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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB183 it is the complementary color #244E7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB183 shade: #E0B17E, #F1C391, #FFD5A4, #FFE7B7 and #FFF9CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB183 shade: #DBB183, #CA9F70, #B98D5D, #A87B4A and #976937

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB183 shade: #DBB284, #DB9A84 and #DB8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB183 shade: #DBB284, #DBC984, #D6DB84, #BFDB84 and #A7DB84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB183 shade matches the following richer shades: #DBB284, #E8B378 and #F5B36B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB183 shade: #DBB284, #CFB191, #C2B19E, #B5B0AB and #A8B0B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB183 shade: #DB8486, #DB9A84, #DBB184, #DBC984 and #D7DB84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB183 shade: #C98A45, #D29E64, #DBB284, #E5C6A4 and #EEDAC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB183 shade: #DBB183, #9DDB84 and #8F84DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB183 shade: #DBB183, #84DBB1 and #B184DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB183 shade: #DBB183, #9DDB84, #84AFDB and #C384DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB183 shade: #DBB183, #84DB86, #84AFDB and #DB84DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 40 / 14

HEX #DBB183

RGB 219 177 131

HSL 31.36, 0.55%, 0.69%

LAB 74.92, 9.13, 29.29

 

Complementary color

CMYK 71 / 37 / 0 / 51

HEX #244E7C

RGB 36 78 124

HSL 211.36, 0.55%, 0.31%

LAB 32.43, 1.71, -30.37

 

CMYK 0 / 21 / 44 / 12

HEX #E0B17E

RGB 224 177 126

HSL 31.22, 0.61%, 0.69%

LAB 75.33, 10.6, 32.57

 

CMYK 0 / 19 / 40 / 5

HEX #F1C391

RGB 241 195 145

HSL 31.25, 0.77%, 0.76%

LAB 81.72, 9.87, 31.32

 

CMYK 0 / 16 / 36 / 0

HEX #FFD5A4

RGB 255 213 164

HSL 32.31, 1%, 0.82%

LAB 87.74, 8.07, 29.73

 

CMYK 0 / 9 / 28 / 0

HEX #FFE7B7

RGB 255 231 183

HSL 40, 1%, 0.86%

LAB 92.5, 1.17, 26.39

 

CMYK 0 / 2 / 21 / 0

HEX #FFF9CA

RGB 255 249 202

HSL 53.21, 1%, 0.9%

LAB 97.34, -5.35, 23.33

 

CMYK 0 / 19 / 40 / 14

HEX #DBB183

RGB 219 177 131

HSL 31.36, 0.55%, 0.69%

LAB 74.92, 9.13, 29.29

 

CMYK 0 / 21 / 45 / 21

HEX #CA9F70

RGB 202 159 112

HSL 31.33, 0.46%, 0.62%

LAB 68.4, 9.88, 30.57

 

CMYK 0 / 24 / 50 / 27

HEX #B98D5D

RGB 185 141 93

HSL 31.3, 0.4%, 0.55%

LAB 61.79, 10.75, 31.95

 

CMYK 0 / 27 / 56 / 34

HEX #A87B4A

RGB 168 123 74

HSL 31.28, 0.39%, 0.47%

LAB 55.06, 11.79, 33.42

 

CMYK 0 / 30 / 64 / 41

HEX #976937

RGB 151 105 55

HSL 31.25, 0.47%, 0.4%

LAB 48.21, 13.03, 34.97

 

CMYK 0 / 19 / 40 / 14

HEX #DBB284

RGB 219 178 132

HSL 31.72, 0.55%, 0.69%

LAB 75.18, 8.71, 29.11

 

CMYK 0 / 30 / 40 / 14

HEX #DB9A84

RGB 219 154 132

HSL 15.17, 0.55%, 0.69%

LAB 69.35, 21.6, 21.28

 

CMYK 0 / 40 / 40 / 14

HEX #DB8484

RGB 219 132 132

HSL 0, 0.55%, 0.69%

LAB 64.35, 33.4, 14.37

 

CMYK 0 / 19 / 40 / 14

HEX #DBB284

RGB 219 178 132

HSL 31.72, 0.55%, 0.69%

LAB 75.18, 8.71, 29.11

 

CMYK 0 / 8 / 40 / 14

HEX #DBC984

RGB 219 201 132

HSL 47.59, 0.55%, 0.69%

LAB 81.02, -3.38, 36.75

 

CMYK 2 / 0 / 40 / 14

HEX #D6DB84

RGB 214 219 132

HSL 63.45, 0.55%, 0.69%

LAB 85.31, -14.49, 42.16

 

CMYK 13 / 0 / 40 / 14

HEX #BFDB84

RGB 191 219 132

HSL 79.31, 0.55%, 0.69%

LAB 83.66, -23.3, 39.71

 

CMYK 24 / 0 / 40 / 14

HEX #A7DB84

RGB 167 219 132

HSL 95.86, 0.55%, 0.69%

LAB 82.13, -32.05, 37.45

 

CMYK 0 / 19 / 40 / 14

HEX #DBB284

RGB 219 178 132

HSL 31.72, 0.55%, 0.69%

LAB 75.18, 8.71, 29.11

 

CMYK 0 / 23 / 48 / 9

HEX #E8B378

RGB 232 179 120

HSL 31.61, 0.71%, 0.69%

LAB 76.53, 12.17, 37.42

 

CMYK 0 / 27 / 56 / 4

HEX #F5B36B

RGB 245 179 107

HSL 31.3, 0.87%, 0.69%

LAB 77.71, 16.33, 45.81

 

CMYK 0 / 19 / 40 / 14

HEX #DBB284

RGB 219 178 132

HSL 31.72, 0.55%, 0.69%

LAB 75.18, 8.71, 29.11

 

