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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB660 it is the complementary color #24499F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB660. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB660 shade: #E0B65B, #F1C86E, #FFDA81, #FFEC94 and #FFFEA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB660. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB660 shade: #DBB660, #CAA44D, #B9923A, #A88027 and #976E14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB660 shade: #DBB661, #DB9561, #DB7561 and #DB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB660 shade: #DBB661, #DBD761, #BEDB61, #9DDB61 and #7CDB61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB660 shade matches the following richer shades: #DBB661, #EBBD51 and #FBC342

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB660 shade: #DBB661, #CBB071, #BCAA80, #ACA490 and #9C9DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB660 shade: #DB7361, #DB9461, #DBB461, #DBD561 and #C1DB61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB660 shade: #BE922B, #D4A73F, #DBB661, #E3C683 and #EAD5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB660 shade: #DBB660, #6FDB61 and #8461DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB660 shade: #DBB660, #61DBB4 and #B461DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB660 shade: #DBB660, #6FDB61, #6188DB and #CD61DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB660 shade: #DBB660, #61DB77, #6188DB and #DB61C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 56 / 14

HEX #DBB660

RGB 219 182 96

HSL 41.95, 0.63%, 0.62%

LAB 75.68, 3.17, 48.17

 

Complementary color

CMYK 77 / 54 / 0 / 38

HEX #24499F

RGB 36 73 159

HSL 221.95, 0.63%, 0.38%

LAB 33.23, 18.77, -50.52

 

CMYK 0 / 19 / 59 / 12

HEX #E0B65B

RGB 224 182 91

HSL 41.05, 0.68%, 0.62%

LAB 76.11, 4.88, 51.2

 

CMYK 0 / 17 / 54 / 5

HEX #F1C86E

RGB 241 200 110

HSL 41.22, 0.82%, 0.69%

LAB 82.45, 3.95, 49.94

 

CMYK 0 / 15 / 49 / 0

HEX #FFDA81

RGB 255 218 129

HSL 42.38, 1%, 0.75%

LAB 88.44, 1.94, 48.28

 

CMYK 0 / 7 / 42 / 0

HEX #FFEC94

RGB 255 236 148

HSL 49.35, 1%, 0.79%

LAB 93.18, -5.36, 44.92

 

CMYK 0 / 0 / 35 / 0

HEX #FFFEA7

RGB 255 254 167

HSL 59.32, 1%, 0.83%

LAB 98.01, -12.24, 41.78

 

CMYK 0 / 17 / 56 / 14

HEX #DBB660

RGB 219 182 96

HSL 41.95, 0.63%, 0.62%

LAB 75.68, 3.17, 48.17

 

CMYK 0 / 19 / 62 / 21

HEX #CAA44D

RGB 202 164 77

HSL 41.76, 0.54%, 0.55%

LAB 69.21, 4.15, 49.41

 

CMYK 0 / 21 / 69 / 27

HEX #B9923A

RGB 185 146 58

HSL 41.57, 0.52%, 0.48%

LAB 62.66, 5.32, 50.53

 

CMYK 0 / 24 / 77 / 34

HEX #A88027

RGB 168 128 39

HSL 41.4, 0.62%, 0.41%

LAB 56, 6.72, 51.31

 

CMYK 0 / 27 / 87 / 41

HEX #976E14

RGB 151 110 20

HSL 41.22, 0.77%, 0.34%

LAB 49.23, 8.42, 51.26

 

CMYK 0 / 17 / 56 / 14

HEX #DBB661

RGB 219 182 97

HSL 41.8, 0.63%, 0.62%

LAB 75.69, 3.25, 47.7

 

CMYK 0 / 32 / 56 / 14

HEX #DB9561

RGB 219 149 97

HSL 25.57, 0.63%, 0.62%

LAB 67.59, 20.9, 37.9

 

