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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB40FCE it is the complementary color #244BF0CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB40FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB40FCE shade: #E0B40ACE, #F1C61DCE, #FFD830CE, #FFEA43CE and #FFFC56CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB40FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB40FCE shade: #DBB40FCE, #CAA200CE, #B99000CE, #A87E00CE and #976C00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB40FCE shade: #DBB40F, #DB7D0F, #DB460F and #DB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB40FCE shade: #DBB40F, #CBDB0F, #94DB0F, #5DDB0F and #26DB0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB40FCE shade matches the following richer shades: #DBB40F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB40FCE shade: #DBB40F, #C8A922, #B59D35, #A29148 and #8F855B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB40FCE shade: #DB460F, #DB7C0F, #DBB30F, #CEDB0F and #97DB0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB40FCE shade: #8E750A, #B5950D, #DBB40F, #F0C924 and #F2D24B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB40FCE shade: #DBB40F, #0FDB0F and #610FDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB40FCE shade: #DBB40F, #0FDBB3 and #B30FDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB40FCE shade: #DBB40F, #0FDB0F, #0F38DB and #DB0FDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB40FCE shade: #DBB40F, #0FDB4C, #0F38DB and #DB0F9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 75 / 11

HEX #DBB40FCE

RGBA 219 180 15 0.81

HSLA 48.53, 0.87%, 0.46%, 0.81

LABA 74.66, 0.71, 75.2, 0.81

 

Complementary color

CMYK 69 / 56 / 0 / 5

HEX #244BF0CE

RGBA 36 75 240 0.81

HSLA 228.53, 0.87%, 0.54%, 0.81

LABA 40.73, 47.67, -85.39, 0.81

 

CMYK 0 / 16 / 77 / 10

HEX #E0B40ACE

RGBA 224 180 10 0.81

HSLA 47.66, 0.91%, 0.46%, 0.81

LABA 75.15, 2.84, 76.39, 0.81

 

CMYK 0 / 14 / 71 / 4

HEX #F1C61DCE

RGBA 241 198 29 0.81

HSLA 47.83, 0.88%, 0.53%, 0.81

LABA 81.39, 1.1, 78.91, 0.81

 

CMYK 0 / 12 / 66 / 0

HEX #FFD830CE

RGBA 255 216 48 0.81

HSLA 48.7, 1%, 0.59%, 0.81

LABA 87.28, -1.69, 79.78, 0.81

 

CMYK 0 / 7 / 60 / 0

HEX #FFEA43CE

RGBA 255 234 67 0.81

HSLA 53.3, 1%, 0.63%, 0.81

LABA 91.91, -10.04, 78.21, 0.81

 

CMYK 0 / 1 / 54 / 0

HEX #FFFC56CE

RGBA 255 252 86 0.81

HSLA 58.93, 1%, 0.67%, 0.81

LABA 96.64, -17.93, 76.17, 0.81

 

CMYK 0 / 14 / 75 / 11

HEX #DBB40FCE

RGBA 219 180 15 0.81

HSLA 48.53, 0.87%, 0.46%, 0.81

LABA 74.66, 0.71, 75.2, 0.81

 

CMYK 0 / 16 / 81 / 17

HEX #CAA200CE

RGBA 202 162 0 0.81

HSLA 48.12, 1%, 0.4%, 0.81

LABA 68.31, 2.58, 71.67, 0.81

 

CMYK 0 / 18 / 81 / 22

HEX #B99000CE

RGBA 185 144 0 0.81

HSLA 46.7, 1%, 0.36%, 0.81

LABA 61.88, 4.68, 66.37, 0.81

 

CMYK 0 / 20 / 81 / 28

HEX #A87E00CE

RGBA 168 126 0 0.81

HSLA 45, 1%, 0.33%, 0.81

LABA 55.33, 6.87, 60.98, 0.81

 

CMYK 0 / 23 / 81 / 33

HEX #976C00CE

RGBA 151 108 0 0.81

HSLA 42.91, 1%, 0.3%, 0.81

LABA 48.64, 9.17, 55.49, 0.81

 

