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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB963 it is the complementary color #24469C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB963 shade: #E0B95E, #F1CB71, #FFDD84, #FFEF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB963 shade: #DBB963, #CAA750, #B9953D, #A8832A and #977117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB963 shade: #DBB961, #DB9861, #DB7761 and #DB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB963 shade: #DBB961, #DBD961, #BCDB61, #9BDB61 and #7ADB61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB963 shade matches the following richer shades: #DBB961, #EBBF51 and #FBC642

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB963 shade: #DBB961, #CBB271, #BCAB80, #ACA490 and #9C9DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB963 shade: #DB7761, #DB9861, #DBB961, #DBD961 and #BDDB61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB963 shade: #BE952B, #D4AA3F, #DBB961, #E3C883 and #EAD7A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB963 shade: #DBB963, #6BDB61 and #8861DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB963 shade: #DBB963, #61DBB9 and #B961DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB963 shade: #DBB963, #6BDB61, #6184DB and #D161DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB963 shade: #DBB963, #61DB7C, #6184DB and #DB61C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 55 / 14

HEX #DBB963

RGB 219 185 99

HSL 43, 0.63%, 0.62%

LAB 76.47, 1.83, 47.65

 

Complementary color

CMYK 77 / 55 / 0 / 39

HEX #24469C

RGB 36 70 156

HSL 223, 0.63%, 0.38%

LAB 32.16, 19.63, -50.44

 

CMYK 0 / 17 / 58 / 12

HEX #E0B95E

RGB 224 185 94

HSL 42, 0.68%, 0.62%

LAB 76.89, 3.52, 50.68

 

CMYK 0 / 16 / 53 / 5

HEX #F1CB71

RGB 241 203 113

HSL 42.19, 0.82%, 0.69%

LAB 83.23, 2.64, 49.43

 

CMYK 0 / 13 / 48 / 0

HEX #FFDD84

RGB 255 221 132

HSL 43.41, 1%, 0.76%

LAB 89.22, 0.68, 47.79

 

CMYK 0 / 6 / 41 / 0

HEX #FFEF97

RGB 255 239 151

HSL 50.77, 1%, 0.8%

LAB 93.98, -6.55, 44.46

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 16 / 55 / 14

HEX #DBB963

RGB 219 185 99

HSL 43, 0.63%, 0.62%

LAB 76.47, 1.83, 47.65

 

CMYK 0 / 17 / 60 / 21

HEX #CAA750

RGB 202 167 80

HSL 42.79, 0.54%, 0.55%

LAB 70.02, 2.75, 48.89

 

CMYK 0 / 19 / 67 / 27

HEX #B9953D

RGB 185 149 61

HSL 42.58, 0.5%, 0.48%

LAB 63.46, 3.86, 50.03

 

CMYK 0 / 22 / 75 / 34

HEX #A8832A

RGB 168 131 42

HSL 42.38, 0.6%, 0.41%

LAB 56.81, 5.18, 50.88

 

CMYK 0 / 25 / 85 / 41

HEX #977117

RGB 151 113 23

HSL 42.19, 0.74%, 0.34%

LAB 50.04, 6.79, 51

 

CMYK 0 / 16 / 56 / 14

HEX #DBB961

RGB 219 185 97

HSL 43.28, 0.63%, 0.62%

LAB 76.45, 1.67, 48.6

 

CMYK 0 / 31 / 56 / 14

HEX #DB9861

RGB 219 152 97

HSL 27.05, 0.63%, 0.62%

LAB 68.3, 19.28, 38.78

 

CMYK 0 / 46 / 56 / 14

HEX #DB7761

RGB 219 119 97

HSL 10.82, 0.63%, 0.62%

LAB 60.88, 36.84, 29.43

 

CMYK 0 / 56 / 56 / 14

HEX #DB6161

RGB 219 97 97

HSL 0, 0.63%, 0.62%

LAB 56.56, 47.82, 23.79

 

CMYK 0 / 16 / 56 / 14

HEX #DBB961

RGB 219 185 97

HSL 43.28, 0.63%, 0.62%

LAB 76.45, 1.67, 48.6

 

CMYK 0 / 1 / 56 / 14

HEX #DBD961

RGB 219 217 97

HSL 59.02, 0.63%, 0.62%

LAB 84.77, -14.71, 58.18

 

CMYK 14 / 0 / 56 / 14

HEX #BCDB61

RGB 188 219 97

HSL 75.25, 0.63%, 0.62%

LAB 83.03, -28.05, 55.6

 

CMYK 29 / 0 / 56 / 14

HEX #9BDB61

RGB 155 219 97

HSL 91.48, 0.63%, 0.62%

LAB 81.01, -40.35, 52.75

 

CMYK 44 / 0 / 56 / 14

HEX #7ADB61

RGB 122 219 97

HSL 107.7, 0.63%, 0.62%

LAB 79.42, -51.17, 50.49

 

CMYK 0 / 16 / 56 / 14

HEX #DBB961

RGB 219 185 97

HSL 43.28, 0.63%, 0.62%

LAB 76.45, 1.67, 48.6

 

CMYK 0 / 19 / 66 / 8

HEX #EBBF51

RGB 235 191 81

HSL 42.86, 0.79%, 0.62%

LAB 79.34, 4.13, 59.65

 

CMYK 0 / 21 / 74 / 2

HEX #FBC642

RGB 251 198 66

HSL 42.81, 0.96%, 0.62%

LAB 82.53, 6.48, 69.49

 

CMYK 0 / 16 / 56 / 14

HEX #DBB961

RGB 219 185 97

HSL 43.28, 0.63%, 0.62%

LAB 76.45, 1.67, 48.6

 

