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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB078 it is the complementary color #244F87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB078. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB078 shade: #E0B073, #F1C286, #FFD499, #FFE6AC and #FFF8BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB078. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB078 shade: #DBB078, #CA9E65, #B98C52, #A87A3F and #97682C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB078 shade: #DBAF76, #DB9476, #DB7976 and #DB7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB078 shade: #DBAF76, #DBCA76, #D0DB76, #B5DB76 and #9ADB76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB078 shade matches the following richer shades: #DBAF76, #E9B168 and #F7B35A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB078 shade: #DBAF76, #CDAD84, #BFAB92, #B1A9A0 and #A2A8AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB078 shade: #DB7876, #DB9376, #DBAD76, #DBC876 and #D2DB76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB078 shade: #C98935, #D29C55, #DBAF76, #E3C297 and #ECD5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB078 shade: #DBB078, #8FDB76 and #8576DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB078 shade: #DBB078, #76DBAD and #AD76DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB078 shade: #DBB078, #8FDB76, #76A3DB and #C176DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB078 shade: #DBB078, #76DB7B, #76A3DB and #DB76D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 45 / 14

HEX #DBB078

RGB 219 176 120

HSL 33.94, 0.58%, 0.66%

LAB 74.49, 8.5, 34.54

 

Complementary color

CMYK 73 / 41 / 0 / 47

HEX #244F87

RGB 36 79 135

HSL 213.94, 0.58%, 0.34%

LAB 33.38, 5.31, -35.66

 

CMYK 0 / 21 / 49 / 12

HEX #E0B073

RGB 224 176 115

HSL 33.58, 0.64%, 0.66%

LAB 74.91, 10.04, 37.79

 

CMYK 0 / 20 / 44 / 5

HEX #F1C286

RGB 241 194 134

HSL 33.64, 0.79%, 0.74%

LAB 81.29, 9.24, 36.48

 

CMYK 0 / 17 / 40 / 0

HEX #FFD499

RGB 255 212 153

HSL 34.71, 1%, 0.8%

LAB 87.31, 7.36, 34.82

 

CMYK 0 / 10 / 33 / 0

HEX #FFE6AC

RGB 255 230 172

HSL 41.93, 1%, 0.84%

LAB 92.06, 0.31, 31.42

 

CMYK 0 / 3 / 25 / 0

HEX #FFF8BF

RGB 255 248 191

HSL 53.44, 1%, 0.87%

LAB 96.88, -6.34, 28.29

 

CMYK 0 / 20 / 45 / 14

HEX #DBB078

RGB 219 176 120

HSL 33.94, 0.58%, 0.66%

LAB 74.49, 8.5, 34.54

 

CMYK 0 / 22 / 50 / 21

HEX #CA9E65

RGB 202 158 101

HSL 33.86, 0.49%, 0.59%

LAB 67.98, 9.33, 35.88

 

CMYK 0 / 24 / 56 / 27

HEX #B98C52

RGB 185 140 82

HSL 33.79, 0.42%, 0.52%

LAB 61.38, 10.31, 37.3

 

CMYK 0 / 27 / 63 / 34

HEX #A87A3F

RGB 168 122 63

HSL 33.71, 0.45%, 0.45%

LAB 54.66, 11.48, 38.77

 

CMYK 0 / 31 / 71 / 41

HEX #97682C

RGB 151 104 44

HSL 33.64, 0.55%, 0.38%

LAB 47.83, 12.89, 40.19

 

CMYK 0 / 20 / 46 / 14

HEX #DBAF76

RGB 219 175 118

HSL 33.86, 0.58%, 0.66%

LAB 74.21, 8.83, 35.23

 

CMYK 0 / 32 / 46 / 14

HEX #DB9476

RGB 219 148 118

HSL 17.82, 0.58%, 0.66%

LAB 67.69, 23.34, 26.72

 

