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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBB054 it is the complementary color #244FAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBB054. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBB054 shade: #E0B04F, #F1C262, #FFD475, #FFE688 and #FFF89B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBB054. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBB054 shade: #DBB054, #CA9E41, #B98C2E, #A87A1B and #976808

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBB054 shade: #DAAF52, #DA8A52, #DA6652 and #DA5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBB054 shade: #DAAF52, #DAD452, #BCDA52, #98DA52 and #73DA52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBB054 shade matches the following richer shades: #DAAF52, #EBB542 and #FCBB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBB054 shade: #DAAF52, #C9A963, #B9A374, #A89D85 and #979796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBB054 shade: #DA6552, #DA8952, #DAAD52, #DAD152 and #BFDA52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBB054 shade: #B48726, #D39F30, #DAAF52, #E2BF75 and #E9CF97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBB054 shade: #DBB054, #65DA52 and #7752DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBB054 shade: #DBB054, #52DAAD and #AD52DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBB054 shade: #DBB054, #65DA52, #5280DA and #C852DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBB054 shade: #DBB054, #52DA69, #5280DA and #DA52C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 62 / 14

HEX #DBB054

RGB 219 176 84

HSL 40.89, 0.65%, 0.59%

LAB 74.03, 5.46, 52

 

Complementary color

CMYK 79 / 54 / 0 / 33

HEX #244FAB

RGB 36 79 171

HSL 220.89, 0.65%, 0.41%

LAB 35.81, 19.43, -53.53

 

CMYK 0 / 21 / 65 / 12

HEX #E0B04F

RGB 224 176 79

HSL 40.14, 0.7%, 0.59%

LAB 74.48, 7.26, 54.95

 

CMYK 0 / 20 / 59 / 5

HEX #F1C262

RGB 241 194 98

HSL 40.28, 0.84%, 0.66%

LAB 80.83, 6.17, 53.76

 

CMYK 0 / 17 / 54 / 0

HEX #FFD475

RGB 255 212 117

HSL 41.3, 1%, 0.73%

LAB 86.82, 4.01, 52.11

 

CMYK 0 / 10 / 47 / 0

HEX #FFE688

RGB 255 230 136

HSL 47.39, 1%, 0.77%

LAB 91.52, -3.51, 48.68

 

CMYK 0 / 3 / 39 / 0

HEX #FFF89B

RGB 255 248 155

HSL 55.8, 1%, 0.8%

LAB 96.31, -10.6, 45.47

 

CMYK 0 / 20 / 62 / 14

HEX #DBB054

RGB 219 176 84

HSL 40.89, 0.65%, 0.59%

LAB 74.03, 5.46, 52

 

CMYK 0 / 22 / 68 / 21

HEX #CA9E41

RGB 202 158 65

HSL 40.73, 0.56%, 0.52%

LAB 67.57, 6.63, 53.13

 

CMYK 0 / 24 / 75 / 27

HEX #B98C2E

RGB 185 140 46

HSL 40.58, 0.6%, 0.45%

LAB 61.02, 8, 53.99

 

CMYK 0 / 27 / 84 / 34

HEX #A87A1B

RGB 168 122 27

HSL 40.43, 0.72%, 0.38%

LAB 54.37, 9.64, 54.19

 

CMYK 0 / 31 / 95 / 41

HEX #976808

RGB 151 104 8

HSL 40.28, 0.9%, 0.31%

LAB 47.62, 11.61, 53.01

 

CMYK 0 / 20 / 62 / 15

HEX #DAAF52

RGB 218 175 82

HSL 41.03, 0.65%, 0.59%

LAB 73.66, 5.44, 52.49

 

CMYK 0 / 37 / 62 / 15

HEX #DA8A52

RGB 218 138 82

HSL 24.71, 0.65%, 0.59%

LAB 64.72, 25.29, 42.22

 

