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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBADEF it is the complementary color #245210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBADEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBADEF shade: #E0ADEA, #F1BFFD, #FFD1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBADEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBADEF shade: #DBADEF, #CA9BDC, #B989C9, #A877B6 and #9765A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBADEF shade: #DBAEEF, #ECAEEF, #EFAEDF, #EFAECE and #EFAEBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBADEF shade: #DBAEEF, #C9AEEF, #B8AEEF and #AEAEEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBADEF shade matches the following richer shades: #DBAEEF, #DEA6F6 and #E19EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBADEF shade: #DBAEEF, #D8B5E7, #D5BDDF, #D2C5D7 and #CECDCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBADEF shade: #B7AEEF, #C9AEEF, #DAAEEF, #EBAEEF and #EFAEE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBADEF shade: #BC69E1, #CC8BE8, #DBAEEF, #EAD0F5 and #F9F2FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBADEF shade: #DBADEF, #EFAEB5 and #AEEFC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBADEF shade: #DBADEF, #EFDAAE and #AEEFDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBADEF shade: #DBADEF, #EFAEB5, #C2EFAE and #AEEFE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBADEF shade: #DBADEF, #EFB9AE, #C2EFAE and #AEE3EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 28 / 0 / 6

HEX #DBADEF

RGB 219 173 239

HSL 281.82, 0.67%, 0.81%

LAB 76.79, 28.34, -26.59

 

Complementary color

CMYK 56 / 0 / 80 / 68

HEX #245210

RGB 36 82 16

HSL 101.82, 0.67%, 0.19%

LAB 30.51, -28.95, 31.91

 

CMYK 4 / 26 / 0 / 8

HEX #E0ADEA

RGB 224 173 234

HSL 290.16, 0.59%, 0.8%

LAB 77.09, 28.96, -23.39

 

CMYK 5 / 25 / 0 / 1

HEX #F1BFFD

RGB 241 191 253

HSL 288.39, 0.94%, 0.87%

LAB 83.47, 28.38, -23.72

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 8 / 28 / 0 / 6

HEX #DBADEF

RGB 219 173 239

HSL 281.82, 0.67%, 0.81%

LAB 76.79, 28.34, -26.59

 

CMYK 8 / 30 / 0 / 14

HEX #CA9BDC

RGB 202 155 220

HSL 283.38, 0.48%, 0.74%

LAB 70.29, 28.96, -26.32

 

CMYK 8 / 32 / 0 / 21

HEX #B989C9

RGB 185 137 201

HSL 285, 0.37%, 0.66%

LAB 63.69, 29.62, -26.05

 

CMYK 8 / 35 / 0 / 29

HEX #A877B6

RGB 168 119 182

HSL 286.67, 0.3%, 0.59%

LAB 56.97, 30.33, -25.78

 

CMYK 7 / 38 / 0 / 36

HEX #9765A3

RGB 151 101 163

HSL 288.39, 0.25%, 0.52%

LAB 50.13, 31.09, -25.49

 

CMYK 8 / 27 / 0 / 6

HEX #DBAEEF

RGB 219 174 239

HSL 281.54, 0.67%, 0.81%

LAB 77.02, 27.8, -26.24

 

CMYK 1 / 27 / 0 / 6

HEX #ECAEEF

RGB 236 174 239

HSL 297.23, 0.67%, 0.81%

LAB 78.66, 33.2, -23.59

 

CMYK 0 / 27 / 7 / 6

HEX #EFAEDF

RGB 239 174 223

HSL 314.77, 0.67%, 0.81%

LAB 78.43, 31.33, -15.25

 

CMYK 0 / 27 / 14 / 6

HEX #EFAECE

RGB 239 174 206

HSL 330.46, 0.67%, 0.81%

LAB 77.92, 28.5, -6.79

 

CMYK 0 / 27 / 21 / 6

HEX #EFAEBC

RGB 239 174 188

HSL 347.08, 0.67%, 0.81%

LAB 77.43, 25.74, 2.28

 

CMYK 8 / 27 / 0 / 6

HEX #DBAEEF

RGB 219 174 239

HSL 281.54, 0.67%, 0.81%

LAB 77.02, 27.8, -26.24

 

CMYK 16 / 27 / 0 / 6

HEX #C9AEEF

RGB 201 174 239

HSL 264.92, 0.67%, 0.81%

LAB 75.4, 22.18, -28.86

 

CMYK 23 / 27 / 0 / 6

HEX #B8AEEF

RGB 184 174 239

HSL 249.23, 0.67%, 0.81%

LAB 73.99, 17.02, -31.14

 

CMYK 27 / 27 / 0 / 6

HEX #AEAEEF

RGB 174 174 239

HSL 240, 0.67%, 0.81%

LAB 73.22, 14.07, -32.4

 

CMYK 8 / 27 / 0 / 6

HEX #DBAEEF

RGB 219 174 239

HSL 281.54, 0.67%, 0.81%

LAB 77.02, 27.8, -26.24

 

CMYK 10 / 33 / 0 / 4

HEX #DEA6F6

RGB 222 166 246

HSL 282, 0.82%, 0.81%

LAB 75.73, 34.45, -31.97

 

CMYK 11 / 38 / 0 / 0

HEX #E19EFE

RGB 225 158 254

HSL 281.88, 0.98%, 0.81%

LAB 74.58, 41.24, -38.06

 

CMYK 8 / 27 / 0 / 6

HEX #DBAEEF

RGB 219 174 239

HSL 281.54, 0.67%, 0.81%

LAB 77.02, 27.8, -26.24

 