CMYK 0 / 18 / 93 / 14

HEX #DBB40F

RGB 219 180 15

HSL 48.53, 0.87%, 0.46%

LAB 74.66, 0.71, 75.2

 

CMYK 0 / 43 / 93 / 14

HEX #DB7D0F

RGB 219 125 15

HSL 32.35, 0.87%, 0.46%

LAB 61.45, 30.04, 65.6

 

CMYK 0 / 68 / 93 / 14

HEX #DB460F

RGB 219 70 15

HSL 16.18, 0.87%, 0.46%

LAB 51.24, 56.16, 58.7

 

CMYK 0 / 93 / 93 / 14

HEX #DB0F0F

RGB 219 15 15

HSL 0, 0.87%, 0.46%

LAB 46.23, 70.2, 55.61

 

CMYK 0 / 18 / 93 / 14

HEX #DBB40F

RGB 219 180 15

HSL 48.53, 0.87%, 0.46%

LAB 74.66, 0.71, 75.2

 

CMYK 7 / 0 / 93 / 14

HEX #CBDB0F

RGB 203 219 15

HSL 64.71, 0.87%, 0.46%

LAB 83.65, -25.77, 81.42

 

CMYK 32 / 0 / 93 / 14

HEX #94DB0F

RGB 148 219 15

HSL 80.88, 0.87%, 0.46%

LAB 80.18, -47.41, 77.21

 

CMYK 58 / 0 / 93 / 14

HEX #5DDB0F

RGB 93 219 15

HSL 97.06, 0.87%, 0.46%

LAB 77.89, -64.52, 74.41

 

CMYK 83 / 0 / 93 / 14

HEX #26DB0F

RGB 38 219 15

HSL 113.24, 0.87%, 0.46%

LAB 76.75, -74.29, 72.99

 

CMYK 0 / 18 / 93 / 14

HEX #DBB40F

RGB 219 180 15

HSL 48.53, 0.87%, 0.46%

LAB 74.66, 0.71, 75.2

 

CMYK 0 / 18 / 93 / 14

HEX #DBB40F

RGB 219 180 15

HSL 48.53, 0.87%, 0.46%

LAB 74.66, 0.71, 75.2

 

CMYK 0 / 16 / 83 / 22

HEX #C8A922

RGB 200 169 34

HSL 48.8, 0.71%, 0.46%

LAB 70.02, -1.46, 66.81

 

CMYK 0 / 13 / 71 / 29

HEX #B59D35

RGB 181 157 53

HSL 48.75, 0.55%, 0.46%

LAB 65.12, -2.69, 55.07

 

CMYK 0 / 10 / 56 / 36

HEX #A29148

RGB 162 145 72

HSL 48.67, 0.38%, 0.46%

LAB 60.25, -3.27, 40.54

 

CMYK 0 / 7 / 36 / 44

HEX #8F855B

RGB 143 133 91

HSL 48.46, 0.22%, 0.46%

LAB 55.45, -2.84, 24.03

 

CMYK 0 / 68 / 93 / 14

HEX #DB460F

RGB 219 70 15

HSL 16.18, 0.87%, 0.46%

LAB 51.24, 56.16, 58.7

 

CMYK 0 / 43 / 93 / 14

HEX #DB7C0F

RGB 219 124 15

HSL 32.06, 0.87%, 0.46%

LAB 61.23, 30.57, 65.45

 

CMYK 0 / 18 / 93 / 14

HEX #DBB30F

RGB 219 179 15

HSL 48.24, 0.87%, 0.46%

LAB 74.4, 1.24, 75.01

 

CMYK 6 / 0 / 93 / 14

HEX #CEDB0F

RGB 206 219 15

HSL 63.82, 0.87%, 0.46%

LAB 83.87, -24.52, 81.69

 

CMYK 31 / 0 / 93 / 14

HEX #97DB0F

RGB 151 219 15

HSL 80, 0.87%, 0.46%

LAB 80.34, -46.31, 77.4

 

