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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB396 it is the complementary color #244C69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB396. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB396 shade: #E0B391, #F1C5A4, #FFD7B7, #FFE9CA and #FFFBDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB396. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB396 shade: #DBB396, #CAA183, #B98F70, #A87D5D and #976B4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB396 shade: #DBB295, #DB9F95 and #DB9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB396 shade: #DBB295, #DBC595, #DBD895, #CBDB95 and #B8DB95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB396 shade matches the following richer shades: #DBB295, #E6B089, #F2AE7E and #FDAD72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB396 shade: #DBB295, #CFB4A0, #C3B6AC, #B8B8B7 and #ACB9C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB396 shade: #DB959D, #DB9F95, #DBB295, #DBC495 and #DBD795

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB396 shade: #C68657, #D09C76, #DBB295, #E5C8B3 and #F0DFD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB396 shade: #DBB396, #AFDB95 and #9695DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB396 shade: #DBB396, #95DBB2 and #B295DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB396 shade: #DBB396, #AFDB95, #95BDDB and #C095DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB396 shade: #DBB396, #9ADB95, #95BDDB and #D595DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 32 / 14

HEX #DBB396

RGB 219 179 150

HSL 25.22, 0.49%, 0.72%

LAB 75.76, 10.34, 20.26

 

Complementary color

CMYK 66 / 28 / 0 / 59

HEX #244C69

RGB 36 76 105

HSL 205.22, 0.49%, 0.28%

LAB 30.79, -4.15, -21.04

 

CMYK 0 / 20 / 35 / 12

HEX #E0B391

RGB 224 179 145

HSL 25.82, 0.56%, 0.72%

LAB 76.15, 11.67, 23.56

 

CMYK 0 / 18 / 32 / 5

HEX #F1C5A4

RGB 241 197 164

HSL 25.71, 0.73%, 0.79%

LAB 82.55, 11.05, 22.45

 

CMYK 0 / 16 / 28 / 0

HEX #FFD7B7

RGB 255 215 183

HSL 26.67, 1%, 0.86%

LAB 88.58, 9.38, 20.99

 

CMYK 0 / 9 / 21 / 0

HEX #FFE9CA

RGB 255 233 202

HSL 35.09, 1%, 0.9%

LAB 93.36, 2.72, 17.79

 

CMYK 0 / 2 / 13 / 0

HEX #FFFBDD

RGB 255 251 221

HSL 52.94, 1%, 0.93%

LAB 98.22, -3.57, 14.86

 

CMYK 0 / 18 / 32 / 14

HEX #DBB396

RGB 219 179 150

HSL 25.22, 0.49%, 0.72%

LAB 75.76, 10.34, 20.26

 

CMYK 0 / 20 / 35 / 21

HEX #CAA183

RGB 202 161 131

HSL 25.35, 0.4%, 0.65%

LAB 69.24, 10.97, 21.38

 

CMYK 0 / 23 / 39 / 27

HEX #B98F70

RGB 185 143 112

HSL 25.48, 0.34%, 0.58%

LAB 62.62, 11.68, 22.6

 

CMYK 0 / 26 / 45 / 34

HEX #A87D5D

RGB 168 125 93

HSL 25.6, 0.3%, 0.51%

LAB 55.87, 12.52, 23.93

 

CMYK 0 / 29 / 51 / 41

HEX #976B4A

RGB 151 107 74

HSL 25.71, 0.34%, 0.44%

LAB 48.99, 13.52, 25.4

 

CMYK 0 / 19 / 32 / 14

HEX #DBB295

RGB 219 178 149

HSL 24.86, 0.49%, 0.72%

LAB 75.5, 10.75, 20.43

 

CMYK 0 / 27 / 32 / 14

HEX #DB9F95

RGB 219 159 149

HSL 8.57, 0.49%, 0.72%

LAB 70.89, 20.97, 14.03

 

