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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB70ACE it is the complementary color #2448F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB70ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB70ACE shade: #E0B705CE, #F1C918CE, #FFDB2BCE, #FFED3ECE and #FFFF51CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB70ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB70ACE shade: #DBB70ACE, #CAA500CE, #B99300CE, #A88100CE and #976F00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB70ACE shade: #DBB70A, #DB7F0A, #DB470A, #DB0E0A and #DB0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB70ACE shade: #DBB70A, #C7DB0A, #8EDB0A, #56DB0A and #1EDB0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB70ACE shade matches the following richer shades: #DBB70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB70ACE shade: #DBB70A, #C9AB1D, #B69F2F, #A39342 and #918755

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB70ACE shade: #DB460A, #DB7D0A, #DBB50A, #CADB0A and #92DB0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB70ACE shade: #8C7507, #B49608, #DBB70A, #F4CF1B and #F6D742

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB70ACE shade: #DBB70A, #0ADB0E and #610ADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB70ACE shade: #DBB70A, #0ADBB5 and #B50ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB70ACE shade: #DBB70A, #0ADB0E, #0A31DB and #DB0AD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB70ACE shade: #DBB70A, #0ADB4C, #0A31DB and #DB0A99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 77 / 11

HEX #DBB70ACE

RGBA 219 183 10 0.81

HSLA 49.67, 0.91%, 0.45%, 0.81

LABA 75.42, -0.91, 76.37, 0.81

 

Complementary color

CMYK 69 / 57 / 0 / 3

HEX #2448F5CE

RGBA 36 72 245 0.81

HSLA 229.67, 0.91%, 0.55%, 0.81

LABA 40.58, 51.16, -88.46, 0.81

 

CMYK 0 / 15 / 79 / 10

HEX #E0B705CE

RGBA 224 183 5 0.81

HSLA 48.77, 0.96%, 0.45%, 0.81

LABA 75.9, 1.22, 77.47, 0.81

 

CMYK 0 / 13 / 73 / 4

HEX #F1C918CE

RGBA 241 201 24 0.81

HSLA 48.94, 0.89%, 0.52%, 0.81

LABA 82.13, -0.53, 80.4, 0.81

 

CMYK 0 / 11 / 67 / 0

HEX #FFDB2BCE

RGBA 255 219 43 0.81

HSLA 49.81, 1%, 0.58%, 0.81

LABA 88.02, -3.34, 81.7, 0.81

 

CMYK 0 / 6 / 61 / 0

HEX #FFED3ECE

RGBA 255 237 62 0.81

HSLA 54.4, 1%, 0.62%, 0.81

LABA 92.65, -11.71, 80.48, 0.81

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF51CE

RGBA 255 255 81 0.81

HSLA 60, 1%, 0.66%, 0.81

LABA 97.38, -19.62, 78.71, 0.81

 

CMYK 0 / 13 / 77 / 11

HEX #DBB70ACE

RGBA 219 183 10 0.81

HSLA 49.67, 0.91%, 0.45%, 0.81

LABA 75.42, -0.91, 76.37, 0.81

 

CMYK 0 / 15 / 81 / 17

HEX #CAA500CE

RGBA 202 165 0 0.81

HSLA 49.01, 1%, 0.4%, 0.81

LABA 69.09, 0.98, 72.22, 0.81

HEX #CAA500CE

CMYK 0 / 17 / 81 / 22

HEX #B99300CE

RGBA 185 147 0 0.81

HSLA 47.68, 1%, 0.36%, 0.81

LABA 62.66, 3.04, 66.92, 0.81

HEX #B99300CE

CMYK 0 / 19 / 81 / 28

HEX #A88100CE

RGBA 168 129 0 0.81

HSLA 46.07, 1%, 0.33%, 0.81

LABA 56.11, 5.19, 61.52, 0.81

HEX #A88100CE

CMYK 0 / 21 / 81 / 33

HEX #976F00CE

RGBA 151 111 0 0.81

HSLA 44.11, 1%, 0.3%, 0.81

LABA 49.43, 7.45, 56.03, 0.81

HEX #976F00CE

CMYK 0 / 16 / 95 / 14

HEX #DBB70A

RGB 219 183 10

HSL 49.67, 0.91%, 0.45%

LAB 75.42, -0.91, 76.37

 

