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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBAD63 it is the complementary color #24529C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBAD63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBAD63 shade: #E0AD5E, #F1BF71, #FFD184, #FFE397 and #FFF5AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBAD63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBAD63 shade: #DBAD63, #CA9B50, #B9893D, #A8772A and #976517

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBAD63 shade: #DBAC61, #DB8B61, #DB6A61 and #DB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBAD63 shade: #DBAC61, #DBCD61, #C8DB61, #A7DB61 and #86DB61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBAD63 shade matches the following richer shades: #DBAC61, #EBB051 and #FBB442

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBAD63 shade: #DBAC61, #CBA971, #BCA580, #ACA190 and #9C9EA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBAD63 shade: #DB6B61, #DB8C61, #DBAC61, #DBCD61 and #C9DB61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBAD63 shade: #BE862B, #D49B3F, #DBAC61, #E3BE83 and #EAD0A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBAD63 shade: #DBAD63, #77DB61 and #7C61DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBAD63 shade: #DBAD63, #61DBAC and #AC61DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBAD63 shade: #DBAD63, #77DB61, #6190DB and #C561DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBAD63 shade: #DBAD63, #61DB6F, #6190DB and #DB61CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 55 / 14

HEX #DBAD63

RGB 219 173 99

HSL 37, 0.63%, 0.62%

LAB 73.45, 8.18, 44.03

 

Complementary color

CMYK 77 / 47 / 0 / 39

HEX #24529C

RGB 36 82 156

HSL 217, 0.63%, 0.38%

LAB 35.62, 11.54, -44.86

 

CMYK 0 / 23 / 58 / 12

HEX #E0AD5E

RGB 224 173 94

HSL 36.46, 0.68%, 0.62%

LAB 73.9, 9.87, 47.17

 

CMYK 0 / 21 / 53 / 5

HEX #F1BF71

RGB 241 191 113

HSL 36.56, 0.82%, 0.69%

LAB 80.27, 8.88, 45.83

 

CMYK 0 / 18 / 48 / 0

HEX #FFD184

RGB 255 209 132

HSL 37.56, 1%, 0.76%

LAB 86.27, 6.83, 44.1

 

CMYK 0 / 11 / 41 / 0

HEX #FFE397

RGB 255 227 151

HSL 43.85, 1%, 0.8%

LAB 90.98, -0.52, 40.61

 

CMYK 0 / 4 / 33 / 0

HEX #FFF5AA

RGB 255 245 170

HSL 52.94, 1%, 0.83%

LAB 95.78, -7.46, 37.37

 

CMYK 0 / 21 / 55 / 14

HEX #DBAD63

RGB 219 173 99

HSL 37, 0.63%, 0.62%

LAB 73.45, 8.18, 44.03

 

CMYK 0 / 23 / 60 / 21

HEX #CA9B50

RGB 202 155 80

HSL 36.89, 0.54%, 0.55%

LAB 66.96, 9.22, 45.39

 

CMYK 0 / 26 / 67 / 27

HEX #B9893D

RGB 185 137 61

HSL 36.77, 0.5%, 0.48%

LAB 60.38, 10.45, 46.7

 

CMYK 0 / 29 / 75 / 34

HEX #A8772A

RGB 168 119 42

HSL 36.67, 0.6%, 0.41%

LAB 53.69, 11.92, 47.8

 

CMYK 0 / 33 / 85 / 41

HEX #976517

RGB 151 101 23

HSL 36.56, 0.74%, 0.34%

LAB 46.91, 13.68, 48.3

 

CMYK 0 / 21 / 56 / 14

HEX #DBAC61

RGB 219 172 97

HSL 36.89, 0.63%, 0.62%

LAB 73.17, 8.55, 44.7

 

CMYK 0 / 37 / 56 / 14

HEX #DB8B61

RGB 219 139 97

HSL 20.66, 0.63%, 0.62%

LAB 65.27, 26.27, 35.01

 

