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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB2B5 it is the complementary color #244D4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB2B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB2B5 shade: #E0B2B0, #F1C4C3, #FFD6D6, #FFE8E9 and #FFFAFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB2B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB2B5 shade: #DBB2B5, #CAA0A2, #B98E8F, #A87C7C and #976A69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB2B5 shade: #DBB2B5 and #DBB2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB2B5 shade: #DBB2B5, #DBB2C0, #DBB2CB, #DBB2D6 and #D4B2DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB2B5 shade matches the following richer shades: #DBB2B5, #E4A9AD, #EDA0A6 and #F6979E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB2B5 shade: #DBB2B5, #D2BBBD, #C8C4C5, #BFCDCC and #B6D7D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB2B5 shade: #DBB2CB, #DBB2C0, #DBB2B6, #DBBAB2 and #DBC4B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB2B5 shade: #C07A7F, #CD969A, #DBB2B5, #E8CED0 and #F5EAEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB2B5 shade: #DBB2B5, #D6DBB2 and #B2C6DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB2B5 shade: #DBB2B5, #B6DBB2 and #B2B6DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB2B5 shade: #DBB2B5, #D6DBB2, #B2DBD7 and #B7B2DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB2B5 shade: #DBB2B5, #CADBB2, #B2DBD7 and #C3B2DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

Complementary color

CMYK 53 / 0 / 4 / 70

HEX #244D4A

RGB 36 77 74

HSL 175.61, 0.36%, 0.22%

LAB 29.86, -15.21, -2.66

 

CMYK 0 / 21 / 21 / 12

HEX #E0B2B0

RGB 224 178 176

HSL 2.5, 0.44%, 0.78%

LAB 76.57, 16.37, 7.38

 

CMYK 0 / 19 / 19 / 5

HEX #F1C4C3

RGB 241 196 195

HSL 1.3, 0.62%, 0.85%

LAB 82.98, 15.84, 6.55

 

CMYK 0 / 16 / 16 / 0

HEX #FFD6D6

RGB 255 214 214

HSL 0, 1%, 0.92%

LAB 89.02, 14.29, 5.34

 

CMYK 0 / 9 / 9 / 0

HEX #FFE8E9

RGB 255 232 233

HSL 357.39, 1%, 0.95%

LAB 93.82, 7.99, 2.35

 

CMYK 0 / 2 / 1 / 0

HEX #FFFAFC

RGB 255 250 252

HSL 336, 1%, 0.99%

LAB 98.69, 2.01, -0.38

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

CMYK 0 / 21 / 20 / 21

HEX #CAA0A2

RGB 202 160 162

HSL 357.14, 0.28%, 0.71%

LAB 69.69, 15.83, 4.89

 

CMYK 0 / 23 / 23 / 27

HEX #B98E8F

RGB 185 142 143

HSL 358.6, 0.23%, 0.64%

LAB 63.05, 16.42, 5.76

 

CMYK 0 / 26 / 26 / 34

HEX #A87C7C

RGB 168 124 124

HSL 0, 0.2%, 0.57%

LAB 56.28, 17.1, 6.71

 

CMYK 0 / 30 / 30 / 41

HEX #976A69

RGB 151 106 105

HSL 1.3, 0.18%, 0.5%

LAB 49.38, 17.86, 7.76

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

CMYK 0 / 19 / 19 / 14

HEX #DBB2B2

RGB 219 178 178

HSL 0, 0.36%, 0.78%

LAB 76.14, 14.83, 5.61

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

CMYK 0 / 19 / 12 / 14

HEX #DBB2C0

RGB 219 178 192

HSL 339.51, 0.36%, 0.78%

LAB 76.5, 17.06, -1.49

 

CMYK 0 / 19 / 7 / 14

HEX #DBB2CB

RGB 219 178 203

HSL 323.41, 0.36%, 0.78%

LAB 76.81, 18.92, -7.03

 

CMYK 0 / 19 / 2 / 14

HEX #DBB2D6

RGB 219 178 214

HSL 307.32, 0.36%, 0.78%

LAB 77.13, 20.87, -12.52

 

CMYK 3 / 19 / 0 / 14

HEX #D4B2DB

RGB 212 178 219

HSL 289.76, 0.36%, 0.78%

LAB 76.65, 19.46, -16.03

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

CMYK 0 / 26 / 24 / 11

HEX #E4A9AD

RGB 228 169 173

HSL 355.93, 0.52%, 0.78%

LAB 74.75, 22.23, 6.46

 

CMYK 0 / 32 / 30 / 7

HEX #EDA0A6

RGB 237 160 166

HSL 355.32, 0.68%, 0.78%

LAB 73.48, 29.39, 8.61

 