CMYK 0 / 47 / 56 / 14

HEX #DB7561

RGB 219 117 97

HSL 9.84, 0.63%, 0.62%

LAB 60.47, 37.87, 28.89

 

CMYK 0 / 56 / 56 / 14

HEX #DB6161

RGB 219 97 97

HSL 0, 0.63%, 0.62%

LAB 56.56, 47.82, 23.79

 

CMYK 0 / 17 / 56 / 14

HEX #DBB661

RGB 219 182 97

HSL 41.8, 0.63%, 0.62%

LAB 75.69, 3.25, 47.7

 

CMYK 0 / 2 / 56 / 14

HEX #DBD761

RGB 219 215 97

HSL 58.03, 0.63%, 0.62%

LAB 84.24, -13.71, 57.58

 

CMYK 13 / 0 / 56 / 14

HEX #BEDB61

RGB 190 219 97

HSL 74.26, 0.63%, 0.62%

LAB 83.16, -27.27, 55.79

 

CMYK 28 / 0 / 56 / 14

HEX #9DDB61

RGB 157 219 97

HSL 90.49, 0.63%, 0.62%

LAB 81.12, -39.64, 52.91

 

CMYK 43 / 0 / 56 / 14

HEX #7CDB61

RGB 124 219 97

HSL 106.72, 0.63%, 0.62%

LAB 79.51, -50.57, 50.61

 

CMYK 0 / 17 / 56 / 14

HEX #DBB661

RGB 219 182 97

HSL 41.8, 0.63%, 0.62%

LAB 75.69, 3.25, 47.7

 

CMYK 0 / 20 / 66 / 8

HEX #EBBD51

RGB 235 189 81

HSL 42.08, 0.79%, 0.62%

LAB 78.84, 5.18, 59.11

 

CMYK 0 / 22 / 74 / 2

HEX #FBC342

RGB 251 195 66

HSL 41.84, 0.96%, 0.62%

LAB 81.8, 8.03, 68.78

 

CMYK 0 / 17 / 56 / 14

HEX #DBB661

RGB 219 182 97

HSL 41.8, 0.63%, 0.62%

LAB 75.69, 3.25, 47.7

 

CMYK 0 / 13 / 44 / 20

HEX #CBB071

RGB 203 176 113

HSL 42, 0.46%, 0.62%

LAB 72.85, 1.25, 35.79

 

CMYK 0 / 10 / 32 / 26

HEX #BCAA80

RGB 188 170 128

HSL 42, 0.31%, 0.62%

LAB 70.18, 0.13, 24.06

 

CMYK 0 / 5 / 16 / 33

HEX #ACA490

RGB 172 164 144

HSL 42.86, 0.14%, 0.62%

LAB 67.53, -0.55, 11.42

 

CMYK 2 / 2 / 0 / 37

HEX #9C9DA0

RGB 156 157 160

HSL 225, 0.02%, 0.62%

LAB 64.74, 0.23, -1.7

 

CMYK 0 / 47 / 56 / 14

HEX #DB7361

RGB 219 115 97

HSL 8.85, 0.63%, 0.62%

LAB 60.06, 38.9, 28.36

 

CMYK 0 / 32 / 56 / 14

HEX #DB9461

RGB 219 148 97

HSL 25.08, 0.63%, 0.62%

LAB 67.35, 21.43, 37.61

 

CMYK 0 / 18 / 56 / 14

HEX #DBB461

RGB 219 180 97

HSL 40.82, 0.63%, 0.62%

LAB 75.18, 4.3, 47.1

 

CMYK 0 / 3 / 56 / 14

HEX #DBD561

RGB 219 213 97

HSL 57.05, 0.63%, 0.62%

LAB 83.71, -12.71, 56.99

 

CMYK 12 / 0 / 56 / 14

HEX #C1DB61

RGB 193 219 97

HSL 72.79, 0.63%, 0.62%

LAB 83.37, -26.09, 56.08

 

