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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBAEE2 it is the complementary color #24511D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBAEE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBAEE2 shade: #E0AEDD, #F1C0F0, #FFD2FF, #FFE4FF and #FFF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBAEE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBAEE2 shade: #DBAEE2, #CA9CCF, #B98ABC, #A878A9 and #976696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBAEE2 shade: #DAADE1, #E1ADDA, #E1ADCC, #E1ADBE and #E1ADAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBAEE2 shade: #DAADE1, #CCADE1, #BEADE1, #B0ADE1 and #ADADE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBAEE2 shade matches the following richer shades: #DAADE1, #E1A3EA, #E79AF3 and #EE91FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBAEE2 shade: #DAADE1, #D4B6D8, #CDBFCF, #C6C8C6 and #C0D1BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBAEE2 shade: #BDADE1, #CBADE1, #D9ADE1, #E1ADDB and #E1ADCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBAEE2 shade: #BF70CB, #CD8ED6, #DAADE1, #E8CBEC and #F5E9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBAEE2 shade: #DBAEE2, #E1AFAD and #ADE1C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBAEE2 shade: #DBAEE2, #E1D9AD and #ADE1D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBAEE2 shade: #DBAEE2, #E1AFAD, #B4E1AD and #ADDFE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBAEE2 shade: #DBAEE2, #E1BFAD, #B4E1AD and #ADCFE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 23 / 0 / 11

HEX #DBAEE2

RGB 219 174 226

HSL 291.92, 0.47%, 0.78%

LAB 76.57, 25.27, -19.88

 

Complementary color

CMYK 56 / 0 / 64 / 68

HEX #24511D

RGB 36 81 29

HSL 111.92, 0.47%, 0.22%

LAB 30.28, -27.13, 25.46

 

CMYK 0 / 22 / 1 / 12

HEX #E0AEDD

RGB 224 174 221

HSL 303.6, 0.45%, 0.78%

LAB 76.88, 25.98, -16.65

 

CMYK 0 / 20 / 0 / 5

HEX #F1C0F0

RGB 241 192 240

HSL 301.22, 0.64%, 0.85%

LAB 83.28, 25.43, -17.08

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 3 / 23 / 0 / 11

HEX #DBAEE2

RGB 219 174 226

HSL 291.92, 0.47%, 0.78%

LAB 76.57, 25.27, -19.88

 

CMYK 2 / 25 / 0 / 19

HEX #CA9CCF

RGB 202 156 207

HSL 294.12, 0.35%, 0.71%

LAB 70.06, 25.85, -19.51

 

CMYK 2 / 27 / 0 / 26

HEX #B98ABC

RGB 185 138 188

HSL 296.4, 0.27%, 0.64%

LAB 63.44, 26.47, -19.12

 

CMYK 1 / 29 / 0 / 34

HEX #A878A9

RGB 168 120 169

HSL 298.78, 0.22%, 0.57%

LAB 56.71, 27.15, -18.72

 

CMYK 0 / 32 / 1 / 41

HEX #976696

RGB 151 102 150

HSL 301.22, 0.19%, 0.5%

LAB 49.84, 27.87, -18.3

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE1

RGB 218 173 225

HSL 291.92, 0.46%, 0.78%

LAB 76.21, 25.29, -19.9

 

CMYK 0 / 23 / 3 / 12

HEX #E1ADDA

RGB 225 173 218

HSL 308.08, 0.46%, 0.78%

LAB 76.65, 26.31, -15.36

 

CMYK 0 / 23 / 9 / 12

HEX #E1ADCC

RGB 225 173 204

HSL 324.23, 0.46%, 0.78%

LAB 76.23, 23.86, -8.38

 

CMYK 0 / 23 / 16 / 12

HEX #E1ADBE

RGB 225 173 190

HSL 340.38, 0.46%, 0.78%

LAB 75.83, 21.56, -1.32

 

CMYK 0 / 23 / 22 / 12

HEX #E1ADAF

RGB 225 173 175

HSL 357.69, 0.46%, 0.78%

LAB 75.45, 19.27, 6.32

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE1

RGB 218 173 225

HSL 291.92, 0.46%, 0.78%

LAB 76.21, 25.29, -19.9

 

CMYK 9 / 23 / 0 / 12

HEX #CCADE1

RGB 204 173 225

HSL 275.77, 0.46%, 0.78%

LAB 74.93, 20.75, -21.97

 

CMYK 16 / 23 / 0 / 12

HEX #BEADE1

RGB 190 173 225

HSL 259.62, 0.46%, 0.78%

LAB 73.72, 16.28, -23.91

 

CMYK 22 / 23 / 0 / 12

HEX #B0ADE1

RGB 176 173 225

HSL 243.46, 0.46%, 0.78%

LAB 72.6, 11.92, -25.73

 

CMYK 23 / 23 / 0 / 12

HEX #ADADE1

RGB 173 173 225

HSL 240, 0.46%, 0.78%

LAB 72.37, 11.01, -26.1

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE1

RGB 218 173 225

HSL 291.92, 0.46%, 0.78%

LAB 76.21, 25.29, -19.9

 

CMYK 4 / 30 / 0 / 8

HEX #E1A3EA

RGB 225 163 234

HSL 292.39, 0.63%, 0.78%

LAB 74.91, 34.65, -26.7

 

CMYK 5 / 37 / 0 / 5

HEX #E79AF3

RGB 231 154 243

HSL 291.91, 0.79%, 0.78%

LAB 73.91, 42.99, -33.08

 

CMYK 6 / 42 / 0 / 1

HEX #EE91FC

RGB 238 145 252

HSL 292.15, 0.95%, 0.78%

LAB 73.19, 51.4, -39.03

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE1

RGB 218 173 225

HSL 291.92, 0.46%, 0.78%

LAB 76.21, 25.29, -19.9

 