CMYK 6 / 22 / 0 / 9

HEX #D8B5E7

RGB 216 181 231

HSL 282, 0.51%, 0.81%

LAB 78.12, 21.47, -20.27

 

CMYK 4 / 15 / 0 / 13

HEX #D5BDDF

RGB 213 189 223

HSL 282.35, 0.35%, 0.81%

LAB 79.54, 14.61, -13.84

 

CMYK 2 / 8 / 0 / 16

HEX #D2C5D7

RGB 210 197 215

HSL 283.33, 0.18%, 0.81%

LAB 81.04, 7.8, -7.33

 

CMYK 0 / 1 / 0 / 19

HEX #CECDCF

RGB 206 205 207

HSL 270, 0.02%, 0.81%

LAB 82.53, 0.71, -0.88

 

CMYK 23 / 27 / 0 / 6

HEX #B7AEEF

RGB 183 174 239

HSL 248.31, 0.67%, 0.81%

LAB 73.91, 16.72, -31.27

 

CMYK 16 / 27 / 0 / 6

HEX #C9AEEF

RGB 201 174 239

HSL 264.92, 0.67%, 0.81%

LAB 75.4, 22.18, -28.86

 

CMYK 9 / 27 / 0 / 6

HEX #DAAEEF

RGB 218 174 239

HSL 280.62, 0.67%, 0.81%

LAB 76.93, 27.49, -26.39

 

CMYK 2 / 27 / 0 / 6

HEX #EBAEEF

RGB 235 174 239

HSL 296.31, 0.67%, 0.81%

LAB 78.56, 32.88, -23.75

 

CMYK 0 / 27 / 6 / 6

HEX #EFAEE0

RGB 239 174 224

HSL 313.85, 0.67%, 0.81%

LAB 78.46, 31.5, -15.75

 

CMYK 16 / 53 / 0 / 12

HEX #BC69E1

RGB 188 105 225

HSL 281.5, 0.67%, 0.65%

LAB 58.26, 52.69, -47.99

 

CMYK 12 / 40 / 0 / 9

HEX #CC8BE8

RGB 204 139 232

HSL 281.94, 0.67%, 0.73%

LAB 67.37, 40.73, -37.43

 

CMYK 8 / 27 / 0 / 6

HEX #DBAEEF

RGB 219 174 239

HSL 281.54, 0.67%, 0.81%

LAB 77.02, 27.8, -26.24

 

CMYK 4 / 15 / 0 / 4

HEX #EAD0F5

RGB 234 208 245

HSL 282.16, 0.65%, 0.89%

LAB 86.6, 15.58, -14.81

 

CMYK 1 / 4 / 0 / 1

HEX #F9F2FC

RGB 249 242 252

HSL 282, 0.63%, 0.97%

LAB 96.27, 4.1, -3.98

 

CMYK 8 / 28 / 0 / 6

HEX #DBADEF

RGB 219 173 239

HSL 281.82, 0.67%, 0.81%

LAB 76.79, 28.34, -26.59

 

CMYK 0 / 27 / 24 / 6

HEX #EFAEB5

RGB 239 174 181

HSL 353.54, 0.67%, 0.81%

LAB 77.26, 24.73, 5.84

 

CMYK 27 / 0 / 20 / 6

HEX #AEEFC0

RGB 174 239 192

HSL 136.62, 0.67%, 0.81%

LAB 89.18, -29.64, 16.28

 

CMYK 8 / 28 / 0 / 6

HEX #DBADEF

RGB 219 173 239

HSL 281.82, 0.67%, 0.81%

LAB 76.79, 28.34, -26.59

 

CMYK 0 / 9 / 27 / 6

HEX #EFDAAE

RGB 239 218 174

HSL 40.62, 0.67%, 0.81%

LAB 87.75, 0.66, 24.32

 

CMYK 27 / 0 / 9 / 6

HEX #AEEFDA

RGB 174 239 218

HSL 160.62, 0.67%, 0.81%

LAB 89.76, -24.64, 3.59

 

CMYK 8 / 28 / 0 / 6

HEX #DBADEF

RGB 219 173 239

HSL 281.82, 0.67%, 0.81%

LAB 76.79, 28.34, -26.59

 

CMYK 0 / 27 / 24 / 6

HEX #EFAEB5

RGB 239 174 181

HSL 353.54, 0.67%, 0.81%

LAB 77.26, 24.73, 5.84

 

CMYK 19 / 0 / 27 / 6

HEX #C2EFAE

RGB 194 239 174

HSL 101.54, 0.67%, 0.81%

LAB 89.98, -26.1, 26.83

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE7

RGB 174 239 231

HSL 172.62, 0.67%, 0.81%

LAB 90.09, -21.93, -2.71

 

CMYK 8 / 28 / 0 / 6

HEX #DBADEF

RGB 219 173 239

HSL 281.82, 0.67%, 0.81%

LAB 76.79, 28.34, -26.59

 

CMYK 0 / 23 / 27 / 6

HEX #EFB9AE

RGB 239 185 174

HSL 10.15, 0.67%, 0.81%

LAB 79.67, 17.92, 13.08

 

CMYK 19 / 0 / 27 / 6

HEX #C2EFAE

RGB 194 239 174

HSL 101.54, 0.67%, 0.81%

LAB 89.98, -26.1, 26.83

 

CMYK 27 / 5 / 0 / 6

HEX #AEE3EF

RGB 174 227 239

HSL 191.08, 0.67%, 0.81%

LAB 87.08, -14.19, -11.36

 

Description

Color code: HEX #DBADEF | qconv.com Color code: HEX #DBADEF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 173 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 173 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 28 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 28% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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