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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB54B it is the complementary color #244AB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB54B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB54B shade: #E0B546, #F1C759, #FFD96C, #FFEB7F and #FFFD92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB54B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB54B shade: #DBB54B, #CAA338, #B99125, #A87F12 and #976D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB54B shade: #DCB64C, #DC8F4C, #DC684C and #DC4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB54B shade: #DCB64C, #DBDC4C, #B4DC4C, #8DDC4C and #67DC4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB54B shade matches the following richer shades: #DCB64C, #EDBE3B and #FEC629

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB54B shade: #DCB64C, #CAAE5D, #B9A56F, #A89D80 and #969591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB54B shade: #DC694C, #DC8F4C, #DCB54C, #DCDC4C and #B5DC4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB54B shade: #B28C23, #D5A82A, #DCB64C, #E2C46F and #E9D291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB54B shade: #DBB54B, #56DC4C and #7C4CDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB54B shade: #DBB54B, #4CDCB5 and #B54CDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB54B shade: #DBB54B, #56DC4C, #4C72DC and #D24CDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB54B shade: #DBB54B, #4CDC6E, #4C72DC and #DC4CBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 66 / 14

HEX #DBB54B

RGB 219 181 75

HSL 44.17, 0.67%, 0.58%

LAB 75.21, 2.25, 57.38

 

Complementary color

CMYK 80 / 59 / 0 / 29

HEX #244AB4

RGB 36 74 180

HSL 224.17, 0.67%, 0.42%

LAB 35.14, 26.26, -59.95

 

CMYK 0 / 19 / 69 / 12

HEX #E0B546

RGB 224 181 70

HSL 43.25, 0.71%, 0.58%

LAB 75.66, 4.1, 60.14

 

CMYK 0 / 17 / 63 / 5

HEX #F1C759

RGB 241 199 89

HSL 43.42, 0.84%, 0.65%

LAB 81.98, 2.97, 59.17

 

CMYK 0 / 15 / 58 / 0

HEX #FFD96C

RGB 255 217 108

HSL 44.49, 1%, 0.71%

LAB 87.95, 0.78, 57.66

 

CMYK 0 / 8 / 50 / 0

HEX #FFEB7F

RGB 255 235 127

HSL 50.63, 1%, 0.75%

LAB 92.67, -6.81, 54.38

 

CMYK 0 / 1 / 43 / 0

HEX #FFFD92

RGB 255 253 146

HSL 58.9, 1%, 0.79%

LAB 97.46, -13.95, 51.25

 

CMYK 0 / 17 / 66 / 14

HEX #DBB54B

RGB 219 181 75

HSL 44.17, 0.67%, 0.58%

LAB 75.21, 2.25, 57.38

 

CMYK 0 / 19 / 72 / 21

HEX #CAA338

RGB 202 163 56

HSL 43.97, 0.58%, 0.51%

LAB 68.78, 3.46, 58.2

 

CMYK 0 / 22 / 80 / 27

HEX #B99125

RGB 185 145 37

HSL 43.78, 0.67%, 0.44%

LAB 62.25, 4.89, 58.52

 

CMYK 0 / 24 / 89 / 34

HEX #A87F12

RGB 168 127 18

HSL 43.6, 0.81%, 0.36%

LAB 55.63, 6.6, 57.8

 

CMYK 0 / 28 / 100 / 41

HEX #976D00

RGB 151 109 0

HSL 43.31, 1%, 0.3%

LAB 48.9, 8.6, 55.67

 

CMYK 0 / 17 / 65 / 14

HEX #DCB64C

RGB 220 182 76

HSL 44.17, 0.67%, 0.58%

LAB 75.57, 2.21, 57.35

 

CMYK 0 / 35 / 65 / 14

HEX #DC8F4C

RGB 220 143 76

HSL 27.92, 0.67%, 0.58%

LAB 66.05, 23.05, 46.85

 