CMYK 0 / 53 / 62 / 15

HEX #DA6652

RGB 218 102 82

HSL 8.82, 0.65%, 0.59%

LAB 57.09, 43.97, 33

 

CMYK 0 / 62 / 62 / 15

HEX #DA5252

RGB 218 82 82

HSL 0, 0.65%, 0.59%

LAB 53.55, 53.26, 28.55

 

CMYK 0 / 20 / 62 / 15

HEX #DAAF52

RGB 218 175 82

HSL 41.03, 0.65%, 0.59%

LAB 73.66, 5.44, 52.49

 

CMYK 0 / 3 / 62 / 15

HEX #DAD452

RGB 218 212 82

HSL 57.35, 0.65%, 0.59%

LAB 83.23, -13.66, 62.93

 

CMYK 14 / 0 / 62 / 15

HEX #BCDA52

RGB 188 218 82

HSL 73.24, 0.65%, 0.59%

LAB 82.62, -28.75, 61.6

 

CMYK 30 / 0 / 62 / 15

HEX #98DA52

RGB 152 218 82

HSL 89.12, 0.65%, 0.59%

LAB 80.42, -42.34, 58.58

 

CMYK 47 / 0 / 62 / 15

HEX #73DA52

RGB 115 218 82

HSL 105.44, 0.65%, 0.59%

LAB 78.69, -54.39, 56.19

 

CMYK 0 / 20 / 62 / 15

HEX #DAAF52

RGB 218 175 82

HSL 41.03, 0.65%, 0.59%

LAB 73.66, 5.44, 52.49

 

CMYK 0 / 23 / 72 / 8

HEX #EBB542

RGB 235 181 66

HSL 40.83, 0.81%, 0.59%

LAB 76.74, 8.58, 63.24

 

CMYK 0 / 26 / 81 / 1

HEX #FCBB31

RGB 252 187 49

HSL 40.79, 0.97%, 0.59%

LAB 79.87, 11.99, 72.94

 

CMYK 0 / 20 / 62 / 15

HEX #DAAF52

RGB 218 175 82

HSL 41.03, 0.65%, 0.59%

LAB 73.66, 5.44, 52.49

 

CMYK 0 / 16 / 51 / 21

HEX #C9A963

RGB 201 169 99

HSL 41.18, 0.49%, 0.59%

LAB 70.66, 2.8, 40.23

 

CMYK 0 / 12 / 37 / 27

HEX #B9A374

RGB 185 163 116

HSL 40.87, 0.33%, 0.59%

LAB 67.85, 1.2, 27.38

 

CMYK 0 / 7 / 21 / 34

HEX #A89D85

RGB 168 157 133

HSL 41.14, 0.17%, 0.59%

LAB 65.07, -0.01, 14.01

 

CMYK 0 / 0 / 1 / 41

HEX #979796

RGB 151 151 150

HSL 60, 0%, 0.59%

LAB 62.44, -0.19, 0.52

 

CMYK 0 / 54 / 62 / 15

HEX #DA6552

RGB 218 101 82

HSL 8.38, 0.65%, 0.59%

LAB 56.9, 44.46, 32.76

 

CMYK 0 / 37 / 62 / 15

HEX #DA8952

RGB 218 137 82

HSL 24.26, 0.65%, 0.59%

LAB 64.49, 25.82, 41.95

 

CMYK 0 / 21 / 62 / 15

HEX #DAAD52

RGB 218 173 82

HSL 40.15, 0.65%, 0.59%

LAB 73.16, 6.5, 51.93

 

CMYK 0 / 4 / 62 / 15

HEX #DAD152

RGB 218 209 82

HSL 56.03, 0.65%, 0.59%

LAB 82.44, -12.16, 62.09

 

CMYK 12 / 0 / 62 / 15

HEX #BFDA52

RGB 191 218 82

HSL 71.91, 0.65%, 0.59%

LAB 82.82, -27.56, 61.89

 