CMYK 0 / 42 / 95 / 14

HEX #DB7F0A

RGB 219 127 10

HSL 33.59, 0.91%, 0.45%

LAB 61.88, 28.93, 66.78

 

CMYK 0 / 68 / 95 / 14

HEX #DB470A

RGB 219 71 10

HSL 17.51, 0.91%, 0.45%

LAB 51.37, 55.71, 60.02

 

CMYK 0 / 94 / 95 / 14

HEX #DB0E0A

RGB 219 14 10

HSL 1.15, 0.91%, 0.45%

LAB 46.17, 70.26, 57.13

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 0 / 16 / 95 / 14

HEX #DBB70A

RGB 219 183 10

HSL 49.67, 0.91%, 0.45%

LAB 75.42, -0.91, 76.37

 

CMYK 9 / 0 / 95 / 14

HEX #C7DB0A

RGB 199 219 10

HSL 65.74, 0.91%, 0.45%

LAB 83.35, -27.49, 81.56

 

CMYK 35 / 0 / 95 / 14

HEX #8EDB0A

RGB 142 219 10

HSL 82.11, 0.91%, 0.45%

LAB 79.86, -49.63, 77.34

 

CMYK 61 / 0 / 95 / 14

HEX #56DB0A

RGB 86 219 10

HSL 98.18, 0.91%, 0.45%

LAB 77.68, -66.3, 74.67

 

CMYK 86 / 0 / 95 / 14

HEX #1EDB0A

RGB 30 219 10

HSL 114.26, 0.91%, 0.45%

LAB 76.66, -75.13, 73.42

 

CMYK 0 / 16 / 95 / 14

HEX #DBB70A

RGB 219 183 10

HSL 49.67, 0.91%, 0.45%

LAB 75.42, -0.91, 76.37

 

CMYK 0 / 16 / 95 / 14

HEX #DBB70A

RGB 219 183 10

HSL 49.67, 0.91%, 0.45%

LAB 75.42, -0.91, 76.37

 

CMYK 0 / 15 / 86 / 21

HEX #C9AB1D

RGB 201 171 29

HSL 49.53, 0.75%, 0.45%

LAB 70.62, -2.21, 68.65

 

CMYK 0 / 13 / 74 / 29

HEX #B69F2F

RGB 182 159 47

HSL 49.78, 0.59%, 0.45%

LAB 65.71, -3.62, 58.03

 

CMYK 0 / 10 / 60 / 36

HEX #A39342

RGB 163 147 66

HSL 50.1, 0.42%, 0.45%

LAB 60.82, -4.41, 44.18

 

CMYK 0 / 7 / 41 / 43

HEX #918755

RGB 145 135 85

HSL 50, 0.26%, 0.45%

LAB 56.09, -3.83, 28.22

 

CMYK 0 / 68 / 95 / 14

HEX #DB460A

RGB 219 70 10

HSL 17.22, 0.91%, 0.45%

LAB 51.22, 56.1, 59.94

 

CMYK 0 / 43 / 95 / 14

HEX #DB7D0A

RGB 219 125 10

HSL 33.01, 0.91%, 0.45%

LAB 61.44, 29.99, 66.48

 

CMYK 0 / 17 / 95 / 14

HEX #DBB50A

RGB 219 181 10

HSL 49.09, 0.91%, 0.45%

LAB 74.91, 0.13, 76

 

CMYK 8 / 0 / 95 / 14

HEX #CADB0A

RGB 202 219 10

HSL 64.88, 0.91%, 0.45%

LAB 83.57, -26.24, 81.82

 

CMYK 33 / 0 / 95 / 14

HEX #92DB0A

RGB 146 219 10

HSL 80.96, 0.91%, 0.45%

LAB 80.06, -48.2, 77.59

 