CMYK 0 / 52 / 56 / 14

HEX #DB6A61

RGB 219 106 97

HSL 4.43, 0.63%, 0.62%

LAB 58.26, 43.45, 26.02

 

CMYK 0 / 56 / 56 / 14

HEX #DB6161

RGB 219 97 97

HSL 0, 0.63%, 0.62%

LAB 56.56, 47.82, 23.79

 

CMYK 0 / 21 / 56 / 14

HEX #DBAC61

RGB 219 172 97

HSL 36.89, 0.63%, 0.62%

LAB 73.17, 8.55, 44.7

 

CMYK 0 / 6 / 56 / 14

HEX #DBCD61

RGB 219 205 97

HSL 53.11, 0.63%, 0.62%

LAB 81.61, -8.68, 54.6

 

CMYK 9 / 0 / 56 / 14

HEX #C8DB61

RGB 200 219 97

HSL 69.34, 0.63%, 0.62%

LAB 83.86, -23.33, 56.77

 

CMYK 24 / 0 / 56 / 14

HEX #A7DB61

RGB 167 219 97

HSL 85.57, 0.63%, 0.62%

LAB 81.7, -36.01, 53.72

 

CMYK 39 / 0 / 56 / 14

HEX #86DB61

RGB 134 219 97

HSL 101.8, 0.63%, 0.62%

LAB 79.95, -47.45, 51.24

 

CMYK 0 / 21 / 56 / 14

HEX #DBAC61

RGB 219 172 97

HSL 36.89, 0.63%, 0.62%

LAB 73.17, 8.55, 44.7

 

CMYK 0 / 25 / 66 / 8

HEX #EBB051

RGB 235 176 81

HSL 37.01, 0.79%, 0.62%

LAB 75.64, 12.01, 55.64

 

CMYK 0 / 28 / 74 / 2

HEX #FBB442

RGB 251 180 66

HSL 36.97, 0.96%, 0.62%

LAB 78.2, 15.85, 65.25

 

CMYK 0 / 21 / 56 / 14

HEX #DBAC61

RGB 219 172 97

HSL 36.89, 0.63%, 0.62%

LAB 73.17, 8.55, 44.7

 

CMYK 0 / 17 / 44 / 20

HEX #CBA971

RGB 203 169 113

HSL 37.33, 0.46%, 0.62%

LAB 71.05, 5, 33.49

 

CMYK 0 / 12 / 32 / 26

HEX #BCA580

RGB 188 165 128

HSL 37, 0.31%, 0.62%

LAB 68.87, 2.83, 22.29

 

CMYK 0 / 6 / 16 / 33

HEX #ACA190

RGB 172 161 144

HSL 36.43, 0.14%, 0.62%

LAB 66.73, 1.08, 10.29

 

CMYK 2 / 1 / 0 / 37

HEX #9C9EA0

RGB 156 158 160

HSL 210, 0.02%, 0.62%

LAB 65.01, -0.33, -1.3

 

CMYK 0 / 51 / 56 / 14

HEX #DB6B61

RGB 219 107 97

HSL 4.92, 0.63%, 0.62%

LAB 58.45, 42.95, 26.27

 

CMYK 0 / 36 / 56 / 14

HEX #DB8C61

RGB 219 140 97

HSL 21.15, 0.63%, 0.62%

LAB 65.5, 25.73, 35.29

 

CMYK 0 / 21 / 56 / 14

HEX #DBAC61

RGB 219 172 97

HSL 36.89, 0.63%, 0.62%

LAB 73.17, 8.55, 44.7

 

CMYK 0 / 6 / 56 / 14

HEX #DBCD61

RGB 219 205 97

HSL 53.11, 0.63%, 0.62%

LAB 81.61, -8.68, 54.6

 

CMYK 8 / 0 / 56 / 14

HEX #C9DB61

RGB 201 219 97

HSL 68.85, 0.63%, 0.62%

LAB 83.94, -22.93, 56.87

 

