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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB959 it is the complementary color #2446A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB959 shade: #E0B954, #F1CB67, #FFDD7A, #FFEF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB959 shade: #DBB959, #CAA746, #B99533, #A88320 and #97710D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB959 shade: #DAB858, #DA9558, #DA7258 and #DA5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB959 shade: #DAB858, #D9DA58, #B6DA58, #93DA58 and #70DA58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB959 shade matches the following richer shades: #DAB858, #EBC047 and #FBC837

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB959 shade: #DAB858, #CAB068, #B9A879, #A9A189 and #98999A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB959 shade: #DA7258, #DA9558, #DAB758, #DADA58 and #B7DA58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB959 shade: #B79228, #D3AA36, #DAB858, #E2C67A and #E9D59B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB959 shade: #DBB959, #60DA58 and #8358DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB959 shade: #DBB959, #58DAB7 and #B758DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB959 shade: #DBB959, #60DA58, #587BDA and #D258DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB959 shade: #DBB959, #58DA76, #587BDA and #DA58BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 59 / 14

HEX #DBB959

RGB 219 185 89

HSL 44.31, 0.64%, 0.6%

LAB 76.36, 1.07, 52.31

 

Complementary color

CMYK 78 / 58 / 0 / 35

HEX #2446A6

RGB 36 70 166

HSL 224.31, 0.64%, 0.4%

LAB 32.94, 23.53, -55.2

 

CMYK 0 / 17 / 63 / 12

HEX #E0B954

RGB 224 185 84

HSL 43.29, 0.69%, 0.6%

LAB 76.79, 2.83, 55.22

 

CMYK 0 / 16 / 57 / 5

HEX #F1CB67

RGB 241 203 103

HSL 43.48, 0.83%, 0.67%

LAB 83.12, 1.86, 54.06

 

CMYK 0 / 13 / 52 / 0

HEX #FFDD7A

RGB 255 221 122

HSL 44.66, 1%, 0.74%

LAB 89.1, -0.18, 52.46

 

CMYK 0 / 6 / 45 / 0

HEX #FFEF8D

RGB 255 239 141

HSL 51.58, 1%, 0.78%

LAB 93.85, -7.54, 49.16

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 16 / 59 / 14

HEX #DBB959

RGB 219 185 89

HSL 44.31, 0.64%, 0.6%

LAB 76.36, 1.07, 52.31

 

CMYK 0 / 17 / 65 / 21

HEX #CAA746

RGB 202 167 70

HSL 44.09, 0.55%, 0.53%

LAB 69.92, 2.09, 53.41

 

CMYK 0 / 19 / 72 / 27

HEX #B99533

RGB 185 149 51

HSL 43.88, 0.57%, 0.46%

LAB 63.38, 3.31, 54.28

 

CMYK 0 / 22 / 81 / 34

HEX #A88320

RGB 168 131 32

HSL 43.68, 0.68%, 0.39%

LAB 56.74, 4.77, 54.6

 

CMYK 0 / 25 / 91 / 41

HEX #97710D

RGB 151 113 13

HSL 43.48, 0.84%, 0.32%

LAB 50, 6.53, 53.74

 

CMYK 0 / 16 / 60 / 15

HEX #DAB858

RGB 218 184 88

HSL 44.31, 0.64%, 0.6%

LAB 76, 1.1, 52.34

 

CMYK 0 / 32 / 60 / 15

HEX #DA9558

RGB 218 149 88

HSL 28.15, 0.64%, 0.6%

LAB 67.36, 19.79, 42.27

 

CMYK 0 / 48 / 60 / 15

HEX #DA7258

RGB 218 114 88

HSL 12, 0.64%, 0.6%

LAB 59.57, 38.35, 32.74

 

CMYK 0 / 60 / 60 / 15

HEX #DA5858

RGB 218 88 88

HSL 0, 0.64%, 0.6%

LAB 54.65, 51, 26.47

 

CMYK 0 / 16 / 60 / 15

HEX #DAB858

RGB 218 184 88

HSL 44.31, 0.64%, 0.6%

LAB 76, 1.1, 52.34

 

CMYK 0 / 0 / 60 / 15

HEX #D9DA58

RGB 217 218 88

HSL 60.46, 0.64%, 0.6%

LAB 84.79, -16.66, 62.07

 

CMYK 17 / 0 / 60 / 15

HEX #B6DA58

RGB 182 218 88

HSL 76.62, 0.64%, 0.6%

LAB 82.27, -30.65, 58.58

 

CMYK 33 / 0 / 60 / 15

HEX #93DA58

RGB 147 218 88

HSL 92.77, 0.64%, 0.6%

LAB 80.21, -43.57, 55.71

 

CMYK 49 / 0 / 60 / 15

HEX #70DA58

RGB 112 218 88

HSL 108.92, 0.64%, 0.6%

LAB 78.63, -54.66, 53.5

 

CMYK 0 / 16 / 60 / 15

HEX #DAB858

RGB 218 184 88

HSL 44.31, 0.64%, 0.6%

LAB 76, 1.1, 52.34

 

CMYK 0 / 18 / 70 / 8

HEX #EBC047

RGB 235 192 71

HSL 44.27, 0.8%, 0.6%

LAB 79.51, 3.07, 64.03

 

CMYK 0 / 20 / 78 / 2

HEX #FBC837

RGB 251 200 55

HSL 44.39, 0.96%, 0.6%

LAB 82.96, 5.02, 73.74

 

CMYK 0 / 16 / 60 / 15

HEX #DAB858

RGB 218 184 88

HSL 44.31, 0.64%, 0.6%

LAB 76, 1.1, 52.34

 

