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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB577 it is the complementary color #244A88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB577. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB577 shade: #E0B572, #F1C785, #FFD998, #FFEBAB and #FFFDBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB577. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB577 shade: #DBB577, #CAA364, #B99151, #A87F3E and #976D2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB577 shade: #DBB476, #DB9976, #DB7E76 and #DB7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB577 shade: #DBB476, #DBCF76, #CBDB76, #AFDB76 and #94DB76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB577 shade matches the following richer shades: #DBB476, #E9B868 and #F7BB5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB577 shade: #DBB476, #CDB184, #BFAE92, #B1AAA0 and #A2A7AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB577 shade: #DB7E76, #DB9976, #DBB476, #DBCF76 and #CCDB76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB577 shade: #C99135, #D2A355, #DBB476, #E3C697 and #ECD8B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB577 shade: #DBB577, #88DB76 and #8C76DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB577 shade: #DBB577, #76DBB4 and #B476DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB577 shade: #DBB577, #88DB76, #769DDB and #C876DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB577 shade: #DBB577, #76DB82, #769DDB and #DB76CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 46 / 14

HEX #DBB577

RGB 219 181 119

HSL 37.2, 0.58%, 0.66%

LAB 75.72, 5.74, 36.65

 

Complementary color

CMYK 74 / 46 / 0 / 47

HEX #244A88

RGB 36 74 136

HSL 217.2, 0.58%, 0.34%

LAB 31.92, 9.04, -38.61

 

CMYK 0 / 19 / 49 / 12

HEX #E0B572

RGB 224 181 114

HSL 36.55, 0.64%, 0.66%

LAB 76.14, 7.3, 39.85

 

CMYK 0 / 17 / 45 / 5

HEX #F1C785

RGB 241 199 133

HSL 36.67, 0.79%, 0.73%

LAB 82.51, 6.52, 38.55

 

CMYK 0 / 15 / 40 / 0

HEX #FFD998

RGB 255 217 152

HSL 37.86, 1%, 0.8%

LAB 88.52, 4.68, 36.91

 

CMYK 0 / 8 / 33 / 0

HEX #FFEBAB

RGB 255 235 171

HSL 45.71, 1%, 0.84%

LAB 93.28, -2.34, 33.57

 

CMYK 0 / 1 / 25 / 0

HEX #FFFDBE

RGB 255 253 190

HSL 58.15, 1%, 0.87%

LAB 98.12, -8.95, 30.48

 

CMYK 0 / 17 / 46 / 14

HEX #DBB577

RGB 219 181 119

HSL 37.2, 0.58%, 0.66%

LAB 75.72, 5.74, 36.65

 

CMYK 0 / 19 / 50 / 21

HEX #CAA364

RGB 202 163 100

HSL 37.06, 0.49%, 0.59%

LAB 69.23, 6.54, 37.97

 

CMYK 0 / 22 / 56 / 27

HEX #B99151

RGB 185 145 81

HSL 36.92, 0.43%, 0.52%

LAB 62.64, 7.47, 39.35

 

CMYK 0 / 24 / 63 / 34

HEX #A87F3E

RGB 168 127 62

HSL 36.79, 0.46%, 0.45%

LAB 55.94, 8.59, 40.74

 

CMYK 0 / 28 / 72 / 41

HEX #976D2B

RGB 151 109 43

HSL 36.67, 0.56%, 0.38%

LAB 49.12, 9.95, 42.04

 

CMYK 0 / 18 / 46 / 14

HEX #DBB476

RGB 219 180 118

HSL 36.83, 0.58%, 0.66%

LAB 75.46, 6.17, 36.83

 

CMYK 0 / 30 / 46 / 14

HEX #DB9976

RGB 219 153 118

HSL 20.79, 0.58%, 0.66%

LAB 68.86, 20.65, 28.27

 