CMYK 0 / 45 / 46 / 14

HEX #DB7976

RGB 219 121 118

HSL 1.78, 0.58%, 0.66%

LAB 61.69, 37.69, 18.64

 

CMYK 0 / 46 / 46 / 14

HEX #DB7676

RGB 219 118 118

HSL 0, 0.58%, 0.66%

LAB 61.07, 39.24, 17.79

 

CMYK 0 / 20 / 46 / 14

HEX #DBAF76

RGB 219 175 118

HSL 33.86, 0.58%, 0.66%

LAB 74.21, 8.83, 35.23

 

CMYK 0 / 8 / 46 / 14

HEX #DBCA76

RGB 219 202 118

HSL 49.9, 0.58%, 0.66%

LAB 81.08, -5.33, 43.89

 

CMYK 5 / 0 / 46 / 14

HEX #D0DB76

RGB 208 219 118

HSL 66.53, 0.58%, 0.66%

LAB 84.68, -18.28, 48.12

 

CMYK 17 / 0 / 46 / 14

HEX #B5DB76

RGB 181 219 118

HSL 82.57, 0.58%, 0.66%

LAB 82.8, -28.66, 45.4

 

CMYK 30 / 0 / 46 / 14

HEX #9ADB76

RGB 154 219 118

HSL 98.61, 0.58%, 0.66%

LAB 81.2, -38.36, 43.06

 

CMYK 0 / 20 / 46 / 14

HEX #DBAF76

RGB 219 175 118

HSL 33.86, 0.58%, 0.66%

LAB 74.21, 8.83, 35.23

 

CMYK 0 / 24 / 55 / 9

HEX #E9B168

RGB 233 177 104

HSL 33.95, 0.75%, 0.66%

LAB 75.93, 12.25, 44.86

 

CMYK 0 / 28 / 64 / 3

HEX #F7B35A

RGB 247 179 90

HSL 34.01, 0.91%, 0.66%

LAB 77.73, 15.97, 54.15

 

CMYK 0 / 20 / 46 / 14

HEX #DBAF76

RGB 219 175 118

HSL 33.86, 0.58%, 0.66%

LAB 74.21, 8.83, 35.23

 

CMYK 0 / 16 / 36 / 20

HEX #CDAD84

RGB 205 173 132

HSL 33.7, 0.42%, 0.66%

LAB 72.58, 5.8, 25.41

 

CMYK 0 / 10 / 24 / 25

HEX #BFAB92

RGB 191 171 146

HSL 33.33, 0.26%, 0.66%

LAB 71.06, 3.25, 15.52

 

CMYK 0 / 5 / 10 / 31

HEX #B1A9A0

RGB 177 169 160

HSL 31.76, 0.1%, 0.66%

LAB 69.66, 1.27, 5.66

 

CMYK 7 / 3 / 0 / 32

HEX #A2A8AE

RGB 162 168 174

HSL 210, 0.07%, 0.66%

LAB 68.56, -0.93, -3.83

 

CMYK 0 / 45 / 46 / 14

HEX #DB7876

RGB 219 120 118

HSL 1.19, 0.58%, 0.66%

LAB 61.48, 38.2, 18.36

 

CMYK 0 / 33 / 46 / 14

HEX #DB9376

RGB 219 147 118

HSL 17.23, 0.58%, 0.66%

LAB 67.45, 23.88, 26.41

 

CMYK 0 / 21 / 46 / 14

HEX #DBAD76

RGB 219 173 118

HSL 32.67, 0.58%, 0.66%

LAB 73.71, 9.9, 34.59

 

CMYK 0 / 9 / 46 / 14

HEX #DBC876

RGB 219 200 118

HSL 48.71, 0.58%, 0.66%

LAB 80.56, -4.3, 43.25

 

CMYK 4 / 0 / 46 / 14

HEX #D2DB76

RGB 210 219 118

HSL 65.35, 0.58%, 0.66%

LAB 84.83, -17.5, 48.34

 