CMYK 0 / 13 / 49 / 21

HEX #CAB068

RGB 202 176 104

HSL 44.08, 0.48%, 0.6%

LAB 72.63, -0.05, 40.13

 

CMYK 0 / 9 / 35 / 27

HEX #B9A879

RGB 185 168 121

HSL 44.06, 0.31%, 0.6%

LAB 69.26, -0.89, 26.55

 

CMYK 0 / 5 / 19 / 34

HEX #A9A189

RGB 169 161 137

HSL 45, 0.16%, 0.6%

LAB 66.31, -1.18, 13.55

 

CMYK 1 / 1 / 0 / 40

HEX #98999A

RGB 152 153 154

HSL 210, 0.01%, 0.6%

LAB 63.17, -0.16, -0.66

 

CMYK 0 / 48 / 60 / 15

HEX #DA7258

RGB 218 114 88

HSL 12, 0.64%, 0.6%

LAB 59.57, 38.35, 32.74

 

CMYK 0 / 32 / 60 / 15

HEX #DA9558

RGB 218 149 88

HSL 28.15, 0.64%, 0.6%

LAB 67.36, 19.79, 42.27

 

CMYK 0 / 16 / 60 / 15

HEX #DAB758

RGB 218 183 88

HSL 43.85, 0.64%, 0.6%

LAB 75.75, 1.62, 52.05

 

CMYK 0 / 0 / 60 / 15

HEX #DADA58

RGB 218 218 88

HSL 60, 0.64%, 0.6%

LAB 84.87, -16.25, 62.18

 

CMYK 16 / 0 / 60 / 15

HEX #B7DA58

RGB 183 218 88

HSL 76.15, 0.64%, 0.6%

LAB 82.33, -30.26, 58.67

 

CMYK 0 / 20 / 78 / 28

HEX #B79228

RGB 183 146 40

HSL 44.48, 0.64%, 0.44%

LAB 62.32, 3.56, 57.45

 

CMYK 0 / 19 / 74 / 17

HEX #D3AA36

RGB 211 170 54

HSL 44.33, 0.64%, 0.52%

LAB 71.46, 3.55, 61.92

 

CMYK 0 / 16 / 60 / 15

HEX #DAB858

RGB 218 184 88

HSL 44.31, 0.64%, 0.6%

LAB 76, 1.1, 52.34

 

CMYK 0 / 12 / 46 / 11

HEX #E2C67A

RGB 226 198 122

HSL 43.85, 0.64%, 0.68%

LAB 80.72, -0.05, 41.57

 

CMYK 0 / 9 / 33 / 9

HEX #E9D59B

RGB 233 213 155

HSL 44.62, 0.64%, 0.76%

LAB 85.64, -1.45, 31.23

 

CMYK 0 / 16 / 59 / 14

HEX #DBB959

RGB 219 185 89

HSL 44.31, 0.64%, 0.6%

LAB 76.36, 1.07, 52.31

 

CMYK 56 / 0 / 60 / 15

HEX #60DA58

RGB 96 218 88

HSL 116.31, 0.64%, 0.6%

LAB 78.07, -58.9, 52.72

 

CMYK 40 / 60 / 0 / 15

HEX #8358DA

RGB 131 88 218

HSL 259.85, 0.64%, 0.6%

LAB 48.09, 46.24, -60.65

 

CMYK 0 / 16 / 59 / 14

HEX #DBB959

RGB 219 185 89

HSL 44.31, 0.64%, 0.6%

LAB 76.36, 1.07, 52.31

 

CMYK 60 / 0 / 16 / 15

HEX #58DAB7

RGB 88 218 183

HSL 163.85, 0.64%, 0.6%

LAB 79.41, -44.05, 6.62

 

CMYK 16 / 60 / 0 / 15

HEX #B758DA

RGB 183 88 218

HSL 283.85, 0.64%, 0.6%

LAB 54.14, 58.33, -50.62

 

CMYK 0 / 16 / 59 / 14

HEX #DBB959

RGB 219 185 89

HSL 44.31, 0.64%, 0.6%

LAB 76.36, 1.07, 52.31

 

CMYK 56 / 0 / 60 / 15

HEX #60DA58

RGB 96 218 88

HSL 116.31, 0.64%, 0.6%

LAB 78.07, -58.9, 52.72

 

CMYK 60 / 44 / 0 / 15

HEX #587BDA

RGB 88 123 218

HSL 223.85, 0.64%, 0.6%

LAB 53.28, 16.37, -52.5

 

CMYK 4 / 60 / 0 / 15

HEX #D258DA

RGB 210 88 218

HSL 296.31, 0.64%, 0.6%

LAB 57.79, 64.94, -44.6

 

CMYK 0 / 16 / 59 / 14

HEX #DBB959

RGB 219 185 89

HSL 44.31, 0.64%, 0.6%

LAB 76.36, 1.07, 52.31

 

CMYK 60 / 0 / 46 / 15

HEX #58DA76

RGB 88 218 118

HSL 133.85, 0.64%, 0.6%

LAB 78.18, -56.81, 38.68

 

CMYK 60 / 44 / 0 / 15

HEX #587BDA

RGB 88 123 218

HSL 223.85, 0.64%, 0.6%

LAB 53.28, 16.37, -52.5

 

CMYK 0 / 60 / 14 / 15

HEX #DA58BC

RGB 218 88 188

HSL 313.85, 0.64%, 0.6%

LAB 57.57, 62.13, -27.77

 

Description

Color code: HEX #DBB959 | qconv.com Color code: HEX #DBB959 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 185 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 185 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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