CMYK 0 / 42 / 46 / 14

HEX #DB7E76

RGB 219 126 118

HSL 4.75, 0.58%, 0.66%

LAB 62.75, 35.07, 20.09

 

CMYK 0 / 46 / 46 / 14

HEX #DB7676

RGB 219 118 118

HSL 0, 0.58%, 0.66%

LAB 61.07, 39.24, 17.79

 

CMYK 0 / 18 / 46 / 14

HEX #DBB476

RGB 219 180 118

HSL 36.83, 0.58%, 0.66%

LAB 75.46, 6.17, 36.83

 

CMYK 0 / 5 / 46 / 14

HEX #DBCF76

RGB 219 207 118

HSL 52.87, 0.58%, 0.66%

LAB 82.38, -7.89, 45.49

 

CMYK 7 / 0 / 46 / 14

HEX #CBDB76

RGB 203 219 118

HSL 69.5, 0.58%, 0.66%

LAB 84.31, -20.24, 47.59

 

CMYK 20 / 0 / 46 / 14

HEX #AFDB76

RGB 175 219 118

HSL 86.14, 0.58%, 0.66%

LAB 82.42, -30.88, 44.84

 

CMYK 32 / 0 / 46 / 14

HEX #94DB76

RGB 148 219 118

HSL 102.18, 0.58%, 0.66%

LAB 80.89, -40.4, 42.59

 

CMYK 0 / 18 / 46 / 14

HEX #DBB476

RGB 219 180 118

HSL 36.83, 0.58%, 0.66%

LAB 75.46, 6.17, 36.83

 

CMYK 0 / 21 / 55 / 9

HEX #E9B868

RGB 233 184 104

HSL 37.21, 0.75%, 0.66%

LAB 77.64, 8.55, 46.92

 

CMYK 0 / 24 / 64 / 3

HEX #F7BB5A

RGB 247 187 90

HSL 37.07, 0.91%, 0.66%

LAB 79.64, 11.78, 56.29

 

CMYK 0 / 18 / 46 / 14

HEX #DBB476

RGB 219 180 118

HSL 36.83, 0.58%, 0.66%

LAB 75.46, 6.17, 36.83

 

CMYK 0 / 14 / 36 / 20

HEX #CDB184

RGB 205 177 132

HSL 36.99, 0.42%, 0.66%

LAB 73.6, 3.66, 26.78

 

CMYK 0 / 9 / 24 / 25

HEX #BFAE92

RGB 191 174 146

HSL 37.33, 0.26%, 0.66%

LAB 71.84, 1.64, 16.61

 

CMYK 0 / 4 / 10 / 31

HEX #B1AAA0

RGB 177 170 160

HSL 35.29, 0.1%, 0.66%

LAB 69.92, 0.73, 6.04

 

CMYK 7 / 4 / 0 / 32

HEX #A2A7AE

RGB 162 167 174

HSL 215, 0.07%, 0.66%

LAB 68.3, -0.38, -4.23

 

CMYK 0 / 42 / 46 / 14

HEX #DB7E76

RGB 219 126 118

HSL 4.75, 0.58%, 0.66%

LAB 62.75, 35.07, 20.09

 

CMYK 0 / 30 / 46 / 14

HEX #DB9976

RGB 219 153 118

HSL 20.79, 0.58%, 0.66%

LAB 68.86, 20.65, 28.27

 

CMYK 0 / 18 / 46 / 14

HEX #DBB476

RGB 219 180 118

HSL 36.83, 0.58%, 0.66%

LAB 75.46, 6.17, 36.83

 

CMYK 0 / 5 / 46 / 14

HEX #DBCF76

RGB 219 207 118

HSL 52.87, 0.58%, 0.66%

LAB 82.38, -7.89, 45.49

 

CMYK 7 / 0 / 46 / 14

HEX #CCDB76

RGB 204 219 118

HSL 68.91, 0.58%, 0.66%

LAB 84.38, -19.85, 47.69

 