CMYK 0 / 18 / 93 / 44

HEX #8E750A

RGB 142 117 10

HSL 48.64, 0.87%, 0.3%

LAB 50.09, -0.04, 54.01

 

CMYK 0 / 18 / 93 / 29

HEX #B5950D

RGB 181 149 13

HSL 48.57, 0.87%, 0.38%

LAB 62.8, 0.31, 64.93

 

CMYK 0 / 18 / 93 / 14

HEX #DBB40F

RGB 219 180 15

HSL 48.53, 0.87%, 0.46%

LAB 74.66, 0.71, 75.2

 

CMYK 0 / 16 / 85 / 6

HEX #F0C924

RGB 240 201 36

HSL 48.53, 0.87%, 0.54%

LAB 82.07, -0.72, 77.89

 

CMYK 0 / 13 / 69 / 5

HEX #F2D24B

RGB 242 210 75

HSL 48.5, 0.87%, 0.62%

LAB 84.73, -3.05, 67.95

 

CMYK 0 / 18 / 93 / 14

HEX #DBB40F

RGB 219 180 15

HSL 48.53, 0.87%, 0.46%

LAB 74.66, 0.71, 75.2

 

CMYK 93 / 0 / 93 / 14

HEX #0FDB0F

RGB 15 219 15

HSL 120, 0.87%, 0.46%

LAB 76.56, -75.99, 72.76

 

CMYK 56 / 93 / 0 / 14

HEX #610FDB

RGB 97 15 219

HSL 264.12, 0.87%, 0.46%

LAB 33.98, 71.11, -84.47

 

CMYK 0 / 18 / 93 / 14

HEX #DBB40F

RGB 219 180 15

HSL 48.53, 0.87%, 0.46%

LAB 74.66, 0.71, 75.2

 

CMYK 93 / 0 / 18 / 14

HEX #0FDBB3

RGB 15 219 179

HSL 168.24, 0.87%, 0.46%

LAB 78.47, -53.44, 7.26

 

CMYK 18 / 93 / 0 / 14

HEX #B30FDB

RGB 179 15 219

HSL 288.24, 0.87%, 0.46%

LAB 45.69, 80.29, -64.81

 

CMYK 0 / 18 / 93 / 14

HEX #DBB40F

RGB 219 180 15

HSL 48.53, 0.87%, 0.46%

LAB 74.66, 0.71, 75.2

 

CMYK 93 / 0 / 93 / 14

HEX #0FDB0F

RGB 15 219 15

HSL 120, 0.87%, 0.46%

LAB 76.56, -75.99, 72.76

 

CMYK 93 / 74 / 0 / 14

HEX #0F38DB

RGB 15 56 219

HSL 227.94, 0.87%, 0.46%

LAB 34.08, 50.69, -84.46

 

CMYK 0 / 93 / 0 / 14

HEX #DB0FDB

RGB 219 15 219

HSL 300, 0.87%, 0.46%

LAB 52.42, 86.46, -53.63

 

CMYK 0 / 18 / 93 / 14

HEX #DBB40F

RGB 219 180 15

HSL 48.53, 0.87%, 0.46%

LAB 74.66, 0.71, 75.2

 

CMYK 93 / 0 / 65 / 14

HEX #0FDB4C

RGB 15 219 76

HSL 137.94, 0.87%, 0.46%

LAB 76.85, -72.22, 56.06

 

CMYK 93 / 74 / 0 / 14

HEX #0F38DB

RGB 15 56 219

HSL 227.94, 0.87%, 0.46%

LAB 34.08, 50.69, -84.46

 

CMYK 0 / 93 / 28 / 14

HEX #DB0F9E

RGB 219 15 158

HSL 317.94, 0.87%, 0.46%

LAB 49.34, 78.64, -22.93

 

Description

Color code: HEX #DBB40FCE | qconv.com Color code: HEX #DBB40FCE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 180 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 180 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 75 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 75% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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