CMYK 0 / 53 / 65 / 14

HEX #DC684C

RGB 220 104 76

HSL 11.67, 0.67%, 0.58%

LAB 57.69, 43.35, 37.12

 

CMYK 0 / 65 / 65 / 14

HEX #DC4C4C

RGB 220 76 76

HSL 0, 0.67%, 0.58%

LAB 52.85, 56.1, 31.22

 

CMYK 0 / 17 / 65 / 14

HEX #DCB64C

RGB 220 182 76

HSL 44.17, 0.67%, 0.58%

LAB 75.57, 2.21, 57.35

 

CMYK 0 / 0 / 65 / 14

HEX #DBDC4C

RGB 219 220 76

HSL 60.42, 0.67%, 0.58%

LAB 85.39, -17.57, 67.6

 

CMYK 18 / 0 / 65 / 14

HEX #B4DC4C

RGB 180 220 76

HSL 76.67, 0.67%, 0.58%

LAB 82.6, -33.23, 63.84

 

CMYK 36 / 0 / 65 / 14

HEX #8DDC4C

RGB 141 220 76

HSL 92.92, 0.67%, 0.58%

LAB 80.39, -47.5, 60.83

 

CMYK 53 / 0 / 65 / 14

HEX #67DC4C

RGB 103 220 76

HSL 108.75, 0.67%, 0.58%

LAB 78.81, -59.04, 58.67

 

CMYK 0 / 17 / 65 / 14

HEX #DCB64C

RGB 220 182 76

HSL 44.17, 0.67%, 0.58%

LAB 75.57, 2.21, 57.35

 

CMYK 0 / 20 / 75 / 7

HEX #EDBE3B

RGB 237 190 59

HSL 44.16, 0.83%, 0.58%

LAB 79.13, 4.42, 68.31

 

CMYK 0 / 22 / 84 / 0

HEX #FEC629

RGB 254 198 41

HSL 44.23, 0.99%, 0.58%

LAB 82.71, 6.91, 77.75

 

CMYK 0 / 17 / 65 / 14

HEX #DCB64C

RGB 220 182 76

HSL 44.17, 0.67%, 0.58%

LAB 75.57, 2.21, 57.35

 

CMYK 0 / 14 / 54 / 21

HEX #CAAE5D

RGB 202 174 93

HSL 44.59, 0.51%, 0.58%

LAB 71.97, 0.03, 44.86

 

CMYK 0 / 11 / 40 / 27

HEX #B9A56F

RGB 185 165 111

HSL 43.78, 0.35%, 0.58%

LAB 68.29, -0.46, 30.65

 

CMYK 0 / 7 / 24 / 34

HEX #A89D80

RGB 168 157 128

HSL 43.5, 0.19%, 0.58%

LAB 64.96, -0.76, 16.64

 

CMYK 0 / 1 / 3 / 41

HEX #969591

RGB 150 149 145

HSL 48, 0.02%, 0.58%

LAB 61.67, -0.39, 2.23

 

CMYK 0 / 52 / 65 / 14

HEX #DC694C

RGB 220 105 76

HSL 12.08, 0.67%, 0.58%

LAB 57.89, 42.86, 37.35

 

CMYK 0 / 35 / 65 / 14

HEX #DC8F4C

RGB 220 143 76

HSL 27.92, 0.67%, 0.58%

LAB 66.05, 23.05, 46.85

 

CMYK 0 / 18 / 65 / 14

HEX #DCB54C

RGB 220 181 76

HSL 43.75, 0.67%, 0.58%

LAB 75.32, 2.74, 57.08

 

CMYK 0 / 0 / 65 / 14

HEX #DCDC4C

RGB 220 220 76

HSL 60, 0.67%, 0.58%

LAB 85.47, -17.16, 67.71

 

CMYK 18 / 0 / 65 / 14

HEX #B5DC4C

RGB 181 220 76

HSL 76.25, 0.67%, 0.58%

LAB 82.66, -32.84, 63.93

 