CMYK 0 / 28 / 74 / 21

HEX #C99135

RGB 201 145 53

HSL 37.3, 0.58%, 0.5%

LAB 64.1, 12.63, 54.74

 

CMYK 0 / 22 / 60 / 18

HEX #D2A355

RGB 210 163 85

HSL 37.44, 0.58%, 0.58%

LAB 69.86, 8.67, 46.51

 

CMYK 0 / 18 / 46 / 14

HEX #DBB476

RGB 219 180 118

HSL 36.83, 0.58%, 0.66%

LAB 75.46, 6.17, 36.83

 

CMYK 0 / 13 / 33 / 11

HEX #E3C697

RGB 227 198 151

HSL 37.11, 0.58%, 0.74%

LAB 81.27, 3.52, 27.35

 

CMYK 0 / 8 / 22 / 7

HEX #ECD8B7

RGB 236 216 183

HSL 37.36, 0.58%, 0.82%

LAB 87.17, 1.8, 18.79

 

CMYK 0 / 17 / 46 / 14

HEX #DBB577

RGB 219 181 119

HSL 37.2, 0.58%, 0.66%

LAB 75.72, 5.74, 36.65

 

CMYK 38 / 0 / 46 / 14

HEX #88DB76

RGB 136 219 118

HSL 109.31, 0.58%, 0.66%

LAB 80.29, -44.3, 41.73

 

CMYK 36 / 46 / 0 / 14

HEX #8C76DB

RGB 140 118 219

HSL 253.07, 0.58%, 0.66%

LAB 55.73, 31.54, -48.93

 

CMYK 0 / 17 / 46 / 14

HEX #DBB577

RGB 219 181 119

HSL 37.2, 0.58%, 0.66%

LAB 75.72, 5.74, 36.65

 

CMYK 46 / 0 / 18 / 14

HEX #76DBB4

RGB 118 219 180

HSL 156.83, 0.58%, 0.66%

LAB 80.63, -38.6, 10.1

 

CMYK 18 / 46 / 0 / 14

HEX #B476DB

RGB 180 118 219

HSL 276.83, 0.58%, 0.66%

LAB 59.68, 42.4, -42.43

 

CMYK 0 / 17 / 46 / 14

HEX #DBB577

RGB 219 181 119

HSL 37.2, 0.58%, 0.66%

LAB 75.72, 5.74, 36.65

 

CMYK 38 / 0 / 46 / 14

HEX #88DB76

RGB 136 219 118

HSL 109.31, 0.58%, 0.66%

LAB 80.29, -44.3, 41.73

 

CMYK 46 / 28 / 0 / 14

HEX #769DDB

RGB 118 157 219

HSL 216.83, 0.58%, 0.66%

LAB 64.23, 3.17, -35.68

 

CMYK 9 / 46 / 0 / 14

HEX #C876DB

RGB 200 118 219

HSL 288.71, 0.58%, 0.66%

LAB 61.96, 48.07, -38.7

 

CMYK 0 / 17 / 46 / 14

HEX #DBB577

RGB 219 181 119

HSL 37.2, 0.58%, 0.66%

LAB 75.72, 5.74, 36.65

 

CMYK 46 / 0 / 41 / 14

HEX #76DB82

RGB 118 219 130

HSL 127.13, 0.58%, 0.66%

LAB 79.69, -47.91, 34.82

 

CMYK 46 / 28 / 0 / 14

HEX #769DDB

RGB 118 157 219

HSL 216.83, 0.58%, 0.66%

LAB 64.23, 3.17, -35.68

 

CMYK 0 / 46 / 5 / 14

HEX #DB76CF

RGB 219 118 207

HSL 307.13, 0.58%, 0.66%

LAB 63.77, 51.42, -28.97

 

Description

Color code: HEX #DBB577 | qconv.com Color code: HEX #DBB577 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 181 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 181 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 46 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 46% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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