CMYK 0 / 29 / 77 / 25

HEX #BE862B

RGB 190 134 43

HSL 37.14, 0.63%, 0.46%

LAB 60.04, 13.4, 54.45

 

CMYK 0 / 27 / 70 / 17

HEX #D49B3F

RGB 212 155 63

HSL 37.05, 0.63%, 0.54%

LAB 67.87, 12.46, 54.67

 

CMYK 0 / 21 / 56 / 14

HEX #DBAC61

RGB 219 172 97

HSL 36.89, 0.63%, 0.62%

LAB 73.17, 8.55, 44.7

 

CMYK 0 / 16 / 42 / 11

HEX #E3BE83

RGB 227 190 131

HSL 36.88, 0.63%, 0.7%

LAB 78.92, 5.44, 34.7

 

CMYK 0 / 11 / 30 / 8

HEX #EAD0A4

RGB 234 208 164

HSL 37.71, 0.63%, 0.78%

LAB 84.63, 2.63, 25.2

 

CMYK 0 / 21 / 55 / 14

HEX #DBAD63

RGB 219 173 99

HSL 37, 0.63%, 0.62%

LAB 73.45, 8.18, 44.03

 

CMYK 46 / 0 / 56 / 14

HEX #77DB61

RGB 119 219 97

HSL 109.18, 0.63%, 0.62%

LAB 79.3, -52.06, 50.31

 

CMYK 43 / 56 / 0 / 14

HEX #7C61DB

RGB 124 97 219

HSL 253.28, 0.63%, 0.62%

LAB 49.43, 39.9, -59.09

 

CMYK 0 / 21 / 55 / 14

HEX #DBAD63

RGB 219 173 99

HSL 37, 0.63%, 0.62%

LAB 73.45, 8.18, 44.03

 

CMYK 56 / 0 / 21 / 14

HEX #61DBAC

RGB 97 219 172

HSL 156.89, 0.63%, 0.62%

LAB 79.72, -45.18, 12.94

 

CMYK 21 / 56 / 0 / 14

HEX #AC61DB

RGB 172 97 219

HSL 276.89, 0.63%, 0.62%

LAB 54.49, 51.38, -50.72

 

CMYK 0 / 21 / 55 / 14

HEX #DBAD63

RGB 219 173 99

HSL 37, 0.63%, 0.62%

LAB 73.45, 8.18, 44.03

 

CMYK 46 / 0 / 56 / 14

HEX #77DB61

RGB 119 219 97

HSL 109.18, 0.63%, 0.62%

LAB 79.3, -52.06, 50.31

 

CMYK 56 / 34 / 0 / 14

HEX #6190DB

RGB 97 144 219

HSL 216.89, 0.63%, 0.62%

LAB 59.53, 5.91, -43.12

 

CMYK 10 / 56 / 0 / 14

HEX #C561DB

RGB 197 97 219

HSL 289.18, 0.63%, 0.62%

LAB 57.59, 57.76, -45.59

 

CMYK 0 / 21 / 55 / 14

HEX #DBAD63

RGB 219 173 99

HSL 37, 0.63%, 0.62%

LAB 73.45, 8.18, 44.03

 

CMYK 56 / 0 / 49 / 14

HEX #61DB6F

RGB 97 219 111

HSL 126.89, 0.63%, 0.62%

LAB 78.67, -56.16, 42.77

 

CMYK 56 / 34 / 0 / 14

HEX #6190DB

RGB 97 144 219

HSL 216.89, 0.63%, 0.62%

LAB 59.53, 5.91, -43.12

 

CMYK 0 / 56 / 6 / 14

HEX #DB61CD

RGB 219 97 205

HSL 306.89, 0.63%, 0.62%

LAB 59.9, 61.1, -33.84

 

Description

Color code: HEX #DBAD63 | qconv.com Color code: HEX #DBAD63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 173 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 173 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 55 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 55% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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