CMYK 0 / 32 / 74 / 21

HEX #C98935

RGB 201 137 53

HSL 34.05, 0.58%, 0.5%

LAB 62.14, 17, 52.76

 

CMYK 0 / 26 / 60 / 18

HEX #D29C55

RGB 210 156 85

HSL 34.08, 0.58%, 0.58%

LAB 68.12, 12.44, 44.47

 

CMYK 0 / 20 / 46 / 14

HEX #DBAF76

RGB 219 175 118

HSL 33.86, 0.58%, 0.66%

LAB 74.21, 8.83, 35.23

 

CMYK 0 / 15 / 33 / 11

HEX #E3C297

RGB 227 194 151

HSL 33.95, 0.58%, 0.74%

LAB 80.26, 5.62, 25.99

 

CMYK 0 / 10 / 22 / 7

HEX #ECD5B7

RGB 236 213 183

HSL 33.96, 0.58%, 0.82%

LAB 86.42, 3.35, 17.74

 

CMYK 0 / 20 / 45 / 14

HEX #DBB078

RGB 219 176 120

HSL 33.94, 0.58%, 0.66%

LAB 74.49, 8.5, 34.54

 

CMYK 35 / 0 / 46 / 14

HEX #8FDB76

RGB 143 219 118

HSL 105.15, 0.58%, 0.66%

LAB 80.63, -42.05, 42.22

 

CMYK 39 / 46 / 0 / 14

HEX #8576DB

RGB 133 118 219

HSL 248.91, 0.58%, 0.66%

LAB 55.13, 29.76, -49.93

 

CMYK 0 / 20 / 45 / 14

HEX #DBB078

RGB 219 176 120

HSL 33.94, 0.58%, 0.66%

LAB 74.49, 8.5, 34.54

 

CMYK 46 / 0 / 21 / 14

HEX #76DBAD

RGB 118 219 173

HSL 152.67, 0.58%, 0.66%

LAB 80.48, -40.08, 13.59

 

CMYK 21 / 46 / 0 / 14

HEX #AD76DB

RGB 173 118 219

HSL 272.67, 0.58%, 0.66%

LAB 58.93, 40.44, -43.66

 

CMYK 0 / 20 / 45 / 14

HEX #DBB078

RGB 219 176 120

HSL 33.94, 0.58%, 0.66%

LAB 74.49, 8.5, 34.54

 

CMYK 35 / 0 / 46 / 14

HEX #8FDB76

RGB 143 219 118

HSL 105.15, 0.58%, 0.66%

LAB 80.63, -42.05, 42.22

 

CMYK 46 / 26 / 0 / 14

HEX #76A3DB

RGB 118 163 219

HSL 213.27, 0.58%, 0.66%

LAB 65.87, -0.23, -33.12

 

CMYK 12 / 46 / 0 / 14

HEX #C176DB

RGB 193 118 219

HSL 284.55, 0.58%, 0.66%

LAB 61.14, 46.08, -40.04

 

CMYK 0 / 20 / 45 / 14

HEX #DBB078

RGB 219 176 120

HSL 33.94, 0.58%, 0.66%

LAB 74.49, 8.5, 34.54

 

CMYK 46 / 0 / 44 / 14

HEX #76DB7B

RGB 118 219 123

HSL 122.97, 0.58%, 0.66%

LAB 79.58, -48.97, 38.19

 

CMYK 46 / 26 / 0 / 14

HEX #76A3DB

RGB 118 163 219

HSL 213.27, 0.58%, 0.66%

LAB 65.87, -0.23, -33.12

 

CMYK 0 / 46 / 2 / 14

HEX #DB76D6

RGB 219 118 214

HSL 302.97, 0.58%, 0.66%

LAB 64.06, 52.63, -32.46

 

Description

Color code: HEX #DBB078 | qconv.com Color code: HEX #DBB078 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 176 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 176 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 45 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 45% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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