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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB068 it is the complementary color #244F97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB068. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB068 shade: #E0B063, #F1C276, #FFD489, #FFE69C and #FFF8AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB068. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB068 shade: #DBB068, #CA9E55, #B98C42, #A87A2F and #97681C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB068 shade: #DAAF67, #DA9067, #DA7167 and #DA6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB068 shade: #DAAF67, #DACE67, #C7DA67, #A8DA67 and #89DA67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB068 shade matches the following richer shades: #DAAF67, #E9B358 and #F9B749

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB068 shade: #DAAF67, #CBAB76, #BCA786, #ACA495 and #9DA0A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB068 shade: #DA7167, #DA8F67, #DAAE67, #DACD67 and #C9DA67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB068 shade: #C08A2F, #D29E46, #DAAF67, #E2C188 and #EAD2AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB068 shade: #DBB068, #7CDA67 and #8067DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB068 shade: #DBB068, #67DAAE and #AE67DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB068 shade: #DBB068, #7CDA67, #6793DA and #C567DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB068 shade: #DBB068, #67DA75, #6793DA and #DA67CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 53 / 14

HEX #DBB068

RGB 219 176 104

HSL 37.57, 0.61%, 0.63%

LAB 74.26, 7, 42.5

 

Complementary color

CMYK 76 / 48 / 0 / 41

HEX #244F97

RGB 36 79 151

HSL 217.57, 0.61%, 0.37%

LAB 34.4, 11.58, -43.8

 

CMYK 0 / 21 / 56 / 12

HEX #E0B063

RGB 224 176 99

HSL 36.96, 0.67%, 0.63%

LAB 74.7, 8.66, 45.66

 

CMYK 0 / 20 / 51 / 5

HEX #F1C276

RGB 241 194 118

HSL 37.07, 0.81%, 0.7%

LAB 81.07, 7.74, 44.32

 

CMYK 0 / 17 / 46 / 0

HEX #FFD489

RGB 255 212 137

HSL 38.14, 1%, 0.77%

LAB 87.07, 5.75, 42.62

 

CMYK 0 / 10 / 39 / 0

HEX #FFE69C

RGB 255 230 156

HSL 44.85, 1%, 0.81%

LAB 91.8, -1.51, 39.17

 

CMYK 0 / 3 / 31 / 0

HEX #FFF8AF

RGB 255 248 175

HSL 54.75, 1%, 0.84%

LAB 96.61, -8.35, 35.98

 

CMYK 0 / 20 / 53 / 14

HEX #DBB068

RGB 219 176 104

HSL 37.57, 0.61%, 0.63%

LAB 74.26, 7, 42.5

 

CMYK 0 / 22 / 58 / 21

HEX #CA9E55

RGB 202 158 85

HSL 37.44, 0.52%, 0.56%

LAB 67.77, 7.97, 43.85

 

CMYK 0 / 24 / 64 / 27

HEX #B98C42

RGB 185 140 66

HSL 37.31, 0.47%, 0.49%

LAB 61.19, 9.11, 45.19

 

CMYK 0 / 27 / 72 / 34

HEX #A87A2F

RGB 168 122 47

HSL 37.19, 0.56%, 0.42%

LAB 54.5, 10.48, 46.4

 

CMYK 0 / 31 / 81 / 41

HEX #97681C

RGB 151 104 28

HSL 37.07, 0.69%, 0.35%

LAB 47.71, 12.13, 47.16

 

CMYK 0 / 20 / 53 / 15

HEX #DAAF67

RGB 218 175 103

HSL 37.57, 0.61%, 0.63%

LAB 73.9, 7.03, 42.54

 

CMYK 0 / 34 / 53 / 15

HEX #DA9067

RGB 218 144 103

HSL 21.39, 0.61%, 0.63%

LAB 66.39, 23.68, 33.17

 