CMYK 0 / 25 / 79 / 29

HEX #B48726

RGB 180 135 38

HSL 40.99, 0.65%, 0.43%

LAB 59.13, 8.2, 55.11

 

CMYK 0 / 25 / 77 / 17

HEX #D39F30

RGB 211 159 48

HSL 40.86, 0.65%, 0.51%

LAB 68.65, 9.19, 61.49

 

CMYK 0 / 20 / 62 / 15

HEX #DAAF52

RGB 218 175 82

HSL 41.03, 0.65%, 0.59%

LAB 73.66, 5.44, 52.49

 

CMYK 0 / 15 / 48 / 11

HEX #E2BF75

RGB 226 191 117

HSL 40.73, 0.65%, 0.67%

LAB 78.88, 3.12, 41.79

 

CMYK 0 / 11 / 35 / 9

HEX #E9CF97

RGB 233 207 151

HSL 40.98, 0.65%, 0.75%

LAB 84.06, 1.17, 31.18

 

CMYK 0 / 20 / 62 / 14

HEX #DBB054

RGB 219 176 84

HSL 40.89, 0.65%, 0.59%

LAB 74.03, 5.46, 52

 

CMYK 54 / 0 / 62 / 15

HEX #65DA52

RGB 101 218 82

HSL 111.62, 0.65%, 0.59%

LAB 78.18, -58.25, 55.48

 

CMYK 45 / 62 / 0 / 15

HEX #7752DA

RGB 119 82 218

HSL 256.32, 0.65%, 0.59%

LAB 45.66, 47.06, -64.65

 

CMYK 0 / 20 / 62 / 14

HEX #DBB054

RGB 219 176 84

HSL 40.89, 0.65%, 0.59%

LAB 74.03, 5.46, 52

 

CMYK 62 / 0 / 21 / 15

HEX #52DAAD

RGB 82 218 173

HSL 160.15, 0.65%, 0.59%

LAB 79.01, -47.47, 11.35

 

CMYK 21 / 62 / 0 / 15

HEX #AD52DA

RGB 173 82 218

HSL 280.15, 0.65%, 0.59%

LAB 51.82, 58.78, -54.41

 

CMYK 0 / 20 / 62 / 14

HEX #DBB054

RGB 219 176 84

HSL 40.89, 0.65%, 0.59%

LAB 74.03, 5.46, 52

 

CMYK 54 / 0 / 62 / 15

HEX #65DA52

RGB 101 218 82

HSL 111.62, 0.65%, 0.59%

LAB 78.18, -58.25, 55.48

 

CMYK 62 / 41 / 0 / 15

HEX #5280DA

RGB 82 128 218

HSL 219.71, 0.65%, 0.59%

LAB 54.34, 12.21, -50.83

 

CMYK 8 / 62 / 0 / 15

HEX #C852DA

RGB 200 82 218

HSL 292.06, 0.65%, 0.59%

LAB 55.46, 65.09, -48.39

 

CMYK 0 / 20 / 62 / 14

HEX #DBB054

RGB 219 176 84

HSL 40.89, 0.65%, 0.59%

LAB 74.03, 5.46, 52

 

CMYK 62 / 0 / 52 / 15

HEX #52DA69

RGB 82 218 105

HSL 130.15, 0.65%, 0.59%

LAB 77.85, -59.98, 44.54

 

CMYK 62 / 41 / 0 / 15

HEX #5280DA

RGB 82 128 218

HSL 219.71, 0.65%, 0.59%

LAB 54.34, 12.21, -50.83

 

CMYK 0 / 62 / 10 / 15

HEX #DA52C4

RGB 218 82 196

HSL 309.71, 0.65%, 0.59%

LAB 57, 65.85, -33.25

 

Description

Color code: HEX #DBB054 | qconv.com Color code: HEX #DBB054 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 176 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 176 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 62 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 62% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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