CMYK 0 / 23 / 77 / 25

HEX #BE922B

RGB 190 146 43

HSL 42.04, 0.63%, 0.46%

LAB 63.08, 6.81, 57.32

 

CMYK 0 / 21 / 70 / 17

HEX #D4A73F

RGB 212 167 63

HSL 41.88, 0.63%, 0.54%

LAB 70.87, 6.01, 57.76

 

CMYK 0 / 17 / 56 / 14

HEX #DBB661

RGB 219 182 97

HSL 41.8, 0.63%, 0.62%

LAB 75.69, 3.25, 47.7

 

CMYK 0 / 13 / 42 / 11

HEX #E3C683

RGB 227 198 131

HSL 41.88, 0.63%, 0.7%

LAB 80.94, 1.26, 37.3

 

CMYK 0 / 9 / 30 / 8

HEX #EAD5A4

RGB 234 213 164

HSL 42, 0.63%, 0.78%

LAB 85.89, 0.05, 26.91

 

CMYK 0 / 17 / 56 / 14

HEX #DBB660

RGB 219 182 96

HSL 41.95, 0.63%, 0.62%

LAB 75.68, 3.17, 48.17

 

CMYK 49 / 0 / 56 / 14

HEX #6FDB61

RGB 111 219 97

HSL 113.11, 0.63%, 0.62%

LAB 78.99, -54.33, 49.87

 

CMYK 40 / 56 / 0 / 14

HEX #8461DB

RGB 132 97 219

HSL 257.21, 0.63%, 0.62%

LAB 50.18, 41.7, -57.85

 

CMYK 0 / 17 / 56 / 14

HEX #DBB660

RGB 219 182 96

HSL 41.95, 0.63%, 0.62%

LAB 75.68, 3.17, 48.17

 

CMYK 56 / 0 / 18 / 14

HEX #61DBB4

RGB 97 219 180

HSL 160.82, 0.63%, 0.62%

LAB 79.9, -43.4, 8.95

 

CMYK 18 / 56 / 0 / 14

HEX #B461DB

RGB 180 97 219

HSL 280.82, 0.63%, 0.62%

LAB 55.45, 53.4, -49.13

 

CMYK 0 / 17 / 56 / 14

HEX #DBB660

RGB 219 182 96

HSL 41.95, 0.63%, 0.62%

LAB 75.68, 3.17, 48.17

 

CMYK 49 / 0 / 56 / 14

HEX #6FDB61

RGB 111 219 97

HSL 113.11, 0.63%, 0.62%

LAB 78.99, -54.33, 49.87

 

CMYK 56 / 38 / 0 / 14

HEX #6188DB

RGB 97 136 219

HSL 220.82, 0.63%, 0.62%

LAB 57.33, 10.64, -46.59

 

CMYK 6 / 56 / 0 / 14

HEX #CD61DB

RGB 205 97 219

HSL 293.11, 0.63%, 0.62%

LAB 58.64, 59.82, -43.87

 

CMYK 0 / 17 / 56 / 14

HEX #DBB660

RGB 219 182 96

HSL 41.95, 0.63%, 0.62%

LAB 75.68, 3.17, 48.17

 

CMYK 56 / 0 / 46 / 14

HEX #61DB77

RGB 97 219 119

HSL 130.82, 0.63%, 0.62%

LAB 78.77, -55, 38.99

 

CMYK 56 / 38 / 0 / 14

HEX #6188DB

RGB 97 136 219

HSL 220.82, 0.63%, 0.62%

LAB 57.33, 10.64, -46.59

 

CMYK 0 / 56 / 10 / 14

HEX #DB61C5

RGB 219 97 197

HSL 310.82, 0.63%, 0.62%

LAB 59.56, 59.81, -29.83

 

Description

Color code: HEX #DBB660 | qconv.com Color code: HEX #DBB660 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 182 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 182 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 56 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 56% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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