CMYK 0 / 48 / 53 / 15

HEX #DA7167

RGB 218 113 103

HSL 5.22, 0.61%, 0.63%

LAB 59.61, 40.04, 24.36

 

CMYK 0 / 53 / 53 / 15

HEX #DA6767

RGB 218 103 103

HSL 0, 0.61%, 0.63%

LAB 57.64, 45.05, 21.73

 

CMYK 0 / 20 / 53 / 15

HEX #DAAF67

RGB 218 175 103

HSL 37.57, 0.61%, 0.63%

LAB 73.9, 7.03, 42.54

 

CMYK 0 / 6 / 53 / 15

HEX #DACE67

RGB 218 206 103

HSL 53.74, 0.61%, 0.63%

LAB 81.85, -9.12, 52.06

 

CMYK 9 / 0 / 53 / 15

HEX #C7DA67

RGB 199 218 103

HSL 69.91, 0.61%, 0.63%

LAB 83.58, -22.74, 53.71

 

CMYK 23 / 0 / 53 / 15

HEX #A8DA67

RGB 168 218 103

HSL 86.09, 0.61%, 0.63%

LAB 81.54, -34.6, 50.8

 

CMYK 37 / 0 / 53 / 15

HEX #89DA67

RGB 137 218 103

HSL 102.26, 0.61%, 0.63%

LAB 79.86, -45.39, 48.4

 

CMYK 0 / 20 / 53 / 15

HEX #DAAF67

RGB 218 175 103

HSL 37.57, 0.61%, 0.63%

LAB 73.9, 7.03, 42.54

 

CMYK 0 / 23 / 62 / 9

HEX #E9B358

RGB 233 179 88

HSL 37.66, 0.77%, 0.63%

LAB 76.23, 10.03, 53

 

CMYK 0 / 27 / 71 / 2

HEX #F9B749

RGB 249 183 73

HSL 37.5, 0.94%, 0.63%

LAB 78.75, 13.76, 62.88

 

CMYK 0 / 20 / 53 / 15

HEX #DAAF67

RGB 218 175 103

HSL 37.57, 0.61%, 0.63%

LAB 73.9, 7.03, 42.54

 

CMYK 0 / 16 / 42 / 20

HEX #CBAB76

RGB 203 171 118

HSL 37.41, 0.45%, 0.63%

LAB 71.64, 4.45, 31.61

 

CMYK 0 / 11 / 29 / 26

HEX #BCA786

RGB 188 167 134

HSL 36.67, 0.29%, 0.63%

LAB 69.51, 2.55, 19.88

 

CMYK 0 / 5 / 13 / 33

HEX #ACA495

RGB 172 164 149

HSL 39.13, 0.12%, 0.63%

LAB 67.64, 0.27, 8.81

 

CMYK 4 / 2 / 0 / 36

HEX #9DA0A4

RGB 157 160 164

HSL 214.29, 0.04%, 0.63%

LAB 65.74, -0.29, -2.46

 

CMYK 0 / 48 / 53 / 15

HEX #DA7167

RGB 218 113 103

HSL 5.22, 0.61%, 0.63%

LAB 59.61, 40.04, 24.36

 

CMYK 0 / 34 / 53 / 15

HEX #DA8F67

RGB 218 143 103

HSL 20.87, 0.61%, 0.63%

LAB 66.16, 24.22, 32.87

 

CMYK 0 / 20 / 53 / 15

HEX #DAAE67

RGB 218 174 103

HSL 37.04, 0.61%, 0.63%

LAB 73.65, 7.56, 42.24

 

CMYK 0 / 6 / 53 / 15

HEX #DACD67

RGB 218 205 103

HSL 53.22, 0.61%, 0.63%

LAB 81.59, -8.61, 51.76

 

CMYK 8 / 0 / 53 / 15

HEX #C9DA67

RGB 201 218 103

HSL 68.87, 0.61%, 0.63%

LAB 83.73, -21.95, 53.92

 