CMYK 0 / 39 / 36 / 4

HEX #F6979E

RGB 246 151 158

HSL 355.58, 0.84%, 0.78%

LAB 72.36, 36.42, 11.57

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

CMYK 0 / 11 / 10 / 18

HEX #D2BBBD

RGB 210 187 189

HSL 354.78, 0.2%, 0.78%

LAB 77.83, 8.5, 1.97

 

CMYK 0 / 2 / 1 / 22

HEX #C8C4C5

RGB 200 196 197

HSL 345, 0.04%, 0.78%

LAB 79.49, 1.57, -0.02

 

CMYK 7 / 0 / 0 / 20

HEX #BFCDCC

RGB 191 205 204

HSL 175.71, 0.12%, 0.78%

LAB 81.35, -4.93, -1.15

 

CMYK 15 / 0 / 1 / 16

HEX #B6D7D4

RGB 182 215 212

HSL 174.55, 0.29%, 0.78%

LAB 83.6, -11.46, -2.18

 

CMYK 0 / 19 / 7 / 14

HEX #DBB2CB

RGB 219 178 203

HSL 323.41, 0.36%, 0.78%

LAB 76.81, 18.92, -7.03

 

CMYK 0 / 19 / 12 / 14

HEX #DBB2C0

RGB 219 178 192

HSL 339.51, 0.36%, 0.78%

LAB 76.5, 17.06, -1.49

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B6

RGB 219 178 182

HSL 354.15, 0.36%, 0.78%

LAB 76.24, 15.45, 3.57

 

CMYK 0 / 15 / 19 / 14

HEX #DBBAB2

RGB 219 186 178

HSL 11.71, 0.36%, 0.78%

LAB 78.11, 10.54, 8.43

 

CMYK 0 / 11 / 19 / 14

HEX #DBC4B2

RGB 219 196 178

HSL 26.34, 0.36%, 0.78%

LAB 80.6, 5.23, 11.98

 

CMYK 0 / 36 / 34 / 25

HEX #C07A7F

RGB 192 122 127

HSL 355.71, 0.36%, 0.62%

LAB 58.66, 27.95, 8.73

 

CMYK 0 / 27 / 25 / 20

HEX #CD969A

RGB 205 150 154

HSL 355.64, 0.35%, 0.7%

LAB 67.37, 21.23, 6.05

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

CMYK 0 / 11 / 10 / 9

HEX #E8CED0

RGB 232 206 208

HSL 355.38, 0.36%, 0.86%

LAB 84.92, 9.4, 2.32

 

CMYK 0 / 4 / 4 / 4

HEX #F5EAEB

RGB 245 234 235

HSL 354.55, 0.35%, 0.94%

LAB 93.56, 3.88, 0.83

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

CMYK 2 / 0 / 19 / 14

HEX #D6DBB2

RGB 214 219 178

HSL 67.32, 0.36%, 0.78%

LAB 86.09, -8.54, 19.63

 

CMYK 19 / 10 / 0 / 14

HEX #B2C6DB

RGB 178 198 219

HSL 210.73, 0.36%, 0.78%

LAB 79.02, -2.38, -12.74

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

CMYK 17 / 0 / 19 / 14

HEX #B6DBB2

RGB 182 219 178

HSL 114.15, 0.36%, 0.78%

LAB 83.87, -19.83, 16.2

 

CMYK 19 / 17 / 0 / 14

HEX #B2B6DB

RGB 178 182 219

HSL 234.15, 0.36%, 0.78%

LAB 74.85, 6.24, -19.02

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

CMYK 2 / 0 / 19 / 14

HEX #D6DBB2

RGB 214 219 178

HSL 67.32, 0.36%, 0.78%

LAB 86.09, -8.54, 19.63

 

CMYK 19 / 0 / 2 / 14

HEX #B2DBD7

RGB 178 219 215

HSL 174.15, 0.36%, 0.78%

LAB 84.5, -14.14, -2.48

 

CMYK 16 / 19 / 0 / 14

HEX #B7B2DB

RGB 183 178 219

HSL 247.32, 0.36%, 0.78%

LAB 74.2, 10.01, -19.96

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B5

RGB 219 178 181

HSL 355.61, 0.36%, 0.78%

LAB 76.21, 15.29, 4.08

 

CMYK 8 / 0 / 19 / 14

HEX #CADBB2

RGB 202 219 178

HSL 84.88, 0.36%, 0.78%

LAB 85.22, -12.86, 18.28

 

CMYK 19 / 0 / 2 / 14

HEX #B2DBD7

RGB 178 219 215

HSL 174.15, 0.36%, 0.78%

LAB 84.5, -14.14, -2.48

 

CMYK 11 / 19 / 0 / 14

HEX #C3B2DB

RGB 195 178 219

HSL 264.88, 0.36%, 0.78%

LAB 75.18, 13.87, -18.4

 

Description

Color code: HEX #DBB2B5 | qconv.com Color code: HEX #DBB2B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 178 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 178 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 17% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Christine Rose Elle ...
Link: http://www.christineroseelle.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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