 / 14

HEX #CB7BDB

RGB 203 123 219

HSL 290, 0.57%, 0.67%

LAB 63.32, 46.33, -36.54

 

CMYK 0 / 16 / 43 / 14

HEX #DBB97C

RGB 219 185 124

HSL 38.53, 0.57%, 0.67%

LAB 76.81, 4.13, 35.45

 

CMYK 44 / 0 / 38 / 14

HEX #7BDB88

RGB 123 219 136

HSL 128.13, 0.57%, 0.67%

LAB 79.98, -45.56, 32.2

 

CMYK 44 / 28 / 0 / 14

HEX #7B9EDB

RGB 123 158 219

HSL 218.13, 0.57%, 0.67%

LAB 64.79, 3.85, -34.78

 

CMYK 0 / 44 / 6 / 14

HEX #DB7BCE

RGB 219 123 206

HSL 308.13, 0.57%, 0.67%

LAB 64.71, 48.72, -26.97

 

Description

Color code: HEX #DBB97C | qconv.com Color code: HEX #DBB97C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 185 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 185 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 43 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 43% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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