CMYK 0 / 28 / 76 / 25

HEX #C08A2F

RGB 192 138 47

HSL 37.66, 0.61%, 0.47%

LAB 61.3, 12.25, 54.12

 

CMYK 0 / 25 / 67 / 18

HEX #D29E46

RGB 210 158 70

HSL 37.71, 0.61%, 0.55%

LAB 68.46, 10.37, 52.07

 

CMYK 0 / 20 / 53 / 15

HEX #DAAF67

RGB 218 175 103

HSL 37.57, 0.61%, 0.63%

LAB 73.9, 7.03, 42.54

 

CMYK 0 / 15 / 40 / 11

HEX #E2C188

RGB 226 193 136

HSL 38, 0.61%, 0.71%

LAB 79.66, 4.01, 33.05

 

CMYK 0 / 10 / 27 / 8

HEX #EAD2AA

RGB 234 210 170

HSL 37.5, 0.6%, 0.79%

LAB 85.24, 2.38, 22.9

 

CMYK 0 / 20 / 53 / 14

HEX #DBB068

RGB 219 176 104

HSL 37.57, 0.61%, 0.63%

LAB 74.26, 7, 42.5

 

CMYK 43 / 0 / 53 / 15

HEX #7CDA67

RGB 124 218 103

HSL 109.04, 0.61%, 0.63%

LAB 79.28, -49.47, 47.56

 

CMYK 41 / 53 / 0 / 15

HEX #8067DA

RGB 128 103 218

HSL 253.04, 0.61%, 0.63%

LAB 51.1, 37.05, -55.83

 

CMYK 0 / 20 / 53 / 14

HEX #DBB068

RGB 219 176 104

HSL 37.57, 0.61%, 0.63%

LAB 74.26, 7, 42.5

 

CMYK 53 / 0 / 20 / 15

HEX #67DAAE

RGB 103 218 174

HSL 157.04, 0.61%, 0.63%

LAB 79.66, -43.01, 11.82

 

CMYK 20 / 53 / 0 / 15

HEX #AE67DA

RGB 174 103 218

HSL 277.04, 0.61%, 0.63%

LAB 55.85, 48.56, -47.97

 

CMYK 0 / 20 / 53 / 14

HEX #DBB068

RGB 219 176 104

HSL 37.57, 0.61%, 0.63%

LAB 74.26, 7, 42.5

 

CMYK 43 / 0 / 53 / 15

HEX #7CDA67

RGB 124 218 103

HSL 109.04, 0.61%, 0.63%

LAB 79.28, -49.47, 47.56

 

CMYK 53 / 33 / 0 / 15

HEX #6793DA

RGB 103 147 218

HSL 217.04, 0.61%, 0.63%

LAB 60.62, 5.13, -40.83

 

CMYK 10 / 53 / 0 / 15

HEX #C567DA

RGB 197 103 218

HSL 289.04, 0.61%, 0.63%

LAB 58.63, 54.65, -43.39

 

CMYK 0 / 20 / 53 / 14

HEX #DBB068

RGB 219 176 104

HSL 37.57, 0.61%, 0.63%

LAB 74.26, 7, 42.5

 

CMYK 53 / 0 / 46 / 15

HEX #67DA75

RGB 103 218 117

HSL 127.3, 0.61%, 0.63%

LAB 78.64, -53.44, 39.85

 

CMYK 53 / 33 / 0 / 15

HEX #6793DA

RGB 103 147 218

HSL 217.04, 0.61%, 0.63%

LAB 60.62, 5.13, -40.83

 

CMYK 0 / 53 / 6 / 15

HEX #DA67CD

RGB 218 103 205

HSL 306.78, 0.61%, 0.63%

LAB 60.79, 58.06, -32.47

 

Description

Color code: HEX #DBB068 | qconv.com Color code: HEX #DBB068 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 176 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 176 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 53 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 53% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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