CMYK 0 / 32 / 32 / 14

HEX #DB9595

RGB 219 149 149

HSL 0, 0.49%, 0.72%

LAB 68.55, 26.36, 10.74

 

CMYK 0 / 19 / 32 / 14

HEX #DBB295

RGB 219 178 149

HSL 24.86, 0.49%, 0.72%

LAB 75.5, 10.75, 20.43

 

CMYK 0 / 10 / 32 / 14

HEX #DBC595

RGB 219 197 149

HSL 41.14, 0.49%, 0.72%

LAB 80.27, 0.69, 26.94

 

CMYK 0 / 1 / 32 / 14

HEX #DBD895

RGB 219 216 149

HSL 57.43, 0.49%, 0.72%

LAB 85.17, -9.09, 33.47

 

CMYK 7 / 0 / 32 / 14

HEX #CBDB95

RGB 203 219 149

HSL 73.71, 0.49%, 0.72%

LAB 84.76, -16.67, 32.7

 

CMYK 16 / 0 / 32 / 14

HEX #B8DB95

RGB 184 219 149

HSL 90, 0.49%, 0.72%

LAB 83.45, -23.65, 30.74

 

CMYK 0 / 19 / 32 / 14

HEX #DBB295

RGB 219 178 149

HSL 24.86, 0.49%, 0.72%

LAB 75.5, 10.75, 20.43

 

CMYK 0 / 23 / 40 / 10

HEX #E6B089

RGB 230 176 137

HSL 25.16, 0.65%, 0.72%

LAB 75.87, 14.7, 27.57

 

CMYK 0 / 28 / 48 / 5

HEX #F2AE7E

RGB 242 174 126

HSL 24.83, 0.82%, 0.72%

LAB 76.47, 19.39, 34.42

 

CMYK 0 / 32 / 55 / 1

HEX #FDAD72

RGB 253 173 114

HSL 25.47, 0.97%, 0.72%

LAB 77.27, 23.25, 41.93

 

CMYK 0 / 19 / 32 / 14

HEX #DBB295

RGB 219 178 149

HSL 24.86, 0.49%, 0.72%

LAB 75.5, 10.75, 20.43

 

CMYK 0 / 13 / 23 / 19

HEX #CFB4A0

RGB 207 180 160

HSL 25.53, 0.33%, 0.72%

LAB 75.11, 6.58, 13.77

 

CMYK 0 / 7 / 12 / 24

HEX #C3B6AC

RGB 195 182 172

HSL 26.09, 0.16%, 0.72%

LAB 74.85, 2.9, 6.74

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B7

RGB 184 184 183

HSL 60, 0.01%, 0.72%

LAB 74.76, -0.18, 0.5

 

CMYK 12 / 5 / 0 / 24

HEX #ACB9C3

RGB 172 185 195

HSL 206.09, 0.16%, 0.72%

LAB 74.45, -2.46, -6.6

 

CMYK 0 / 32 / 28 / 14

HEX #DB959D

RGB 219 149 157

HSL 353.14, 0.49%, 0.72%

LAB 68.74, 27.42, 6.55

 

CMYK 0 / 27 / 32 / 14

HEX #DB9F95

RGB 219 159 149

HSL 8.57, 0.49%, 0.72%

LAB 70.89, 20.97, 14.03

 

CMYK 0 / 19 / 32 / 14

HEX #DBB295

RGB 219 178 149

HSL 24.86, 0.49%, 0.72%

LAB 75.5, 10.75, 20.43

 

CMYK 0 / 11 / 32 / 14

HEX #DBC495

RGB 219 196 149

HSL 40.29, 0.49%, 0.72%

LAB 80.02, 1.22, 26.59

 

CMYK 0 / 2 / 32 / 14

HEX #DBD795

RGB 219 215 149

HSL 56.57, 0.49%, 0.72%

LAB 84.91, -8.58, 33.13

 