CMYK 0 / 14 / 30 / 19

HEX #CFB191

RGB 207 177 145

HSL 30.97, 0.39%, 0.69%

LAB 74.03, 6.09, 20.4

 

CMYK 0 / 9 / 19 / 24

HEX #C2B19E

RGB 194 177 158

HSL 31.67, 0.23%, 0.69%

LAB 73.14, 2.97, 11.93

 

CMYK 0 / 3 / 6 / 29

HEX #B5B0AB

RGB 181 176 171

HSL 30, 0.06%, 0.69%

LAB 72.1, 0.87, 3.18

 

CMYK 9 / 4 / 0 / 28

HEX #A8B0B8

RGB 168 176 184

HSL 210, 0.1%, 0.69%

LAB 71.44, -1.2, -5.05

 

CMYK 0 / 40 / 39 / 14

HEX #DB8486

RGB 219 132 134

HSL 358.62, 0.55%, 0.69%

LAB 64.39, 33.63, 13.3

 

CMYK 0 / 30 / 40 / 14

HEX #DB9A84

RGB 219 154 132

HSL 15.17, 0.55%, 0.69%

LAB 69.35, 21.6, 21.28

 

CMYK 0 / 19 / 40 / 14

HEX #DBB184

RGB 219 177 132

HSL 31.03, 0.55%, 0.69%

LAB 74.93, 9.24, 28.78

 

CMYK 0 / 8 / 40 / 14

HEX #DBC984

RGB 219 201 132

HSL 47.59, 0.55%, 0.69%

LAB 81.02, -3.38, 36.75

 

CMYK 2 / 0 / 40 / 14

HEX #D7DB84

RGB 215 219 132

HSL 62.76, 0.55%, 0.69%

LAB 85.39, -14.1, 42.27

 

CMYK 0 / 31 / 66 / 21

HEX #C98A45

RGB 201 138 69

HSL 31.36, 0.55%, 0.53%

LAB 62.53, 17.32, 45.72

 

CMYK 0 / 25 / 52 / 18

HEX #D29E64

RGB 210 158 100

HSL 31.64, 0.55%, 0.61%

LAB 68.81, 12.57, 37.62

 

CMYK 0 / 19 / 40 / 14

HEX #DBB284

RGB 219 178 132

HSL 31.72, 0.55%, 0.69%

LAB 75.18, 8.71, 29.11

 

CMYK 0 / 14 / 28 / 10

HEX #E5C6A4

RGB 229 198 164

HSL 31.38, 0.56%, 0.77%

LAB 81.69, 5.95, 21.1

 

CMYK 0 / 8 / 18 / 7

HEX #EEDAC4

RGB 238 218 196

HSL 31.43, 0.55%, 0.85%

LAB 88.12, 3.39, 13.32

 

CMYK 0 / 19 / 40 / 14

HEX #DBB183

RGB 219 177 131

HSL 31.36, 0.55%, 0.69%

LAB 74.92, 9.13, 29.29

 

CMYK 28 / 0 / 40 / 14

HEX #9DDB84

RGB 157 219 132

HSL 102.76, 0.55%, 0.69%

LAB 81.56, -35.51, 36.6

 

CMYK 35 / 40 / 0 / 14

HEX #8F84DB

RGB 143 132 219

HSL 247.59, 0.55%, 0.69%

LAB 59.39, 24.18, -43.12

 

CMYK 0 / 19 / 40 / 14

HEX #DBB183

RGB 219 177 131

HSL 31.36, 0.55%, 0.69%

LAB 74.92, 9.13, 29.29

 

CMYK 40 / 0 / 19 / 14

HEX #84DBB1

RGB 132 219 177

HSL 151.03, 0.55%, 0.69%

LAB 81.15, -35.56, 12.5

 

CMYK 19 / 40 / 0 / 14

HEX #B184DB

RGB 177 132 219

HSL 271.03, 0.55%, 0.69%

LAB 62.48, 33.82, -38.07

 

CMYK 0 / 19 / 40 / 14

HEX #DBB183

RGB 219 177 131

HSL 31.36, 0.55%, 0.69%

LAB 74.92, 9.13, 29.29

 

CMYK 28 / 0 / 40 / 14

HEX #9DDB84

RGB 157 219 132

HSL 102.76, 0.55%, 0.69%

LAB 81.56, -35.51, 36.6

 

CMYK 40 / 20 / 0 / 14

HEX #84AFDB

RGB 132 175 219

HSL 210.34, 0.55%, 0.69%

LAB 69.95, -3.33, -26.76

 

CMYK 11 / 40 / 0 / 14

HEX #C384DB

RGB 195 132 219

HSL 283.45, 0.55%, 0.69%

LAB 64.34, 39.16, -35.03

 

CMYK 0 / 19 / 40 / 14

HEX #DBB183

RGB 219 177 131

HSL 31.36, 0.55%, 0.69%

LAB 74.92, 9.13, 29.29

 

CMYK 40 / 0 / 39 / 14

HEX #84DB86

RGB 132 219 134

HSL 121.38, 0.55%, 0.69%

LAB 80.34, -43.25, 33.76

 

CMYK 40 / 20 / 0 / 14

HEX #84AFDB

RGB 132 175 219

HSL 210.34, 0.55%, 0.69%

LAB 69.95, -3.33, -26.76

 

CMYK 0 / 40 / 0 / 14

HEX #DB84DA

RGB 219 132 218

HSL 300.69, 0.55%, 0.69%

LAB 66.99, 46.21, -30.14

 

Description

Color code: HEX #DBB183 | qconv.com Color code: HEX #DBB183 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 177 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 177 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 40 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 40% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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