CMYK 2 / 16 / 0 / 15

HEX #D4B6D8

RGB 212 182 216

HSL 292.94, 0.3%, 0.78%

LAB 77.53, 16.72, -13.08

 

CMYK 1 / 8 / 0 / 19

HEX #CDBFCF

RGB 205 191 207

HSL 292.5, 0.14%, 0.78%

LAB 78.89, 7.81, -6.24

 

CMYK 1 / 0 / 1 / 22

HEX #C6C8C6

RGB 198 200 198

HSL 120, 0.02%, 0.78%

LAB 80.4, -1.05, 0.75

 

CMYK 8 / 0 / 10 / 18

HEX #C0D1BD

RGB 192 209 189

HSL 111, 0.18%, 0.78%

LAB 82.1, -9.43, 7.96

 

CMYK 16 / 23 / 0 / 12

HEX #BDADE1

RGB 189 173 225

HSL 258.46, 0.46%, 0.78%

LAB 73.64, 15.96, -24.05

 

CMYK 10 / 23 / 0 / 12

HEX #CBADE1

RGB 203 173 225

HSL 274.62, 0.46%, 0.78%

LAB 74.84, 20.42, -22.11

 

CMYK 4 / 23 / 0 / 12

HEX #D9ADE1

RGB 217 173 225

HSL 290.77, 0.46%, 0.78%

LAB 76.12, 24.97, -20.05

 

CMYK 0 / 23 / 3 / 12

HEX #E1ADDB

RGB 225 173 219

HSL 306.92, 0.46%, 0.78%

LAB 76.68, 26.49, -15.85

 

CMYK 0 / 23 / 9 / 12

HEX #E1ADCD

RGB 225 173 205

HSL 323.08, 0.46%, 0.78%

LAB 76.25, 24.03, -8.88

 

CMYK 6 / 45 / 0 / 20

HEX #BF70CB

RGB 191 112 203

HSL 292.09, 0.47%, 0.62%

LAB 58.95, 45.46, -34.47

 

CMYK 4 / 34 / 0 / 16

HEX #CD8ED6

RGB 205 142 214

HSL 292.5, 0.47%, 0.7%

LAB 67.41, 35.82, -27.41

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE1

RGB 218 173 225

HSL 291.92, 0.46%, 0.78%

LAB 76.21, 25.29, -19.9

 

CMYK 2 / 14 / 0 / 7

HEX #E8CBEC

RGB 232 203 236

HSL 292.73, 0.46%, 0.86%

LAB 84.96, 15.89, -12.52

 

CMYK 1 / 6 / 0 / 3

HEX #F5E9F7

RGB 245 233 247

HSL 291.43, 0.47%, 0.94%

LAB 93.63, 6.5, -5.32

 

CMYK 3 / 23 / 0 / 11

HEX #DBAEE2

RGB 219 174 226

HSL 291.92, 0.47%, 0.78%

LAB 76.57, 25.27, -19.88

 

CMYK 0 / 22 / 23 / 12

HEX #E1AFAD

RGB 225 175 173

HSL 2.31, 0.46%, 0.78%

LAB 75.88, 17.91, 8.03

 

CMYK 23 / 0 / 13 / 12

HEX #ADE1C4

RGB 173 225 196

HSL 146.54, 0.46%, 0.78%

LAB 85.36, -22.48, 8.77

 

CMYK 3 / 23 / 0 / 11

HEX #DBAEE2

RGB 219 174 226

HSL 291.92, 0.47%, 0.78%

LAB 76.57, 25.27, -19.88

 

CMYK 0 / 4 / 23 / 12

HEX #E1D9AD

RGB 225 217 173

HSL 50.77, 0.46%, 0.78%

LAB 86.33, -4.19, 22.71

 

CMYK 23 / 0 / 4 / 12

HEX #ADE1D9

RGB 173 225 217

HSL 170.77, 0.46%, 0.78%

LAB 85.88, -18.27, -1.55

 

CMYK 3 / 23 / 0 / 11

HEX #DBAEE2

RGB 219 174 226

HSL 291.92, 0.47%, 0.78%

LAB 76.57, 25.27, -19.88

 

CMYK 0 / 22 / 23 / 12

HEX #E1AFAD

RGB 225 175 173

HSL 2.31, 0.46%, 0.78%

LAB 75.88, 17.91, 8.03

 

CMYK 20 / 0 / 23 / 12

HEX #B4E1AD

RGB 180 225 173

HSL 111.92, 0.46%, 0.78%

LAB 85.29, -24.29, 20.77

 

CMYK 23 / 1 / 0 / 12

HEX #ADDFE1

RGB 173 223 225

HSL 182.31, 0.46%, 0.78%

LAB 85.55, -15.56, -6.26

 

CMYK 3 / 23 / 0 / 11

HEX #DBAEE2

RGB 219 174 226

HSL 291.92, 0.47%, 0.78%

LAB 76.57, 25.27, -19.88

 

CMYK 0 / 15 / 23 / 12

HEX #E1BFAD

RGB 225 191 173

HSL 20.77, 0.46%, 0.78%

LAB 79.78, 9.37, 13.57

 

CMYK 20 / 0 / 23 / 12

HEX #B4E1AD

RGB 180 225 173

HSL 111.92, 0.46%, 0.78%

LAB 85.29, -24.29, 20.77

 

CMYK 23 / 8 / 0 / 12

HEX #ADCFE1

RGB 173 207 225

HSL 200.77, 0.46%, 0.78%

LAB 81.26, -7.33, -12.64

 

Description

Color code: HEX #DBAEE2 | qconv.com Color code: HEX #DBAEE2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 174 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 174 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 23 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 23% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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