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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB859 it is the complementary color #2447A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB859. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB859 shade: #E0B854, #F1CA67, #FFDC7A, #FFEE8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB859. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB859 shade: #DBB859, #CAA646, #B99433, #A88220 and #97700D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB859 shade: #DAB758, #DA9458, #DA7158 and #DA5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB859 shade: #DAB758, #DADA58, #B7DA58, #94DA58 and #71DA58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB859 shade matches the following richer shades: #DAB758, #EBBF47 and #FBC637

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB859 shade: #DAB758, #CAB068, #B9A879, #A9A089 and #98999A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB859 shade: #DA7058, #DA9258, #DAB558, #DAD858 and #BADA58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB859 shade: #B79128, #D3A936, #DAB758, #E2C67A and #E9D49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB859 shade: #DBB859, #63DA58 and #8158DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB859 shade: #DBB859, #58DAB5 and #B558DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB859 shade: #DBB859, #63DA58, #587DDA and #CF58DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB859 shade: #DBB859, #58DA74, #587DDA and #DA58BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 59 / 14

HEX #DBB859

RGB 219 184 89

HSL 43.85, 0.64%, 0.6%

LAB 76.11, 1.59, 52.01

 

Complementary color

CMYK 78 / 57 / 0 / 35

HEX #2447A6

RGB 36 71 166

HSL 223.85, 0.64%, 0.4%

LAB 33.21, 22.85, -54.76

 

CMYK 0 / 18 / 63 / 12

HEX #E0B854

RGB 224 184 84

HSL 42.86, 0.69%, 0.6%

LAB 76.54, 3.35, 54.94

 

CMYK 0 / 16 / 57 / 5

HEX #F1CA67

RGB 241 202 103

HSL 43.04, 0.83%, 0.67%

LAB 82.87, 2.38, 53.77

 

CMYK 0 / 14 / 52 / 0

HEX #FFDC7A

RGB 255 220 122

HSL 44.21, 1%, 0.74%

LAB 88.85, 0.33, 52.16

 

CMYK 0 / 7 / 45 / 0

HEX #FFEE8D

RGB 255 238 141

HSL 51.05, 1%, 0.78%

LAB 93.59, -7.04, 48.84

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 16 / 59 / 14

HEX #DBB859

RGB 219 184 89

HSL 43.85, 0.64%, 0.6%

LAB 76.11, 1.59, 52.01

 

CMYK 0 / 18 / 65 / 21

HEX #CAA646

RGB 202 166 70

HSL 43.64, 0.55%, 0.53%

LAB 69.66, 2.63, 53.14

 

CMYK 0 / 20 / 72 / 27

HEX #B99433

RGB 185 148 51

HSL 43.43, 0.57%, 0.46%

LAB 63.12, 3.85, 54.02

 

CMYK 0 / 23 / 81 / 34

HEX #A88220

RGB 168 130 32

HSL 43.24, 0.68%, 0.39%

LAB 56.48, 5.32, 54.37

 

CMYK 0 / 26 / 91 / 41

HEX #97700D

RGB 151 112 13

HSL 43.04, 0.84%, 0.32%

LAB 49.73, 7.1, 53.53

 

CMYK 0 / 16 / 60 / 15

HEX #DAB758

RGB 218 183 88

HSL 43.85, 0.64%, 0.6%

LAB 75.75, 1.62, 52.05

 

CMYK 0 / 32 / 60 / 15

HEX #DA9458

RGB 218 148 88

HSL 27.69, 0.64%, 0.6%

LAB 67.12, 20.33, 41.98

 

CMYK 0 / 48 / 60 / 15

HEX #DA7158

RGB 218 113 88

HSL 11.54, 0.64%, 0.6%

LAB 59.36, 38.86, 32.48

 

CMYK 0 / 60 / 60 / 15

HEX #DA5858

RGB 218 88 88

HSL 0, 0.64%, 0.6%

LAB 54.65, 51, 26.47

 

CMYK 0 / 16 / 60 / 15

HEX #DAB758

RGB 218 183 88

HSL 43.85, 0.64%, 0.6%

LAB 75.75, 1.62, 52.05

 

CMYK 0 / 0 / 60 / 15

HEX #DADA58

RGB 218 218 88

HSL 60, 0.64%, 0.6%

LAB 84.87, -16.25, 62.18

 

CMYK 16 / 0 / 60 / 15

HEX #B7DA58

RGB 183 218 88

HSL 76.15, 0.64%, 0.6%

LAB 82.33, -30.26, 58.67

 

CMYK 32 / 0 / 60 / 15

HEX #94DA58

RGB 148 218 88

HSL 92.31, 0.64%, 0.6%

LAB 80.26, -43.22, 55.79

 

CMYK 48 / 0 / 60 / 15

HEX #71DA58

RGB 113 218 88

HSL 108.46, 0.64%, 0.6%

LAB 78.67, -54.37, 53.56

 

CMYK 0 / 16 / 60 / 15

HEX #DAB758

RGB 218 183 88

HSL 43.85, 0.64%, 0.6%

LAB 75.75, 1.62, 52.05

 

CMYK 0 / 19 / 70 / 8

HEX #EBBF47

RGB 235 191 71

HSL 43.9, 0.8%, 0.6%

LAB 79.26, 3.59, 63.77

 

CMYK 0 / 21 / 78 / 2

HEX #FBC637

RGB 251 198 55

HSL 43.78, 0.96%, 0.6%

LAB 82.47, 6.05, 73.3

 

CMYK 0 / 16 / 60 / 15

HEX #DAB758

RGB 218 183 88

HSL 43.85, 0.64%, 0.6%

LAB 75.75, 1.62, 52.05

 