CMYK 0 / 16 / 95 / 45

HEX #8C7507

RGB 140 117 7

HSL 49.62, 0.9%, 0.29%

LAB 49.87, -1.04, 54.34

 

CMYK 0 / 17 / 96 / 29

HEX #B49608

RGB 180 150 8

HSL 49.53, 0.91%, 0.37%

LAB 62.96, -0.76, 65.74

 

CMYK 0 / 16 / 95 / 14

HEX #DBB70A

RGB 219 183 10

HSL 49.67, 0.91%, 0.45%

LAB 75.42, -0.91, 76.37

 

CMYK 0 / 15 / 89 / 4

HEX #F4CF1B

RGB 244 207 27

HSL 49.77, 0.91%, 0.53%

LAB 83.93, -2.26, 81.39

 

CMYK 0 / 13 / 73 / 4

HEX #F6D742

RGB 246 215 66

HSL 49.67, 0.91%, 0.61%

LAB 86.3, -4.33, 72.95

 

CMYK 0 / 16 / 95 / 14

HEX #DBB70A

RGB 219 183 10

HSL 49.67, 0.91%, 0.45%

LAB 75.42, -0.91, 76.37

 

CMYK 95 / 0 / 94 / 14

HEX #0ADB0E

RGB 10 219 14

HSL 121.15, 0.91%, 0.45%

LAB 76.53, -76.22, 72.85

 

CMYK 56 / 95 / 0 / 14

HEX #610ADB

RGB 97 10 219

HSL 264.98, 0.91%, 0.45%

LAB 33.72, 71.9, -84.9

 

CMYK 0 / 16 / 95 / 14

HEX #DBB70A

RGB 219 183 10

HSL 49.67, 0.91%, 0.45%

LAB 75.42, -0.91, 76.37

 

CMYK 95 / 0 / 17 / 14

HEX #0ADBB5

RGB 10 219 181

HSL 169.09, 0.91%, 0.45%

LAB 78.5, -53.09, 6.23

 

CMYK 17 / 95 / 0 / 14

HEX #B50ADB

RGB 181 10 219

HSL 289.09, 0.91%, 0.45%

LAB 45.85, 81.08, -64.54

 

CMYK 0 / 16 / 95 / 14

HEX #DBB70A

RGB 219 183 10

HSL 49.67, 0.91%, 0.45%

LAB 75.42, -0.91, 76.37

 

CMYK 95 / 0 / 94 / 14

HEX #0ADB0E

RGB 10 219 14

HSL 121.15, 0.91%, 0.45%

LAB 76.53, -76.22, 72.85

 

CMYK 95 / 78 / 0 / 14

HEX #0A31DB

RGB 10 49 219

HSL 228.8, 0.91%, 0.45%

LAB 32.65, 54.43, -86.83

 

CMYK 0 / 95 / 1 / 14

HEX #DB0AD8

RGB 219 10 216

HSL 300.86, 0.91%, 0.45%

LAB 52.1, 86.44, -52.42

 

CMYK 0 / 16 / 95 / 14

HEX #DBB70A

RGB 219 183 10

HSL 49.67, 0.91%, 0.45%

LAB 75.42, -0.91, 76.37

 

CMYK 95 / 0 / 65 / 14

HEX #0ADB4C

RGB 10 219 76

HSL 138.95, 0.91%, 0.45%

LAB 76.83, -72.42, 56.03

 

CMYK 95 / 78 / 0 / 14

HEX #0A31DB

RGB 10 49 219

HSL 228.8, 0.91%, 0.45%

LAB 32.65, 54.43, -86.83

 

CMYK 0 / 95 / 30 / 14

HEX #DB0A99

RGB 219 10 153

HSL 318.95, 0.91%, 0.45%

LAB 48.98, 78.54, -20.5

 

Description

Color code: HEX #DBB70ACE | qconv.com Color code: HEX #DBB70ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 183 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 183 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 77 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 77% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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