CMYK 0 / 12 / 44 / 20

HEX #CBB271

RGB 203 178 113

HSL 43.33, 0.46%, 0.62%

LAB 73.37, 0.19, 36.45

 

CMYK 0 / 9 / 32 / 26

HEX #BCAB80

RGB 188 171 128

HSL 43, 0.31%, 0.62%

LAB 70.44, -0.41, 24.41

 

CMYK 0 / 5 / 16 / 33

HEX #ACA490

RGB 172 164 144

HSL 42.86, 0.14%, 0.62%

LAB 67.53, -0.55, 11.42

 

CMYK 2 / 2 / 0 / 37

HEX #9C9DA0

RGB 156 157 160

HSL 225, 0.02%, 0.62%

LAB 64.74, 0.23, -1.7

 

CMYK 0 / 46 / 56 / 14

HEX #DB7761

RGB 219 119 97

HSL 10.82, 0.63%, 0.62%

LAB 60.88, 36.84, 29.43

 

CMYK 0 / 31 / 56 / 14

HEX #DB9861

RGB 219 152 97

HSL 27.05, 0.63%, 0.62%

LAB 68.3, 19.28, 38.78

 

CMYK 0 / 16 / 56 / 14

HEX #DBB961

RGB 219 185 97

HSL 43.28, 0.63%, 0.62%

LAB 76.45, 1.67, 48.6

 

CMYK 0 / 1 / 56 / 14

HEX #DBD961

RGB 219 217 97

HSL 59.02, 0.63%, 0.62%

LAB 84.77, -14.71, 58.18

 

CMYK 14 / 0 / 56 / 14

HEX #BDDB61

RGB 189 219 97

HSL 74.75, 0.63%, 0.62%

LAB 83.1, -27.66, 55.69

 

CMYK 0 / 22 / 77 / 25

HEX #BE952B

RGB 190 149 43

HSL 43.27, 0.63%, 0.46%

LAB 63.85, 5.17, 58.04

 

CMYK 0 / 20 / 70 / 17

HEX #D4AA3F

RGB 212 170 63

HSL 43.09, 0.63%, 0.54%

LAB 71.63, 4.41, 58.54

 

CMYK 0 / 16 / 56 / 14

HEX #DBB961

RGB 219 185 97

HSL 43.28, 0.63%, 0.62%

LAB 76.45, 1.67, 48.6

 

CMYK 0 / 12 / 42 / 11

HEX #E3C883

RGB 227 200 131

HSL 43.13, 0.63%, 0.7%

LAB 81.44, 0.22, 37.95

 

CMYK 0 / 8 / 30 / 8

HEX #EAD7A4

RGB 234 215 164

HSL 43.71, 0.63%, 0.78%

LAB 86.39, -0.98, 27.59

 

CMYK 0 / 16 / 55 / 14

HEX #DBB963

RGB 219 185 99

HSL 43, 0.63%, 0.62%

LAB 76.47, 1.83, 47.65

 

CMYK 51 / 0 / 56 / 14

HEX #6BDB61

RGB 107 219 97

HSL 115.08, 0.63%, 0.62%

LAB 78.84, -55.42, 49.66

 

CMYK 38 / 56 / 0 / 14

HEX #8861DB

RGB 136 97 219

HSL 259.18, 0.63%, 0.62%

LAB 50.57, 42.62, -57.21

 

CMYK 0 / 16 / 55 / 14

HEX #DBB963

RGB 219 185 99

HSL 43, 0.63%, 0.62%

LAB 76.47, 1.83, 47.65

 

CMYK 56 / 0 / 16 / 14

HEX #61DBB9

RGB 97 219 185

HSL 163.28, 0.63%, 0.62%

LAB 80.01, -42.25, 6.47

 

CMYK 16 / 56 / 0 / 14

HEX #B961DB

RGB 185 97 219

HSL 283.28, 0.63%, 0.62%

LAB 56.07, 54.68, -48.11

 

CMYK 0 / 16 / 55 / 14

HEX #DBB963

RGB 219 185 99

HSL 43, 0.63%, 0.62%

LAB 76.47, 1.83, 47.65

 

CMYK 51 / 0 / 56 / 14

HEX #6BDB61

RGB 107 219 97

HSL 115.08, 0.63%, 0.62%

LAB 78.84, -55.42, 49.66

 

CMYK 56 / 40 / 0 / 14

HEX #6184DB

RGB 97 132 219

HSL 222.79, 0.63%, 0.62%

LAB 56.25, 13.03, -48.31

 

CMYK 5 / 56 / 0 / 14

HEX #D161DB

RGB 209 97 219

HSL 295.08, 0.63%, 0.62%

LAB 59.18, 60.85, -42.99

 

CMYK 0 / 16 / 55 / 14

HEX #DBB963

RGB 219 185 99

HSL 43, 0.63%, 0.62%

LAB 76.47, 1.83, 47.65

 

CMYK 56 / 0 / 43 / 14

HEX #61DB7C

RGB 97 219 124

HSL 133.28, 0.63%, 0.62%

LAB 78.84, -54.23, 36.6

 

CMYK 56 / 40 / 0 / 14

HEX #6184DB

RGB 97 132 219

HSL 222.79, 0.63%, 0.62%

LAB 56.25, 13.03, -48.31

 

CMYK 0 / 56 / 12 / 14

HEX #DB61C1

RGB 219 97 193

HSL 312.79, 0.63%, 0.62%

LAB 59.4, 59.19, -27.8

 

Description

Color code: HEX #DBB963 | qconv.com Color code: HEX #DBB963 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 185 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 185 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 55 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 55% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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