CMYK 0 / 13 / 49 / 21

HEX #CAB068

RGB 202 176 104

HSL 44.08, 0.48%, 0.6%

LAB 72.63, -0.05, 40.13

 

CMYK 0 / 9 / 35 / 27

HEX #B9A879

RGB 185 168 121

HSL 44.06, 0.31%, 0.6%

LAB 69.26, -0.89, 26.55

 

CMYK 0 / 5 / 19 / 34

HEX #A9A089

RGB 169 160 137

HSL 43.13, 0.16%, 0.6%

LAB 66.05, -0.64, 13.17

 

CMYK 1 / 1 / 0 / 40

HEX #98999A

RGB 152 153 154

HSL 210, 0.01%, 0.6%

LAB 63.17, -0.16, -0.66

 

CMYK 0 / 49 / 60 / 15

HEX #DA7058

RGB 218 112 88

HSL 11.08, 0.64%, 0.6%

LAB 59.16, 39.37, 32.22

 

CMYK 0 / 33 / 60 / 15

HEX #DA9258

RGB 218 146 88

HSL 26.77, 0.64%, 0.6%

LAB 66.65, 21.41, 41.42

 

CMYK 0 / 17 / 60 / 15

HEX #DAB558

RGB 218 181 88

HSL 42.92, 0.64%, 0.6%

LAB 75.24, 2.68, 51.47

 

CMYK 0 / 1 / 60 / 15

HEX #DAD858

RGB 218 216 88

HSL 59.08, 0.64%, 0.6%

LAB 84.34, -15.26, 61.6

 

CMYK 15 / 0 / 60 / 15

HEX #BADA58

RGB 186 218 88

HSL 74.77, 0.64%, 0.6%

LAB 82.53, -29.09, 58.95

 

CMYK 0 / 21 / 78 / 28

HEX #B79128

RGB 183 145 40

HSL 44.06, 0.64%, 0.44%

LAB 62.06, 4.11, 57.2

 

CMYK 0 / 20 / 74 / 17

HEX #D3A936

RGB 211 169 54

HSL 43.95, 0.64%, 0.52%

LAB 71.21, 4.09, 61.68

 

CMYK 0 / 16 / 60 / 15

HEX #DAB758

RGB 218 183 88

HSL 43.85, 0.64%, 0.6%

LAB 75.75, 1.62, 52.05

 

CMYK 0 / 12 / 46 / 11

HEX #E2C67A

RGB 226 198 122

HSL 43.85, 0.64%, 0.68%

LAB 80.72, -0.05, 41.57

 

CMYK 0 / 9 / 33 / 9

HEX #E9D49B

RGB 233 212 155

HSL 43.85, 0.64%, 0.76%

LAB 85.39, -0.93, 30.89

 

CMYK 0 / 16 / 59 / 14

HEX #DBB859

RGB 219 184 89

HSL 43.85, 0.64%, 0.6%

LAB 76.11, 1.59, 52.01

 

CMYK 55 / 0 / 60 / 15

HEX #63DA58

RGB 99 218 88

HSL 114.92, 0.64%, 0.6%

LAB 78.17, -58.14, 52.85

 

CMYK 41 / 60 / 0 / 15

HEX #8158DA

RGB 129 88 218

HSL 258.92, 0.64%, 0.6%

LAB 47.89, 45.81, -60.99

 

CMYK 0 / 16 / 59 / 14

HEX #DBB859

RGB 219 184 89

HSL 43.85, 0.64%, 0.6%

LAB 76.11, 1.59, 52.01

 

CMYK 60 / 0 / 17 / 15

HEX #58DAB5

RGB 88 218 181

HSL 162.92, 0.64%, 0.6%

LAB 79.36, -44.52, 7.62

 

CMYK 17 / 60 / 0 / 15

HEX #B558DA

RGB 181 88 218

HSL 282.92, 0.64%, 0.6%

LAB 53.88, 57.84, -51.05

 

CMYK 0 / 16 / 59 / 14

HEX #DBB859

RGB 219 184 89

HSL 43.85, 0.64%, 0.6%

LAB 76.11, 1.59, 52.01

 

CMYK 55 / 0 / 60 / 15

HEX #63DA58

RGB 99 218 88

HSL 114.92, 0.64%, 0.6%

LAB 78.17, -58.14, 52.85

 

CMYK 60 / 43 / 0 / 15

HEX #587DDA

RGB 88 125 218

HSL 222.92, 0.64%, 0.6%

LAB 53.82, 15.15, -51.64

 

CMYK 5 / 60 / 0 / 15

HEX #CF58DA

RGB 207 88 218

HSL 294.92, 0.64%, 0.6%

LAB 57.37, 64.2, -45.29

 

CMYK 0 / 16 / 59 / 14

HEX #DBB859

RGB 219 184 89

HSL 43.85, 0.64%, 0.6%

LAB 76.11, 1.59, 52.01

 

CMYK 60 / 0 / 47 / 15

HEX #58DA74

RGB 88 218 116

HSL 132.92, 0.64%, 0.6%

LAB 78.16, -57.11, 39.63

 

CMYK 60 / 43 / 0 / 15

HEX #587DDA

RGB 88 125 218

HSL 222.92, 0.64%, 0.6%

LAB 53.82, 15.15, -51.64

 

CMYK 0 / 60 / 13 / 15

HEX #DA58BE

RGB 218 88 190

HSL 312.92, 0.64%, 0.6%

LAB 57.66, 62.43, -28.79

 

Description

Color code: HEX #DBB859 | qconv.com Color code: HEX #DBB859 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 184 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 184 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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