CMYK 0 / 21 / 80 / 30

HEX #B28C23

RGB 178 140 35

HSL 44.06, 0.67%, 0.42%

LAB 60.2, 4.42, 57.07

 

CMYK 0 / 21 / 80 / 16

HEX #D5A82A

RGB 213 168 42

HSL 44.21, 0.67%, 0.5%

LAB 71.09, 5.03, 65.86

 

CMYK 0 / 17 / 65 / 14

HEX #DCB64C

RGB 220 182 76

HSL 44.17, 0.67%, 0.58%

LAB 75.57, 2.21, 57.35

 

CMYK 0 / 13 / 51 / 11

HEX #E2C46F

RGB 226 196 111

HSL 44.35, 0.66%, 0.66%

LAB 80.06, -0.03, 46.25

 

CMYK 0 / 10 / 38 / 9

HEX #E9D291

RGB 233 210 145

HSL 44.32, 0.67%, 0.74%

LAB 84.72, -1.07, 35.15

 

CMYK 0 / 17 / 66 / 14

HEX #DBB54B

RGB 219 181 75

HSL 44.17, 0.67%, 0.58%

LAB 75.21, 2.25, 57.38

 

CMYK 61 / 0 / 65 / 14

HEX #56DC4C

RGB 86 220 76

HSL 115.83, 0.67%, 0.58%

LAB 78.28, -63.18, 57.94

 

CMYK 44 / 65 / 0 / 14

HEX #7C4CDC

RGB 124 76 220

HSL 260, 0.67%, 0.58%

LAB 45.11, 51.81, -66.65

 

CMYK 0 / 17 / 66 / 14

HEX #DBB54B

RGB 219 181 75

HSL 44.17, 0.67%, 0.58%

LAB 75.21, 2.25, 57.38

 

CMYK 65 / 0 / 18 / 14

HEX #4CDCB5

RGB 76 220 181

HSL 163.75, 0.67%, 0.58%

LAB 79.65, -47.47, 7.99

 

CMYK 18 / 65 / 0 / 14

HEX #B54CDC

RGB 181 76 220

HSL 283.75, 0.67%, 0.58%

LAB 52.02, 63.69, -55.16

 

CMYK 0 / 17 / 66 / 14

HEX #DBB54B

RGB 219 181 75

HSL 44.17, 0.67%, 0.58%

LAB 75.21, 2.25, 57.38

 

CMYK 61 / 0 / 65 / 14

HEX #56DC4C

RGB 86 220 76

HSL 115.83, 0.67%, 0.58%

LAB 78.28, -63.18, 57.94

 

CMYK 65 / 48 / 0 / 14

HEX #4C72DC

RGB 76 114 220

HSL 224.17, 0.67%, 0.58%

LAB 50.38, 20.48, -58.31

 

CMYK 5 / 65 / 0 / 14

HEX #D24CDC

RGB 210 76 220

HSL 295.83, 0.67%, 0.58%

LAB 56.13, 70.2, -48.37

 

CMYK 0 / 17 / 66 / 14

HEX #DBB54B

RGB 219 181 75

HSL 44.17, 0.67%, 0.58%

LAB 75.21, 2.25, 57.38

 

CMYK 65 / 0 / 50 / 14

HEX #4CDC6E

RGB 76 220 110

HSL 134.17, 0.67%, 0.58%

LAB 78.37, -61.18, 42.76

 

CMYK 65 / 48 / 0 / 14

HEX #4C72DC

RGB 76 114 220

HSL 224.17, 0.67%, 0.58%

LAB 50.38, 20.48, -58.31

 

CMYK 0 / 65 / 15 / 14

HEX #DC4CBA

RGB 220 76 186

HSL 314.17, 0.67%, 0.58%

LAB 56.02, 67.26, -29.01

 

Description

Color code: HEX #DBB54B | qconv.com Color code: HEX #DBB54B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 181 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 181 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 66 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 66% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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