CMYK 0 / 32 / 56 / 22

HEX #C68657

RGB 198 134 87

HSL 25.41, 0.49%, 0.56%

LAB 61.43, 19.55, 35.05

 

CMYK 0 / 25 / 43 / 18

HEX #D09C76

RGB 208 156 118

HSL 25.33, 0.49%, 0.64%

LAB 68.38, 14.59, 27.42

 

CMYK 0 / 19 / 32 / 14

HEX #DBB295

RGB 219 178 149

HSL 24.86, 0.49%, 0.72%

LAB 75.5, 10.75, 20.43

 

CMYK 0 / 13 / 22 / 10

HEX #E5C8B3

RGB 229 200 179

HSL 25.2, 0.49%, 0.8%

LAB 82.5, 6.97, 14.25

 

CMYK 0 / 7 / 13 / 6

HEX #F0DFD2

RGB 240 223 210

HSL 26, 0.5%, 0.88%

LAB 89.84, 3.69, 8.45

 

CMYK 0 / 18 / 32 / 14

HEX #DBB396

RGB 219 179 150

HSL 25.22, 0.49%, 0.72%

LAB 75.76, 10.34, 20.26

 

CMYK 20 / 0 / 32 / 14

HEX #AFDB95

RGB 175 219 149

HSL 97.71, 0.49%, 0.72%

LAB 82.89, -26.86, 29.88

 

CMYK 32 / 32 / 0 / 14

HEX #9695DB

RGB 150 149 219

HSL 240.86, 0.49%, 0.72%

LAB 64.24, 16.29, -35.5

 

CMYK 0 / 18 / 32 / 14

HEX #DBB396

RGB 219 179 150

HSL 25.22, 0.49%, 0.72%

LAB 75.76, 10.34, 20.26

 

CMYK 32 / 0 / 19 / 14

HEX #95DBB2

RGB 149 219 178

HSL 144.86, 0.49%, 0.72%

LAB 81.98, -30.46, 13.27

 

CMYK 19 / 32 / 0 / 14

HEX #B295DB

RGB 178 149 219

HSL 264.86, 0.49%, 0.72%

LAB 66.58, 24.58, -31.69

 

CMYK 0 / 18 / 32 / 14

HEX #DBB396

RGB 219 179 150

HSL 25.22, 0.49%, 0.72%

LAB 75.76, 10.34, 20.26

 

CMYK 20 / 0 / 32 / 14

HEX #AFDB95

RGB 175 219 149

HSL 97.71, 0.49%, 0.72%

LAB 82.89, -26.86, 29.88

 

CMYK 32 / 14 / 0 / 14

HEX #95BDDB

RGB 149 189 219

HSL 205.71, 0.49%, 0.72%

LAB 74.76, -6.25, -19.34

 

CMYK 12 / 32 / 0 / 14

HEX #C095DB

RGB 192 149 219

HSL 276.86, 0.49%, 0.72%

LAB 67.88, 28.91, -29.56

 

CMYK 0 / 18 / 32 / 14

HEX #DBB396

RGB 219 179 150

HSL 25.22, 0.49%, 0.72%

LAB 75.76, 10.34, 20.26

 

CMYK 30 / 0 / 32 / 14

HEX #9ADB95

RGB 154 219 149

HSL 115.71, 0.49%, 0.72%

LAB 81.68, -33.99, 28.05

 

CMYK 32 / 14 / 0 / 14

HEX #95BDDB

RGB 149 189 219

HSL 205.71, 0.49%, 0.72%

LAB 74.76, -6.25, -19.34

 

CMYK 3 / 32 / 0 / 14

HEX #D595DB

RGB 213 149 219

HSL 294.86, 0.49%, 0.72%

LAB 70, 35.52, -26.12

 

Description

Color code: HEX #DBB396 | qconv.com Color code: HEX #DBB396 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 179 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 179 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 32 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 32% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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